Hedy Lamarr: From Ecstasy to Frequency! A Beautiful Life

The Heavenly Body 1944
The Heavenly Body 1944

“My mother always called me an ugly weed, so I never was aware of anything until I was older. Plain girls should have someone telling them they are beautiful. Sometimes this works miracles.”

“I must quit marrying men who feel inferior to me. Somewhere there must be a man who could be my husband and not feel inferior.”

“I appreciate subtlety. I have never enjoyed a kiss in front of the camera. There’s nothing to it except not getting your lipstick smeared.”

“I’m a sworn enemy of convention. I despise the conventional in anything, even the arts.”

Glamorous portrait of movie actress Hedy Lamarr wearing white fox fur short jacket.1938
Glamorous portrait of movie actress Hedy Lamarr wearing white fox fur short jacket. photo taken 1938

Hedy Lamarr  was born Hedwig Eva Maria Kiesler in Vienna, Austria on November 9th. Her first film was “Geld Auf Der Strase” (“Gold on the Street”) but it wasn’t until she appeared nude in the Czech film director Gustav Machatý‘s  visually provocative masterpiece Ekstasy” (“Ecstasy”) (1933) that she started causing ripples around the world. Ecstasy was banned in the U.S. because of that overly suggestive orgasm she so vividly reflects on screen.

extase-1932-02-g
Adam (Aribert Mog) & Eva Hermann (Hedy Lamarr) in Extase 1933

As Eva Hermann Hedy Lamarr plays a young girl who marries a much older rigid man obviously suffering from a compulsive disorder. He doesn’t show her any form of physical affection at all in his ordered world. Left with no passion, no human contact, Eva feels cut off from the world and imprisoned by this loveless marriage. So she leaves and goes home to her father. While swimming in the lake, her horse runs off with her clothes! (thus the famous frontal nude scene as she swims and then runs for cover). Coming to her aide she meets a very sensual young man named Adam (Aribert Mog) and of course… there’s instant chemistry and the two fall in love.

CapturFiles_2

CapturFiles_3

ecstasy 1933
ecstasy 1933

In the 2nd controversial part of the film, Adam & Eva make love in what I think is one of THE most erotic images in early cinema, also being one of the first on screen orgasms. As Eva’s heaving body is framed by the camera’s visually erotic rhythm. Eva/Hedy manifests a look on her face of… well. that just says she’s experiencing ECSTASY.

But her husband has become grief stricken and in a twist of fate discovers that his bride has become involved with the young man whom he fatefully happens to meet on the road one day… Outside the tavern where the young lovers dance and rejoice, the husband shoots himself.

There isn’t much dialogue, the film relies on the breathtaking visual narrative, as Eva journey’s to find release from her conflicted life. When you look beyond the whole infamous nude swimming scene that not only caused a sensation here in America, it dogged Hedy for years, what’s most significant is how much dimension Hedy conveyed without words.

Ecstasy

Hedy is in Ecstasy

In director John Cromwell’s marvelous film noir intrigue the beautiful Hedy Lamarr plays Gaby who falls for the romantic jewel thief Pepe Le Moko (Charles Boyer) while in the Casbah!

Algiers 1938
Hedy Lamarr with Charles Boyer in Algiers (1938) Gaby: “It’s late. I must go” Pepe le Moko: “Suppose you don’t come tomorrow? “Gaby: “Suppose I don’t? Can’t you ever get away from the Casbah?” Pepe le Moko: “Why do you ask? Gaby: Can’t you?” Pepe le Moko: “No. I’m caught here, like a bear in a hole. Dogs barking, hunters all around, no way out of it. Do you like that? Maybe it’s lucky for you.” Gaby: “I don’t like it. And it’s not lucky.” Pepe le Moko: “You’re right. If you don’t come back, I might do anything. I might go down to your hotel to get you.” Gaby: “Tomorrow, Pepe”. Pepe le Moko: “Tomorrow?” Gaby: “I never break a promise.”
When Hedy made her Hollywood screen debut in Algiers (1938) she is photographed at a distance. As she approaches the camera hidden by the shadows of noir, it is when she slowly begins to walk off screen and suddenly turns directly toward the screen that her stunning close up became meteoric, and her mythological beauty was delivered to us with an intoxicating mystique. She was often typecast as the eternal vamp, the dangerous temptress, because of her mesmerizing persona.

Hedy had said, “My face is my misfortune… a mask I cannot remove. I must live with it. I curse it.”

Hedy Lamarr became known as the most beautiful woman in the world!

0
Hedy Lamarr became known as the most beautiful woman in the world!
white-cargo-hedy-lamarr-1942
in 1942 Lamarr spoke the words in White Cargo “I am Tondelayo.” setting the world afire with the flames of her mysterious sensuality.

In White Congo 1942, Lamarr is Tondelayo a captivating temptress. The story is about a love-hate triangle in the Congo in 1910. Harry Witzel (Walter Pidgeon), is a station superintendent, Langford (Richard Carlson), an English manager, and Hedy plays the beautiful Tondelayo. The two men fight over Tondelayo, who eventually uses her feminine wiles to lure in Langford. He marries her. But, she grows bored of him in a few months and pursues Harry. Harry refuses, reminding her of her wedding vows, so she obtains poison to get her husband out of the way. But Harry interferes and Tondelayo gets a taste of her own medicine.

Some of her motion pictures that have stirred me are, Lady of the Tropics (1939), I Take This Woman (1940) with Spencer Tracy, Comrade X (1940) with Clark Gable, Boom Town (1940) with Clark Gable, Spencer Tracy & Claudette Colbert. Come Live with Me (1941) a comedy/romance co-starring James Stewart, Ziegfeld Girl (1941) co-starring Judy Garland and James Stewart. Crossroads (1942) a fabulous film noir co-starring William Powell and Claire Trevor. In Tortilla Flat (1942) Lamarr plays ‘Dolores Sweets Ramirez’ alongside Spencer Tracy and John Garfield. And My Favorite Spy (1951) with Bob Hope!

My Favorite Spy 1951
Bob Hope & Hedy in My Favorite Spy (1951)
I Take this Woman
Spencer Tracy and Hedy in I Take This Woman (1940)
Annex - Gable, Clark (Comrade X)_08
Clark Gable & Hedy in Boom Town 1940
Experiment Perilous -Albert Dekker
Paul Lukas, Hedy Lamarr George Brent and Albert Dekker in Jacques Tourneur’s Experiment Perilous (1944)

In 1944 there was The Heavenly Body, The Conspirators and Experiment Perilous co-starring George Brent and Paul Lukas, directed by the great Jacques Tourneur.

Aside from Ecstasy (1933) in my view perhaps her most intoxicating performances were in 1946 & 1947. Hedy appeared in two suspenseful films, one starring George Sanders, The Strange Woman (1946), where she plays a ruthless seductress. The wild Jenny Hagar born in New England in the early 1800’s to a drunkard aspires for a life of luxury at any cost, driving Louis Hayward as Ephraim Poster to frenzied distraction, ultimately leading to a fateful end. George Sanders might be the only one who understands her free and strange spirit.

TheStrangeWoman
Louis Hayward & Hedy in The Strange Woman 1946
The Strange Woman
Hedy Lamarr & George Sanders in Edgar G. Ulmer’s The Strange Woman (1946)

Hedy is intoxicating and multi-layered in Dishonored Lady (1947) she plays Madeleine Damien, along side husband to be John Loder as Felix Courtland. She is a high powered fashion editor who has a stressful job, gossiping chatter surrounding her and bad luck with men. Nearing a breakdown, she goes to a psychiatrist, literally when she crashes her car on his property. Dr. Richard Caleb (Morris Carnovsky) who advises her to quit her job, move, and assume a new identity and a ‘new soul’. She follows his advise, takes up painting, and falls in love with pathologist David Cousins (Dennis O’Keefe) who lives downstairs at the boarding house run by Mrs Geiger (Margaret Hamilton). But he finds out about her past when one of the men she dated before tries to frame her with a murder.

