Enduring Grace: Barbara Rush

I’ve loved Barbara Rush for as long as I can remember. In every role where she graced the screen she left a lasting impression on me. I’ve followed her career from major motion pictures to wonderful dramatic television programs. To me, she is one of the great screen stars of all time — there is no one quite like her and her subtle emotional layers of acting that get peeled away with each scene. Barbara Rush possesses an inimitable grace and fine beauty. She has a transcendent gracefulness and a speaking voice that pours like honey. And when her words are meant to cut it’s not with knives or claws but with a feather quill carefully placed, an intelligent stroking, a gentle lash across the heart to cause the hurt. She has the finesse of diamond cut. She moves with great poise of a dancer, a beautiful gazelle stirring in the gentle quiet spaces of silent woods. A smile that beams like the sunniest of days.

When I think of Barbara Rush I think of a versatile acting style and an ability to draw out deep emotions. She delivers all of her lines with a deft swiftness that is subtle in all directions, ironically, witty, seriously thoughtful and always deeply from the heart.

When I see Barbara Rush I see beauty personified by elegance and an emanating dignity. Barbara Rush will always remain in my eyes, one of the most gentlewoman of the screen. No matter what role she is inhabiting, she brings a certain kind of class that is not learned, it’s inherent. The actress also is the most kind and generous with her compliments and her fond rememberances of her fellow actors and colleagues. She worked with some the finest actors in Hollywood, stage, and television, co-starring with the most notable actors such as James Mason, Montgomery Clift, Marlon Brando, Paul Newman, Richard Burton and Kirk Douglas. Her roles were diverse– from savvy independent society girls, and disillusioned house wives, to an Irish spitfire and an iconic science fiction heroine.

She was born in Denver, Colorado in 1927 and graduated from University of California in 1948. Then she joined the University Players, taking acting classes at the Pasadena Playhouse School for Performing Arts in Pasadena, California.

By Susan King Los Angeles Times: “She talks about everybody she’s worked with — even the notoriously difficult Joan Crawford — with an endearing sweetness that makes you feel like you’ve known her forever.
And in a way, we have…

She fondly recalls her time on the set with Niven and others. “I was just this foolish young girl,” she said of her character. “David Niven, he made me laugh so hard. They couldn’t [shoot] me because I was laughing so hard. I kept apologizing. He was a raconteur, always telling stories about what he did. Nunnally Johnson made me laugh all the time. I was really hopeless.”

Rush worked with Frank Sinatra in the 1963 comedy Come Blow your Horn and in the 1964 Rat Pack musical “Robin and the Seven Hoods.” She admitted she was nervous about working with Sinatra because she learned he didn’t rehearse. “I am from the stage,” she said. “I really can’t do [a scene] unless I rehearse. I didn’t know what to do.”

Rush talked to an actress (Carolyn Jones) who had just worked with him. “She said, ‘This is what you do, Barbara. You go up to him and say, ‘Mr. Sinatra?’ He’ll say, ‘Call me Frank. Now what I can do for you?’

So, she asked Sinatra if they could rehearse their first scene just one time. “He said, ‘Baby doll, of course. I’ll do that with you. Clear the stage. Get everybody to leave. Barbara and I are going to go over the scene.’ We went over the scene just once. From then on, he said, ‘Are you OK? Do you want to go over it again?’ He was just wonderful to me. And he gave me my wardrobe by Edith Head [from the film]. I wore the most wonderful clothes.”

Paramount signed Barbara her to a contract in 1950. She debuted with The Goldbergs (1950) as Debby Sherman, acting with Gertrude Berg as Molly Goldberg. The Goldbergs became a popular television show that deals with the human interest story of famous Jewish Bronx radio & TV family the Goldbergs, their typical struggles and hilarious moments. The show co-stars David Opatoshu and Eduard Franz.

Barbara Rush met actor Jeffrey Hunter and they fell in love. The ideal pair became one of Hollywood’s most beloved couples at 20th Century Fox. Barbara Rush and Jeffrey Hunter were married in December of 1950 until their divorce in 1955.  Tragically Hunter died of a stroke due to a head injury in 1969.

Barbara Rush also turned to work on the stage. She garnered the Sarah Siddons Award for her starring role in Forty Carats. Making her Broadway debut in the one woman showcase, “A Woman of Independent Means” which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included “Private Lives”, “Same Time, Next Year”, “The Night of the Iguana” and “Steel Magnolias”.

Barbara starred in director George Templeton’s Quebec (1951) with John Drew Barrymore and The First Legion (1951) directed by Douglas Sirk co-starring along side Charles Boyer.

Barbara Rush in When Worlds Collide (1951)

During her time at Paramount, Barbara Rush appeared in the science fiction catastrophic end of the world thriller directed by Rudolph Maté —When World’s Collide 1951 co-starring Richard Derr, Peter Hansen and John Hoyt. Then came her role as Nora Logan in Flaming Feather (1952).

Sterling Hayden, Barbara Rush and Forrest Tucker Flaming Feather (1952)

Barbara Rush in Jack Arnold’s It Came From Outer Space (1953)

In (1953) she appeared in Prince of Pirates co-starring John Derek. That same year she would take on the role of heroine Ellen Fields in Jack Arnold’s sublime  It Came from Outer Space that would become an emblematic performance of a smart and self sufficient leading lady in a science fiction masterpiece, that would leave a legacy for years to come. Ellen-“I just wish we had found just one of them really. Just one little monster to toss into the principles bedroom!”

In it, she co-stars with Richard Carlson who discovers an alien ship has crash landed in the side of a mountain. From the beginning Ellen supports him and doesn’t cower from the threat of extraterrestrials taking over her small desert town. She’s a strong feminist figure whose alien double wields a nifty ray-gun.

Then she starred as Oona in Taza, Son of Cochise (1954), In 1954 Barbara Rush appeared in director Douglas Sirk’s Magnificent Obsession co-starring Jane Wyman, Rock Hudson and Agnes Moorehead. Barbara plays Jane Wyman’s step daughter Joyce. Rock Hudson is a playboy who is seriously injured in a boat crash indirectly causing the death of Jane Wyman’s husband. When he tries to ingratiate himself into her life she becomes blinded. He spends the rest of his life trying to find a deeper understanding of life and the two fall in love.

That same year she appeared in director Rudolph Maté’s The Black Shield of Falworth with Tony Curtis and Janet Leigh. In 1955 Barbara Rush played Aga Doherty in Douglas Sirk’s Captain Lightfoot starring along side Rock Hudson, and acting with Jack Palance in the epic period piece Kiss of Fire (1955).

Barbara Rush in The Black Shield of Falworth (1955)

Barbara Rush and Jack Palance in Kiss of Fire (1955)

Captain Lightfoot 1955 takes place in 1815 Ireland struggling with the ordinary people of Ireland trying to separate themselves from the British Dragoons and seek their independence. Barbara is fiery and beautiful as Aga Doherty the daughter of an Irish Rebel Captain Thunderbolt played by Jeff Morrow. She falls for Rock Hudson a strong willed highwayman who strives to be like his hero Captain Thunderbolt. There is great chemistry between Hudson and Rush, as Aga adds a fiery spirit to the role, again exuding intelligence and that distinct sensibility to deliver lines in her sparkling cheeky manner.

