MonsterGirl’s Halloween 🎃 2015 special feature! the Heroines, Scream Queens & Sirens of 30s Horror Cinema!

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Horror cinema was at it’s spooky peak in the 1930s~ the era gave birth to some of the most iconic figures of the genre as well as highlighted some of the most beautiful & beloved heroines to ever light up the scream, oops I mean screen!!!!

We all love the corrupted, diabolical, fiendish and menacing men of the 30s who dominated the horror screen- the spectres of evil, the anti-heroes who put those heroines in harms way, women in peril, –Boris, & Bela, Chaney and March… From Frankenstein, to Dracula, from The Black Cat (1934), or wicked Wax Museums to that fella who kept changing his mind…Jekyll or was it Hyde? From the Mummy to that guy you could see right through, thank you Mr. Rains!

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Gloria Stuart The Invisible Man

Last year I featured Scream Queens of 40s Classic Horror! This Halloween 🎃 – I felt like paying homage to the lovely ladies of 30s Classic Horror, who squealed up a storm on those stormy dreadful nights, shadowed by sinister figures, besieged by beasts, and taunted with terror in those fabulous frisson filled fright flicks… but lest not forget that after the screaming stops, those gals show some grand gumption! And… In an era when censorship & conservative framework tried to set the stage for these dark tales, quite often what smoldered underneath the finely veiled surface was a boiling pot of sensuality and provocative suggestion that I find more appealing than most contemporary forays into Modern horror- the lost art of the classical horror genre will always remain Queen… !

Let’s drink a toast to that notion!

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The Scream Queens, Sirens & Heroines of 1930s Classic Horror are here for you to runs your eyes over! Let’s give ’em a really big hand, just not a hairy one okay! From A-Z

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Phantom in the Rue Morgue 1954

ELIZABETH ALLAN

Elizabeth Allan

A British beauty with red hair who according to Gregory Mank in his Women in Horror Films, 1930s, left England for Hollywood and an MGM contract. She is the consummate gutsy heroine, the anti-damsel Irena Borotyn In Tod Browning’s campy Mark of the Vampire (1935) co-starring with Bela Lugosi as Count Mora (His birthday is coming up on October 20th!) Lionel Atwill and the always cheeky Lionel Barrymore… Later in 1958 she would co-star with Boris Karloff in the ever-atmospheric The Haunted Strangler.

Mark of the Vampire is a moody graveyard chiller scripted by Bernard Schubert & Guy Endore (The Raven, Mad Love (1935) & The Devil Doll (1936) and the terrific noir thriller Tomorrow is Another Day (1951) with sexy Steve Cochran & one of my favs Ruth Roman!)

The film is a Tod Browning’s re-take of his silent Lon Chaney Sr. classic London After Midnight (1927).

The story goes like this: Sir Karell Borotin (Holmes Herbert) is murdered, left drained of his blood, Professor Zelin (Lionel Barrymore) believes it’s the work of vampires. Lionel Atwill once again plays well as the inquiring but skeptical police Inspector Neumann.

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Irena (Elizabeth Allan) and Professor Zelen (Lionel Barrymore) hatch an intricate plot to trap the murderers!

Once Sir Karell’s daughter Irena ( our heroine Elizabeth Allan) is assailed, left with strange bite marks on her neck, the case becomes active again. Neumann consults Professor Zelin the leading expert on Vampires. This horror whodunit, includes frightened locals who believe that Count Mora (Bela in iconic cape and saturnine mannerism) and his creepy daughter Luna  (Carroll Borland) who trails after him through crypt and foggy woods, are behind the strange going’s on. But is all what it seems?

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Elizabeth Allan and Carroll Borland Mark of the Vampire
Elizabeth Allan (below center) and Carroll Borland as Luna in Tod Browning’s Mark of the Vampire (1935)
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Elizabeth Allan and Carroll Borland Mark of the Vampire (1935)

The Phantom Fiend (1932)

Directed by the ever interesting director Maurice Elvey (Mr. Wu 1919, The Sign of Four, 1923, The Clairvoyant 1935, The Man in the Mirror 1936, The Obsessed 1952) Elizabeth Allan stars as Daisy Bunting the beautiful but mesmerized by the strange yet sensual and seemingly tragic brooding figure- boarder Ivor Novello as Michel Angeloff in The Phantom Fiend! A remake of Alfred Hitchcock’s first film about Jack the Ripper… The Lodger (1927) starring Novello once again.