Hedy Dishonored Lady
Dr. Richard Caleb (Morris Carnovsky) offers to help Madeleine Damien (Hedy) in Dishonored Lady (1947)
dishonored-lady-1-g
Felix Courtland (John Loder) is an absolute heel! in Dishonored Lady (1947)
dishonored Lady
The great hat in Dishonored Lady 1947

Memorable Cecil B DeMille epic Samson and Delilah (1949) where this mesmerizing Philistine falls for the virile Samson (Victor Mature) but in the end she cuts off his, em… hair, yeah that’s it, hair. He is tortured, blinded, pulls down the temple around the people and well… never trust a dame who can woo the secret of your power off your lips especially when she has access to really sharp knives.

samson-et-dalila-1949-02-g

hedylamarr2
Samson:The oldest trick in the world. Silk trap, baited with a woman.” Delilah: “You know a better bait, Samson? Men *always* respond.”

samson-et-dalila-1949-05-g

Delilah

LadyWithoutPassport1950_2022_678x380_06092014124323
In A Lady Without Passport (1950) as Marianne Lorress she co-stars with John Hodiak

So U.S. Immigration Service Agent Peter Karczag (John Hodiak) is sent to Havana to address the problem of foreign nationals coming to the U.S. through Cuba. He goes undercover as a Hungarian who wants to illegally immigrate to the U.S. and uncovers a human trafficking ring and a concentration camp for refugees. At the camp he falls in love with Marianne Lorries (Hedy Lamarr), who is also trying to enter the U.S. But if he does his job, she would be apprehended in the operation.

In Albert Zugsmith’s melodrama The Female Animal (1957) she plays an aging film star who competes with her daughter for the same man. The film co-stars Jane Powell and Jan Sterling.

Hedy Lamarr has played some of the most provocative women in her film career, yet her real life was just as filled with suspense and intrigue as that of her silver screen persona.

lamarr-hedy-05-g

Before coming to the U.S. while living in Austria in the early 1930’s Hedy married weapons mogul Friedrich Mandl. He treated her as his trophy wife, taking her to meetings with business associates (where she strategically listened & learned a lot about weapons technology) and using her to throw parties for the likes of Hitler and Mussolini. Friedrich imprisoned her— literally not letting her out of the house, warning servants to keep a watchful eye on her. Eventually, after a few attempts at leaving (he wouldn’t let her outside alone), Hedy drugged one of her maids, stole her clothing and was able to escape with all her jewelry to London in 1937. In 1938 she left London on the Normandie for America. On board she met MGM producer Louis B. Mayer who offered her a contract, insisting she work on her English accent and that she change her name (she was too much associated with the film Ecstasy). She chose Lamarr after silent film and stage actress Barbara La Marr.

She soon became a 1940s Hollywood sensation. MGM called her the “Most Beautiful Woman in the World.” In fact, later on she would become the archetypal model for Sean Young’s role as Rachel in Blade Runner (1982) and as CatWoman in Batman Returns (1992). In 1942 she was Hal Wallis’ first choice for Ingrid Bergman’s role in Casablanca.

lamarr-hedy-02-g

She made a fiery entrance when she walked onto the screen in Algiers (1938) with Charles Boyer. She started doing light romantic comedies with the likes of Jimmy Stewart (Come Live With Me 1941), Clark Gable, Spencer Tracy & Claudette Colbert in (Boom Town in 1940).

Boom Town
Hedy with Clark Gable, Spencer Tracy & Claudette Colbert in Boom Town (1940)

In I Take This Woman 1940 Spencer Tracy’s character describes Georgi Gragore (Hedy)- Dr. Karl Decker: “She’s like something you see in a jeweler’s window. A single, flawless gem on a piece of black velvet. You take one long look and then you pass on.”

Hedy had 5 more husbands after Mandl. Bette Davis introduced her to one of her husbands, John Loder.

She wanted to be more than beautiful but they kept giving her the same roles with no substance. She hated that she was valued more for her looks than her intelligence.

While she was growing up, Hedy was privately tutored at home. Eventually she went to secondary all girls school in Vienna, focusing on mathematics and science. She was always more interested in staying home and reading Scientific American than in Hollywood parties and gossip. She had a room in her house devoted to engineering and wanted to contribute to the war effort by developing secret communications technology. When she did go to Hollywood parties, she always gravitated toward the geekiest party-goers. This is how she met avant-garde pianist and composer George Antheil.

CapturFiles

inventiondraft-frequency hopping.

CapturFiles

Hedy Lamarr with shipfitter Richard Spencer, as she tries to boost War Savings Bond sales by touring the Philadelphia Navy Yard in Pennsylvania circa 1940s
Hedy Lamarr with shipfitter Richard Spencer, as she tries to boost War Savings Bond sales by touring the Philadelphia Navy Yard in Pennsylvania
circa 1940s

Together, they decided to address the problem the Navy was having of using torpedoes against the German U-Boats and Japanese subs. Radio guiding systems only had one frequency, which could be found and jammed easily by the enemy. Inspired by her radio’s remote control, she worked with Antheil to develop something she called “frequency hopping.” The idea was that the guidance system and torpedoes would synchronize themselves on continually changing radio frequencies. In 1942 they signed over the patent to the U.S. Navy, where it sat unused until 1958. The idea was ahead of it’s time and the technology simply didn’t exist during the war. When the patent was used Spread Spectrum Frequency Hopping became a critical part of developing technologies we use every day— wifi, GPS and cell phone networks.

Hedy hated the Nazis and resolutely wanted to help the war effort. Despite her intelligence and knowledge of weapons technology, when she approached the Navy and wanted to help them win the war, they thought more of her celebrity and beauty and offered her a spot selling war bonds. She became one of the most successful sellers of war bonds, drawing crowds of 15,000-20,000 people in rallies all over the U.S. (people passed out and police had to control crowds when she attended a massive rally in Newark, NJ). She became a popular pin up girl, and regularly worked in the Hollywood Canteen, serving food to, and dancing with, service men before they headed overseas to the war. But Hedy truly wanted to contribute to the technology that would win the war. Unfortunately, she didn’t fit the dominant war paradigm— she was beautiful and her “place” was that of entertainer and not scientist. It wasn’t until the 1990s that she was recognized for her engineering achievements.

This slideshow requires JavaScript.

