31 Flavors of Noir on the Fringe to Lure you in! Part 3

☞PART 1 & ☞PART 2

💥SPOILERS!

21-HE RAN ALL THE WAY 1951

A lonely girl — a man on the run and 72 hours reckless hours that shock you with the impact of unleashed emotions!

Directed by John Berry (Tension 1949), with the screenplay by two victims of HUAC Dalton Trumbo (The Prowler 1951, The Brother’s Rico 1957, Papillon 1973) and Hugo Butler (The Southerner 1945.) Based on a novel by Sam Ross. All three men’s names Berry Trumbo and Butler were struck from the credits due to the blacklist, but have since been restored.

Garfield stars in his final film, as Nick Robey and Shelley Winters as Peg Dobbs. Wallace Ford plays Fred Dobbs, Selena Royle as Mrs. Dobbs. The incomparable Gladys George is Mrs. Robey. Norman Lloyd as Al Molin. With music by Franz Waxman that is not overwrought, but has a beautiful, restrained melody. The film is shot by prolific cinematographer James Wong Howe ( The Thin Man 1934, They Made Me a Criminal 1939, King’s Row 1942, he shot Garfield in Body and Soul 1947, The Rose Tattoo 1955 Sweet Smell of Success 1957)

While under contract to Warner Bros. John Garfield could have had his pick of any major studio in Hollywood, RKO, 20th Century Fox even MGM wanted him to sign, but being the tough, rebellious everyman, in 1946 he did not renew his contract with Warners, and since none of the other studios would touch He Ran All the Way, Garfield released the film under his own new independent production company with Bob Roberts (Body and Soul 1947, Force of Evil 1948, All Night Long 1962) and Paul Trivers.

In an interview with Look magazine, he said, “I wasn’t carrying a chip on my shoulder at Warners. I appreciated the fact that they made me a star, but they didn’t pick me up from a filling station.”

“When an actor doesn’t face a conflict, he loses confidence in himself. I always want to have a struggle because I believe it will help me accomplish more.” – John Garfield

A kid from the streets of New York, during John Garfield ‘Julie’s career between Body and Soul 1947 and He Ran All the Way 1951, he did not work in Hollywood when HUAC targeted the actor as a communist sympathizer. Garfield suffered at the mercy of the blacklist when he refused to name names. Criminal considering he not only raised money for the war effort during WWII, but he also co-founded the Hollywood Canteen. The stress of the constant persecution he endured led to him suffering a massive heart attack leading to his tragic death at only 39, less than a year after He Ran All the Way.

In 1946, John Garfield a naturalistic actor was box-office gold, ( I think he set the stage for Dean and Brando) having a successful run as a superstar in Hollywood with Humoresque, The Postman Always Rings Twice and Nobody Lives Forever. Garfield was able to transform an unsympathetic guy, into a heavy, might-have-been, and deeply humanize him. And though the fatalistic creed of ‘film noir’ is that no flawed anti-hero can escape their dark destiny, we feel for their consequences.

Film historian Eddie Muller calls Garfield the ‘pied piper’ because he led the way for all the actors from New York’s Group Theater and the Broadway scene. Not only a bold actor on screen, but he was also a terrific stage actor as well having used sense memory a lot.

John Garfield was magic because of his authenticity at playing brooding, defiant, working-class guys, his Nick Robey is a lost soul – living in a claustrophobic nightmare that he can’t outrun, that he cannot escape. Even while he’s asleep. The nightmares chase him into a frightened sweat.

Set in Southern California over a 72-hour time frame, under the sweltering summer heat, the film opens: A fevered dream, running so hard… “my lungs are burnin‘ up.”

Mrs. Robey –“Nick, Nicky you were hollering in your sleep.” Nick- “Alright mom so I was hollering in my sleep what’s wrong with that?” Mrs. Robey –“It’s 11 o clock Mr. Robey you can’t lay there all day.”
Nick –“Beat it, blow.” (She rolls the shades up to let the harsh morning light into the room)
Hey Cut that out!