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Ivor Novello is the strange & disturbing Michel Angeloff. Elizabeth Allan is the daughter of the landlords who rent a room to this mysterious fellow who might just be a serial killer. Daisy Bunyon falls captivated by this tormented and intense young man…
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A.W. Baskcomb plays Daisy’s (Elizabeth Allan)father George Bunting and Jack Hawkins is Joe Martin the regular guy in love with Daisy
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Michel Angeloff (Ivor Novello) to Daisy Bunting (Elizabeth Allan) “Stay away from me… don’t ever be alone with me…{…} -You trust me, no matter whatever I’ve done?”

The Mystery of Mr. X (1934)

There is a murderer loose in London who writes the police before he strikes with a sword cane, he signs his name X. It happens that his latest crime occurs on the same night that the Drayton Diamond is stolen. Robert Montgomery as charming as ever, is Nick Revel the jewel thief responsible for the diamond heist, but he’s not a crazed murderer. The co-incidence of the two crimes have put him in a fix as he’s now unable to unload the gem until the police solve the murders.

Elizabeth Allan is the lovely Jane Frensham, Sir Christopher Marche’s (Ralph Forbes) fiancé and Police Commissioner Sir Herbert Frensham’s daughter. Sir Christopher is arrested for the X murders, and Nick and Jane band together, fall madly in love and try to figure out a way to help the police find the real killer!

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HEATHER ANGEL

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Heather Angel is a British actress who started out on stage at the Old Vic theatre but left for Hollywood and became known for the Bulldog Drummond series. While not appearing in lead roles, she did land parts in successful films such as Kitty Foyle, Pride and Prejudice (1940), Cry ‘Havoc’ (1943) and Lifeboat (1944). IMDb notes -Angel tested for the part of Melanie in Gone with the Wind (1939), the role was given to Olivia de Havilland.

Heather Angel possessed a sublime beauty and truly deserved to be leading lady rather than relegated to supporting roles and guilty but pleasurable B movie status.

The L.A times noted about her death in 1986 at age 77 “Fox and Universal ignored her classic training and used her in such low- budget features as “Charlie Chans Greatest Case and “Springtime for Henry.”

Her performances in Berkeley Square and The Mystery of Edwin Drood were critically acclaimed… More gruesome than the story-lines involving her roles in Edwin Drood, Hound of the Baskervillles or Lifeboat put together is the fact that she witnessed her husband, stage and film directer Robert B. Sinclair’s vicious stabbing murder by an intruder in their California home in 1970.

Heather Grace Angel was born in Oxford, England, on February 9, 1909.
Heather Angel in Berkeley Square (1933) Image courtesy Dr Macro

The Hound of the Baskervilles (1932)

Heather Angel is Beryl Stapleton in this lost (found negatives and soundtracks were found and donated to the British Film Institute archives) adaptation of the Sir Arthur Conan Doyle’s Sherlock Holme’s thriller Originally serialised in The Strand magazine between 1901 and 1902.

In this first filmed talkie of Doyle’s more horror oriented story it calls for the great detective to investigating the death of Sir Charles Baskerville and solve the strange killing that takes place on the moors, feared that there is a supernatural force, a monstrous dog like fiend that is menacing the Baskerville family ripping the throats from it’s victims. The remaining heir Sir Henry is now threatened by the curse.

