“I feel like smashing something”
1)The Purple Room-airdate October 25,1960-Rip Torn inherits Black Oak Mansion from his recently deceased uncle, but with one condition;he must live in the house for one full year. Patricia Barry and Richard Anderson (The Night Strangler , The Six Million Dollar Man) play his cousins who lure him into spending one night in the haunted Purple Room! Black Oak Mansion makes use of Universal’s Psycho house.
2) Fingers Of Fear-aired Feb 21 1961-This disturbing and psychologically progressive episode deals with a child killer.It opens with a stark and chilling scene of an elementary school teacher chasing a ball (bouncing balls are usually foreboding of an impending shock! )from the playground only to discover the body of a mutilated little girl in the shrubs. The police start looking for an overweight brutish man, and a mentally ill man fitting the description starts to fear that he will be arrested for the crime. This starts a series of events that are filmed with a taut and thoughtful narrative until the shocking climax where the real murderer is caught. The final scene is quite disturbing when the killer violently attacks a doll, thinking it is a little girl. Directed by Jules Bricken, but could have been filmed by Sam Fuller. Highly recommend Fuller’s The Naked Kiss.
3)The Ordeal of Dr Cordell airdate March 7 1961-A doctor, Frank Cordell, played by Robert Vaughn ( The Man From U.N.C.L.E)trying to find the cure for nerve gas accidentally stumbles onto a chemical vapor that stirs a murderous uncontrollable rage in him, every time he hears a bell. This episode taps into Robert Louis Stevenson’s 1886 short story The Strange Case of Dr. Jekyll and Mr.Hyde as Cordell modulates between these dueling personalities.
4) Parasite Mansion airdate April 25 1961-Pippa Scott plays a woman who wrecks her car, then gets shot at and faints only to awaken in an old dark house inhabited by an extremely strange family that are beset by the fear of a family “secret” in the form of violence that has plagued their home and family for three generations. Poltergeists,telekinesis,stigmata,alcoholism, insanity, backwoods vengeance and family dysfunction all play themselves out at the hands of Granny brilliantly acted by the incredible Jeanette Nolan, Beverly Washburn as Lollie ( Spider Baby ).Written by Donald S. Sanford and directed by Herschel Daugherty.
5) Mr George airdate May 9 1961-After a little girl loses both her parents, she is left in the care of her last remaining relatives, a sociopathic provincial trio who plan to kill her for her inheritance. But the child has a special guardian, a ghost named Mr George who is watching out for her safety at every turn.Written by Sanford, and directed by Ida Lupino. Virginia Gregg, Howard Freeman and Lillian Bronson as Adelaide the simple minded sister apropos of a Tennessee Williams character. The musical dynamic to this episode in particular is it’s own character within the plot. it seems to guide the narrative masterfully through a childlike lens.
6) Terror In Teakwood airdate May 16 1961-A concert pianist obsessed with being the greatest living pianist, takes extreme measures to improve his abilities.Guy Rolfe (Mr Sardonicus) plays Vladimir Vicek the tormented musician who goes to drastic and unholy ends to achieve greatness.Hazel Court plays Leonie his beautiful wife. Directed by Paul Henreid. Bette Davis’s love interest and doctor in Now Voyager. Perhaps my favorite film of the great Ms Davis! The theme is very reminiscent of The Hands Of Orlac . Also stars Charles Aidman.
7) What Beckoning Ghost airdate September 18 1961-Judith Evelyn plays Mildred Beaumont, a woman, yet another concert pianist, recovering from a heart attack,goes downstairs one night hearing a funeral dirge, and has a vision of her own dead body lying in repose in an open coffin.She faints and upon awakening is told by her husband and sister that she has started having memory lapses and hallucinations. Are they trying to drive her crazy or to her grave? Written by Donald Sanford from a story by Harold Lawlor first published in Weird Tales (July 1948) and directed by Ida Lupino. photo right Reggie Nalder from Terror in Teakwood.
8) The Premature Burial airdate October 2 1961-loosely based on Poe’s story, Sidney Blackmer (Roman Castavet the patriarchal warlock in Rosemary’s Baby ) plays a cataleptic man who suffers a seizure and is mistakenly buried alive. His doctor friend Boris Karloff breaks into the crypt and saves his life. After being revived by the galvanic battery! Blackmer becomes obsessed with this never happening again. However his young wife Patricia Medina and her artist lover Scott Marlowe are more interested in his inheritance. This episode has a wonderfully morbid tone to it.
9) The Weird Taylor airdate October 16 1961-Writer Robert Bloch brings this macabre story to life directed by Herschel Daugherty.
An abusive husband and bitter man, a tailor is asked to make a special suit of clothes for a wealthy man. The tailor doesn’t know that the man has accidentally caused his son’s death during one of his black mass rituals.The father’s only goal now is to bring his son back to life and having paid one million dollars for a rare book on sorcery which has the formula for creating a suit that if worn can bring back the dead!.George Macready is wonderful as the mournfully obsessed father.Henry Jones is Erik Conrad the angry tailor who doesn’t know what he’s getting himself into.
