Film Noir ♥ Transgression Into the Cultural Cinematic Gutter: From Shadowland to Psychotronic Playground

“Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.”
Sigmund Freud

“Ladies and gentlemen- welcome to violence; the word and the act. While violence cloaks itself in a plethora of disguises, its favorite mantle still remains sex.” — Narrator from Faster, Pussycat! Kill! Kill! (1965)

Faster Pussycat
Tura Satana, Haji, and Lori Williams in Russ Meyer’s Faster, Pussycat! Kill! Kill! 1965
Cul-de-Sac
Françoise Dorléac and Donald Pleasence in Roman Polanski’s Cul-de-sac 1966
the Naked kiss
Constance Towers kicks the crap out of her pimp for shaving off her hair in Sam Fuller’s provocative The Naked Kiss 1964
Shock Corridor
Peter Breck plays a journalist hungry for a story and gets more than a jolt of reality when he goes undercover in a Mental Institution in Sam Fuller’s Shock Corridor 1963
CapturFiles_3 copy
Bobby Darin is a psychotic racist in Hubert Cornfield and Stanley Kramer’s explosive Pressure Point 1962 starring Sidney Poitier and Peter Falk.

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Constance Towers as Kelly from The Naked Kiss (1964): “I saw a broken down piece of machinery. Nothing but the buck, the bed and the bottle for the rest of my life. That’s what I saw.”

Griff (Anthony Eisley) The Naked Kiss (1964): “Your body is your only passport!”

Catherine Deneuve as Carole Ledoux in Repulsion (1965): “I must get this crack mended.”

Monty Clift Dr. Cukrowicz Suddenly, Last Summer (1959) : “Nature is not made in the image of man’s compassion.”

Patricia Morán as Rita Ugalde: The Exterminating Angel 1962:“I believe the common people, the lower class people, are less sensitive to pain. Haven’t you ever seen a wounded bull? Not a trace of pain.”

Ann Baxter as Teresina Vidaverri Walk on the Wild Side 1962“When People are Kind to each other why do they have to find a dirty word for it.”

The Naked Venus 1959“I repeat she is a gold digger! Europe’s full of them, they’re tramps… they’ll do anything to get a man. They even pose in the NUDE!!!!”

Darren McGavin as Louie–The Man With the Golden Arm (1955): “The monkey is never dead, Dealer. The monkey never dies. When you kick him off, he just hides in a corner, waiting his turn.”

Baby Boy Franky Buono-Blast of Silence (1961) “The targets names is Troiano, you know the type, second string syndicate boss with too much ambition and a mustache to hide the facts he’s got lips like a woman… the kind of face you hate!”

Lorna (1964)- “Thy form is fair to look upon, but thy heart is filled with carcasses and dead man’s bones”

Peter Fonda as Stephen Evshevsky in Lilith (1964): “How wonderful I feel when I’m happy. Do you think that insanity could be so simple a thing as unhappiness?”

Glen or Glenda (1953)“Give this man satin undies, a dress, a sweater and a skirt, or even a lounging outfit and he’s the happiest individual in the world.”

Glen or Glenda
Ed Wood’s Glen or Glenda 1953

Johnny Cash as Johnny Cabot in Five Minutes to Live (1961):“I like a messy bed.”

Dr. Moreau (Charles Laughton) Island of Lost Souls: “Do you know what it means to feel like God?”

The Curious Dr. Humpp (1969): “Sex dominates the world! And now, I dominate sex!”

The Snake Pit (1948): Jacqueline deWit as Celia Sommerville “And we’re so crowded already. I just don’t know where it’s all gonna end!” Olivia de Havilland as Virginia Stuart Cunningham “I’ll tell you where it’s gonna end, Miss Somerville… When there are more sick ones than well ones, the sick ones will lock the well ones up.”

Delphine Seyrig as Countess Bathory in Daughters of Darkness (1971)“Aren’t those crimes horrifying. And yet -so fascinating!”

Julien Gulomar as Bishop Daisy to the Barber (Michel Serrault) King of Hearts (1966)“I was so young. I already knew that to love the world you have to get away from it.”

The Killing of Sister George (1968) -Suzanna York as Alice ‘CHILDIE’: “Not all women are raving bloody lesbians, you know” Beryl Reid as George: “That is a misfortune I am perfectly well aware of!”

The Killing of Sister George
Susannah York (right) with Beryl Reid in The Killing of Sister George Susannah York and Beryl Reid in Robert Aldrich’s The Killing of Sister George 1960

The Lickerish Quartet (1970)“You can’t get blood out of an illusion.”