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Mystery of Edwin Drood (1935)

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Douglass Montgomery as Neville Landless and Heather Angel as Rosa Bud in the intensely superior rare gem The Mystery of Edwin Drood (1935)

Mystery of Edwin Drood (played by David Manners) is a dark and nightmarish Gothic tale of mad obsession, drug addiction and heartless murder! Heather Angel plays the beautiful and kindly young student at a Victorian finishing school, Rosa Bud engaged to John Jasper’s nephew Edwin Drood. The opium chasing, choir master John Jasper (Claude Rains) becomes driven to mad fixation over Rosa, who is quite aware of his intense gaze, she becomes frightened and repulsed by him.

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The brooding & malevolent Rains frequents a bizarre opium den run by a menacing crone (Zeffie Tilbury), a creepy & outre moody whisper in the melody of this Gothic horror/suspense tale!

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Valerie Hobson plays twin sister Helena Landless, the hapless Neville’s sister. (We’ll get to one of my favorites, the exquisite Valerie Hobson in just a bit…) When Neville and Helena arrive at the school, both Edwin and he vie for Rosa’s affections. When Edwin vanishes, naturally Neville is the one suspected in his mysterious disappearance.

OLGA BACLANOVA

Olga Baclanova

Though I’ll always be distracted by Baclanova’s icy performance as the vicious Cleopatra in Tod Browning’s masterpiece Freaks which blew the doors off social morays and became a cultural profane cult film, Baclanova started out as a singer with the Moscow Art Theater. Appearing in several silent films, she eventually co-starred as Duchess Josiana with Conrad Veidt as the tragic Gwynplaine, in another off-beat artistic masterpiece based on the Victor Hugo story The Man Who Laughs (1928)

Freaks (1932)

Tod Browning produced & directed this eternally disturbing & joyful portrait of behind the scenes melodrama and at times the Gothic violence of carnival life… based on the story ‘Spurs’ by Tod Robbins. It’s also been known as Nature’s Mistress and The Monster Show.

It was essential for Browning to attain realism. He hired actual circus freaks to bring to life this quirky Grand Guignol, beautifully grotesque & macabre tale of greed, betrayal and loyalty.

Cleopatra (Baclanova) and Hercules (Henry Victor) plan to swindle the owner of the circus Hans, (Harry Earles starring with wife Frieda as Daisy) out of his ‘small’ fortune by poisoning him on their wedding night. The close family of side show performers exact a poetic yet monstrous revenge! The film also features many memorable circus folk. Siamese conjoined twins Daisy & Violet Hilton, also saluted in American Horror Story (Sarah Paulson another incredible actress, doing a dual role) Schlitze the pinhead and more!

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Anyone riveted to the television screen to watch Jessica Lange’s mind blowing performance as Elsa Mars in American Horror Story’s: Freak Show (2014) will not only recognize her superb nod to Marlene Dietrich, but much reverence paid toward the Tod Browning’s classic and Baclanova’s cunning coldness.

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( BTW as much as I adore Frances McDormand, Lange should have walked away with the Emmy this year! I’ve rarely seen a performance that balances like a tight rope walker, the subtle choreography between gut wrenching pathos & ruthless sinister vitriol. Her rendition of Bowie’s song Life on Mars…will be a Film Score Freak feature this Halloween season! No I can’t wait… here’s a peak! it fits the mood of this post…)

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Baclanova and Earles

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“You Freaks!!!!”
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Gooba Gabba… I guess she isn’t one of us after all!

here she is as the evil Countess/duchess luring poor Gwynplain into her clutches The Man Who Laughs (1928)

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Continue reading “MonsterGirl’s Halloween 🎃 2015 special feature! the Heroines, Scream Queens & Sirens of 30s Horror Cinema!”

The Mary Astor Blogathon: The Man With Two Faces (1934) A Caligarian Black Comedy with Astor as a Trilby like Sylph and the tell-tale Mustache in a Gideon’s Bible

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THE MAN WITH TWO FACES (1934)

or ‘Of Mice and Mustaches’

Man With Two Facs Lobby Card

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Mary Astor plays Jessica Welles a Trilby-Like Sylph who falls under the spell of her treacherous husband played by Louis CalhernRobinson’s role the tagline would suggest, “It’s the most unusual picture since “Dr. Jekyll and Mr. Hyde.”  is quite misleading as his character Damon is not a split personality, induced by mad science or a fractured id run amok. He is simply impersonating a fictitious mustache, spectacles and goatee wearing Frenchman in order to lure his vicious prey into his vengeful murderous trap. Louis Calhern is an archetypal Svengali/Caligarian figure and ultimately it’s Damon’s fake mustache accidentally left in a Gideon’s Bible that gives the crime away. Archie Mayo had actually directed Svengali in 1931.

