Pretty Maids All in a Row is a 1971 film directed by Roger Vadim, blending elements of black comedy, sex, and murder mystery. Set in a California high school during the sexual revolution, it follows serial killer Michael ‘Tiger’ McDrew (Rock Hudson), who targets his female students. The film satirizes American high school culture and societal attitudes towards sex and violence.
In this dark sexploitation comedy by Vadim, Rock Hudson plays a beloved football hero/ faculty member who is, in fact, a lady-killer preying on the female student body at his high school!
Hieronymus Bosch – The Garden of Earthly Delights.
Pretty Maids All in a Row is bathed in hazy colors similar to that of Bosch’s epic triptych painting. I’m starting this post by emphasizing Bosch’s iconic work of art, as it significantly shapes the narrative.
This intricate panel of images appears in the film several times as a motif. Vadim possessed a clear grasp of what he was informing us about. It touches on a vital element and is the fundamental part of the narrative’s soul, yet it bears no resolution for us, the ‘voyeurs’, by the film’s end. Betty Smith (Angie Dickinson) has this painting in her apartment. We see it in several sequences; By framing the object in a tight close-up, scrutinized by the lens, the camera invites a nuanced inspection, underscoring Vadim’s intention to emphasize the painting’s thematic significance.
Read the feature below, which includes an Angie Dickinson overview!
Bosch’s painting serves as a prominent motif throughout the film.
Close-ups in the film at varying viewpoints of Bosch’s painting.
The painting depicts nude figures in the garden of temptation, ultimately setting them forth unto an eternal dance with damnation.
From Wiki:
The left panel depicts God presenting Adam to Eve, while the central panel is a broad panorama of sexually engaged nude figures, fantastical animals, oversized fruit, and hybrid stone formations. The right panel is a hellscape and portrays the torments of damnation.
“Art historians and critics frequently interpret the painting as a didactic warning on the perils of life’s temptations. However, the intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries. 20th-century art historians are divided as to whether the triptych’s central panel is a moral warning or a panorama of paradise lost. American writer Peter S. Beagle describes it as an “erotic derangement that turns us all into voyeurs, a place filled with the intoxicating air of perfect liberty.”
One could say that this suburban American High School acts as a similar landscape depicted in Bosch’s painting. The school is ripe for sexual and unconventional anarchy, abound with young flesh, exploring a ‘perfect liberty’ flitting about in micro skirts and no bras, amidst the intoxicating air of youth and temptation.
Tiger McDrew reads Don Juan to his class.
Leaving these young people vulnerable and tempted by devouring demons like Tiger McDrew, who comes and preys upon their alluring innocence. Much like the painting, Pretty Maids has a sense of erotic derangement that turns us into every bit the voyeur. The film is a thought-provoking amalgamation of interrelated questions, ultimately yielding a profound exploration of moral ambiguities and the deeply embedded systemic, hierarchical, and hegemonic complexities and challenges that shape historical narratives.
Add Vadim’s European, self-proclaimed Libertine sensibilities and his view of American culture, and you get a psychopathic Don Juan in Tiger McDrew, with voyeuristic close-ups of supposed adolescent young girls (the actresses were older) and a society that both condemns and perpetuates it.
An alternative title to this blog post – I could say might be this: “The Americanization of Debauchery, Perversion, Panties, Milton’s Paradise Lost, Hieronymus Bosch’s The Garden of Earthly Delights transfixed on the modern high school campus. The Socratic Infusion of Free Love & the Sexual Revolution. With traces of Bluebeard, Casanova. Sexism & Misogyny, the POV of the New Wave European Aestheticism of the Female Body as Fetish. Pom Poms, Peace Signs, The Cult of American Hero worship Molière & Lord Byron’s Don Juan with a smattering of Svengali, as a Homicidal Pedagogue in a tight pants.”
In Pretty Maids All In A Row, Ponce (John David Carson) and substitute teacher Betty Smith (Angie Dickinson) both read from Milton’s Paradise Lost. The telling of how Satan fell from grace, Adam and Eve were cast out of the garden, the angels fought amongst each other, and innocence becomes sacrificed as just part of the epic tale.
PRETTY MAIDS ALL IN A ROW – From the nursery rhyme, Mary, Mary, Quite Contrary.
Rock Hudson was the romantic leading man of the 1950s and 60s.
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