 With all my love and great admiration to you, Hedy Lamarr

Postcards From Shadowland No. 14

12_angry_men_1957
12 Angry Men (1957) Directed by Sidney Lumet Lee J. Cobb, E.G. Marshall, Jack Klugman, Edward Binns, Jack Warden, Henry Fonda, Joseph Sweeney, Ed Begley, George Voskovec… also stars John Fiedler, Martin Balsam and Robert Webber
Broken Blossoms
Broken Blossoms (1919) Starring Lillian Gish as Lucy the girl.
C cigarettegirl
The Cigarette Girl from Mosselprom (Moscow) 1924 Directed by Yuri Zhelyabuzhsky -starring Yuliya Solntseva as Zina Vesenina- the cigarette girl
Christmas Holiday
Christmas Holiday (1944) Directed by Robert Siodmak-starring Deanna Durbin & Gene Kelly
Curse-of-the-Demon-2
Curse of the Demon (1957) Directed by Jacques Tourneur-Starring Dana Andrews, Peggy Cummins and Niall MacGinnis
Diana-Dors-My-Wifes-Lodger-28310_5
Diana Dors as Eunice Higginbotham in My Wife’s Lodger (1952)
harry-woods-call-of-the-savage
Directed by Lew Landers Harry Woods is Borno in- Call of the Savage (1935)
Hi Dante's Inferno devil
L’Inferno 1911, Dante Alighieri “A Divina Comédia”, Directed by Giuseppe de Liguoro.
seaHawkmers-1924-02-g
The Sea Hawk 1924 Directed by Frank Lloyd
Hodiak and Bankhead in Lifeboat
Alfred Hitchcock’s Lifeboat (1944) cinematic stage play with the vast scope of the Ocean and the claustrophobic air of desperation. Brilliant performances by Tallulah Bankhead and John Hodiak looking his hunkiest best…
Ingmar Bergman's Virgin Spring
The Virgin Spring (1960) directed by Ingmar Bergman-disturbing journey of revenge
J Gilda
Gilda (1946) directed by Charles VIdor and stars the magnificent Rita Hayworth in the title role Gilda Mundson Farrell, here dancing with Glenn Ford. A film noir classic
Last Tango in Paris
Last Tango in Paris 1972 directed by Bernardo Bertolucci-stars Marlon Brando and Maria Schneider as a pair of angst filled lovers whose relationship is based on sex & death
ManMadeMonster2-1
Man Made Monster 1941 starring Lionel Atwill as the deranged Dr Rigas
monsieur Verdoux
Monsieur Verdoux 1947 directed by and starring Charles Chaplin-brilliant dark comedy of murder and anti-conformity.
Night of the Hunter Gish & Co.
Charles Laughton’s oneric fable of childhood terrors, the bonds of friendship and the plight of Love vs Hate… Beautifully filmed- starring Lillian Gish as Rachel Cooper and Robert Mitchum as the diabolical Harry Powell in Night of the Hunter (1955)
Peggy+Ann+Garner_jane+eyre
Jane Eyre 1943 directed by Robert Stevenson starring Peggy Ann Garner is young Jane.
Plunder Road
Plunder Road (1957) directed by Hubert Cornfeld, perhaps one of the most edgy crime story film noirs headed up Gene Raymond and Elisha Cook Jr.
Robert Ryan in The Set Up
The Set-Up (1949) Robert Ryan stars as boxer Stoker in Robert Wise’s extraordinary noir film centered around the boxing ring and a down on his luck fighter that still has a lot of fight left in him. One of my favorite film noir classics, much to do with Ryan’s performance and Milton R. Krasner’s cinematography…
saboteur norman-lloyd-
the Wonderful Norman Lloyd in Alfred Hitchcock’s Saboteur 1942
Seconds
Rock Hudson is psychologically and physically spun around on his head in Seconds 1966 by John Frankenheimer- A story about that precious commodity… one’s identity
Seeds of Sin 1968 Andy Milligan
SEEDS (1968) Directed by Andy Milligan- it’s seedy and low budget and the perfect exploitative indulgence…
Shack Out on I0I
Shack Out on 101 (1955) different styled film noir starring Lee Marvin as Slob.. directed by Edward Dein and co-stars Terry Moore and Frank Lovejoy
ship of fools
Stanley Kramer directs this incredible ensemble of actors in Ship of Fools (1965) Here showing George Segal, Michael Dunn and Lee Marvin
somwhere in the night john hodiak
John Hodiak tries to remember in Somewhere in the Night (1946) -a taut amnesia themed noir with great characters. Directed by Joseph L. Mankiewicz. Here with Fritz Kortner as Anzelmo or Dr Oracle.
streetwithnonamebmp
Street With No Name (1948) starring Mark Stevens and directed by William Keighly -This film noir also stars Richard Widmark and Lloyd Nolan…
sunrise
Sunrise (1927) directed by F.W. Murnau starring Janet Gaynor and George O’Brien-Beautifully filmed silent masterpiece
t-nightbirds
Nightbirds 1970 Andy Milligan’s gritty cult journey about two miscreants in London.
Terror From the Crypt
Terror in the Crypt aka Crypt of the Vampire 1964 directed by Camillo Mastrocinque based on the Karnstein saga with Adriana Ambesi and Ursula Davis and the immortal Christopher Lee
The Fiend Who Walked the West
The Fiend Who Walked the West (1958) directed by Gordon Douglas and starring Hugh O’Brian and a really psychotic Robert Evans.
The Scavengers 1959
The Scavengers 1959 starring Carol Ohmart directed by John Cromwell -an obscure film noir also starring Vince Edwards
The Secret Garden Margaret O'Brien
The Secret Garden 1949 starring Margaret O’Brien and a wonderful cast Herbert Marshall, Dean Stockwell, Gladys Cooper, Elsa Lanchester, Reginald Owen, Brian Roper, Aubrey Mather isobel Elsom and George Zucco fill out this fantasy drama directed by Fred M. Wilcox
the seventh sin
The Seventh Sin (1957) directed by Ronald Neame and Vincente Minnelli starring Eleanor Parker and Françoise Rosay Françoise Rosay as Mother Superior
The Soft Skin 1964 Francoise Dorleac
The Soft Skin 1964 Françoise Dorléac directed by François Truffaut
The Stranger 1946
The Stranger 1946 directed by Orson Welles
the terrible_people_1
The Terrible People (1960) directed by Harald Reinl adapted from the story by Edgar Wallace stars Joachim Fuchsberger
The Wild Boys of the Road thirty three
The Wild Boys of the Road 1933 directed by William Wellman
The Young One 1960
The Young One 1960 directed by Luis Buñuel starring Key Meersman as Evalyn. Also stars Zachary Scott and Bernie Hamilton
The-Exterminating-Angel
The Exterminating Angel (1962) directed by Luis Buñuel
The-Twilight-Girls
The Twilight Girls (1957) by André Hunebelle
To Kill a Mockingbird Jim and Dill
To Kill a Mockingbird 1962 directed by Robert Mulligan -John Megna as Dill and Phillip Alford as Jem. adapted from Harper Lee’s masterpiece

See you soon… Your EverLovin’ MonsterGirl!

Women-in-Peril – 4 Obscure Gothic Thrillers of the 1940s!

As a treat I thought I’d talk about 4 really interesting films that were released amidst the slew of suspense thrillers of the 1940s. Some Gothic melodrama and a few perhaps conveying an almost hybrid sense of noir with their use of flashback, shadow, odd camera angles and elements of transgressive crime. I’ll just be giving a brief overview of the plot, but no worries there are no spoilers!

I recently had the chance to sit with each film and said to myself… Joey, these would make for a nice collection of obscure thrillers so without further adieu, I offer for your enjoyment, The Suspect, Love From A Stranger 1947, Moss Rose & The Sign of the Ram!

THE SUSPECT 1944

The Suspect

Directed by Robert Siodmak (The Spiral Staircase 1945, The Killers 1946, Criss Cross 1949, The Dark Mirror, Cry of the City, The File on Thelma Jordan 1950) and adapted to the screen by Bertram Millhauser and Arthur T Horman from the novel This Way Out written by James Ronald. Basing this film very loosely on the Dr. Hawley Harvey Crippen murder of his wife that was sensationalized at trial in 1910.

The Suspect stars the inimitable Charles Laughton, (Dr. Moreau – Island of Lost Souls 1932, my favorite Quasimodo in William Dieterle’s The Hunchback of Notre Dame 1939, the most lovable ghost Sir Simon in The Canterville Ghost 1944, The Paradine Case 1947, The Strange Door 1951, Witness for the Prosecution 1957, Spartacus 1960, Advise and Consent 1962 and notably–director of two films–his masterpiece Night of the Hunter and his uncredited The Man on the Eiffel Tower 1949)

CapturFiles

CapturFiles_10

The film also stars the underrated Ella Raines (Phantom Lady 1944, Impact 1949) Dean Harens, Stanley Ridges, (Possessed 1949, The File on Thelma Jordan and No Way Out 1950) Henry Daniell , Rosalind Ivan and Molly Lamont (The Dark Corner 1946, Devil Bat’s Daughter 1946) Raymond Severn plays the delicious little urchin Merridew who works for Phillip as he tries to keep the little guy on the straight and narrow. Merridew would make the perfect name for a little tabby cat!

