Announcement: Hollywood’s Hispanic Heritage Blogathon 2015

monstergirl:

Aclamaciones!!!!! Once Upon a Screen announces Hollywood’s Hispanic Heritage Blogathon 2015

Originally posted on Once upon a screen...:

Hispanic Heritage Month, whose roots go back to 1968, begins each year on September 15 and ends on October 15.  In celebration I am reprising the Hollywood’s Hispanic Heritage Blogathon to commemorate the imprint Hispanics have made on Hollywood.  I’m excited to continue with what I hope will be a yearly event that spotlights unfamiliar or all-too-often forgotten Hollywood players and movies.

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You may remember that Kay of Movie Star Makeover co-hosted this event with me last year.  I’m sad to say she is unable to fulfill hosting duties this year so I am going it alone and hope that she is at least able to participate.  It wouldn’t be the same without her.

Last year’s event proved both enriching and entertaining and I’m hoping to top that.  Here are a few topic guidelines…

Topics:

I welcome posts celebrating Hispanic Heritage in Hollywood that focus on actors, filmmakers or films that celebrate…

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Announcing the Criterion Blogathon

monstergirl:

This is going to be an unbelievable blogathon!!!! could watch every Criterion film it’s like candy for the mind!

Originally posted on Criterion Blues .....:

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We are pleased to announce the first annual Criterion Blogathon!

The blogathon will take place November November 16th to 21st, and I have the pleasure of co-hosting with two of my favorite bloggers and favorite people: Kristina from Speakeasy and Ruth from Silver Screenings. This is not their first rodeo, as they’ve hosted numerous fantastic Blogathons. Earlier this year they hosted the Great Villain Blogathon and the Beach Party Bash Blogathon. What’s great about these two is that they turn these Blogathons into events, which is what we are planning for November.

Just last year, The Criterion Collection celebrated their 30th anniversary. That’s an amazing accomplishment for a physical media label. They began with laserdiscs, transitioned to DVDs, and now are the top boutique label for Blu-Ray/DVD. They have established credibility with their film choices, ranging from mainstream classics to some of the best art films the world…

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Guest Post by Heather Drain: Mondo Heather for The Anti Damsel Blogathon 2015

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The Future is a Steel Bra in Your Face:
A Tribute to Big Shim in SHE MOB

                                        By Heather Drain

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Love. Lust. Crime. Pointy metal bras. Abnormally large breasted women named “Baby.” All this and more and I know that you’re already wooed. You are, after all, only flesh and blood and if you have the red stuff running in your veins and a strong muscle thrumming beat after beat in your chest, then 1968’s SHE MOB will have you feeling revved up like a Southern Baptist preacher who just tap-danced the devil right out of some rube’s soul.

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SHE MOB is a film full of fabulously wild women and one handsome-grease stain of a man named, what else, Tony (Adam Clyde), but the brightest star is one Marni Castle. This lead actress pulls off a tour-de-force dual role as both Brenda, a successful business woman who is single, rich and spoils her gigolo lover (that would be, quelle surprise, Tony) rotten and Big Shim. When you read a character name like Big Shim it feels like an act of love, because the writer is obviously giving you something you don’t expect. Especially in 1968, where “Big Shim” could be the name of some male mob honcho or ex-con. Making Shim not only a female but a tough, beautifully butch anti-heroine now would be great but for the mid-late 60’s, perfect.

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Shim, with her alpha-swagger, black boots and bra-as-a-weapon, despite being technically the villain of the film, is the one you want to see the most of. This is a character that does not just merely live outside the parameters of status quo society but douses gasoline on said parameters and takes a military-grade flamethrower to that business. All with nary a shit given. Shim has bigger business to worry about.

She has her girl-gang of prison escapees, including the Beach-Blanket-ultraness-go-go-dancing Twig (who is literally credited as “Twig”),  and ends up setting her sights on Tony as a means to the financial end of Brenda. Her plan of taking low crime into high crime via blackmail is full of torture and man-relief for her sex-starved vixens. But a successful woman like Brenda gets what she wants and when she enlists the services of Sweety East (Monique Duval), who is a Texan-fried, butt-crack rocking version of Honey West, things go from nutzoid to putting out fire with gasoline.

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To say that Castle owns both roles is like saying creamed corn is the expectorant of evil itself. In other words, this is a supreme understatement. She exudes authority, whether Castle is rocking some lingerie or chomping on a cigar. This is a lioness who is begging to be held up as a true feminist icon. Be an independent CEO with your own hairy chested uber-male love slave or run a girl gang full of the sexiest future Waffle House hash-slingers/current convicts. You have options. Marni Castle’s Brenda/Big Shim shows that women can be whatever they want. Humiliate a gigolo and dress him up in fine underthings? Why not! The patriarchy needs a Big Shim to pierce its rugged skin with her needle sharp metal bra. Let’s all strap on some black garters, ogle weird-breasted women and go-go dance for gender equality together. Viva la revolution, viva la Big Shim and viva la Harry Wuest for blessing the world with this joyful, demented 1960’s gem from The Lone Star State.

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Note from Joey here at The Last Drive In: OOh watch out where you’re going with that pointy steel bra!- that metal sling could be a very dangerous thing ya know- Your Ever Lovin MonsterGirl saying Thank You Heather Drain of Mondo Heather  for bringing your mod & ÜBER-Culty expertise to this humble little retro midway….


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