Jo Gabriel is MonsterGirl: Little Birds

I’m feeling a little nostalgic for the musiciany side of me this morning. I’ve got a lot of film posts coming up, but I don’t want to forget that my heart and roots are firmly grounded in being a singer/songwriter. For those of you who follow my little cinematic tirades, I though you might like to see a live performance of mine, and see the girl behind the MonsterGirl mask…

Here I am performing my song ‘Little Birds’ live at Hofstra University….

Your ever lovin’ MonsterGirl and Siren Joey

PS: I miss my dreadlocks

From The Vault: Lonelyhearts (1958)

“SOME WIVES CHEAT BECAUSE THEIR HUSBANDS DO…AND SOME BECAUSE THEY’RE JUST NO GOOD!”

LONELYHEARTS (1958)

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Directed by Vincent J. Donehue  Lonelyhearts is a compelling look at loneliness, human frailty often ugly and pathetic, infused with a wry cynicism yet underpinned with an air of redemption. Considered to be a bit of Noir, the milieu of the Newspaper room, the darkened city with it’s sordid inhabitants mulling about, and a man who is not quite what he appears to be has many of the tidings of a good noir, but I would say this film falls more into the genre of psychological melodrama. Based on Nathanael West’s (Day of the Locust) novel ‘Miss Lonelyhearts.’ and penned for the screen by producer/writer Dore Schary.

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Montgomery Clift  plays Adam White, a young writer hiding the truth about his childhood in the orphanage from his devoted girl Justy Sargeant played by the lovely (Dolores Hart).

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Adam is hired by The Chronicle’s harshly cynical Editor William Shrike played as only the gruff and unceremoniously sexy Robert Ryan can pull off , to be the exacting voice and conscience behind the “Miss Lonelyhearts”column for the paper. Myrna Loy plays a sympathetic and sad character as Shrike’s wife Florence who has fallen from grace in her husbands eyes, due to a prior indiscretion, something that Shrike continues to punish her for years later. The scenes between Loy and Ryan are captivating.

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The film’s dialogue is outstanding, as it plunges you into a dark night of the soul, while Shrike maliciously tries to teach his moral apprentice the bitter truth about life and what really lies behind the assortment of needy folk who reach out for advice. The wonderful stage actress Maureen Stapleton  received a nomination for an Academy Award for her dramatic portrayal of the very desperate and troubled Fay Doyle, in her first screen role. Equally commanding is character actor Frank Maxwell as Fay’s frustrated, crippled husband who loves his wife but hasn’t been able to make love to her in years.

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Shrike’s relentless determination to wear away the selfless and compassionate exterior of young Adam White and lay bare his failings as well as disarm him is like watching two boxers fight with their wits as Montgomery Clift’s Adam is so deft at maneuvering with his vastly layered, always intelligent and sensitively nuanced performance as an imperfect man struggling to be a good man. His altruistic ideals are blown to bits as he delves into the lives of the people who write in for help only to discover that he too a tortured soul in need of saving and self reflection.

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West’s novel reveals Adam White’s character as even more of a Christ like Archetype who suffers and must bear the weight of everyone else’s sins. Montgomery Clift, one of the finest actors tragically taken away from us way too soon, is always so compelling to watch, and while others are huge fans and rightfully so, of James Dean, I myself remain a die hard Monty Clift worshiper.

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I do feel that the film leans too heavily toward demonizing woman as ‘tramps’ a word that comes up several times during the course of the film. But the performances, dialogue and mood of the piece are just too good to miss.

Also co-starring Onslow Stevens (Angel On My Shoulder 1946, Them 1954) as Mr. Lassiter, Adams’ father now in jail for murdering his adulterous wife. Mike Kellin and Jackie Coogan (Uncle Fester) as fellow newspaper men Frank Goldsmith and the jaded Ned Gates. And Frank Overton who plays Justy’s kindly father.

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William Shrike: Enter light of my life, repository of my golden youth
Florence Shrike: Stop making fun of me
William: I’m not making fun of you I speak truth are your delicate ears grown cold"¦ You my love I see my youth, so I cherish you.
Florence: You want some milk?
William: For the stomach dissolving in alcohol (he touches her face) how tender of you.
Florence: Stop talking to me that way! Stop humiliating me"¦ (screeches)STOP!!!! Why don’t you finish it off. In gods name tell me it’s over, don’t do this to me.
William: May I speak"¦ you haven’t answered my question
Florence: If you can’t forgive me why do we go on"¦ why?
William: Cause I too am a mourner, an incorrigible mourner who sits at the grave. You mourn too Florence, You’re my wife but also the widow of our early romance. You wear your gay plumage hoping one day for the resurrection that you may greet it with the freshness of a bride.
Florence: And what do you hope for?
William: Peace. For just one day when I forget the picture of a young wife
Florence: That was ten years ago, ten years"¦.
William: What’s a normal sentence for adultery?
Florence: I was alone, I was drunk, You had betrayed me so many times
William: Ah, evening the score.
Florence: It wasn’t that

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You can always reach out to me if you’re ever lonely dear hearts- Yours forever MonsterGirl

Coming Soon to The Last Drive-In

Let's All Go Out To The Lobby

Coming very soon – The Night God Screamed (1971) Part II of ‘Leave Your Faith, Fear and Sanity at the Water’s Edge’ Starring Jeanne Crain.