Charles Laughton gives one of his most subtle performances as a kindly man trapped by an abusive wife. Siodmak as usual creates a dynamic framework for this psychological thriller that is lensed in shades of darkly ominous spaces that seems to shape itself around Laugton’s comfortable face and Ella Raines intricate beauty.

from IMDb trivia – Lux Radio Theater broadcast a 60 minute radio adaptation of the movie on April 9, 1945 with Charles Laughton, Ella Raines and Rosalind Ivan reprising their film roles.

Music by Frank Skinner (Blond Alibi 1946, Johnny Stool Pigeon, The Brute Man, The Spider Woman Strikes back and way more to his credit see IMDb listing) With cinematography by Paul Ivano. Who did the camera work on director Hugo Haas treasures like Strange Fascination 1952, One Girl’s Confession 1953, Hold Back Tomorrow 1955!

CapturFiles_45

And marvelous gowns and hats by Vera West. (The Wolf Man 1941, Shadow of a Doubt 1943,Flesh and Fantasy 1943, Son of Dracula & The Mad Ghoul 1943, Phantom Lady 1944,Strange Confession 1944, Murder in the Blue Room ’44, House of Frankenstein ’44, The Woman in Green 1945, Terror by Night 1946, The Cat Creeps, She-Wolf of London, Dressed to Kill, Danger Woman & Slightly Scandalous 1946.)

CapturFiles_5

CapturFiles_6

In 1902 London, well respected middle class Englishman, but unhappily married shopkeeper Phillip Marshall (Charles Laughton) develops a loving and warm friendship with young and beautiful Mary Gray (Ella Raines) who’s father has recently died, leaving her down on her luck and looking for a job. Phillip Marshall is such a kind and genteel man he stops to say a kind word about his neighbor Mrs Simmon’s garden, loves his son and shows real affection. Is like a father to young Merridew. Is beloved by the community. Even when he approaches Mary, and she hasn’t yet looked up from her tear soaked hanky, thinking she’s being approached by a lecherous man in the park, “I’m not that sort” tells her, only wanting to see if she needs help.

Mary like Phillip is lonely… the first night Phillip begins to walk her home- “A cup of tea, a six penny novel and a good cry.”
Mary- “I’m afraid you’ve been looking in my window.”

CapturFiles_27

Phillip’s dreadful wife Cora (Rosalind Ivan –perfectly suited to play the emasculating harpy-she had a similar role tormenting Edward G Robinson in Scarlet Street 1945) is a reprehensible shrew who humiliates and demeans both her husband and her son (Dean Harens who had more room to act in Siodmak’s terrific noir Christmas Holiday 1944 starring a very different kind of Gene Kelly and the self-persecuting Deanna Durbin.) John is shown moving out of the house, because his horrible mother has burned some important papers of his. She got into one of her rages and before he could stop her she burned a whole weeks work.

Cora Marshall is vicious and cruel, showing no maternal feeling, caring little that her son is leaving home.

CapturFiles_7
Cora-“That’s just what young hopeful did, he’s clearing out bag and baggage that selfish ungrateful good for nothing.”
Phillip-“What did you do to him?”
Cora- “What did I do to him… that’s right put the blame on me. All I did was bring him into the world, nurse him, make myself a doormat for him to walk on!… Go on, go to him and tell him from me that when he leaves this house needn’t think he can come crawling back. Deserting his own mother!… And what do you think you’re doing now?”
Phillip- “I’m moving into John’s room.”
Cora- “Of all the indecent…we’re married aren’t we?”
Phillip (deep sigh)- “Oh we’re married all right.”
Cora –“Then how dare you! I forbid it do you hear me. I forbid you to treat me like this.”

Phillip says, “Now Cora that’s all over now that John’s gone. It’s all over and done with, do you understand me?… I’m moving out of here and there’s nothing you can do about it”
Cora- “Oh yes there is. There’s plenty I can do!”

They wrestle with his clean folded white shirts that he’s busying himself moving out of the bedroom. She tries to grab them and he finally loses his composure and yanks them away.

CapturFiles_8
Cora- “What’s got into you.. I’d like to know what’s going on in your head.”
CapturFiles_9
Phillip- “It’s much better that you shouldn’t Cora, it might frighten you…”

Saddened by his John’s departure who he loves and will miss, prompts Phillip to move into his son’s room. Cora, so bent on appearances is driven to tirades of abusiveness toward the meek and genteel Phillip. Harassing him at every turn. I might have thrown her down the stairs myself or given her one of those late night glasses of milk!

The scene with Merridew just tickles me and shows how kind, compassionate and caring Phillip is. He calls Merridew over talking to him in a quite earnest and fatherly tone, all the while you can tell he’s quite fond of the little fellow and visa versa.

CapturFiles_11

CapturFiles_12

CapturFiles_16
Phillip- “Merridew I have to bring a very serious matter to your attention- I regret to say there’s a shortage in your accounts-there’s a penny missing from the stamp box.”
Merridew- “It… it was for a sugar bun this morning but I’ll put it back on pay day honest Mr. Marshall”
Phillip- “And the tuppence the day before yesterday what was that for?”
Merridew- “Acid drops sir.”
Phillip- “Acid drops??? quizzically… that’s very serious. And the hay penny the day before?”
Merridew- “For the monkey with the hurdy gurdy but I’ll put it all back Saturday every last farthing. “
Phillip- “That’s what all embezzlers plan to do.”

CapturFiles_17

CapturFiles_19

tears in Merridew’s voice make it quiver as the camera shows Mary listening in, she smiles and laughs at this whimsical inquisition.

Merridew- “But I’m not an embezzler.”

Phillip- “Yes, but you can get started that way. It’s the first step that counts… after that it all becomes too easy. Six pence tomorrow, half a crown the day after… then a five pound note… I know you’ll always mean to pay it back, but I’m afraid you’ll finish by paying it back in the Portland quarries”

Merridew- “Don’t send me to no quarries please Mr. Marshall (sniffling)”

Phillip- “Well not this time Merridew. Now stop sniffling and wipe your eyes.” he hands him a hanky.

CapturFiles_23

CapturFiles_24

Mary has come into the shop looking for employment. When Phillip tells her there isn’t a position available he later finds her on a park bench crying. He takes her to dinner, gets her a job with a colleague and the two begin a very tender friendship.

CapturFiles_26

CapturFiles_25

CapturFiles_28

CapturFiles_29

CapturFiles_30

Phillip continues his platonic relationship with Mary, but once his wife finds out that he’s been seen supping with the young lady, he breaks it off, as he’s a gentleman who truly thought his wife would want out of a loveless marriage.

Still, Cora threatens him with scandal as well as making trouble for Mary. When Cora refuses to divorce him, worried that gossip will spread that she has failed to hold onto a husband, he is driven to the point of frustration and despair. She tells him the neighbors are all beginning to gossip about him coming in at all hours-

CapturFiles_31

CapturFiles_32

CapturFiles_34

Phillip- “None of that business Cora.”

Cora- “Ha! Married people’s lives is everyone’s business and I’m not going to be made of object of pity in front of my friends do you hear!I wonder what ever possessed me to tie myself up with a poor stink like you… walked through the forest and picked a crooked tree that’s what I did. A crooked fat ugly tree.”

Even after she’s been so cruel, he tries to reason with her about getting a divorce and face things honestly by admitting that they’ve never been happy together. He asks her to let him go. But she wants to punish him, because she is a bitter and cruel woman calling him immoral and indecent.

