The Film Score Freak recognizes: Paul Williams ‘Old Souls’ from Phantom of The Paradise sung by the sublimely sexy Jessica Harper

Phantom of the Paradise (1974)

Director Brian de Palma’s phantasmagorical phantom of the opera rock opera in the vein of Mephistopheles featuring the music from sensational songwriter Paul Williams who also plays Swan and the fantastic Jessica Harper (actress, composer, singer & writer)as Pheonix. William Finley plays Winslow/The Phantom and Gerrit Graham is Beef.

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The Phantom of the Paradise

I’d never sell my soul to the devil-just your ordinary little soulful MonsterGirl for sure!

The Film Score Freak recognizes Lyn Murray composer of the heart obscurely

British born  LYN MURRAY  (1909–1989)

Lyn-Murray

Musical director for NBC Radio’s “The Ford Theater” (1947-1948) Died May 2oth 1989 in California.

 LYN MURRAY’S Filmography List IMDb Profile here-

When you think of iconic composers there are a host of names that probably come to mind, from Bernard Herrmann to James Horner, Jerry Goldsmith to Lalo Schiffrin… the list goes on BUT

Because I watch so much vintage mystery television I’ve become acquainted with the genius of Mort Stevens, Pete Rugolo and Georges Dunning.

But recently while delving into some Alfred Hitchcock Hour I was struck at the core of my heart strings by a particular man who’s themes kept popping up throughout the very powerful first season of The Alfred Hitchcock Hour.

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William Walton, Lyn Murray, (an unknown man), Bernard Herrmann, Andre Previn (an unknown woman)

Doing research I found that Lyn Murray worked with Hitchcock on To Catch A Thief 1955 as well as Joseph Losey’s The Prowler 1951 with Van Heflin. Lyn Murray is one of those composers that slips through the cracks, as we pay attention to the very moving pieces of film or dramatic television theatrics.

Emotions are evoked by the scenery or fine acting, but what lies behind the mood is the brilliants of the music that carries the set piece and plot to the level of catharsis. I haven’t been able to stop humming several of Murray’s themes. They’ve been flying around my head like wonderful little moths attracted to the porch lite.

I’ve been so moved by his work that I’ve decided to give him just a little bit of attention here at The Last Drive In. Hopefully next time you’re watching an episode 35 in all of Alfred Hitchcock you’ll take notice and appreciate this extremely evocative composer. Lyn Murray has also done a tremendous amount of work for motion pictures, television like Kraft Suspense Theater, DRAGNET and made for tv movies.

He has a very unique almost quirky sense of beautiful timing, with arrangements that utilize the most dissonant strings, horn sections and flute and whose melodies often take a right turn when you think it’s going left. His music tugs at the heart and fits each scenario so well, you couldn’t imagine hearing anything else underscoring the dramatic scene. Quite often bringing a heave to my chest and tears in my eyes.

From The Alfred Hitchcock Hour-The Paragon, Final Vow, What Happened Was all poignant contributions with their moments that were emotionally elevated by the intricate composition and arrangements by Lyn Murray.

For The Twilight Zone Lyn Murray was responsible for Passage for Trumpet with Jack Klugman. Wonderful episode very close to my heart.

Here’s a smattering of Murray’s style.

THE ALFRED HITCHCOCK HOUR ‘The Paragon’

THE ALFRED HITCHCOCK HOUR ‘What Really Happened’

THE ALFRED HITCHCOCK HOUR “Final Vow’

From ABC Movie of the Week- LOVE HATE LOVE 1971

Trailer TO CATCH A THIEF 1955

Twilight Zone -‘PASSAGE FOR TRUMPET’ (1960)

PROMISE HER ANYTHING 1965

THE PROWLER 1951

THE BIG NIGHT 1951

KRAFT SUSPENSE THEATER ‘JUNGLE OF FEAR’