Jeff Morrow, Rock Hudson and Barbara Rush in Captain Lightfoot 1955

Barbara Rush and James Mason in Bigger Than Life (1956)

In Bigger Than Life, mild-mannered schoolteacher Ed Avery (James Mason) suffers from severe headaches and blackouts. He is diagnosed with a rare inflammatory disease of the arteries. With death looming over him, he agrees to an experimental drug, cortisone. And at first he makes a remarkable recovery, but Ed begins to abuse the drug which causes wild mood swings and delusions of grandeur. Eventually he has a complete psychotic break and endangers the life of his family. Barbara Rush gives an emotionally heart wrenching performance as Ed’s beleaguered wife Lou who must support him through the madness.

Between 1954-1956 she appeared in 4 separate episodes of Lux Video Theater’s theatrical playets for television. Then in 1956 starred in World in My Corner with Audie Murphy and Jeff Morrow in this lesser known boxing noir. In 1956 Barbara also starred in the emotionally riveting drama Bigger Than Life with co-star James Mason as a teacher who progressively grows psychotic after trying a new drug.

Barbara portrays the sexy Pamela Vincent in the slick film noir Flight to Hong Kong with Rory Calhoun directed by Joseph M. Newman. Barbara appeared in director Nunnally Johnson’s hilarious romantic romp Oh, Men! Oh, Women! (1957) co-starring David Niven, Ginger Rogers and a quirky debut by Tony Randall. Afterwards  Barbara appeared in director Martin Ritt’s No Down Payment (1957) co-starring Joanne Woodward, Sheree North Tony Randall and Jeffrey Hunter.

Bigger Than Life (1956)

Oh, Men! Oh, Women! (1957)

In Flight to Hong Kong 1956 she plays an independent, sophisticated writer from San Fransisco who pursues a fling with the swarthy smuggler Rory Calhoun because he is wild and different than any other man she usually meets. Pamela is smooth as she maneuvers through the plot leading him on. But, she exploits their passionate fling to write another best selling book and goes back to living a high society life, leaving Tony to flounder after hiding out for a year on steamers. Barbara is good at being cool, collected and coy in this film noir. She plays a very unconventional femme fatale.

1957 Barbara appears as the flighty Myra Hagerman in Oh, Men!, Oh! Women. The scene with her emptying her purse is hilarious and showcases Barbara’s comedic timing. Myra is no stranger to dating men which throws the stiffly composed therapist into a tizzy because of her past. She’s set to marry psychiatrist David Niven who shows off his talent for finesse and comedic fortitude and it’s a delight to watch the banter between Barbara and Niven.

You can tell the actors were having fun with their roles, and you can almost see Barbara Rush holding back the laughter in her scenes with David Niven. They had to do many takes, as she tried to keep a straight face with him.

in director Martin Ritt’s No Down Payment 1957 Barbara does a fine job of playing housewife Betty Kreitzer married to Herman (Pat Hingle) with an ensemble cast in a film concerned with 1950s collective aspirations toward the American Dream and upcoming middle class white suburban families with frailties and secrets that’s get aired out over nightly BBQs. Barbara’s character is the steady rock in the community. She goes to church, isn’t a drinker, and is devoted to her husband Pat Hingle but she does not push him to strive for anything more than being mediocre and mainstream. Barbara Rush as Betty plays this type of middle class American housewife with an expert amount of reserved.

Barbara then appeared with Montgomery Clift, Marlon Brando, and Dean Martin in The Young Lions (1958) about the intersecting lives of 3 soldiers, two Americans and Brando as a sympathetic Nazi soldier during WWII. Then cameHarry Black and the Tiger (1958) with theatrical television roles on Lux Playhouse “The Connoisseur” and Suspicion’s “A Voice in the Night.”

Marlon Brando and Barbara Rush in The Young Lions (1958)

In The Young Philadelphians (1959) Paul Newman plays Anthony Judson Lawrence an up and coming lawyer who is trying to navigate social pressures and balance his ethics while trying to make a place for himself in Philadelphia. Barbara Rush is wonderful as Joan Dickinson, the bright independent society girl who planned to marry Anthony. She wants him to stick to his morals, yet through misdirection by her father and the  misunderstanding that ensues she becomes disappointed in the direction his career goes. The two part ways but fate brings them back together once again. Directed by Vincent Sherman.

Joan Dicknson “At least you have someplace to go.
Anthony Judson Lawrence “Haven’t you?”
Joan Dickinson “Are you kidding? I have no talents. Nothing. I was very well educated to be an idiot. And I was a good student.” 

“I think Paul has made some really great films, he won Academy Awards and all kinds of things and he’s done some wonderful work. But you know just as far as an audience watching a film likes to hear a good tale told, I think this is one of his most enduring films. And I think of all the films that I’ve done the best one that’s played the most on AMC and Turner Classic Movies , they play it over and over again and I still get at least 20 letters about The Young Philadelphians. They love the story. And when I go on cruises and we play films and so forth they always want to see the young Philadelphians and it wasn’t even in color, that was a black and white film but the love story is enduring and they seem to like it a great deal. Towards the end of the film Paul wanted certain changes with the script and I think Vincent Sherman was amenable to that and Stewart Stern was brought in and so he came in and did certain scenes and I think it just kind of spiced the picture up a little bit. You know who else was in the film that I loved her… so often when I worked in film I worked with people that I admired a great deal so it was such a happiness to work with them to be able to work with them to be around them, was Alexis Smith. She was a wonderful woman. And I loved her scenes with him. And Otto Krueger, I worked with him on Magnificent Obsession, but I thought he was such a good actor. You know they have these wonderful character actors in it.” –Barbara Rush

Barbara commands the screen in The Young Philadelphians. She plays a substantive role once again, delivering intelligent dialogue with swift splinters of her humor and intellect running throughout. When Anthony asks her “how bout a hamburger” she briskly replies “I’m a chili girl” to show that though she is entrenched in high society she is her own girl and has a down to earth nature at heart.  Joan is a likable character who is unfortunately mislead by her father (the wonderful character actor John Williams). She is gracious and thoughtful and not a spoiled ingénue. Instead, she exudes integrity. Joan had her heart set to marry for love. Throughout the film it is clear the powerful range of acting by Barbara Rush allows her emotions to build toward the films conclusion. As in each of her varied roles, her pacing temporally rises, finally to express her inner turmoil with beautifully achingly poignant moments.

No one cries quite like Barbara Rush. Though the film is a commentary on class and the focus is predominantly about the male relationships. Barbara’s contribution works perfectly to condemn the masculine stubbornness she maintains a dignity throughout the picture never losing her sense of belonging to the narrative.

In 1959 Barbara appeared in Sunday Showcase “What Makes Sammy Run? as Kit Sargent.