THE SWEET SOUND OF DEATH (1965)Dominique-“I’m attracted” Pablo-” To Bullfights?” Dominique-” No, I meant to death. I’ve always thought it… The state of perfection for all men.”

Peter O’Toole as Sir Charles Ferguson Brotherly Love (1970): “Remember the nice things. Reared in exile by a card-cheating, scandal ruined daddy. A mummy who gave us gin for milk. Ours was such a beautifully disgusting childhood.”

Maximillian Schell as Stanislaus Pilgrin in Return From The Ashes 1965: “If there is no God, no devil, no heaven, no hell, and no immortality, then anything is permissible.”

Euripides 425 B.C.“Whom God wishes to destroy… he first makes mad.”

Davis & Crawford What Ever Happened to Baby Jane?
Bette Davis and Joan Crawford bring to life two of the most outrageously memorable characters in Robert Aldrich’s What Ever Happened to Baby Jane? 1962

WHAT DOES PSYCHOTRONIC MEAN?

psychotronic |ˌsīkəˈtränik| adjective denoting or relating to a genre of movies, typically with a science fiction, horror, or fantasy theme, that were made on a low budget or poorly received by critics. [1980s: coined in this sense by Michael Weldon, who edited a weekly New York guide to the best and worst films on local television.] Source: Wikipedia

In the scope of these transitioning often radical films, where once, men and women aspired for the moon and the stars and the whole ball of wax. in the newer scheme of things they aspired for you know… “kicks” yes that word comes up in every film from the 50s and 60s… I’d like to have a buck for every time a character opines that collective craving… from juvenile delinquent to smarmy jet setter!

FILM NOIR HAD AN INEVITABLE TRAJECTORY…

THE ECCENTRIC & OFTEN GUTSY STYLE OF FILM NOIR HAD NO WHERE ELSE TO GO… BUT TO REACH FOR EVEN MORE OFF-BEAT, DEVIANT– ENDLESSLY RISKY & TABOO ORIENTED SET OF NARRATIVES FOUND IN THE SUBVERSIVE AND EXPLOITATIVE CULT FILMS OF THE MID TO LATE 50s through the 60s and into the early 70s!

I just got myself this collection of goodies from Something Weird!

weird-noir
There’s even this dvd that points to the connection between the two genres – Here it’s labeled WEIRD. I like transgressive… They all sort of have a whiff of noir.
Grayson Hall Satan in High Heels
Grayson Hall -Satan in High Heels 1962
mimi3
Gerd Oswald adapts Fredrick Brown’s titillating novel — bringing to the screen the gorgeous Anita Ekberg, Phillip Carey and Gypsy Rose Lee and Harry Townes in the sensational, obscure and psycho-sexual thriller Screaming Mimi 1958
The Strangler 1964 Victor Buono
Victor Buono is a deranged mama’s boy in Burt Topper’s fabulous The Strangler 1964
Repulsion
Catherine Deneuve is extraordinary as the unhinged nymph in Roman Polanski’s psycho-sexual tale of growing madness in Repulsion 1965

Just like Alice falling down the rabbit hole, Noir took a journey through an even darker lens… Out of the shadows of 40s Noir cinema, European New Wave, fringe directors, and Hollywood auteurs, brought more violent, sexual, transgressive, and socially transformative narratives into the cold light of day with a creeping sense of verité. While Film Noir pushed the boundaries of taboo subject matter and familiar Hollywood archetypes it wasn’t until later that we are able to visualize the advancement of transgressive topics.

Continue reading “Film Noir ♥ Transgression Into the Cultural Cinematic Gutter: From Shadowland to Psychotronic Playground”