Gladys George is an intense searing beam of deplorable as Nick’s mother who swills cheap beer like a well-oiled lush and treats him like she resents having given birth to her loser son. Mrs. Robey persistingly harassing Nick. Later she even tells the cops to “Kill him! Kill him!”

Mrs. Robey –“If you were a man you’d be out looking for a job.”
Nick- “If you were a man I’d kick your teeth in.” Mrs. Robey “There’s coffee on the stove, don’t ever talk to me like that Nick.” Nick- “You’ve been talked to worse.”
Mrs. Robey –“Only by you you dirty punk.” Nick -“Oh knock it off mom you just go too big a hangover.” (She slaps him) Mrs. Robey –“I’ll kill ya if you talk like that.” Nick-(Laughs) “You’re losing your punch mom.”

Continue reading “31 Flavors of Noir on the Fringe to Lure you in! Part 3”

The Dark Drawer: Four Obscurely Fabulous Film Noir Fare…

“Down this street raced dead-end violence!”

DOWN 3 DARK STREETS (1954)

“Down This Street Raced Dead-End Violence… Down This One Stretched Excitement Taut As Silk!”

Kenneth Tobey doesn’t last too long in 3 Dark Streets!!

Directed by Arnold Laven this noir acts as part police procedural, starring gruff he-man Broderick Crawford ( the pre Tony Soprano alpha male, bull in the china shop cop) who plays FBI Agent John ‘Rip’ Ripley. Likable and mild mannered Kenneth Tobey plays his partner agent Zack Stewart who is gunned down from the shadows while juggling three cases that might be interrelated. John Ripley continues to hunt down the relationship between all these cases and find his partner’s murderer!

Never say You Never Saw Nothin’!

One connection involves gangster Joe Walpo as Ripley finds his hideout through Joe’s glitz and glamorous girl friend Connie Anderson played by Martha Hyer. Joe gets gunned down, and cleared of Stewart’s killing. Connie won’t be receiving anymore shiny things in the mail anymore!

The Second link involves a car-theft ring which Ripley, uses the wife of Vince Angelino (Gene Reynolds) to turn on his fellow thugs, when Vince finds out that they have roughed up his gentle and blind wife Julie, played by the beautiful Marisa Pavan.

2 bit hustler and thug Matty Pavelich (Claude Akins) smacks around a nice blind girl, what a crumb!

The last and most disturbing case involves Kate Martell, the victim of an extortionist who says he’ll kidnap her little girl if she doesn’t fork over some cash. He calls using a creepy threatening voice and sends her on wild goose chases, trying to break her down, so she’ll pay the $10,0000 ransom.

Kate is played by the brassy Ruth Roman. There are a lot of dubious suspects surrounding her. The menacing uncle Max played by Jay Adler, and the smarmy, drooling suiter Dave Milson played by Max Showalter. How will this thriller play out in 3 dark streets!?

 As the tag line says, it’s as taut as silk!

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THE MUGGER 1958

Directed by William Berke, Screenplay by Henry Kane and based on the novel The Mugger by the great pulp mystery writer Evan Hunter as Ed McBain!

Starring again another likable actor Kent Smith who plays Dr.Peter Graham a psychiatrist who works for the police department, living in a dark city anywhere U.S.A.

“We need good cops, even if you are a psychiatrist now.”

James Franciscus as the handsome young cab driver who works hard to support his expectant wife…

There’s a mysterious masher stalking women, ritualistically slicing their left cheek and stealing their purses as a trophy. Pretty gruesome for 1958 film goers. The mugger escapes undetected until his last victim is actually murdered! The film stars Nan Martin, a cop who goes undercover as a dime a dance girl, James Franciscus, and Stefan Schnabel. With bit parts by Beah Richards as a ‘maid’ (god forgive Hollywood and their ever present stereotyping) a young George Maharis as Nicholas Grecco, a possible slime ball. And the first time appearance of Renee Taylor as a cheap hussy who is physically abusive to her wormy husband.

