This putrid endeavor by schlockmeister Larry Buchanan, doesn’t even apply to the “it’s so bad it’s good” category. It’s just purely awful. And so here at The Last Drive In it has earned the Barney Fife Takes a Great Big Axe and Pow Pow Pow! to this horrible bit of film schlocking.”
But what did I expect…When I couldn’t even make it past 20 minutes of Buchanan’s other unnecessary remake The Eye Creatures 1965 which was a re do of Invasion of The Saucer Men 1957 . Or his other schlocky “Story of a Witch Who Became Restless in Her Grave” The Naked Witch 1961.
This is director Larry Buchanan’s ludicrous and at times offensive remake of Ed L Cahn’s Voodoo Woman 1957.
Ed L Cahn’s Voodoo Woman
It’s truly an awful piece of junk, that actually made my brain hurt and my body ache to have to sit and watch it all the way through in order to distinguish it with the Pow Pow Pow Award.
It’s also sad that John Agar actually participated in this project or any other Buchanan project, not that he’s a great thespian of the stage and theater. Not that his film credits add up to an impressive career. His presence does lend that certain warmth, a familiar face amidst the B-movie debris. Unfortunately here, he doesn’t contribute any charisma, or plausibility to the plot at all. He appeared to be tagging along with the rest of the cast, as if he was just waiting around in between scene changes like a burned out accountant waiting to do their taxes. Was Buchanan blackmailing Agar? Why else would he do this film.
The film tone, I don’t mean atmosphere, I mean HUE, itself has a greenish coating over it as if director of photography Ralph K Johnson went crazy with a Roscolux #90: Dark Yellow Green lighting gel, which made the film green and murky rather than moody. Was it a queer arty attempt at Day for Night.
There are retro horror/sci fi films that have a certain charm because they took themselves seriously and didn’t realize that they were making fools of themselves. The narratives filled with an intense passion that couldn’t be pulled off, still giving it a kind of quirky likability. Ed Wood’s Plan 9 From Outer Space for instance. Ed Wood’s films in general for that matter.
Now, having grown up on Long Island I can tell you, that this was not filmed in the balmy, wormwoody, mossy, Gothic backwoods of the bayou swamp lands. Eastern Texas perhaps, well it is on the border of Louisiana… Continue reading “The Pow Pow Pow Award goes to… “Curse of The Swamp Creature” 1966!”