Postcards From Shadowland’s Big Fat No.10

Alexandra Schmidt in Mother Kraus' jounrey to happiness mutter-krausens-fahrt-ins-gluck-schmidt
Alexandra Schmidt in ‘Mother Krause’s Journey to Happiness’ (1929)
all-about-eve-anne-baxter-bette-davis-marilyn-monroe-richard carlson-george sanders-celeste holm
Director Joseph L. Mankiewicz’s brilliant satire- All About Eve (1950) starring the inimitable Bette Davis as Margo Channing and Ann Baxter as the cunning Eve Harrington.
All's Quet on the Western Front
Director Lewis Milestone’s All’s Quiet on the Western Front-(1930) starring Lew Ayres
anatomy of murder scene
Otto Preminger’s riveting court room noir Anatomy of a Murder (1959)
battleship-potemkin-odessa-steps-sergei-eisenstein
Battleship Potemkin (1925) Sergei Eisenstein’s masterpiece about the great Russian naval mutiny.
Brute Force
Jule’s Dassin’s brutal noir masterpiece Brute Force (1947)
Cat-on-a-Hot-Tin-Roof-elizabeth-taylor-scene
Richard Brooks adaptation of Tennessee William’s Cat on a Hot Tin Roof (1958)
DameJudith:MrsDanvers
Alfred Hitchcock’s adaptation of Daphne Du Maurier’s Rebecca 1940
janet-leigh-touch-of-evil-charlton-heston
Orson Welles’ film classic Touch of Evil (1958)
notre-dame-hunchbackLaughton
William Dieterle’s adaptation of Victor Hugo’s The Hunchback of Notre Dame 1939
kiss of death
Henry Hathaway’s disturbing noir classic Kiss of Death 1947
Laura
Otto Preminger’s quintessential noir Laura (1944)
Lee Remick in Experiment in Terror 1960
Blake Edwards Experiment in Terror 1960
Earth Vs The Spider
Bert I. Gordon’s Earth Vs The Spider 1958
Dracula's Daughter
Lambert Hillyer’s understated yet powerfully erotic horror classic Dracula’s Daughter 1936
Linda darnell no way out
Joseph L. Mankiewicz’s taut and thought provoking social noir No Way Out 1950
little-caesar-edward-g-robinson
Mervyn LeRoy’s gangster odyssey Little Caesar 1931
Day the earth stood still robert wise
Robert Wise’s Science Fiction masterpiece The Day the Earth Stood Still (1951)
long dark hall
Reginald Beck and Anthony Bushell’s suspenseful The Long Dark Hall 1951
loretta-young-lon-chaney-laugh-clown-laugh
Herbert Brenon’s beautiful Laugh, Clown, Laugh 1928
m-peter-lorre-
Fritz Lang’s notorious psychological thriller M (1931)
Monday Nights with Oscar
Otto Preminger’s noir masterpiece about addiction The Man with the Golden Arm 1955
allison hayes Attack of the 50 foot woman
Nathan Juran’s iconic 50s campy sci-fi romp Attack of the 50 Foot Woman (1958)
marsha-hunt-actress-raw-deal-john-ireland
Anthony Mann’s noir classic Raw Deal (1948)
Mother Joan of the Angels
Jerzy Kawalerowicz’s surreal and transcendent Mother Joan of the Angels 1961
Nancy Kelly in The Bad Seed
Mervyn LeRoy’s naughty tale about a child psychopath. The Bad Seed (1956)
naked kiss2
Samuel Fuller’s irreverent noir gem The Naked Kiss (1964)
odd+man+out+1947
Carol Reed’s intense noir thriller Odd Man Out (1947)
Norma Desmond
Billy Wilder’s iconic film noir masterwork of grand proportions Sunset Blvd (1950)
orphee-jean-marais
Jean Cocteau’s stunning Orpheus (1950) Orphée
outofthepas
Jacques Tourneur’s hauntingly mesmerizing noir Out of the Past (1947)
Peggy Cummings Gun Crazy
Joseph E. Lewis Gun Crazy or Deadly is the Female (1950)
penny_serenade
George Steven’s sadness and joyful Penny Serenade (1941)
frankenstein
James Whale’s campy take on Mary Shelley’s Frankenstein 1931
the+black+cat
Edgar G. Ulmer’s sadistic and transgressive journey into horror The Black Cat 1934
vampyr
Carl Theodor Dreyer’s masterful vision of quiet uncanny horror Vampyr (1932)
prowler-tale
Joseph Losey’s titillating noir The Prowler ((1951)
photo-Les-Diaboliques-1954-3
Henri-Georges Clouzot’s brilliantly chilling Les-Diaboliques-1955
Seance
Bryan Forbes’ compelling suspense thriller Seance on a Wet Afternoon (1964)
Seven Chances
Buster Keaton’s fantastic Seven Chances (1925)
SCARFACE (1932)
Howard Hawks and Richard Rosson’s SCARFACE (1932)
sparrows-mary-pickford
William Beaudine’s haunting Sparrows (1926)
Bride of Frankestein
James Whales even campier and finest work The Bride of Frankenstein 1935
streetcar-named-desire-leigh-brando
Elia Kazan’s volatile theme of desolation and passion based on Tennessee William’s play A Streetcar Named Desire 1951
SUNSET BOULEVARD
some more divine SUNSET BOULEVARD 1950
the nymph ward shock corridor
Samuel Fuller’s edgy Shock Corridor (1963)
old-dark-house-karloff-stuart
Jame’s Whale’s The Old Dark House 1932
They-Live-By-Night
Nicholas Ray’s incredibly beautiful film noir journey They Live By Night (1948)
Theo and Eleanor
Robert Wise’s uncompromising ghost story adapted from Shirley Jackson’s novel The Haunting (1963)
white-heat-james-cagney-600x450
Raoul Walsh’s iconic crime thriller White Heat (1949)