MORE ABOUT LYN MURRAY AND HIS RENOWNED RADIO CAREER AT THIS LINK BELOW

http://www.digitaldeliftp.com/DigitalDeliToo/dd2jb-Music-Squibb.html

Coming up… I’ll talk about Alex North, Mort Stevens, Pete Rugolo, Jerry Goldsmith, Dominick Frontier, Francis Lai and Gil Melie

From the heart, your MonsterGirl

A Thousand Faces: Musical Tribute to Lon Chaney Sr & Lon Chaney Jr

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Chaney in the unknown

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The Phantom of the Opera & ‘Bulldozer’ song by Jo Gabriel from the album Fools & Orphans

Montage of The Unknown, The Penalty, West of Zanzibar & HE Who Gets Slapped with Jo Gabriel’s  song Passing/Arriving off The Amber Sessions. lo-fi neo-classical album….

Birthday Tribute Lon Chaney

A Thousand Faces Tribute- Montage of Chaney Sr with Jo Gabriel’s song ‘A Thousand Faces’

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Annex - Chaney Jr., Lon (Wolf Man, The)_06

Son of A Thousand Faces- Montage of Chaney Jr with Jo Gabriel’s song Flicker off my album The Amber Sessions

XOXO to the Chaneys- Joey

The Film Score Freak Recognizes: ☆ ‘The Man of a Thousand Faces’ It’s Lon Chaney’s Birthday April 1st

Lon Chaney
Lon Chaney Sr. (Leonidas Chaney) April 1 1883- August 26 1930

The Film Score Freak wants to pay tribute to The Man of a Thousand Faces, the inimitable Lon Chaney Sr. who’s evocative style of physical performance, volatile and poignant, effusive, penetrating and always sublime characterizations created some of the most memorable roles in cinematic history.

Happy Birthday Lon Chaney, we here at The Last Drive In wish you never get slapped, never to be unknown, never to be in the shadows or swing from a bell unless you’re ringing it for joy, to keep your wonderful face unmasked and the music playing til the ends of time, no matter how many thumbs or arms or legs you have, or whatever unholy mischief you might be up to, we adore you forever from here to Zanzibar….

My song ‘Passing/Arriving’ appears on my lo-fi album The Amber Session, you can visit my official site at Ephemera 

He_Who_Gets_Slapped
as Paul Beamont or HE in He Who Gets Slapped 1924
Laugh, Clown, Laugh with Loretta Young
as Tito in Laugh, Clown, Laugh (1928) with Loretta Young
Lon Chaney andnJoan Crawford The Unknown
Alonzo in The Unknown 1927 with Joan Crawford
Lon Chaney as The Phantom
Lon Chaney as The Phantom of the Opera 1925
Lon_Chaney_as_Chinese_immigrant_Yen_Sin_in_the_film_Shadows_(1922)
Lon Chaney as Chinese Immigrant Yen Sin in Shadows (1922)
London after Midnight
as Professor Edward C. Burke in London After Midnight 1927
The Hunchback of Notre Dame
as Quasimodo in The Hunchback of Notre Dame 1923
The Miracle Man in and out of costume
Chaney in and out of his costume as The Frog for The Miracle Man 1919
The Penalty with Ethel_Grey_Terry_and_Lon_Chaney
as Blizzard in The Penalty 1920 with Ethel Terry
The Shock
as Wilse Dilling in The Shock 1923
The Unholy 3 (1930)
Echo – The Ventriloquist in The Unholy Three 1930
West of Zanzibar
Phroso in West of Zanzibar 1928
The Unknown with Joan Crawford
Alfonso in The Unknown with Joan Crawford

Happy Birthday Lon Chaney-With love to a man of many monsters from a MonsterGirl

The Film Score Freak Recognizes: Petula Clark: “You and I” Goodbye Mr. Chips (1969)

“Growing older, growing closer… making memories that light the sky”

GOODBYE MR.CHIPS (1969)

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A shy, withdrawn English schoolteacher falls for a flashy showgirl.