CapturFiles_39

CapturFiles_41

CapturFiles_40

Phillip is very decent in fact, even though there’s only been friendship between he and Mary, he breaks it off with her so as to do what’s expected of him telling Mary that he behaved badly but he was afraid that she wouldn’t want to see him again. He was sure Cora would let him go… Phillip tells Mary , “And I couldn’t let you go once I’d met you.”

CapturFiles_43

CapturFiles_44

But Cora won’t be happy til she “drives them both ‘into the gutter where you belong!”

Laughton is adorable and wonderfully believable as a romantic figure because of his gentle nature.

His murderous response is more to protect Mary from Cora’s wrath, who tells him with a face like a Victorian harridan spewing a poisonous vitriol-

CapturFiles_48

CapturFiles_49

CapturFiles_47
“You better be afraid. As sure as the sun rises tomorrow, I’ll give her the Merry Christmas she’ll never forget”
CapturFiles_52
Paul Ivano’s brilliant camera angle frames Laughton as somewhat diminished, seemingly trapped or rather oppressed by the space around him.

And so, Phillip murders his wife. We see him grab one of his canes and assume though we don’t see him actually bashing her head in with it, that he has in fact brained her. The next morning she is found dead at the bottom of the stairs, and it is deemed an accident.

CapturFiles_53

CapturFiles_54

Added to the plot’s layering of Sturm & Drang is the always wonderful scoundrel in Henry Daniell’s Gilbert Simmons, Phillip’s neighbor a stumbling drunkard who also beats his wife (Molly Lamont) Mrs Simmons and Phillip also have a very sweet relationship, one that ultimately anchors Phillip to his integrity. But I won’t reveal the outcome of the story. The miserable Gilbert Simmons also has the distinction of turning to blackmail adding to his other earthly vices.

CapturFiles_58

Amidst all these dreary, grim and dark ideas, the film still emerges as a beautiful story, partly due to Siodmak’s ability to guide suspense along it’s way with an appealing cadence. As Foster Hirsch states in his must read Film Noir-The Dark Side of the Screen, “Siodmak films like Christmas Holiday and The Killers have an extremely intricate narrative development…{…} the relative extremeness of Siodmak’s style is reflected in his obsessive characters.”

The Suspect works as a great piece of Melo-Noir mostly due to Laughton’s absolute perfection as the sympathetic, trapped gentle-man. As always he is masterful with his intonations, sharpened wit and ability to induce fellowship with the characters he’s playing… well maybe not so much with Dr. Moreau, Capt. Bligh, Judge Lord Thomas Horfield or Sire Alaine de Maledroit in The Strange Door. But he’s a lovable sort most of the time, one can’t deny.

The Canterville Ghost-Margaret O'Brien & Charles Laughton
Charles Laughton and Margaret O’Brien in Jules Dassins’ The Canterville Ghost 1944-based on the story by Oscar Wilde

Ella Raines is just delightful as Mary. She’s such a treat to watch as you start to believe that this beautiful young woman genuinely has fallen for this older, portly yet kind hearted misfit. You find yourself hoping that he gets away with his wife’s murder, and that the two find happiness together.

CapturFiles_61
Scotland Yard Inspector Huxley (Stanley Ridges) stalks Phillip Marshall believing he killed his wife

Phillip is staunchly pursued by a Scotland Yard Inspector Huxley (Stanley Ridges) who has the tenacity of Columbo. Speaking of which, a poster of The Suspect appears in an episode of Columbo“How to Dial a Murder” in 1978.

LOVE FROM A STRANGER 1947

love-from-a-stranger-john-hodiak-sylvia-sidney-1947

On the darker more sinister side of these suspense yarns we find Sylvia Sidney as Cecily Harrington at the mercy of a very deranged bluebeard in John Hodiak as Manuel Cortez.

Sylvia Sidney
the exquisite beauty of Sylvia Sidney

Sylvia Sidney Love From a Stranger

Directed by Richard Whorf who became more fluent in directing for television. Written for the screen by Philip MacDonald (Rebecca 1940, The Body Snatcher 1945 for Val Lewton, The Dark Past 1948, Boris Karloff’s Thriller episode The Fingers of Fear 1961, The List of Adrian Messenger 1963) based on Agatha Christie’s short story Philomel Cottage. Hair Stylist Eunice Helene King is responsible for slicking back Hodiak’s swarthy and murderously Lothario hair, he’s almost Draculian. He definitely covets his slickety hair as he shows his first sign of deranged pathology when Cecily tries to stokes his hair and he lashes out at her, telling her not to touch it.

CapturFiles_22

The marvelous costumes equip with capes, sequins and ostrich feathers are by Michael Woulfe (Blood on the Sun 1945, Macao 1952, Beware, My Lovely 1952)

CapturFiles_6

Isobel Elsom plays Auntie Loo Loo with her usual exuberance, Ann Richards is the faithful friend Mavis Wilson. Anita Sharp-Bolster as Ethel the maid (wonderfully crabby Christine in The Two Mrs Carrolls)

And again a terrific score by Hans J. Salter. This period piece is lavishly framed by Tony Gaudio (The Letter 1940, High Sierra 1941, The Man Who Came to Dinner 1942) Once the protagonist and her murderous husband honeymoon at their hideaway cottage, the lens turns the film into an almost chamber piece, becoming more claustrophobic as Manuel and Cecily begin to awaken into the revelation of his dangerous nature.

CapturFiles_4 Cecily wins the sweepstakes

CapturFiles_5

CapturFiles_8

CapturFiles_10

CapturFiles_9

Sylvia Sidney  plays Cecily Harrington, an unassuming English girl in Liverpool who has just won £50,000 in the Calcutta Sweepstakes which was a fortune in turn of the century England. Cecily meets Manuel Cortez (John Hodiak) when he sees her name in the newspaper next to the headline of his latest murder. He follows her then arranges to make it appear as if he’s looking to rent her flat. She is taken with this mysterious stranger and suddenly breaks off her engagement to her fiancee Nigel Lawrence (John Howard) rushing into marriage with the mysterious stranger who turns out to be a Bluebeard who is after her money.

The swarthy Manuel Cortez has already alluded the police for the murder of three women, believed to have drowned while trying to escape he has changed his appearance, darker hair no beard. Dr Gribble (Philip Tonge) who is a crime connoisseur collects journals and books, one with a drawing of him showing his beard. It also mentions his earlier crime as being in South America and New York (Hodiak’s character is given several Spanish aliases-Pedro Ferrara and Vasco Carrera)

The newlyweds spend the summer at their secret honeymoon cottage where he’s been planning to kill her and bury her body down in the cellar.

CapturFiles_12
Isobel Elsom plays Auntie Loo Loo with her usual exuberance, Ann Richards is the faithful friend Mavis Wilson.
CapturFiles_13
Manuel Cortez pretends to be looking for a flat to rent, showing up at Cecily’s door he has actually followed her from their ‘accidental’ meeting at the post

CapturFiles_14

CapturFiles_15
Cortez begins to work his Bluebeard charms on Cecily
CapturFiles_16
The handsome John Howard as Cecily’s fiancee Nigel Lawrence is crushed to find her love has gone cold, as she is now entranced by the swarthy Manuel Cortez
CapturFiles_17
Neither Nigel nor Mavis trust this mysterious stranger with the slickety hair and cape
CapturFiles_18
Everyone around Cecily knows there’s something not quite right

CapturFiles_19

CapturFiles_20
Auntie Loo Loo is surprised at her nieces impetuous behavior

CapturFiles_21

CapturFiles_24 ethel and billings the gardener
Ethel and billings the gardener greet the newlyweds at the cottage they’ve spirited off to.
CapturFiles_24
There’s a dark cellar with a lock on the door. That never bodes well!