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Astor and Calhern Archetypal Trilby and Svengali characters
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Barrymore and Marian Marsh in Svengali

The Man With Two Faces is a mystery thriller with comical overtones. Invoking Jekyll & Hyde is far off the mark as Edward G. Robinson only dons a disguise to rid his bewitched sister of her treacherous, conniving, abusive and murderous husband. The character of Damon is more like Zorro or The Lone Ranger exacting out a theatrical brand of vigilante justice. As an actor the milieu is perfect for him to wear a ‘mask’ posing as a producer to lure his tortured sister’s husband Vance (Yiddish for bedbug, pronounced ‘vants’ but it applies as Stanley Vance is quite the vermin) into his trap so he can kill him…

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Mary Astor as the bewitched Jessica Welles in The Man with Two Faces
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photo of Mary Astor courtesy of Doctor Macro

Mary Astor has a classy, understated beauty. She’s sophisticated and smart, refined and polished and worldly-wise. Often poised and self-possessed with a simmering kind of sexiness. Yet here in The Man With Two Faces, her light is just a bit diminished by the role of Jessica Welles who is forced to shape-shift from lovely star of the stage into a doll imprisoned in a fugue state.

I was thrilled when Dorian from Tales of the Easily Distracted and Ruth of Silver Screenings let me participate in The Mary Astor Blogathon. I wanted to pick a film that I hadn’t seen in order to enhance the fun of bringing some of her films to the attention of readers and really be inclusive while paying tribute to this great woman. I adore Mary Astor. And as much as I like The Maltese Falcon 1941, and simply adore Bogie, it wasn’t that iconic bit of Film Noir flight of fancy that brought Miss Astor to my attention. I hadn’t truly started to notice her work until I did an extensive feature on Robert Aldrich’s Grande Dame Guignol masterpiece Hush… Hush Sweet Charlotte 1964 It was then that I became taken in with Mary Astor’s performance as the bitter and time worn Jewel Mayhew. Then of course being a huge fan of Boris Karloff’s Television series Thriller, I am one of the few people who actually think Rose’s Last Summer was one of the finest episodes of that series. Mary Astor bringing her classy swank and snark to the role of Rose French. I became a devout fan of hers from that time on, and have started trying to devour as much Mary Astor as I can…

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It’s funny how most people might connect her with her role as Brigid O’ Shaughnessy in The Maltese Falcon 1941, but I think of her other contributions like Sandra Kovac in The Great Lie 1941 Mme. DeLaage  The Hurricane 1937 Antoinette de Mauban The Prisoner of Zenda 1937  and of course in Dodsworth 1936 as Mrs. Edith Cortright.

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Mary Astor and Walter Huston in Dodsworth 1936

The Man With Two Faces is a Warner Bros. black comedy not so much of a mystery, with tinges of the 19th Century melodramatic tradition written for the stage by George S. Kaufman and Alexander Woollcott with a screenplay by Tom Reed and Niven Busch. The original play opened in New York City in 1933 and had 57 performances. Margaret Dale who plays Aunt Martha originated her movie role on the stage. The original cast included Porter Hall and Margaret Hamilton (The Wicked Witch of the West from Oz)

Produced by Hal Wallis, Jack L Warner and Robert Lord and Directed by Archie Mayo (Svengali 1931, Bordertown 1935, The Petrified Forest (1936) Moontide 1942 Angel on My Shoulder 1946) and with the production and art design by John Houghs (Treasure of the Sierra Madre 1948, The Thing From Another World 1951)

Mary Astor as well as Mae Clarke (Frankenstein 1931, Waterloo Bridge 1931 and Public Enemy’s memorable grapefruit in the face girl) seem to be wasted in both these roles where the women are subverted ridiculed, demeaned and inconsequential. I wish Astor had more presence in the film… even the housekeeper Nettie has more spark to her character as does Aunt Martha. Astor just isn’t given enough layers to work with because she is in a trance most of the time, her character Jessica’s lack of affect doesn’t suit her usual spirited performances, here there are only little bursts of the dimension she is capable of.