The film uncovers a lot of unsavory characters, in the dark underbelly of a city that is diseased in a way that might breed a handbag, cheek slashing maniac! As Dr.Graham tries to draw conclusions about the sort of man who would attack these women, we meet a handful of offbeat characters along the way as the likable police psychiatrist and his woman cop girlfriend are on the track of ‘the mugger’ terrorizing the city.

Very gritty and realistic slice of psycho=sexual agression run amok in the city and hidden secrets within a small struggling America family!

“They all had one thing in common… The terrifying night they met!”

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PRIVATE HELL 36 (1954)

“There’s a price tag on this woman… A big one!”

Written for the screen by Collier Young ( Former husband to Ida Lupino and Joan Fontaine and written by Ida Lupino. Directed by Don Siegel , starring Howard Duff  who plays detective Jack Farnham an honest cop with a beautiful wife Francey (Dorothy Malone) who loves him. His partner Cal Bruner,(Steve Cochran) is a little more dark and brooding and rough around the edges. He’s hungry for something better than suburban living with ‘pay on time’ furniture and a small backyard with a grill and a white fence.

Both detectives while staking out a robbery, in which $300,000 was stolen, stumble onto the hot cash. Of course, Farnham wants to turn it into Captain Michaels played by the meditative Dean Jagger.

But Bruner has fallen hard for night club singer Lili Marlowe played by the one and only Ida LupinoShe’s great as the unattainable women who’s been burned once before and is now wearing asbestos lipstick. Cal is just too swarthy and smitten with Lili and soon, they go up in smoke!. Lily has very high expectations for herself, and loves nice shiny things. And Cal wants to give her anything she wants, but refuses to live like Farnham on a cop’s salary, playing nice little suburban couple struggling to get by.

Farnum and Bruner’s relationship grows more strained as they each reflex their own personal idealism.

Number 36 refers to the locker the money is hid inside of, while Farnham roils and ruminates over his dilemma.

Does he become a rat and turn in his partner or should he do what’s expected and go to Captain Michaels with the missing money and the truth!

“These are the Night Faces…living on the edge of evil and violence…making their own.”

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TRY AND GET ME or The Sound of Fury (1950)

A man down on his luck falls in with a criminal. After a senseless murder, the two are lynched.

Directed by Cy Enfield and written for the screen by Joe Pagano, based on his novel The Condemned.


It stars Frank Lovejoy as Howard Tyler and Kathleen Ryan as Judy Tyler. Two ordinary people in this allegory about how a decent human being can be directed to do a desperate or violent act in order to survive and protect their own family. Taken over by a fanatical young con-man, petty thief and psychopath named Jerry Slocum, played by Lloyd Bridges. Slocum preys on the Tyler’s need for money, Slocum convinces Tyler to be involved in a kidnapping scheme that goes horribly wrong and ends in murder.

The narrative unfolds more deeply as a condemnation of sensationalist journalism that can incite a mob mentality which feeds off the lurid details, culminating in a destructive force, almost worse than the original crimes committed.

Richard Carlson plays Gil Stanton a newspaper man who eventually has a pang of conscience, although much too late!

The ending is quite potent, powerful and remains a stunning commentary. The imagery holds a very powerful message in the final moments of the film…

PS: it seems that both The Sound of Fury 1950 and Fury 1936 Fritz Lang’s film starring Spencer Tracy are based on the same true events -from TRIVIA IMDb:

Based upon the 1933 kidnapping and murder of Brooke Hart, son of the owner of Hart’s Department Store in San Jose, California. Two suspects were arrested and jailed, but a lynch mob broke into the jail, dragged out the suspects and took them across the street to a city park where they hanged them from a tree

Hope you get to see at least one of these lesser known Noir/Thriller goodies!- Til next time!-MonsterGirl