Barbara then appeared in The Bramble Bush 1960 directed by Daniel Petrie co-starring  Richard Burton. The film deals with mercy killings and small town morals. Richard Burton plays a young doctor Guy Montford who comes back home to his small New England town in order to see his dying friend (Tom Drake) through his last days. Larry is suffering and begs Dr. Guy Montford to help him end his suffering which he does by overdosing him on morphine. Guy is haunted by the mercy killing and finds solace in the arms of Larry’s wife, Margaret, portrayed with a beautiful sensitivity by Barbara Rush. The chemistry is palpable and especially potent in the love scene when Burton and Rush kiss on the boat.

Margaret tells him “That’s the worst part of it. You know we had a passionate relationship our marriage was founded on it. It wasn’t so bad when we could still make love. Now he’s a stranger. A cold white sheet.”

From 1957-1960 Barbara appeared in Playhouse 90 “Alas, Babylon (1960) and “The Troublemakers” (1957). In 1960 Checkmate (TV Series)
 she plays Margaret Russell/Nikki
- The Dark Divide, a disturbed young women with split personality. She makes a wonderful transition from repressed mouse to sexy femme fatale, giving a stellar performance of a woman conflicted by repression and self-possession. Barbara Rush then appeared in television’s Sunday Showcase, “What Makes Sammy Run?”

Barbara then plays Eve Coe in Strangers When We Meet 1960. Kirk Douglas portrays Larry Coe a suburban architect who loves his wife Eve. This is a role that Barbara once again summons versatility to switch gears and play the epitome of middle class etiquette and decorum. Larry becomes weighed down by his “perfect” marriage and his mundane work, until he meets the sexually frustrated Maggie (Kim Novak) whose husband is not only keeping her in a lovely marriage but wields a big dose of morality on his desirable wife. The two start a passionate affair which leads to a question of complacency, morality and the dilemma of self fulfillment.

As Kirk Douglas’s wife Barbara plays the “pushy housewife” who is practical and uptight and wants Larry to conform. But Larry falls for Kim Novak. Neighbor Walter Matthau finds out about the affair and feels emboldened to try to have his way with Eve on cold rainy afternoon. Coming close to an assault, Eve’s reaction is intense and brutal and Barbara Rush pulls it off without being overwrought yet believable as a woman who has been violated and frightened all while being processing the incident.

It’s a very intense scene played very well by Barbara. Afterwards she realizes why Felix might have felt empowered to make a pass, Eve telling Larry about the attempted assault- “I’ve been sitting here thinking what gave Felix the peculiar notion that I’d be an easy mark.” Barbara does an excellent job of playing the middle class housewife who fits a certain mold, but eventually catches onto the affair and her raw emotions begin to surface. It shows her range, serious and vulnerable.

She appeared in the 1960 episode of Theatre ’62, “Notorious”, and also in 1962 General Electric Theater’s “A Very Special Girl.” She appeared in four episodes of Saints and Sinners– “New Lead Berlin” 1963, “The Home-Coming Bit” 1963, “Luscious Lois 1962” “Dear George, the Siamese Cat is Missing” 1962. And she appeared in a Ben Casey “From Too Much Love of Living,” directed by Mark Rydell.

The Eleventh Hour episode “Make Me a Place” to me is one of Barbara Rush’s stand out performances. Wendell Corey plays a psychiatrist in the series who helps his patients find their way through the maze of problems. Barbara Rush gives an extraordinary performance as Linda Kinkaid, a fragile woman who has had a breakdown. And is under the impression she might be trying to kill herself again. Barbara plays the role carefully restrained without appearing hysterical relating some of the most powerfully emotional scenes I’ve experienced anywhere. Her performance will rip your heart out, and leave you in tears. She should have won an Emmy for that acting feat. The episode co-stars David Janssen.

1963 Come Blow Your Horn, Tony Bill plays Buddy Baker who leaves his parent’s (Molly Picon and Lee J. Cobb) stifling home and goes to live with his swinging stylish brother Alan (Frank Sinatra) who has a slew of women. Barbara plays the one steady classy lady in Alan’s life, the sophisticated mature Connie who wants a commitment from the playboy and teaches him what love really is. The chemistry between Sinatra and Rush is once again very dynamic.

In 1964 she appeared in The Outer Limits “The Form of Things Unknown” as Leonora Edmund co-starring Vera Miles. A powerfully atmospheric fairy tale written by Joseph Stefano. Barbara Rush and Vera Miles play Leonora Edmond and Kasha Paine who are at the mercy of a ruthless blackmailer Andre (Scott Marlowe). When the two women flee after poisoning him they stumble onto a mysterious house during a rain storm. There they meet the butler Sir Cedric Hardwicke as Colus who tends to the house belonging to the brooding young inventor Tone Hobart (David McCallum) obsessed with his time machine made up of clocks.

Both Barbara Rush and Vera Miles turn in outstanding performances amidst this dark fairy tale landscape. Both women’s very antithetical roles play off each other brilliantly. Stefano’s writing is layered with psychological maelstroms and the cast interpret the story magnificently without reducing it to a simple hour long television fantasy yarn.

“Robin and the 7 Hoods” Sammy Davis Jr., Richard Bakalyan, Frank Sinatra, Hank Henry, Dean Martin, Barbara Rush, Victor Buono 1964 Warner Brothers ** I.V.

Barbara continued to make several significant television drama appearances in 1965, including Kraft Suspense Theatre “In Darkness, Waiting,” Vacation Playhouse, Convoy, The Barbara Rush Show, Checkmate “The Dark Divide”, Dr. Kildare “With Hellfire and Thunder” and “Daily Flights to Olympus” co-starring James Daly, and in 1966 Laredo, Bob Hope Presents the Chrysler Theater. 

Then came Robin and the 7 Hoods where she plays Marian, a classy vamp who’s outfits are divine. She’s cheeky, sophisticated, funny, and also cunning and deliciously mercenary as a mob boss who runs circles around all the hoodlums in the city.

In The Fugitive she plays Barry Morris’ wife Marie Lindsey Gerard in the episode Landscape with Running Figures (1965). It’s a dramatic performance as the wife of the man so driven to catch wrongly accused Doctor Richard Kimble that his obsession drives his wife away and into a dangerous situation. Barbara Rush conveys a woman who is repulsed by her husband’s mad course to bring the fugitive in. While leaving Gerard behind, she is injured in a bus accident and of course Dr Kimble is there. It is up the good doctor to get her the help she needs. Barbara plays the situation with pathos and intensity she is temporarily blinded and doesn’t realize that it is the man her husband has been pursuing who is helping her to safety. It’s one of the best episodes of the series. not least of which is due to Barbara Rush’s compelling, intuitive performance. “I should explain my marriage to you Mr. Carver (Richard Kimble’s alias) What you see before you is the losing end of a triangle. I lost my husband to a Will O The Wisp who drifted in and out twisting our lives. The little man who wasn’t there. He wasn’t there again today. He’s never there.”