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Ricardo Cortez titles

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David Landau and Emily Fitzroy

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I went to Syosset High School which was the town right next to Locust Valley… just a little sentimental factoid about your little MonsterGirl

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Jessica-“doctor dear why are you such a bother”
Dr. Kendall– “the bother was getting you well enough to act at all… if you think it’s been a picnic”
Jessica-“Alright I’ll rest but do you mind if I get a little excited, it’s the first time in three years… doctor why did all those people remember me?”
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Dr. Kendall-” Why shouldn’t they, you weren’t entirely unknown you know.”
Jessica-“I know but comebacks you know, you know what they are. Critics staying home out of kindness. And the Times saying you were ‘adequate’

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Damon throws books at Barry as he enters the dressing room
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John Eldredge as playwright Barry Jones
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Daphne-“Give the gentleman a cigar”
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Barry-Why, he missed me
Damon “Ah, just my luck I always get buck fever when I see an author
Barry-“Damon, I don’t know what you’re sore about your sister has a whole basket full of telegrams and everybody thinks it’s a grand play
Damon– “Yeah, grand for a high school strawberry lawn festival, somebody oughta stuff that second act and put it in a museum…”

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Barry– “You, you’ve had a hangover for the last ten years. You, you just hangover with him.”

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Daphne– “f I had known that, I’d never have acted in your play”
Damon– “Oh Daphne my love… you never acted in any play, never will.”

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Aunt Martha– “Well you’ve never said a truer word in your life Mr.Weston the work was just the medicine that Jessica needed”
Ben Weston– “Well I always knew she would act again.”
Aunt Martha “Well I didn’t. I was in front the night she collapsed. They dismissed the audience, you’d a thought she’d been drugged.”
Ben Weston– “A lot of people said it was drugs.”
Aunt Martha– “There were all sorts of stories around but the truth was that husband of hers… Stanley Vance.”
Ben Weston– “From what I’ve heard, he must have been the lowest form of animal life.”
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Aunt Martha– “You put it mildly”
Ben Weston– “What I can’t understand is, how a girl of Jessica’s type would… I mean to say, a girl with her brains and talent”
Aunt Martha -“Brains and talent don’t mean much to the Devil Mr. Weston.”
Ben Weston– “I don’t follow you”
Aunt Martha-“Did you ever see a snake with a bird Mr Weston? That’s Jessica and Stanley Vance. Horrible… of course you know the night she collapsed was the night he left. But this is something you may not know. The day she learned that he’d been shot dead in San Francisco was the day her mind began to heal….”

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Damon-“Why do you always break down, you did that tonight”
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Damon coaches Jessica on the finer points of her acting…

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“Hattie I’m famished”

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Daphne asks Barry to accompany her on a bit of Stormy Weather.  

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Mary Astor who plays actress Jessica Welles, is a delicate Trilby-like sylph who is married to a cold-blooded cad Stanley Vance (Louis Calhern The Asphalt Jungle 1950) Vance is a conniving, controlling Svengali/Caligari-esque cutthroat who not only bilks old ladies out of their fortunes but actually murdered his first wife. He seems to possess the art of hypnosis and uses it to manipulate Jessica into a state of virtual somnambulist enslavement. With the mere tilt of his head and leering eyes that penetrate she goes deeper under his control. In his presence she is a wilting flower, powerless, catatonic and as submissive as Trilby, a piece of clay to be molded in any form Vance desires.

Continue reading “The Mary Astor Blogathon: The Man With Two Faces (1934) A Caligarian Black Comedy with Astor as a Trilby like Sylph and the tell-tale Mustache in a Gideon’s Bible”