10) God Grante That She Lye Stille airdate October 23 1961-In 1661 a woman is burned at the stake for being a witch. She swears that her spirit will avenge her death. 300 years later,a girl descendant from the witch returns to her ancestral home and begins having to fight off the ghost of the witch who is now trying to possess her very body and soul! Henry Daniell plays Vicar Weatherford the descendant of the man who burned the witch 300 years prior.
11)Masquerade airdate Oct 30 1961-A young couple, a writer and his droll wife are on their honeymoon down south after being caught in a thunderstorm, stop at a house to seek shelter. This episode is laced with a lyrical quality and much campy humor.What they find, is a bizarre family led by John Carradine ( love him!) Jed Carta who taunts the couple with local stories about the Henshaw Vampire. Is the family a family of vampires?cannibals or just a bunch of psychopaths who kill wayward visitors for their valuables?Tom Poston as Charlie Denham, and Elizabeth Montgomery (Bewitched)as Roz Denham.The banter between the cast is so enjoyable. Pictured here John Carradine as Jed Carta sharpening his butcher’s knife.
12)The Return Of Andrew Bentley airdate Dec 11 1961-in 1900’s Ellis and Sheila Corbett arrive at the home of his Uncle Amos an occult enthusiast, who reveals that he is dying and plans on leaving everything to them as long as they remain in the house, never to leave and to keep vigil on his crypt in order to protect his eternal slumber from the mysterious Andrew Bentley and his minion demon that follows him around like a ghoulish pet.Written by Richard Matheson and directed by John Newland who also plays Ellis. Antoinette Bower is Sheila and Reggie Nalder is Andrew Bentley. Nalder is another actor with a very distinct face.
13)The Remarkable Mrs Hawk airdate Dec 19 1961-Mrs Hawk runs a pig farm. Best hogs in the county.She also goes through handy men like Kleenex. They all seem to disappear without a trace. When the last hired hand to go missing, it stirs curiosity in his friends,so they set out to investigate the goings on. Turns out that the lady is the Greek Goddess Circe who is masterful at turning men into swine! John Carradine plays “Jason” Longfellow, Paul Newlan as Sheriff ” Ulysses” Willetts and Jo Van Fleet as the remarkable Mrs Hawk. Directed by John Brahm and written by Donald S Sanford. The original script http://www.geocities.com/emruf7/hawk.htm
14) The Storm airdate January 22 1962-Nancy Kelly ( The Bad Seed’s mother ) as Janet Wilson after finding the body of a dead woman in the trunk in her cellar, is then stalked by a killer during one terrible stormy night! Directed by Herschel Daugherty.
From the show’s opening iconic musical score, you know something deliciously sinister is about to occur. The word THRILLER appears against a fractured white web like graphic title design quite a bit in the style of Saul Bass. The discordant piano and horn stabs of modern jazz already bring you into the inner sanctum of menacing story telling. As Boris would often say as a precursory welcome,“Let me assure you ladies and gentlemen, as sure as my name is Boris Karloff, this is a thriller”
Boris Karloff’s THRILLER was an anthology series that ran from 1960-1962. It included 60 minute B&W episodes, 67 in all, that were expected to compete with The Twilight Zone and Alfred Hitchcock Presents.
The series was developed by Executive Producer Hubbell Robinson and producers William Frye, Fletcher Markle & Maxwell Shane for MCA’s Revue Studios. The format was somewhat plagued by two ambivalent themes, leaving the show’s narrative straddling both crime melodrama and tales of the macabre genres. But… either atmospheres created by some of the best writers, directors and players delivered a highly intoxicating blend of both.
“I think the title leaves the stories wide open to be based on melodrama not violence or shock. They’ll be stories about people in ordinary surroundings and something happened to them. The whole thing boils down to taste. Anybody can show you a bucket of blood and say-‘This is a bucket of blood’, but not everyone can produce a skilful story”-Boris Karloff (1960)
Karloff starred in five episodes: The Prediction, The Premature Burial, The Last of the Somervilles, Dialogues With Death, and The Incredible Doctor Markesan.
Many of the stories were based on writing taken from Weird Tales and scripted by that magazine’s contributors such as Robert Bloch (author of the novel Psycho) who wrote one of my favorite episodes The Cheaters as well as adapting his story The Weird Tailor.
Other contributing writers were Donald S. Sanford, Richard Matheson, Barré Lyndon and August Derleth John Kneubuhl, Alan Caillou, Robert Hardy Andrews, Charles Beaumont, Robert Arthur, William D. Gordon, Jay Simms and Wilkie Collins.