Barbara Rush And Frederic March in a scene from the film ‘Hombre’, 1967. (Photo by 20th Century-Fox/Getty Images)

in 1968 Barbara starred in Hombre with Paul Newman directed by Martin Ritt. In the Batman (1968-69) television series Barbara played villainess Nora Clavicle and the Ladies’ Crime Club and Nora appeared again in “Louie’s Lethal Lilac Time.”

She starred as Marsha Russell in the popular dramatic television evening series Peyton Place, appearing in over 75 episodes of the show until it’s end.

Barbara also appeared in four distinctive Medical Center episodes. A Life is Waiting (1969) is a very feminist episode that challenges the idea that a women’s body is her husbands property. Barbara Rush gives a powerful performance as Nora Caldwell, a woman who recognizes the tenuous hold she’s had over her identity and her place in her husband’s world. Barbara delivers thoughtful cutting oft dark comedic lines while giving an emotionally potent portrayal of a women fighting to be heard. In Awakening (1972) Barbara plays Judy whose husband has woken from a coma after three years. Judy has moved on from her marriage and blames him for the death of their 9 year old daughter. She gives a tour-de-force as a woman torn between her own needs, and ties to the past.

BARBARA RUSH ACTRESS 01 May 1980 CTC4589 Allstar/Cinetext/

I would never resort to objectifying the great actress by reducing my commentary to just how beautiful she looks but I am bound to mention this or I’ll bust… Aside from her tremendous acting, I love her signature hair styles and her incredible fashion sense that has followed her throughout her career, on and off screen and to this day. And she carries it well.

Other television appearances during the 1960s-70s include Love, American Style 1970, The Mod Squad 1971 the television movie Suddenly Single 1971, Night Gallery 1971 “Cool Air” Cutter 1972 tv movie, Marcus Welby M.D. episodes “Silken Threads and Silver Hooks 1960”, & “Don’t Talk About Darkness 1972” McCloud 1972, The Eyes of Charles Sands 1972 tv movie, Cade’s County 1972, The Man 1972, Owen Marshall, Counselor at Law 1972. Barbara Rush plays Louise Rodanthe in the tv movie Moon of the Wolf 1972, Maude 1972 “Maude’s Reunion” Barbara plays old school pal Bunny Nash. Ironside 1971-72 episodes Ring of Prayer” &”Cold Hard Cash”, Crime Club 1973 tv movie, The Streets of San Francisco 1973 “Shattered Image”, Of Men and Women 1973 tv movie, The New Dick Van Dyke Show 1973-74, Medical Center 1969-1974 episodes “A Life is Waiting”, “Awakening”, “Impact”, & “Choice of Evils”, In Police Story 1974 “Chief” Barbara plays John Forsyth’s smart and stunning wife. She manages swift and clever lines quoting Shakespeare and being a dutiful and intelligent partner.

Fools, Females and Fun 1974 tv movie, The Last Day 1975 tv movie, Cannon 1975 “Lady on the Run”, Mannix 1968 episodes “A Copy of Murder”, & Design for Dying” 1975, Ellery Queen 1975-76 episodes “The Adventure of the Sinister Scenario”, & “The Adventures of Auld Lang Syne” 1975, The Bionic Woman 1976 as Jaime’s mother, ABC Weekend Specials 1977 “Portrait of Grandpa Doc” The Eddie Capra Mysteries “Dying Declaration” Death Car on the Freeway 1979 tv movie, The Love Boat 1979 2 episodes.

Barbara Rush also turned to work on the stage. She garnered the Sarah Siddons Award for her starring role in Forty Carats. Making her Broadway debut in the one woman showcase, “A Woman of Independent Means” which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included “Private Lives”, “Same Time, Next Year”, “The Night of the Iguana” and “Steel Magnolias”.

Barbara Rush still possesses that transcendent talent, beauty, poise and grace. She will always be someone special, an actress who is memorable.

Though Barbara Rush skill shows incredible range and depth in her performances, the one great role of a lifetime never seemed to come her way, though what ever she has appeared in is brightened immensely by her presence. To think of what might have been had there been even MORE substantive scripts offered to her, what she could have accomplished like many fine actresses, in addition to her already impressive career, it makes you wonder of the missed opportunities Hollywood made by not taking advantage of Barbara Rush’s marvelous talent.

Television became a wonderful avenue for Barbara Rush’s acting, and her performances are no less effective and adept than those in her major motion picture roles. To every performance, she brings an authentic reality to her characters with her bright engaging smile, the wisp of seriousness to her tone, streak of comedic talent within her ironic lilting mannerisms. Barbara Rush is an iconic actress who shows a special quality, spunk and spirit that begs to be cherished. I love you Barbara Rush, and will continue to enjoy the legacy of your work. You make me smile.

Barbara talking about starring in The Old Pros Radio Shows like Inner Sanctum at age 88!

Barbara Rush as adorable and kind as ever answers questions at the Aero Theater 9-29-2010

Barbara Rush still possesses that transcendent talent, beauty, poise and grace. She will always be someone special, an actress who is memorable.

Continue reading “Enduring Grace: Barbara Rush”

Queen B’s of 1950s Science Fiction & Horror 🎃

This Halloween season I’m covering those fierce women who graced the 1950s Science Fiction & Fantasy/Horror screen with their beauty, brawn and bravado! Like years past–I pay tribute to the Scream Queens of the 1930s & 1940s

MonsterGirl’s Halloween 🎃 2015 special feature! the Heroines, Scream Queens & Sirens of 30s Horror Cinema!

Heroines & Scream Queens of Classic Horror: the 1940s! A very special Last Drive In Hall🎃ween treat

We’ve arrived at the 1950s decade’s deliriously dynamic dames… Who had to deal with mad scientists, gigantism, alien invasions and much more menace & mayhem!

Of course I plan on doing the 1960s and 1970s in the next year–and you’ll notice that I am listing some of our Queen B’s future films & television appearances of a supernatural or science fiction nature, and even a few scattered exploitation films that fit the bill. Added are a few photos to fill out the framework of their contribution to the genre. I’ve included honorable mentions to those who starred in at least one film and perhaps a few science fiction & horror anthology shows on television.

And I guess I should be super clear about this, so no one gets their hackles standing on end, not one actress who wound up only getting an honorable mention, (be it one of your favorites and believe me their are a few of mine on that smaller list), by any means does it imply that I think they have a less substantial participation in the decade’s genre.

All these actresses have performed in other types of films-other genres and dramatic roles and enjoyed a full career that transcends the science fiction & horror films they appeared in.

Allied together they created the fabric of the 1950s decade, colored by their unique and valuable presence to ensure that science fiction & horror/fantasy will live on to entertain and enamor a whole new generation of fans and aficionados.

Collectively and Individually these women are fantastic , and I feel very passionate about having put this wonderful collection together as a tribute!