‘You and I’ written by the great Leslie Bricusse and conducted by John Williams, from the soundtrack for Goodbye Mr. Chips, starring Peter O’Toole, as Arthur Chipping and Petula Clark as Katherine Bridges also co-starring Michael Redgrave, and directed by Herbert Ross.

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The Film Score Freak Recognizes: Mark Hellinger and Jules Dassin’s Prison Noir Masterpiece Brute Force (1947) & Jo Gabriel’s ‘The Simple Truth’

“HUMAN DYNAMITE! Told the Raw, Ruthless “KILLERS” Way!”

BRUTE FORCE 1947

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Produced by Mark Hellinger and directed by Jules Dassin, the film is a strikingly potent Prison Noir Masterpiece. Brute Force (1947) is one of my all time favorite films that transcends genre labeling. The entire cast performs the piece like a well oiled Tanker filled with nitro glycerine speeding out of control. With a collection of characters pushed to the brink of fury, dominated by a sadist who reigns over the social institution and the beautiful women who wait for the men who are never coming home.

Richard Brooks wrote the screenplay and William H Daniel’s was responsible for the explosive cinematography that grips you by the throat. With an equally compelling score by the master composer Miklós Rózsa.

Brute Force

Brute Force 2

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Starring Burt Lancaster is Joe Collins, Hume Cronyn is the savage and psychopathic Captain Munsey, Charles Bickford is Gallagher, Yvonne De Carlo is Gina Ferrara, Ann Blyth plays Ruth, Ella Raines is Cora Lister, Anita Colby is Flossie, Sam Levene is Louie Miller #7033, Jeff Corey plays the rat ‘Freshman’ Stack, John Hoyt plays Spencer, Jack Overman is Kid Coy, Sir Lancelot is Calypso and Jay C Flippen is Hodges the guard.

I couldn’t resist mashing up in the mixing bowl, this brutal bit of noir with my tough as satin nails ‘The Simple Truth’ somehow the confluence of visual collective upheaval and raw honesty of my song… a track off my debut album ‘Island’

Island

for the international label Kalinkaland Records, just seemed to feel right to me… I hope you enjoy this little homage. Here’s MonsterGirl as Jo Gabriel lending her music to a fire storming montage of images from Brute Force

Always brutally truthful -Your MonsterGirl

The Film Score Freak Recognizes iconic 70s songwriter-Paul Williams

PAUL WILLIAMS

Paul Williams

Paul Williams sings

Paul and Kermit

Growing up in the 7os, a lot of what inspired me to follow my journey as a singer/songwriter had much to do with the brilliant, evocatively poignant and memorable compositions by artists like the great Paul Williams. I still can’t listen or sing one of his iconic songs without becoming a fountain of tears, melting into an emotional puddle of ‘feelings.’ His contribution to the world as a singer/songwriter has been so immense, that I feel inadequate just showing a little love here, instead of doing one of my long winded posts.

But I am too agitated with excitement about the documentary Paul Williams Still Alive, and to have found him  alive and well on Twitter. I love you, We love you Paul Williams.

You have given us a magical, alchemical concoction of music that will forever flare up like molten gold in our hearts. It’s so good to see you again.

So here’s a just a little reminder of SOME of the things this beautiful, brilliant man has brought us from his heavenly throne where he sits with the other musical angels.

From the new documentary, here’s the official trailer for Paul Williams Still Alive

Karen Carpenter sings Rainy Days and Mondays

Kermit the Frog sings The Rainbow Connection from The Muppet Movie

Karen Carpenter sings We’ve Only Just Begun

Barbra Streisand sings Evergreen from A Star is Born

Jessica Harper sings Old Souls from Phantom of The Paradise

Here’s to the immortal genius! – With love Jo Gabriel the little singer/songwriting MonsterGirl

The FilmScore Freak Recognizes:Jerry Goldsmith’s Hauntingly Poignant Score: The Other (1972)

“When does the game stop and the terror begin?”