THRILLER had an incredible line up of serious dramatic players. Leslie Nielsen, Mary Astor, Rip Torn, Patricia Barry, Richard Anderson, Martin Gabel, Cloris Leachman, Fay Bainter, Victor Buono, Audrey Dalton, Alan Caillou, Elisha Cook, Robert Lansing, Mary Tyler Moore, Beverly Garland,Warren Oates, Werner Klemperer, Harry Townes, Jack Weston, Paul Newlan, Ed Nelson, Mildred Dunnock, Phyllis Thaxter,William Shatner, Elizabeth Allen, Guy Stockwell, Susan Oliver, Nehemiah Persoff, Torin Thatcher, Marlo Thomas, Robert Vaughn, John Ireland, Pippa Scott, Jeanette Nolan, Guy Rolfe, Hazel Court, Lloyd Bochner, Brandon DeWilde, Sidney Blackmer, George Macready, Tom Poston, Constance Ford, Elizabeth Montgomery, John Carradine, Edward Andrews, Estelle Windwood, Bruce Dern, Jo Van Fleet, Jane Greer, Richard Long, Ursula Andress, Lillian Bronson, Reta Shaw, Dick York, Howard McNear, Richard Carlson, Nancy Kelly, John Fiedler, Linda Watkins, Martita Hunt, George Grizzard, Robert Middleton, Natalie Schafer, James Griffith, Bethel Leslie, Patricia Medina, Richard Chamberlain, Sarah Marshall, Conrad Nagel, Reggie Nalder, Henry Jones, Russell Johnson, Natalie Trundy, Diana Millay, Philip Carey, Kathleen Crowley, Susan Oliver, J. Pat O’Malley, Judith Evelyn, Tom Helmore, Robert Vaughn, Virginia Gregg, Scott Marlowe, Judson Pratt, Marion Ross, Antoinette Bower, Jocelyn Brando, William Windom, George Kennedy, Abraham Sofaer, Monte Markham, Patricia Breslin, Charles Aidman and so many other great character actors.
The series drew much of it’s artist edge because of the directors who contributed their stylistic observations of the story telling like Robert Florey, French Screenwriter who was responsible for contributing to The Outer Limits , Alfred Hitchcock Presents and The Twilight Zone as well as assistant director on Murders In The Rue Morgue and the 1946 film The Beast With 5 Fingers yet another take of the Orlac saga. John Brahm had directed the 1944 version of The Lodger and Hangover Square. Much of the overall tone of the series combined elements of film noir and classical horror. The shadowy gray toned cinematography created so much of the atmospherics for some of the most memorable episodes in the series. Pigeons From Hell is yet another story adapted from Weird Tales Magazine. This episode was directed by John Newland of One Step Beyond, a television series consisting of half hour episodes that were purported to be based on true paranormal events. Some other notable directors who contributed their work to the series was the ever versatile Ida Lupino , Arthur Hiller , Lazlo Benedak, (The Wild One ’53) Hershel Daugherty , Paul Henreid, Douglas Heyes and Jules Bricken.
THRILLER’S musical compositions seemed to be sculpted perfectly for each episode, underscoring the haunting and poignant quality of each story in such an evocative way that the music itself became integral to the narrative. The subtly intrinsic emotional quality in each of the arrangements help forge a climate of the distinctive theater of dramatic and unearthly chills.
Jerry Goldsmith , Morton Stevens & Pete Rugolo wrote some of the most vivid and beautiful melodies for the series. I was inspired by the episode God Grante That She Lye Stille, to name a song on my album Fools and Orphans after it.
Henry Daniell, who in addition to his marvelous face, had a wonderfully theatrical voice, plays the 17th century reincarnation of his ancestor Vicar Weatherford in God Grante She Lye Stille. He condemns the witch Elsbeth Clewer to be damned to the fires of hell and burn at the stake. Memorable is his invocation “God Grant That She Lye Still.” in that measured and lucidly flowing tone of his.”Thou shall not suffer a witch to live!”
Daniell would inhabit several striking characters on the series, including Dirk van Prinn the alchemist in The Cheaters.
I’ll be writing about some of my favorite episodes in depth because THRILLER was so ahead of it’s time in terms of the serious and artful risk taking of the various directors on board, the incredibly spellbinding story telling and dialogue, inspired set & art design, experimental cinematography, dramatic performances and evocative musical scoring.
Together the confluence of all these elements contributed to a show that often pushed the boundaries of what you might expect from a 1960’s television series. It’s moody, compelling and haunting quality, have not been duplicated on any other anthology series of it’s type to date. Although I also feel passionately about The Outer Limits for much of the same reasons, a show philosophizing on morality with a very science fiction lens. I plan on covering that series in depth as well. Alfred Hitchcock Presents & The Alfred Hitchcock Hour was a fabulous mystery series that also merged noir with suspense. This is another show I’ll be talking about in the future. Yet THRILLER holds a special fascination for me, partly due to my enduring love for Boris Karloff.
Somehow THRILLER seemed to encapsulate it’s own Gothic methodology and mythos.
The sets had a uniquely eerie landscape and their own vitally uncanny, bizarre and shadowy environment. Not unlike the way Val Lewton seemed to create his own unique cycle of supernaturally themed shadow plays for RKO.
The show still evokes chills and Gestalt response in me even after having watched these episodes a hundred times over.
Also notable is Jack Barron’s make-up on the series, including The Incredible Doktor Markesan~
So please stay tuned as I journey back to Boris Karloff’s Thriller and wander through some of my most treasured episodes I’d love to share with you!