BEVERLY GARLAND

I can’t begin to describe the admiration I’ve developed over the past several years, by delving into Beverly Garland’s long impressive career as a popular cult actress. All I can think of saying– seems crude– but it’s what truly comes to mind… Beverly Garland kicks some serious ass!!!

From historian/writer Tom Weaver-“For most fans of 50s horror there are just no two ways about it. Beverly Garland is the exploitation film heroine of the period. A principal member of Roger Corman’s early stock company, she was the attractive, feisty leading lady in such Corman quickies as It Conquered the World, Gunslinger, Naked Paradise, and Not of this Earth. In between Corman assignments she braved the perils of the Amazon River on writer-director Curt Siodmak’s Curucu, Beast of the Amazon, and a less harrowing Hollywood backlot swamp in Fox’s the Alligator People. Her 1960s film work included Pretty Poison, The Mad Room and the multi-storied Twice Told Tales with Vincent Price. Overall, this list of titles is unmatched by any other ’50s genre actress.”

The diverse, dynamic and uniquely sexy Beverly Garland was born in Santa Cruz, California. She studied with dramatics teacher Anita Arliss, sister to Hollywood actor George Arliss. Garland also worked in radio actually appeared semi-clothed in various racy shorts, until she made her first feature debut supporting role in the taut noir thriller D.O.A (1949) starring Edmund O’Brien. Beverly started out doing small parts in science fiction/horror films such as The Neanderthal Man 1955 and The Rocket Man 1954. But her cult/exploitation status was forged when she signed onto to work with legendary filmmaker Roger Corman, the first film takes place in Louisiana called Swamp Women. In 1983 Beverly Garland received a star on the Hollywood Walk of Fame. She worked right up until 2004 and sadly passed away in 2008.

There are so many credits Beverly Garland has under her belt, I can only list the few that are memorable for me, but here she is linked to her massive IMDb list of credits for you to peruse. One of the roles that stands out for me is her groundbreaking role in the late 1950s as Casey Jones a policewoman for NYC in the series called Decoy (1957) Garland finds herself in diverging & dangerous situations where she not only uses her sexy good looks but her smarts and her instincts to trap criminals from all walks of life. It’s a fabulous show and it shows not only how diverse Beverly Garland is but the show was a historical first for a woman starring in a dramatic television series.

Beverly Garland has performed in drama’s including a musical with Frank Sinatra directed by Charles Vidor The Joker is Wild (1957) Film Noir (The Miami Story 1954, New Orleans Uncensored 1955, Sudden Danger 1955, The Steel Jungle 1956, Chicago Confidential 1957, Science Fiction/Fantasy, Adventure, Exploitation, Westerns and Crime dramas & Thrillers like Pretty Poison 1968. For the purposes of The Last Drive In tribute to this magnetic actress, here are those performances in the genre I’m featuring both film & television series!

“The Memories of working with Roger Corman are pleasant because I got along with him very well. He was fun to be around and work with. We always did these films on a cheap budget, and people were always mad at Roger because he’d hardly feed us! And no matter what happened to you, your worked regardless… You could be dead and Roger would prop you up in a chair!”-Beverly Garland

From Beverly Garland’s Interview in “Interviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeup” by Tom Weaver (McFarland 1988).

In The Mad Room (1969) her character was pregnant–so was she at the time, with her son James.

[referring to her 1950s Roger Corman cult films] “It’s funny today because it’s so ridiculous. But at the time, it was very serious! We were just actors doing our best, I think. None of us overacted. I’m not saying we weren’t good. We didn’t do it tongue-in-cheek. We really meant it. We gave our all. We were serious, good actors and we played it seriously.”-Beverly Garland

“Maybe I do come on strong, and people sense in me a strength and a positiveness . . . It’s really the way I look and act, not the way I am . . . Once you cut through the protective coating, I’m strictly molasses.”-Beverly Garland

Audrey Dalton“I noticed you wrote a bit about Beverly Garland.  She was such a dear friend of mine.  She was in Pretty Poison with Noel Black who just passed away last year. Bev died years ago and even though she remained active in the Scarecrow and Mrs King for so long, she loved acting in “B” films the most.”

Waitress Nola Mason in The Neanderthal man 1954, Ludine in The Rocket Man 1954, Vera in Swamp Women 1956, Claire Anderson in It Conquered the World 1956, Dr. Andrea Romar in Curucu the Beast of the Amazon, Nadine Storey in Not of this Earth 1957, Joyce Webster in The Alligator People 1959, Ellen Winslow in Stark Fear 1962, as Alice Pyncheon in Twice-Told Tales (1963) Mrs. Stepanek in Pretty Poison 1968, Mrs. Racine in The Mad Room 1969, Science Fiction Theatre (TV Series) Katherine Kerston / Sally TorensThe Other Side of the Moon (1956) … Katherine KerstonThe Negative Man (1955) … Sally Torens, The Twilight Zone (TV Series) Maggie- The Four of Us Are Dying (1960) , Thriller (TV Series) Ruth KentonKnock Three-One-Two (1960)

Tom Weaver – In your Corman movies you yourself generally played plucky, strong willed, sometimes two-fisted types.”

Beverly Garland- “I think that was really what the scripts called for. In most all the movies I did for Roger my character was kind of a tough person. Allison Hayes always played the beautiful, sophisticated “heavy” and I played the gutsy girl who wanted to manage it all, take things into her own hands. I never considered myself much of a passive kind of actress-I never was very comfortable in love scenes, never comfortable playing a sweet, lovable lady. Maybe if the script wasn’t written that way, then probably a lot of it I brought to the role myself. I felt I did that better than playing a passive part.”

Swamp Women (1956) An undercover policewoman helps three female convicts escape from prison so that they can lead her to a stash of stolen diamonds hidden in a swamp. Co-stars Marie Windsor, Carole Mathews, Mike Connors, Susan Cummings and Ed Nelson!

Also in Swamp Women 1956, Garland was expected to do her own stunts, even dropping out of a 20 foot tree. Roger Corman told her “When you’re killed you have to drop”  Roger planted three guys underneath the tree to catch Beverly when she let’s go. “And when they killed me I just fell-dead weight on these three poor guys!” Roger told her “You’re really one of the best stuntwomen I have ever worked with.”

Even after breaking her ankle in Gunslinger 1956, Beverly was a trooper, she did all her fight scenes and worked to finish the film for Roger Corman, even though she couldn’t walk for weeks after that!

As Ellen Winslow, Garland takes a courageous role as a non-victim of abuse and assault, she pushes back head on against the grain instead of wilting from the trauma she prevails. The film showcases the gutsy quality Garland herself tried to portray in all her performances. in the darkly psychological Stark Fear (1962) A sadistic husband mentally tortures his wife, while eventually planning to murder her. Although no one believes her, she gets help from an unexpected source.