THE OTHER (1972)

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Directed by Robert Mulligan

Robert Mulligan
Director Robert Mulligan
To Kill A Mockingbird Robert Mulligan
Director Robert Mulligan’s masterpiece based on Harper Lee’s To Kill A Mockingbird

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Based on actor/author Thomas Tryon’s best selling novel, about the duplicity of innocence and evil in the incarnation of twin boys. Set in the depression era during a hot and dusty summer of 1935. The atmosphere of rural quaintness is painted beautifully by cinematographer Robert Surtees.

Niles and Holland Perry (Chris and Martin Udvanoky) live with their extended family on a rural farm. The boys are looked after by their old world and arcane, loving Russian Grandmother Ada (the extraordinary icon Uda Hagen.)

The Other Uta Hagen

The sagely mysterious and angelic Ada has taught the boys a special and esoteric gift from the old country she calls ‘the game.’

When several inextricably grotesque accidents beset the town, the clues start to point toward Niles’ wicked brother Holland who may be responsible for the gruesome deaths.

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Also starring Diana Muldaur as the boys hapless mother Alexandra.

Diana Muldaur

Norma Connolly plays Aunt Vee, Victor French co-stars as the drunken swarthy handyman Angelini, Lou Frizzell is Uncle George, Portia Nelson as the uptight Mrs. Rowe, Jennie Sullivan as Torrie and a young John Ritter as Rider.

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Tryon’s story is a most hauntingly mysterious journey through the eyes of a child, a macabre and provocative psychological thriller from the 70s that has remained indelible in triggering my childhood fears, filled with wonder and the impenetrable world of the supernatural. I plan on doing a broader over view of this film as I am prone to be long winded. But for now The Film Score Freak would like to focus on the film’s hauntingly poignant score contributed by one of my favorite and in my opinion one of THE BEST composers of all time, Jerry Goldsmith.

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In Dreams-MonsterGirl

The Film Score Freak recognizes: Vincente Minnelli’s musical fantasia ‘On A Clear Day You Can See Forever’ (1970)

On a Clear Day You Can See Forever (1970)

On A Clear Day You Can See Forever film poster

Barbra -On a Clear Day

Barbra plays Daisy Gamble, a woman based on Bridie Murphy, who knows when the phone’s going to ring, and talks to flowers helping them to flourish. She seeks help from a doctor who specializes in hypnosis to help her  quit smoking. Once she’s under, she becomes regressed back to several past lives and quite a few animated personalities, one of which he falls madly in love with. Co-Starring Yves Montand and Jack Nicholson, Simon Oakland, Larry Blyden and Bob Newhart.

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With music by Burton Lane and lyrics by Alan Jay Lerner, sung by the unchallenged songstress of the millennia Barbra Streisand, here’s just one of the spectacular, and transcendental songs of the film.

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On a Clear Day You Can See Forever sung at the film’s coda

some extra bit of goodness

Hurry It’s Lovely Up Here

I’m too Verklempt to speak-MonsterGirl

The Film Score Freak Recognizes Jo Gabriel’s ‘Savage Bliss’ & Jean Cocteau’s La Belle et la Bête 1946

If you’ve been following my blog for a while, you would have figured out, that I’m a singer/songwriter & recording artist, because I’ve mentioned it, oh about a zillion times…So here I go again taking a song of mine ‘Savage Bliss‘ off my lo-fi neo classical album The Amber Sessions and mashing it up in the editing bowl with Jean Cocteau’s La Belle et la Bete (1946) Starring Josette Day and Jean Marais.

I love working with the films that have inspired me, adding my musical voice to the images, not because I flatter myself as a couch surfing filmmaker, rather as a way of expressing my eternal gratitude for the release and fulfillment that film has given me since I was a little monster girl singer/songwriter. So without any further adieu…!

Here’s to the beauty and the beast in all of us… cheers-MonsterGirl