Postcards From Shadowland no. 9

1933 das testament der dr. mabuse
The Testament of Dr. Mabuse 1933 Fritz Lang
Ace In The Hole
Ace in The Hole – Billy Wilder
Aroused 1966
Aroused 1966 Anton Holden
Bayou 1957
Poor White Trash aka Bayou 1957-Harold Daniels
Blues in the night
Blues in the Night 1941-Anatole Litvak
Edward G Robinson-Little-Caesar with Douglas Fairbanks jr. and Glenda Farrell
Directed by Mervyn LeRoy-Edward G Robinson is Little-Caesar (1931) with Douglas Fairbanks jr. and Glenda Farrell
Experiment in Terror Ross Martin as Red Lynch
Experiment in Terror – Blake Edwards directs -Ross Martin as Red Lynch
Gene Tierney Tobacco Road 1941
Gene Tierney Tobacco Road 1941 directed by John Ford
George Pujouly  Brigitte Fossey Forbidden Games Jeux interdits 1952 René Clément
George Pujouly Brigitte Fossey Forbidden Games (Jeux interdits) 1952 directed by René Clément
Granny-The Southerner
Granny-The Southerner-Jean Renoir
Jeux Interdits
Jeux Interdits
knock on any door
Knock On Any Door 1949 Nicholas Ray
Lena Cabin in The Sky
Lena Horne-Cabin in The Sky 1943- Vincente Minnelli
Lon Chaney in He Who Gets Slapped
Lon Chaney in He Who Gets Slapped 1924 Victor Sjöström
Modern Times Charlie Chaplin
Modern Times Charlie Chaplin 1936
Never Take Sweets From A Stranger
Never Take Sweets From A Stranger 1960 Cyril Frankel
Night of The Demon-Tourneur
Curse of The Demon- 1957 Jacques Tourneur
Peter Lorre in The Man Who Knew Too Much1956
Peter Lorre in Alfred Hitchcock’s The Man Who Knew Too Much 1956
Rashomon
Rashomon 1950 -Akira Kurosawa
Repulsion
Roman Polanski’s Repulsion 1965 Catherine Deneuve
The Cobweb
The Cobweb-1955- Vincente Minnelli
The Last Laugh-letzte mann and emil-jannings in
The Last Laugh 1924-with emil-jannings directed by F.W Murnau
the sweet smell of success
The Sweet Smell of Success 1957-directed by Alexander Mackendrick written by Clifford Odets
Viva Zapata with Marlon-Brando and Jean Peters-
Viva Zapata 1952 with Marlon-Brando and Jean Peters-Elia Kazan directs

Postcards From Shadowland No.7

La Belle et la Bete (1946)
Caged (1950)
Criss Cross (1949)
Devil Girl From Mars (1954)
Les Diaboliques (1955)
Experiment in Terror (1962)
Les yeux sans Visage (1960)
Les yeux sans visage (1960)
Gloria Grahame The Cobweb (1955)
I Bury The Living (1958)
Island of Lost Souls (1932)
Kiss The Blood Off My Hands (1948)
Lady in a Cage (1964)
Mother Joan of The Angels (1961)
Belle et la Bete (1946)
Strait-Jacket (1964)
Sunrise (1927)
The Haunting (1963)
The Queen of Spades (1949)
Vampyr (1932)
The World’s Greatest Sinner (1962)

Fiend of The Day!: Ross Martin is Garland Humphrey ‘Red’ Lynch

“You’ve got a small waist — measurements: 34-22-35 — right? Oh, I know a lot about you, Miss Sherwood.” — Red Lynch

EXPERIMENT IN TERROR (1962)

Lee Remick plays bank teller Kelly Sherwood who is being terrorized by ‘Red’ Lynch (Ross Martin) a psychopath with an asthmatic voice like sandpaper who schemes to use her in a plot to steal $100,000 from the bank where she works. Lynch kidnaps Sherwood’s younger sister Toby played by Stephanie Powers, and then threatens to kill her, if she tells the police. Enter Glenn Ford as F.B.I. agent Ripley who is now on the case… setting off a feverish game of cat & mouse between Remick, Martin and Ford.