Beverly Garland recalls making Swamp Women co-starring Marie Windsor with Tom Weaver-“Swamp Women! Ooh that was a terrible thing! Roger put us up in this old abandoned hotel while we were on location in Louisiana- I mean it was really abandoned! Roger certainly had a way of doing things back in those days-I’m surprised the hotel had running water! I remember that we each had a room with an iron bed. Our first night there, I went to bed and I heard this tremendous crash! I went screaming into Marie Windsor’s room, and there she was with the bed on top of her-the whole bed had collapsed! Well, we started laughing because everything was so awful in this hotel. just incredibly terrible, and we became good friends.”

Carole Mathews, Marie Windsor and Beverly Garland in Swamp Women

Beverly Garland not only exuded a gutsy streak in every role she took, she shared the notable distinction of starring in one of Boris Karloff’s THRILLER episodes called Knock-Three-One-Two co-starring with the wonderful character actor Joe Maross who has a gambling problem and will be beaten to a pulp if he doesn’t pay his bookie. So he enlists the help of a psychopathic lady killer to murder his wife Beverly for her tightly held purse and large savings account!

Tom Weaver asks Beverly Garland if she enjoyed working on Twice-Told Tales (1963) — “Oh, I love it because I loved Vincent Price. He is the most wonderful sweet, adorable man! I don’t remember much about the movie, I just remember working with Vinnie and how wonderful he was.”

Tom Drake, Bill Elliott, and Beverly Garland in Sudden Danger (1955)

On working with Roger Corman on Gunslinger (1956) after Allison Hayes another seasoned actress and a bloomin’ trooper who broke her arm during filming. The working conditions were dismal but Beverly Garland isn’t a woman you can keep down. “I always wondered if Allison broke her arm just to get off the picture and out of the rain. It poured constantly. But what I adored about Roger was he never said, ‘This can’t be done.’ Pouring rain, trudging through the mud and heat, getting ptomaine poisoning, sick as a dog–didn’t matter. Never say die. Never say can’t Never say quit. I learned to be a trooper with Roger. I could kid him sarcastically about these conditions and laugh. That’s why we got along so well. On Gunslinger, I was supposed to run down the saloon stairs, jump on my horse and ride out of town. Now we never had stunt people in low-budget films. Riding, stunts, fights–we all did it ourselves and we all expected it, and we all just said it was marvelously grand. I told myself just to think tall. So my first take I thought tall and sailed right over the saddle and landed on the other side of the horse. The second take I twisted my ankle running down the stairs– a bad twist.”

Beverly Garland and Allison Hayes in Roger Corman’s western Gunslinger (1956)
Directed by Noel Black Beverly plays Mrs Stepanek the mother of sociopathic Sue Ann Stepanek played by Tuesday Weld. Anthony Perkins is Dennis Pitt a mentally disturbed young man with delusions, released from an institution only to stumble into Folie à deux with someone who is more violent and disturbed than he is!

Beverly Garland plays feisty nurse Nadine Storey in Roger Corman’s creepy alien invasion film Not of this Earth 1957 co-starring the white eyed vampiric villain Paul Birch as Paul Johnson-why not smith?

About working with Roy del Ruth on The Alligator People–“He was sweetheart of a guy and a good director. The Alligator People was a fast picture, but he really tried to do something good with it. And I think that shows in the film. It’s not something that was just slapped together. It as such a ridiculous. story…).. I felt when I read the script and when I saw the film, which was a long time ago, that it ended very abruptly. It all happened too fast; it was kind of a cop out. But there really was no way to end it. What were they going to do-were they going to have us live happily ever after and raise baby alligators?”

Beverly Garland having fun on the set of The Alligator People
Beverly Garland with Lon Chaney Jr. in Roy del Ruth’s The Alligator People
Directed by Roy Del Ruth-Beverly stars as Joyce Webster a woman who while under hypnosis recalls a horrific story She went in search of her husband who has gone missing. He is part of a secret experimentation with on men and alligators. Co-stars Bruce Bennett

Directed by Curt Siodmak Curucu Beast of the Amazon 1956 stars Beverly Garland as Dr. Andrea Romar and John Bromfield as Rock Dean who venture up the Amazon River to find the reason why the plantation workers are fleeing from a mysterious monster!

On first seeing the cucumber creature that Paul Blaisdell designed for It Conquered the World–“I remember the first time I saw the It Conquered the World Monster. I went out to the caves where we’d be shooting and got my first look at the thing. I said to Roger, ‘That isn’t the monster…! That little thing over there is not the monster, is it?’ He smiled back at me , “Yeah, Looks pretty good, doesn’t it?’ I said, ‘Roger! I could bop that monster over the head with my handbag!’ This thing is no monster, it was a terrible ornament!’ He said, ‘Well don’t worry about it because we’re gonna show you, and then we’ll show the monster, back and forth.’ ‘Well, don’t ever show us together, because if you do everybody’ll know that I could step on this little creature! Eventually I think they did do some extra work on the monster: I think they resprayed it so it would look a little scarier, and made it a good bit taller. When we actually filmed, they shot it in shadow and never showed the two of us together.”

Beverly Garland as Clair talking on the radio to IT– “I hate your living guts for what youve done to my husband and my world, and I’m going to kill you! Do you hear that? I’m going to kill you!”…) “So that’s what you look like, you’re ugly…) You think you’re gonna make a slave of the world… I’ll see you in hell first!

It Conquered the Wold (1956) is yet another Roger Corman campy gem that features my favorite cucumber monster created by Paul Blaisdell. Beverly stars as Claire Anderson married to Dr. Tom Anderson played by Lee Van Cleef who communicates with an alien life from who claims he comes in peace. Co-stars Peter Graves and Sally Fraser

Tom Weaver asks —“Do you ever look back on your B movies and feel that maybe you were too closely associated with them? That they might have kept you from bigger and better things?

Beverly Garland —“No, I really don’t think so. I think that it was my getting into television; Decoy represented a big turn in my life. Everybody did B movies, but at least they were movies, so it was okay. In the early days, we who did TV weren’t considered actors; we were just horrible people that were doing this ‘television’ which was so sickening, so awful, and which was certainly going to disappear off the face of the earth. Now, without TV, nobody would be working. No-bod-y. But I think that was where my black eye came from; I don’t think it came from the B movies at all.”

Tom Weaver-“Which of your many horror and science fiction roles did you consider your most challenging?”

Beverly Garland–“Pretty Poison. It was a small part, but it had so much to say that you understood why Tuesday Weld killed her mother. I worked hard to make that understood not a surface one, but tried to give you the lady above and beyond what you would see in a short time.”

Beverly Garland as policewoman Casey Jones in the stirring television series Decoy broadcast from October 14, 1957, to July 7, 1958

AUDREY DALTON

The bewitchingly beautiful Audrey Dalton was born in Dublin, Ireland who maintains the most delicately embroidered lilt of Gaelic tones became an American actress of film in the heyday of Hollywood and the Golden Age of television. Knowing from early on that she wanted to be an actress while studying at the Royal Academy of Dramatic Arts was discovered by a Paramount Studio executive in London, thus beginning her notable career starring in classic drama, comedy, film noir, science fiction, campy cult classic horror and dramatic television hits!