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The Electrical Secrets of Kenneth Strickfaden: or as Harry Goldman’s book title goes-“Dr. Frankenstein’s Electrician”

Chandu Bela

Bunny Lake is Missing (1965) & Seance on a Wet Afternoon (1964): Otto Preminger/Bryan Forbes – ‘A Conspiracy of Madness.’

Bunny Lake Is Missing

Seance on a Wet Afternoon

No Way To Treat a Lady 1968 & Man On a Swing 1974: All the World’s a Stage: ‘Of Madness, Lipstick and ESP.’

No Way To Treat A Lady

Man on A Swing

And much much more from the clip joint, Hysterical Woman of the Week, Trailers to keep the Boogeyman away, Postcards From Shadowland and From The Vault!!!!

See ya soon-MonsterGirl

The Film Score Freak Recognizes iconic 70s songwriter-Paul Williams

PAUL WILLIAMS

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Paul Williams sings

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Growing up in the 7os, a lot of what inspired me to follow my journey as a singer/songwriter had much to do with the brilliant, evocatively poignant and memorable compositions by artists like the great Paul Williams. I still can’t listen or sing one of his iconic songs without becoming a fountain of tears, melting into an emotional puddle of ‘feelings.’ His contribution to the world as a singer/songwriter has been so immense, that I feel inadequate just showing a little love here, instead of doing one of my long winded posts.

But I am too agitated with excitement about the documentary Paul Williams Still Alive, and to have found him  alive and well on Twitter. I love you, We love you Paul Williams.

You have given us a magical, alchemical concoction of music that will forever flare up like molten gold in our hearts. It’s so good to see you again.

So here’s a just a little reminder of SOME of the things this beautiful, brilliant man has brought us from his heavenly throne where he sits with the other musical angels.

From the new documentary, here’s the official trailer for Paul Williams Still Alive

Karen Carpenter sings Rainy Days and Mondays

Kermit the Frog sings The Rainbow Connection from The Muppet Movie

Karen Carpenter sings We’ve Only Just Begun

Barbra Streisand sings Evergreen from A Star is Born

Jessica Harper sings Old Souls from Phantom of The Paradise

Here’s to the immortal genius! – With love Jo Gabriel the little singer/songwriting MonsterGirl

The Film Score Freak recognizes: Vincente Minnelli’s musical fantasia ‘On A Clear Day You Can See Forever’ (1970)

On a Clear Day You Can See Forever (1970)

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Barbra plays Daisy Gamble, a woman based on Bridie Murphy, who knows when the phone’s going to ring, and talks to flowers helping them to flourish. She seeks help from a doctor who specializes in hypnosis to help her  quit smoking. Once she’s under, she becomes regressed back to several past lives and quite a few animated personalities, one of which he falls madly in love with. Co-Starring Yves Montand and Jack Nicholson, Simon Oakland, Larry Blyden and Bob Newhart.

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With music by Burton Lane and lyrics by Alan Jay Lerner, sung by the unchallenged songstress of the millennia Barbra Streisand, here’s just one of the spectacular, and transcendental songs of the film.

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On a Clear Day You Can See Forever sung at the film’s coda

some extra bit of goodness

Hurry It’s Lovely Up Here

I’m too Verklempt to speak-MonsterGirl

Hysterical Woman of The Week: Nancy Kelly as Christine Penmark, from The Bad Seed (1956)

“For little Rhoda, murder is child’s play.”

THE BAD SEED (1956)

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Mervyn LeRoy’s bold psychological thriller adapted from Maxwell Anderson’s play.

Nancy Kelly confronts her crispy clean dress wearin’ skipping little psychopathic child Rhoda (Patty McCormack) in a scene where both mother and child devolve into the realm of ‘hysterical’ over the truth behind poor Claude Daigle’s brutal death, prompted by his winning the penmanship medal.

Nancy Kelly as Christine Penmark

Little Rhoda Penmark

I have the prettiest mother
“I have the prettiest mother in the world”

A basket of evil hugs

I was going to use Eileen Heckert’s compelling performance as the besotted mournful Hortense Daigle, but I couldn’t resist this climactic scene instead…

Eilleen Heckert as Hortense Daigle The Bad Seed

What’ll you give me for a basket of kisses?, I’ll give you a basket of hugs -MonsterGirl

the clip joint- Storm Center (1956) ‘Just one book’

“Who really set the town aflame?…”

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STORM CENTER (1956)

Bette Davis plays Alicia Hull a librarian who is labeled a Communist by local politicians when she refuses to remove a controversial book from the library’s shelves. Directed by Daniel Taradash who wrote the screenplay for From Here To Eternity 1953, Picnic 1955, Don’t Bother To Knock 1952  and Bell, Book and Candle 1958. Also starring Brian Keith and Kim Hunter.

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Books are Life – MonsterGirl