CapturFiles_25

CapturFiles_26

CapturFiles_27

CapturFiles_27a
Digging the hole!
CapturFiles_27b
which poisons to use, decisions decisions
CapturFiles_28
Manuel warns Cecily to stay away from his experiments in the cellar
CapturFiles_31
Auntie Loo Loo and Mavis manage to find out where the honeymoon cottage is and pay Cecily a visit to make sure she’s alright
CapturFiles_34
The couple are going away on a long voyage soon, though Manuel hasn’t shown her the tickets

CapturFiles_32

CapturFiles_33
Auntie Loo Loo is worried!
Dr Gribble
Dr Gribble- Walking over to the book shelf- “Ah criminology are you interested in criminology Mr Cortez?”
Cortez- “Yes, it’s a sort of hobby of mine doctor.”
Dr Gribble- “Well we’re fellow enthusiasts”
Cecily “Yes I think it’s a horrid morbid past time.”
Dr Gribble “But fascinating Mrs Cortez. Here’s a great favorite of mine. Criminals and their mentality. That’s great psychology… Bless my soul the latest journal of Medical Jurisprudence and the Criminal. I should have thought I was the only person within a hundred miles radius who ever so much as heard of this publication.”
Manuel Cortez-“Really I’ve subscribed to it for years”
Dr Gribble “Let’s see did I read this issue? Ah yes this is the one with the account of that South American Carrera. It’s a very interesting case.”
Manuel Cortez- “I don’t believe I’ve read it.”
Dr Gribble- “You should have. This fellow Carrera was a professional wife murderer. They caught him after he completed his third crime. Then he was drowned trying to escape.”
Manuel Cortez- “Oh yes I remember. They never found the body did they?”
Dr Gribble- “No as a matter of fact they didn’t. I don’t think there’s any real doubt he’s dead!”

CapturFiles_35

CapturFiles_36
Manuel catches Cecily by the cellar door. Look his hair has finally lost control!

Love From A Stranger is perhaps the more melodramatic and Gothic of all these films I’ve talked about in this post, but perhaps the most unrewarding in terms of it’s depth. While there are some truly terrifying scenes, the queer chemistry between Sidney and Hodiak creates a distance from the narrative. It’s still truly worth watching as part of the canon of 40s suspense melodramas.

Sylvia Sidney has a certain edgy sensuality to her, that doesn’t make her performance thoroughly implausible for the story but perhaps a different actress might have brought another style of vulnerability to the role. And Hodiak has an unctuous, gritty sort of sex appeal, that made his part as a psychopath believable. He’s got intensely dark focused eyes, sharply defined features and an iron jawline that slams shut, when he’s internally scheming. Toward the end he brings it a bit over the top, but he’s sort of good at playing a surly mad dog.

CapturFiles_40 He posed as a great world traveler women even those from a cultured background succumbed very quickly to his perculiar charms
Told to read aloud from the journal of criminology- “There is no doubt at all that Vasco Carrera the last name he was known by is a truly remarkable character. He posed as a great world traveler women even those from a cultured background succumbed very quickly to his perculiar charms
possessed of a remarkable charm of manner Carrera exerted an extraordinary fascination over women”

CapturFiles_38

YOU AND ME 1938-Sidney, Sylvia and George Raft
YOU AND ME 1938-Sidney, Sylvia and George Raft- Now that’s chemistry!

Perhaps the one issue I have with the casting is the chemistry between Sidney and Hodiak that never truly rings authentic. He’s too internally frenetic to be romantic… mysterious yes, but he’s not convincing in his wooing of Cecily. And the character of Cecily doesn’t seem to have the layers that peel innocence away, unveiling a vulnerable yet eruptive sensuality that would be unconsciously drawn to the scent of a dangerous man. That’s why Ingrid Bergman in Gaslight and Joan Bennett in Fritz Lang’s Secret Beyond the Door 1947 work so well.

John Hodiak is a puzzle for me. I’ve been trying to decide whether he’s one of the most intriguingly sexy men I’ve come across in a while or if I find him completely cold and waxen in his delivery as a leading man.

Hodiak and Bankhead in Lifeboat
John Hodiak and Tallulah Bankhead in Alfred Hitchcock’s marvelous floating chamber piece Lifeboat 1944

He had me going in Hitchcock’s Lifeboat 1944. I would have thrown my diamond Cartier bracelet over the bow to tumble under the tarp for a few hours with that sun kissed, salt sprayed crude adonis, sweaty, brash, unshaven -the whole deal. Just watched him in Somewhere in the Night 1946, once again, found Hodiak’s character of George Taylor compelling in his odd way of conveying vulnerable but faithful to the lure of the noir machismo. I felt sorry for a guy who can’t remember who he is or if he should just stay forgetting- in case he was a rotten human being.

But as the cunning and psychopathic lady killer in Love From A Stranger, he sort of makes my skin crawl which I supposed means he did a fabulous job of inhabiting the role of Manuel Cortez right.. Maybe he would have had better chemistry with someone like Alexis Smith or Audrey Dalton.

Now, I haven’t yet seen Basil Rathbone’s version in director Rowland V Lee’s 1937  film also known as A Night of Terror with Ann Harding -still based on the short story by Agatha Christie but set in contemporary England, Rathbone plays the intrepid type of urbane gentleman who sweeps Ann Harding off her feet and plunges her into a sudden and dangerous marriage. Where he then plots to killer her and take her money. In the earlier version, the heroine too gradually realizes that she’s in danger…

Rathbone and Harding
Basil Rathbone and Ann Harding in the 1937 version of Love From a Stranger

Sylvia Sidney looks stunning as the new bride who begins to notice the strange behavior of her husband and realizes once she goes down into the cellar that Manuel is hiding something. He spends hours locked away down there preparing for the moment he will kill Cecily and has forbidden her to go down there, claiming that he’s doing experiments which are dangerous. Well that’s true, since he’s mixing poisons and digging her grave.

CapturFiles_37

CapturFiles_1

This version places it back in Victorian England, perhaps due to the success of the melodramatic thrillers that were proving to be so successful in the 40s like, Rebecca, Gaslight, The Lodger, Hangover Square, The Woman in White, Fritz Lang’s The Secret Beyond the Door 1947, The Two Mrs Carrolls 1947.

Continue reading “Women-in-Peril – 4 Obscure Gothic Thrillers of the 1940s!”

MonsterGirl’s 13 Days of Halloween: Obscure Films Better Than Candy Corn!

13 Days of schlock, shock…horror and some truly authentic moments of terror…it’s my pre celebratory Halloween viewing schedule which could change at any time, given a whim or access to a long coveted obscure gem!

No doubt AMC and TCM will be running a slew of gems from the archives of Horror films to celebrate this coming Halloween! Films we LOVE and could watch over and over never tiring of them at all….

For my 13 days of Halloween, I thought I might watch a mix of obscure little gems, some vintage horror & Sci-Fi , film noir and mystery/thriller. Halloween is a day to celebrate masterpieces like The Haunting, The Tingler, House on Haunted Hill, Curse of The Demon, Pit and The Pendulum, Let’s Scare Jessica To Death, Psycho just to name a few favorites.

But the days leading up to this fine night of film consumption, should be tempered with rare and weird beauties filled with a great cast of actors and actresses. Film’s that repulse and mystify, part oddity and partly plain delicious fun. Somewhat like Candy Corn is…for me!

I’ll be adding my own stills in a bit!…so stay tuned and watch a few of these for yourselves!

The Witch Who Came From The Sea 1976

Millie Perkins bravely plays a very disturbed woman who goes on a gruesome killing spree, culminating from years of abuse from her drunken brute of a father. Very surreal and disturbing, Perkins is a perfect delusional waif who is bare breasted most of the time.