Directed by Blake Edwards, this is one hell of a gripping Film Noir/ Thriller, with a screenplay by The Gordons, based on Mildred and Gordon Gordon’s 1961 novel Operation Terror.

I love Ross Martin’s portrayal of the murdering, smarmy crushed velvet jacket wearing, tv host art critic Dale Kingston in Columbo’s “Suitable for Framing”

… and Martin inhabits ‘Red’ Lynch giving him a most bizarre sort of vicious earning him the persona here as Fiend of The Day!

See you soon!-MonsterGirl

Postcards From Shadowland No.6

The 49th Parallel (1949) Directed by Michael Powell and starring Leslie Howard and Laurence Olivier
La Belle et la Bête 1946 directed by Jean Cocteau starring Jean Marais and Josette Day
Beggars of Life 1928 staring Wallace Beery, Louise Brooks and Richard Arlen. Directed by William Wellman
Bunny Lake is Missing 1965 Directed by Otto Preminger. Starring Carol Lynley, Laurence Olivier, and Keir Dullea
La Main du Diable or Carnival of Sinners 1943 Directed by Maurice Tourneur and stars Pierre Fresnay, Josseline Gael and Noel Roquevert
The Devil and Daniel Webster 1941 Directed by William Dieterle and stars Walter Houston as Old Scratch, and Edward Arnold, Jane Darwell and Simone Simon.
Dracula’s Daughter 1936 directed by Lambert Hillyer and starring Gloria Holden, Otto Kruger and Marguerite Churchill
Experiment in Terror 1962 directed by Blake Edwards and starring Lee Remick, Glenn Ford, Stephanie Powers and a raspy Ross Martin as ‘Red’ Lynch
Fallen Angel 1945 Directed by Otto Preminger and starring Linda Darnell, Dana Andrews and Alice Faye
Fedra The Devil’s Daughter 1956 Directed by Manuel Mur Oti and stars Emma Penelia, Enrique Diosdado and Vicente Parra
Joan Crawford is Possessed 1947 directed by Curtis Bernhardt, also starring Van Heflin and Raymond Massey
Diaboliques 1955 directed by Henri-Georges Clouzot and starring Simone Signoret, Vera Clouzot and Paul Meurisse
Never Take Sweets From A Stranger 1960 Directed by Cyril Frankel and stars Gwen Watford, Patrick Allen and Felix Aylmer
The Night Holds Terror 1955 Directed by Andrew L. Stone starring Jack Kelly, Hildy Parks, Vince Edwards and John Cassavetes
Robert Mitchum is Harry Powell, in Night of The Hunter 1955 Directed by Charles Laughton also starring Shelley Winters and Lillian Gish
Plunder Road 1957 directed by Hubert Cornfield and stars Gene Raymond, Jeanne Cooper, Wayne Morris and Elisha Cook Jr.
Seance On a Wet Afternoon 1964 directed by Bryan Forbes and stars Kim Stanley, Richard Attenborough and Margaret Lacey
Alfred Hitchcock’s Strangers On a Train 1951 starring Farley Granger, Robert Walker and Ruth Roman
Gloria Swanson is Norma Desmond in Sunset Boulevard 1950 Directed by Billy Wilder and starring William Holden and Erich von Stroheim
Val Lewton’s The Seventh Victim 1943 Directed by Mark Robson and stars Kim Hunter, Tom Conway and Jean Brooks
Boris Karloff and Bela Lugosi star in Edgar G. Ulmer’s The Black Cat 1934 inspired by Edgar Allan Poe’s story.
The Killer Is Loose 1956 Directed by Budd Boetticher and stars Joseph Cotten, Rhonda Fleming and Wendell Corey
The Ox-Bow Incident 1943 Directed by William Wellman and stars Henry Fonda, Dana Andrews, Mary Beth Hughes and Anthony Quinn
The Prowler 1951 Directed by Joseph Losey and stars Evelyn Keyes and Van Heflin
The Queen of Spades 1949 Directed by Thorold Dickinson and stars Anton Walbrook, Edith Evans and Yvonne Mitchell
Lon Chaney stars in Tod Browning’s The Unknown 1927 also starring Joan Crawford and Norman Kerry.
Edward L. Cahn’s 1956 film The Werewolf
Jean Epstein’s The Fall of the House of Usher 1928 inspired by Edgar Allan Poe and adapted for the screen by Luis Bunuel
Carl Theodor Dreyer’s Vampyr (1932) Based on a story by Sheridan Le Fanu. Starring Julian West, Maurice Schutz and Rena Mandel