Since then I’ve had the incredible honor of chatting with this very special lady whom I consider not only one of THE most ethereal beauties of the silver screen, Audrey Dalton is a versatile actress, and an extremely gracious and kind person.

Read More about this lovely actress Here: MonsterGirl Listens: Reflections with Great Actress Audrey Dalton!

Audrey Dalton’s made a monumental contribution to one of the biggest beloved 1950s ‘B’ Sci-Fi  treasures and she deserves to be honored for her legacy as the heroine in distress, pursued by a giant bunny killing Mollusk “That monster was enormous!” –Audrey commented in her interview with USA Today.

Gail MacKenzie in The Monster that Challenged the World 1957, Baroness Maude Sardonicus in William Castle’s Mr. Sardonicus 1961 Boris Karloff’s Thriller (1960-1962)- Norine Burton in The Prediction, Meg O’Danagh Wheeler in The Hollow Watcher and Nesta Roberts in Hay-Fork and Bill-Hook.

Audrey Dalton plays Meg O’Danagh who is haunted by local prejudice and the rural boogeyman that is The Hollow Watcher

Audrey Dalton in Hay-Fork and Bill-Hook shown here with Doris Lloyd as Mother Evans. There’s witchcraft afoot in the Welsh moors.
William Castle’s Mr. Sardonicus 1961 stars Audrey Dalton as Baroness Maude Sardonicus who is a prisoner to her husband’s madness driven to fury because his face has been stuck in a horrifying grimace when he found his father was buried alive. Co-stars Guy Rolfe as Sardonicus and Ronald Lewis

BARBARA RUSH

Barbara Rush and Marlon Brando in The Young Lions 1958-Twentieth Century Fox
Barbara Rush and Harry Townes in Strategy of Terror (1969)
Frank Sinatra and Barbara Rush in Come Blow Your Horn (1963)
Frank Sinatra, Dean Martin, Sammy Davis Jr., Richard Bakalyan, Victor Buono, and Barbara Rush in Robin and the 7 Hoods (1964)

Barbara Rush appeared in director Martin Ritt’s turbulent suburban drama No Down Payment 1957 with ex-husband Jeffrey Hunter though they weren’t married to each other in the film.

Jeffrey Hunter, Pat Hingle, Patricia Owens, and Barbara Rush in Martin Ritt’s No Down Payment (1957) co-stars Joanne Woodward, Sheree North, Tony Randall.

Barbara Rush, Possesses a transcendent gracefulness. She moves with a poise like a dancer, a beautiful gazelle stirring in the gentle quiet spaces like silent woods. When I see Barbara Rush, I see beauty personified by elegance and decency. Barbara Rush will always remain in my eyes, one of the most gentle of souls on the screen, no matter what role she is inhabiting. She brings a certain kind of class that is not learned, it’s inherent.

She was born in Denver, Colorado in 1927 and began at University of California. Then she joined the University Players, taking acting classes at the Pasadena Playhouse. Paramount scooped Barbara up and signed her to a contract in 1950. She debuted with The Goldbergs (1950) as Debby Sherman acting with Gertrude Berg as Molly Goldberg -a popular television program that follows the warm, human story of famous Jewish Bronx radio & TV family the Goldbergs, and their everyday problems. Co-starring David Opatoshu and Eduard Franz.

Before joining the Goldbergs she met the strikingly handsome actor Jeffrey Hunter who eventually became a hot commodity over at 20th Century Fox. Barbara Rush and Jeffrey Hunter fell in love and were married in December of 1950. They became Hollywood’s most gorgeous couple, and the camera seemed to adore them. Their son Christopher was born in 1952.

During her time at Paramount, Barbara Rush appeared in the science fiction catastrophic end of the world thriller directed by Rudolph Maté —When World’s Collide 1951 co-starring Richard Derr, Peter Hansen and John Hoyt.
As time went on Barbara Rush co-starred with some of the most desirable actors in Hollywood, James Mason, Monty Clift, Marlon Brando, Paul Newman , Richard Burton and Kirk Douglas. Her roles ran the gamut from disenchanted wives, scheming other women or pretty socialites
Though Barbara Rush is capable of a range of acting, the one great role of a lifetime never seemed to surface for her, though what ever she appeared in was elevated to a higher level because of her presence.
Television became a wonderful avenue for Barbara Rush’s talent, she appeared in guest parts in many popular tv series of the 1960s and 1970s. She also co-starred in tv movies. One enjoyable character she played was a guest villain on the 1966 television series Batman as femme fatale ‘Nora Clavicle” Barbara Rush also played Marsha Russell on the popular television drama Peyton Place 1968-69

Barbara Rush also turned to work on the stage. She garnered the Sarah Siddons Award for her starring role in Forty Carats. Making her Broadway debut in the one woman showcase, “A Woman of Independent Means” which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included “Private Lives”, “Same Time, Next Year”, “The Night of the Iguana” and “Steel Magnolias”.
Barbara Rush still possesses that transcendent beauty, poise and grace. She will always be someone special someone memorable.

INTERVIEW QUESTIONS:

Joey Q: Did you ever imagine Jack Arnold’s “It Came from Outer Space” (1953) with you (in that black dress by Rosemary Odell) aiming that laser beam would become so iconic, and leave such a lasting impression on fans and film historians after all these years?


Barbara Rush: A: I’d never think that anybody who saw it needed to see it again, but if it left an impression, that’s fine. I loved the chiffon dress. It was too weird that these people that came from other space were too frightening to look at, so they took the form of regular humans. What I thought was interesting that these creatures didn’t actually want to be there and weren’t vicious at all. They were just trying to fix their ship and get it together. I remember thinking that with a lot of science fiction films; we were so afraid these creatures, but they were just trying to get away and weren’t threatening at all.

Joey Q: Is there a role you would have liked to play — let’s say in a Gothic thriller? Or was there ever a script for one that you turned down that you regret now? Were there any other high quality A-picture science fiction film scripts sent to you after “When Worlds Collide” (1951) and “It Came from Outer Space” (1953)?

Barbara Rush 

A: I don’t remember anything that was given to me to do other than those two pictures. That was all just orders from the studio. The science fiction film I admired the most was the picture E. T. – I just love that film and it is my favourite, but I never thought it was something I wanted to be in myself.

Joey Q: “The Outer Limits” is one of the most extraordinary anthology television shows of the 1960s. It was clearly ahead of its time, beautifully crafted and though-provoking. You star as the tortured Leonora in the episode “The Forms of Things Unknown” which is perhaps one of THE finest of the series written by Joseph Stefano, all due to the cinematography, lighting, and particularly the ensemble acting. Do you have any lasting impressions or thoughts about that role and/or working with Vera Miles, Cedric Hardwicke, David McCallum, and Scott Marlowe?

Barbara Rush A: I loved doing that show and loved Vera Miles. She was just the most wonderful person to work with. She was so funny. There was a scene where she had to run after me in the forest in the rain. After that miserable experience she told me:”Barbara, I promise you I’ll never chase after you in the rain, in the forest, ever again.” I thought the episode was very interesting, though.