Ghost Story/Circle of Fear: Television Anthology series

5 episodes-

The Phantom of Herald Square starring David Soul as a man who remains ageless, sort of.

House of Evil, starring Melvin Douglas as a vindictive grandpa who uses the power of telepathy to communicate with his only granddaughter (Jodie Foster) Judy who is a deaf mute. Beware the creepy muffin people.

A Touch of Madness, stars Rip Torn and Geraldine Page and the lovely Lynn Loring. Nothing is as it seems in the old family mansion. Is it madness that runs in the family or unsettled ghosts?

Bad Connection starring Karen Black as a woman haunted by her dead husband’s ghost.

The Dead We Leave Behind starring Jason Robards and Stella Stevens. Do the dead rise up if you don’t bury them in time, and can they speak through a simple television set.

Night Warning 1983

Susan Tyrrell plays Aunt Cheryl to Jimmy McNichol’s Billy, a boy who lost his parents at age 3 in a bad car wreck leaving him to be raised by his nutty Aunt. Billy’s on the verge of turning 17 and planning on leaving the sickly clutches of doting Aunt Cheryl and she’ll kill anyone who gets in the way of keeping her beloved boy with her always….Tyrrell is soooo good at being sleazy, she could almost join the Baby Jane club of Grande Dame Hag Cinema, making Bette Davis’s Baby Jane seem wholesome in comparison.

Also known as Butcher Baker Nightmare Maker...

Murder By Natural Causes (1979 Made for TV movie)

Written by Richard Levinson and William Link the geniuses who gave us Columbo, this film is a masterpiece in cat and mouse. Wonderfully acted by veteran players, Hal Holbrook, Katherine Ross and Richard Anderson and Barry Bostwick. Holbrook plays a famous mentalist, and his cheating wife has plans to kill him off.

Tension 1949

from IMDb -A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife’s lover. Starring Richard Basehart, Audrey Totter , Cyd Charisse and Barry Sullivan

Messiah of Evil aka Dead People 1973

A girl arrives on the California coast looking for her father, only to learn that he’s disappeared. The town is filled with eerie people, and a strange atmosphere of dread. She hooks up with a drifter and they both uncover the true nature of the weird locals and what they’re up to. They learn the horrific secret about the townspeople…This film is very atmospheric and quite an original moody piece. Starring Marianna Hill, Michael Greer, Joy Bang and Elisha Cook Jr.

Devil times Five aka Peopletoys 1974

This film is a very unsettling ride about a bus load of extremely psychopathic children who escape after their transport bus crashes. Finding their way to a lodge, they are taken in by the vacationing adults and are eventually terrorized by these really sick kids. Claustrophobic and disturbing. Stars Sorrell Booke, Gene Evans. Leif Garrett plays one of the violently homicidal kids.

The Night Digger 1971

Starring the great Patricia Neal, this is based on the Joy Cowley novel and penned with Cowley for the screen by the wonderfully dark Roald Dahl, Neal’s husband at the time.

From IMDb -Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle- aged spinster Maura Prince takes an unexpected turn with the arrival of young handyman Billy Jarvis, but there is more to Billy than meets the eye. This well-crafted film, full of sexual tension and Gothic flavor, was Patricia Neal’s second after her return to acting, her real-life stroke worked deftly into the story by then-husband Roald Dahl. Written by Shane Pitkin

They Call It Murder (1971 Made for TV movie)

A small-town district attorney has his hands filled with several major investigations, including a gambler’s murder and a possible insurance scam. Starring Jim Hutton, Lloyd Bochner, Leslie Nielsen, Ed Asner and Jo Anne Pflug

A Knife For The Ladies 1974

Starring Ruth Roman and Jack Elam, there is a jack the ripper like killer terrorizing this small Southwest town. Most all the victims are prostitutes. A power struggle ensues between the town’s Sheriff and Investigator Burns who tries to solve the murders.

Born To Kill 1947

Directed by the amazing Robert Wise ( The Haunting, West Side Story, Day The Earth Stood Still )this exploration into brutal noir is perhaps one of the most darkly brooding films of the genre. Starring that notorious bad guy of cinema Lawrence Tierney who plays Sam Wild, of all things, a violent man who has already killed a girl he liked and her boyfriend. He hops a train to San Francisco where he meets Helen played by Claire Trevor who is immediately drawn to this dangerous man.

The Strangler 1964

Starring the inimitably imposing Victor Buono, who plays mama’s ( Ellen Corby/Grandma Walton) boy Leo Kroll, a psychopathic mysogynous serial killer, under the thumb of his emasculating mother. Kroll’s got a doll fetish and a fever for strangling young women with their own panty hose. The opening scene is chilling as we watch only Buono’s facial expressions as he masturbates while stripping one of the dolls nude by his last victim’s body. Part police procedural, this is a fascinating film, and Buono is riveting as Leo Kroll a psycho-sexual fetish killer who is really destroying his mother each time he murders another young woman. Really cool film by Allied Artist

Murder Once Removed (1971 made for tv movie)

A doctor and the wife of one of his wealthy patients hatch a plot to get rid of her husband so they can be together and get his money.Starring John Forsythe, Richard Kiley and Barbara Bain.

Scream Pretty Peggy (1973 made for tv movie)

This stars Bette Davis who plays Mrs. Elliot. Ted Bessell’s plays her son Jeffrey Elliot a sculptor who hires young women to take care of his elderly mother and his insane sister who both live in the family mansion with him. Also stars Sian Barbara Allen. What can I say. I love Bette Davis in anything, especially made for tv movies, where something isn’t quite right with the family dynamic. Lots of vintage fun directed by Gordon Hessler

The Man Who Cheated Himself 1950

A veteran homicide detective witnesses his socialite girlfriend kill her husband. Then what ensues is his inexperienced brother is assigned to the case.Starring Lee J.Cobb, Jane Wyatt and John Dall

The Flying Serpent 1946

Classic horror/sci fi flick that just doesn’t get the attention it deserves. Almost as fun as The Killer Shrews.  Starring veteran actor George Zucco

The Pyjama Girl Case 1977

This more obscure Giallo film directed by Flavio Mogherini and starring one of my favorite actors Ray Milland, Also starring Mel Ferrer and the beautiful model/actress Delilah Di Lazzaro. I’ve left my passion for Giallo films in the dust these days, but I decided to watch one that was a little off the beaten track.

From IMDb- Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they’re wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together? Written by <jhailey@hotmail.com>

Cul-de Sac 1966

Directed by Roman Polanski starring Donald Pleasance and  Françoise Dorléac as Teresa

A wounded criminal and his dying partner take refuge in a sea side castle inhabited by a cowardly Englishman and his strong willed French wife. A bizarre dynamic unfolds as this eccentric couple once captives of the criminals at first, their relationship, strangely begins to evolve into something else.

Dr Tarr’s Terror Dungeon aka Mansion of Madness 1973

This is a mysterious and nightmarish excursion into “the inmates have taken over the asylum” theme. Based upon Edgar Allan Poe’s The System of Dr Tarr and Professor Feather

Blue Sunshine 1978

Three women are murdered at a party. the wrong man is accused of the crimes. yet still more brutal killings continue throughout the town. What is the shocking truth behind these bizarre epidemic of …people are losing their hair and turning into violent psychopaths?

Homebodies 1974

Starring Peter Brocco, Francis Fuller, William Hanson, the adorable Ruth McDevitt, Ian Wolfe and Paula Trueman playing elderly tenants who first try to thwart by rigging accidents, a group of developers from tearing down their building. Old homes and old people…It turns into murder! This is a wonderfully campy 70s stylized black comedy/horror film. I love Ruth McDevitt as Miss Emily in Kolchak : The Night Stalker series.

