The Great Villain Blogathon 2016: True Crime Folie à deux: In Cold Blood (1967) & The Honeymoon Killers (1969)

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It’s here again! THE GREAT VILLAIN BLOGATHON 2016!

One of the most dread-inspiring Blogathons, featuring a slew of memorable cinematic villains, villainesses & anti-heroes… Thanks to the best writers of the blogosphere Kristina of Speakeasy, Ruth of Silver Screenings, and Karen of Shadows and Satin!

Folie à deux (/fäl? ä ?d?,f??l? ä ?d?/; French for “a madness shared by two”), or shared psychosis, is a psychiatric syndrome in which symptoms of a delusional belief and hallucinations are transmitted from one individual to another.

or

Amour fou (ämoi)

1. uncontrollable or obsessive passion.

“The puzzle and threat of random violence is one of the defining tropes of true-crime”-Jean Murley

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Scott Wilson as Dick Hickock and Robert Blake as Perry Smith.
Smith & Hickock
The real killers were Perry Smith and Richard ‘Dick’ Hickock.

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In Cold Blood (1967) is director Richard Brooks’s (The First Time I Saw Paris 1954, Cat on a Hot Tin Roof 1958, Elmer Gantry 1960) masterpiece of modern nightmarish nihilistic ‘horror of personality.

The film went on to receive four Academy Award nominations: Best Director, Best Cinematography, Best Original Music Score, and Best Adapted Screenplay.

Columbia Studios actually wanted Paul Newman and Steve McQueen to play the roles and wanted it shot in color. Newman went on to do Cool Hand Luke that year and McQueen starred in The Thomas Crown Affair and Bullitt in 1968. Thank god Brooks got his way and got to do his treatment in Black & White, on location and with lesser-known actors, who both went on to earn Oscar nominations for their chilling performances of the murderous pair.

Blake Wilson and Brooks
Robert Blake, Scott Wilson, and director Richard Brooks on location for In Cold Blood (1967).
Capote and Richard Brooks
Author Truman Capote and director/screenwriter Richard Brooks.

Life Magazine NIghtmare Revisted

A post-war true crime thriller, what author Elliot Leyton terms Compulsive Killers: The Story of Modern Multiple Murder, the film is steeped in expressive realism about two thugs Robert Blake as Perry Smith a dark and damaged swarthy angel of death & Scott Wilson  (In the Heat of the Night 1967, The Gypsy Moths 1969, The New Centurions 1972, The Great Gatsby 1974, The Right Stuff 1983) as Dick Hickock, who inspire in each other a sense of anti-establishment negativity.

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anti heroes

These two drifters, having heard about a wealthy wheat farmer from a fellow inmate, think there is a safe in the house filled with $10,000. The two dark souls take siege upon the rural Holcomb, Kansas, Clutter family in the middle of the night, hogtie them, and look for the money, only to find this clean-cut, humble family has nothing to steal but $43, a Bible, and pasteurized milk in the icebox. The two proceed to shotgun murder and cut the throats of the entire household so there are… “No witnesses.” Dick Hickock. There are two surviving daughters, Beverly and Eveanna, who were spared this horror.

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Robert Blake as Perry Smith, John Forsythe plays Alvin Dewey, head of the Kansas Bureau of Investigation, and Scott Wilson as Dick Hickock… being brought in…

Continue reading “The Great Villain Blogathon 2016: True Crime Folie à deux: In Cold Blood (1967) & The Honeymoon Killers (1969)”

A Trailer a day keeps the Boogeyman away! The Honeymoon Killers (1969)

The Honeymoon Killers (1969)

Francois Truffaut named it as his favorite American film.

The film stars Tony Lo Bianco and Shirley Stoler as Ray Fernandez and Martha Beck. Doris Roberts has a part playing Bunny. Also starring Mary Jane Higby as Janet Fay.

This is an intense, often grotesque film based on the true story of serial killers Raymond Fernandez and Martha Beck who meet through a lonely-hearts correspondence club. Director Leonard Kastle creates a sickening atmosphere of acute sexual psychosis in The Honeymoon Killers , that forces you to feel repulsed by this pair’s Folie à deux.

Ray is a swarthy playboy, rough around the edges and a devious sociopath. Martha is ‘morbidly’ obese (and I use the term specifically tailored to her character), obsessive, paranoid and maniacally possessive of Ray.

The two concoct a dangerously horrific plot to lure lonely women into going out with Ray, until he proposes marriage. All the while pretending that Martha is his sister, a nurse. The plan is to con the women’s into turning over their entire savings, and then make them disappear. Neither Ray, nor Martha show any remorse of trace of humanity, within their claustrophobic narcissistic love affair. They are ruthless and brutal to no end.

The film is bleak, grimy and unashamed to show the ugliness of human nature. While it is unrelenting in it’s frankness, it’s oddly compelling to watch Lo Bianco and Stoler do their thing.

“One of the most bizarre episodes in the annals of American Crime.”

“Love is a bitch…called Martha.”

Happy Trailers- MonsterGirl