Joey Q: In that same high calibre of dramatic television series, were you ever approached by William Frye, Doug Benton, or Maxwell Shane from Boris Karloff’s “Thriller” series or by Alfred Hitchcock for his anthology series? You would have been extraordinary in either television program! These shows were remarkably well-written and directed and I’m certain there would have been a perfect role for your wonderful acting style. Did you ever receive a script or were you ever interested in appearing on either of those shows?

Barbara Rush A: Unfortunately they didn’t really seem to want me. They never got in touch with me about anything. I would have loved to work for Hitchcock – I liked his films.

Joey Q: It seems that the early 70’s found you a niche in the macabre. Perhaps this is because you are such a consummate actress and the contrast of your gentility works well with the darker subject matter. In 1971 you co-starred with Henry Darrow in a short piece on Rod Serling’s “Night Gallery” – “Cool Air.” It was a Gothic romantic tale based on H.P. Lovecraft’s story about a woman who falls in love with a man who must remain in a refrigerated apartment dare something dreadful occur. Then, in 1972 you appeared in “The Eyes of Charles Sands” as Katherine Winslow co-starring Peter Haskell and Joan Bennett, a film about ESP and solving a murder. Then came “Moon of the Wolf” where you co-starred with David Janssen and Bradford Dillman, two very handsome leading men. Did you enjoy venturing into these uncanny story lines?

Barbara Rush A: I particularly enjoyed working with Bradford Dillman, who was a dear friend of mine. We more or less grew up together, in Santa Barbara. In one of these he played a werewolf and he’d have these hairy mittens as part of his costume and he’d come trampling in all the time – as a werewolf! I have a tendency to get very hysterical about how funny people can be, and he’d just make me crack up. 
We were shooting – I think in New Orleans or Mississippi, somewhere in the south – on location, so it was very hot. Poor Brad who had to walk around in those mittens.

 

IMDb trivia -Along with Leonard Nimoy, David McCallum, Cliff Robertson and Peter Breck, she is one of only five actors to appear in both The Outer Limits (1963) and The Outer Limits (1995) and the only woman to do so. She played Leonora Edmond in The Outer Limits: The Forms of Things Unknown (1964) and Barbara Matheson in The Outer Limits: Balance of Nature (1998).

Attended and graduated from the University of California, Santa Barbara (1948). She graduated from the Pasadena Playhouse School for Performing Arts in Pasadena, California.

Is mentioned in the movie Shampoo (1975), when hairdresser Warren Beatty says “I do Barbara Rush’s hair”.

Was separated from second husband Warren Cowan in 1969 at the time she learned of first husband Jeffrey Hunter’s sudden death following brain surgery after falling down a flight of stairs.

Appears in No Down Payment (1957) with ex-husband Jeffrey Hunter, they both portraying married characters, but not married to each other.

She is one of five actors to have played “Special Guest Villains” on Batman (1966) who are still alive, the others being Julie Newmar, John Astin, Joan Collins and Glynis Johns.

“I can safely say that every movie role I was ever offered that had any real quality went to someone else.”-Barbara Rush

As Joyce Hendron in When Worlds Collide 1951, as Ellen Fields in It Came from Outer Space 1953 Night Gallery episode as Agatha Howard in ‘Cool Air’ released on December 8, 1971 based on a story by H.P. Lovecraft and The Outer Limits as Leonora Edmond in episode The Form of Things Unknown written by Joseph Stefano released on May 4, 1964, as Karen Lownes in Kraft Suspense Theatre tv series ‘In Darkness, Waiting (1965), as Nora Clavicle and The Ladies’ Crime Club Batman Series 1966, Moon of the Wolf (TV Movie) 1972
as Louise Rodanthe, as Katherine Winslow in The Eyes of Charles Sand (1972), The Bionic Woman (TV Series) – Jaime’s Mother (1976) … Ann Sommers / Chris Stuart, 1979 Death Car on the Freeway (TV Movie) as Rosemary

Jack Arnold, Richard Carlson, Charles Drake, Russell Johnson, and Barbara Rush in It Came from Outer Space (1953)

Everybody wants to know about Barbara Rush’s fabulous clothes in It Came From Outer Space, in particular this lovely black gown.. so here it is–designed by Rosemary Odell

COOL AIR. First aired on December 8, 1971 Paintings for the opening of each episode were done by artist Tom Wright

The classy fashionable villainess Barbara Rush as Nora Clavicle and The Ladies’ Crime Club Batman Series 1966
Vera Miles as Kasha and Barbara Rush as Leonora pushed to the limit of all they can bare poison Scott Marlowe a sadistic blackmailer and leave him in the trunk of their car. As they flee the scene they stumble upon an Old Dark House where the servant Ralph Richardson takes care of Tone Hobart played by David McCallum a solitary sad young man, an introvert who tinkers with clocks, an inventor who is able to tip the balance of time and bring back the past and ultimately the dead. Barbara Rush conveys a depth of sadness and vulnerability that is tragic and beautifully pieced together for this macabre story written by Joseph Stefano. The lighting traps each player in the shadows of their own machinations. It is a brilliant little morality play.

Barbara Rush and Vera Miles on the set of The Outer Limits television series episode The Form of Things Unknown

The cinematography by Conrad L. Hall is extraordinarily moody and dark in this psychological supernatural story by Joseph Stefano.

Continue reading “Queen B’s of 1950s Science Fiction & Horror 🎃”

The Film Score Freak recognizes The Outer Limits: The Forms of Things Unknown & Jo Gabriel’s Mistress of Time

The Outer Limits: The Forms of Things Unknown

Season One episode 32 Air date May 4th 1964

Directed by Gerd Oswald and written by Joseph Stefano

Two women decide the only way out of an abusive relationship with a sadistic blackmailer is to poison him. In the midst of fleeing, they come upon an isolated house with an odd old caretaker, and a solitary young man who dabbles with clocks, time travel and raising the dead.

The dreamy David McCallum plays Tone Hobart, the man who can tinker with time, space and soul revival. Vera Miles plays the self assured Kasha, Barbara Rush is the slightly neurotic Leonora, Cedric Hardwicke is Colus, the stoic man servant and Scott Marlowe is the fiendish Andre. From one of the truly timeless series, with the advent of a social consciousness, The Outer Limits, is one of my favorite television series of all time!

As I’ve been known to write about Boris Karloff’s Thriller, I do plan on covering a few of my most treasured episodes in depth and certainly with my usual long winded overview and images of the original The Outer Limits!

For now… I couldn’t resist adding my musical voice to a ‘moment in time’ of one of the most poetic and haunting stories in the series. Here are edited scenes from The Forms of Things Unknown mashed up with my song ‘The Mistress of Time’ off my album The Amber Sessions.

These are several stills and a link to a terrific website that covered this episode really well! I acknowledge the use of their fabulous photographs from the show. You can read more of what they wrote about the episode here: THE HAUNTED CLOSET

Eternally Yours – Jo Gabriel – MonsterGirl