The ensemble cast is brilliantly droll and subtly gruesome as they try to stave off the impending eviction and relocation to the institutional prison life of a cold nursing home facility.

A modern Gothic commentary on Urban Sprawl, the side effects of Capitalism on the elderly and their dust covered dreams, and the fine balance between reverence for the past, and the inevitability of modernity.

The jaunty music by Bernardo Segáll and lyrics by Jeremy Kronsberg for “Sassafras Sundays” is fabulous!

The Evictors 1979

Directed by Charles B. Pierce whose style has somewhat of a documentary feel ( The Town That Dreaded  Sundown 1976 Legend of Boggy Creek 1972) This film has a very stark and dreading tone. Starring one of my favorite unsung naturally beautiful actresses, Jessica Harper ( Suspiria, Love and Death, Stardust Memories, and the muse Pheonix in DePalma’s Faustian musical Phantom of The Paradise ) and another great actor Michael Parks. A young couple Ruth and Ben Watkins move into a beautiful old farmhouse in a small town in Louisiana. The house has a violent past, and things start happening that evoke fear and dread for the newlyweds. Are the townspeople trying to drive them out, or is there something more nefarious at work? Very atmospheric and quietly brutal at times. Also stars Vic Morrow

Jennifer 1953

Starring Ida Lupino and Howard Duff. Agnes Langsley gets a job as a caretaker of an old estate. The last occupant was the owner’s cousin Jennifer who has mysteriously disappeared. Agnes starts to believe that Jennifer might have been murdered. Is Jim Hollis the man whom she is now in love with… responsible?

Lured 1947

Directed by Douglas Sirk and starring Lucille Ball, George Sanders and my beloved Boris Karloff!

There is a serial killer in London, who lures his young female victims through the personal ads. He taunts the police by sending cryptic notes right before he is about to murder again. Great cast includes Cedric Hardwicke, George Zucco and Charles Coburn...

Love From A Stranger 1947

A newly married woman begins to suspect that her husband is a killer, and that she is soon to be his next victim.Starring John Hodiak and and Sylvia Sidney

Savage Weekend 1979

Several couples head upstate to the country and are stalked by a murderer behind a ghoulish mask.

The Beguiled 1971

Directed by the great Don Siegel ( Invasion of The Body Snatchers 1956, The Killers 1964 Dirty Harry 1971 This stars Clint Eastwood, Geraldine Page and Elizabeth Hartman. Eastwood plays John McBurney who is a Union soldier imprisoned in a Confederate girls boarding school.  A very slow yet tautly drawn web of psycho sexual unease forms as he works his charms on each of these lonely women’s psyche.

The Mad Doctor of Market Street 1942

An old forgotten classic horror, starring Lionel Atwill and Una Merkel. Atwill plays A mad scientist forced out of society when his experiments are discovered. He winds up on a tropical island, there by holding the locals hostage by controlling and terrorizing them.

The Man Who Changed His Mind original title (The Man Who Lived Again) 1936

Directed by Robert Stevenson. Starring my most favorite of all Boris Karloff, and Anna Lee of Bedlam

Karloff plays Dr. Laurence, a once-respected scientist who begins to delve into the origins of the mind and  soul connection.

Like any good classic mad scientist film, the science community rejects him, and so he risks losing everything for which he has worked, shunned by the scientific community he continues to experiment and further his research, but at what cost!…

The Monster Maker 1944

This stars J. Carrol Naish and Ralph Morgan. Naish plays Dr Igor Markoff who injects his enemies with the virus that causes Acromegaly, a deformity that enlarges the head and facial structures of his victims.

The Pyx 1973

I love Karen Black and not just because she let herself be chased by that evil Zuni doll in Trilogy of Terror or dressed up like Mrs Allardice in Burnt Offerings. She’s been in so many memorable films, in particular for me from the 70s. Here she plays Elizabeth Lucy a woman who might have fallen victim to a devil cult. Christopher Plummer plays detective  Sgt. Jim Henderson investigating the death of this heroin-addicted prostitute. The story is told using the device of flash back to tell Elizabeth’s story.

Five Minutes To Live 1961

Johnny Cash, the immortal man in black, plays the very unstable Johnny Cabot, who is part of a gang of thugs who terrorize a small town. This is a low budget thriller later released as Door to Door Maniac. I could listen to Cash tune his guitar while drinking warm beer and I’d be satisfied, the man just gives me chills. Swooning little me…….!

The Psychic 1977

.

In this more obscure EuroShocker, a clairvoyant… the gorgeous Jennifer O’ Neill, suffers from visions, which inspire her to smash open a section of wall in her husband’s home where she discovers a skeleton behind it.

She sets out to find the truth about how the victim wound up there, and if there’s a connection between their death and her fate as well!

Too Scared To Scream 1985

Directed by actor Tony Lo Bianco A killer is brutally attacking several tenants that live in a high rise apartment building in New York City.Mike Connors stars as Detective Lt. Alex Dinardo who investigates the killings. Also stars another unsung actress, Anne Archer, Leon Isaac Kennedy and Ian McShane

Violent Midnight 1963

An axe murderer is running loose in a New England town! Also known as Psychomania not to be confused with the fabulous British film of devil worshiping bikers who come back to life starring Beryl Reid. This film features Dick Van Patten, Sylvia Miles, James Farentino and Sheppard Strudwick. It’s got it’s own creepy little pace going for it.

When Worlds Collide 1951

Another classic sci fi world is headed toward destruction film, that I remember from my childhood. Starring Barbara Rush and John Hoyt, two of my favorite character actors. It’s a lot of fun to watch and a well made film that’s off the beaten path from… Forbidden Planet and War of The Worlds.

All The Kind Strangers  (1974 made for tv film)

Starring Stacy Keach, Sammantha Eggar, John Savage and Robby Benson

A couple traveling through a backwoods area are held hostage by a a group of orphan children who want them to be their parents. When ever an adult refuses to participate in the delusion, they are killed. Great disturbing made for tv movie.

The Todd Killings 1971

Directed by Barry Shear and starring Robert F. Lyons as Skipper Todd, a very sociopathic young man who holds sway over his younger followers like a modern day Svengali. Also starring Richard Thomas, Belinda Montgomery and the great Barbara Bel Geddes as Skippers mother who takes care of the elderly.

From IMDb-“Based on the true story of ’60s thrill-killer Charles Schmidt (“The Pied Piper of Tucson”), Skipper Todd (Robert F. Lyons) is a charismatic 23-year old who charms his way into the lives of high school kids in a small California town. Girls find him attractive and are only too willing to accompany him to a nearby desert area to be his “girl for the night.” Not all of them return, however. Featuring Richard Thomas as his loyal hanger-on and a colorful assortment of familiar actors in vivid character roles including Barbara Bel Geddes, Gloria Grahame, Edward Asner, Fay Spain, James Broderick and Michael Conrad.” Written by alfiehitchie

This film has a slow burning brutality that creates a disturbing atmosphere of social and cultural imprisonment by complacency and the pressure to conform, even with the non conformists.

Todd almost gets away with several murders, as the people around him idolize him as a hero, an not the ruthless manipulating psychopathic killer that he is. Frighteningly stunning at times. One death scene in particular is absolutely chilling in his handling of realism balanced with a psychedelic lens. This film is truly disturbing for it’s realism and for a 1971 release.

To Kill A Clown 1972

Starring Alan Alda and Blythe Danner. Danner and Heath Lamberts play a young hippie couple who couple rent a secluded cabin so that they can try and reconnect and save their marriage.

Alan Alda plays Maj. Evelyn Ritchie the man who owns the property and who is also a military raised- sociopath who has two vicious dogs that he uses as an extension of his madness and anger.