Film Noir ♥ Transgression Into the Cultural Cinematic Gutter: From Shadowland to Psychotronic Playground

“Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.”
Sigmund Freud

“Ladies and gentlemen- welcome to violence; the word and the act. While violence cloaks itself in a plethora of disguises, its favorite mantle still remains sex.” — Narrator from Faster, Pussycat! Kill! Kill! (1965)

Faster Pussycat
Tura Satana, Haji, and Lori Williams in Russ Meyer’s Faster, Pussycat! Kill! Kill! 1965
Cul-de-Sac
Françoise Dorléac and Donald Pleasence in Roman Polanski’s Cul-de-sac 1966
the Naked kiss
Constance Towers kicks the crap out of her pimp for shaving off her hair in Sam Fuller’s provocative The Naked Kiss 1964
Shock Corridor
Peter Breck plays a journalist hungry for a story and gets more than a jolt of reality when he goes undercover in a Mental Institution in Sam Fuller’s Shock Corridor 1963
CapturFiles_3 copy
Bobby Darin is a psychotic racist in Hubert Cornfield and Stanley Kramer’s explosive Pressure Point 1962 starring Sidney Poitier and Peter Falk.

THE DARK PAGES NEWSLETTER  a condensed article was featured in The Dark Pages: You can click on the link for all back issues or to sign up for upcoming issues to this wonderful newsletter for all your noir needs!

Constance Towers as Kelly from The Naked Kiss (1964): “I saw a broken down piece of machinery. Nothing but the buck, the bed and the bottle for the rest of my life. That’s what I saw.”

Griff (Anthony Eisley) The Naked Kiss (1964): “Your body is your only passport!”

Catherine Deneuve as Carole Ledoux in Repulsion (1965): “I must get this crack mended.”

Monty Clift Dr. Cukrowicz Suddenly, Last Summer (1959) : “Nature is not made in the image of man’s compassion.”

Patricia Morán as Rita Ugalde: The Exterminating Angel 1962:“I believe the common people, the lower class people, are less sensitive to pain. Haven’t you ever seen a wounded bull? Not a trace of pain.”

Ann Baxter as Teresina Vidaverri Walk on the Wild Side 1962“When People are Kind to each other why do they have to find a dirty word for it.”

The Naked Venus 1959“I repeat she is a gold digger! Europe’s full of them, they’re tramps… they’ll do anything to get a man. They even pose in the NUDE!!!!”

Darren McGavin as Louie–The Man With the Golden Arm (1955): “The monkey is never dead, Dealer. The monkey never dies. When you kick him off, he just hides in a corner, waiting his turn.”

Baby Boy Franky Buono-Blast of Silence (1961) “The targets names is Troiano, you know the type, second string syndicate boss with too much ambition and a mustache to hide the facts he’s got lips like a woman… the kind of face you hate!”

Lorna (1964)- “Thy form is fair to look upon, but thy heart is filled with carcasses and dead man’s bones”

Peter Fonda as Stephen Evshevsky in Lilith (1964): “How wonderful I feel when I’m happy. Do you think that insanity could be so simple a thing as unhappiness?”

Glen or Glenda (1953)“Give this man satin undies, a dress, a sweater and a skirt, or even a lounging outfit and he’s the happiest individual in the world.”

Glen or Glenda
Ed Wood’s Glen or Glenda 1953

Johnny Cash as Johnny Cabot in Five Minutes to Live (1961):“I like a messy bed.”

Dr. Moreau (Charles Laughton) Island of Lost Souls: “Do you know what it means to feel like God?”

The Curious Dr. Humpp (1969): “Sex dominates the world! And now, I dominate sex!”

The Snake Pit (1948): Jacqueline deWit as Celia Sommerville “And we’re so crowded already. I just don’t know where it’s all gonna end!” Olivia de Havilland as Virginia Stuart Cunningham “I’ll tell you where it’s gonna end, Miss Somerville… When there are more sick ones than well ones, the sick ones will lock the well ones up.”

Delphine Seyrig as Countess Bathory in Daughters of Darkness (1971)“Aren’t those crimes horrifying. And yet -so fascinating!”

Julien Gulomar as Bishop Daisy to the Barber (Michel Serrault) King of Hearts (1966)“I was so young. I already knew that to love the world you have to get away from it.”

The Killing of Sister George (1968) -Suzanna York as Alice ‘CHILDIE’: “Not all women are raving bloody lesbians, you know” Beryl Reid as George: “That is a misfortune I am perfectly well aware of!”

The Killing of Sister George
Susannah York (right) with Beryl Reid in The Killing of Sister George Susannah York and Beryl Reid in Robert Aldrich’s The Killing of Sister George 1960

The Lickerish Quartet (1970)“You can’t get blood out of an illusion.”

THE SWEET SOUND OF DEATH (1965)Dominique-“I’m attracted” Pablo-” To Bullfights?” Dominique-” No, I meant to death. I’ve always thought it… The state of perfection for all men.”

Peter O’Toole as Sir Charles Ferguson Brotherly Love (1970): “Remember the nice things. Reared in exile by a card-cheating, scandal ruined daddy. A mummy who gave us gin for milk. Ours was such a beautifully disgusting childhood.”

Maximillian Schell as Stanislaus Pilgrin in Return From The Ashes 1965: “If there is no God, no devil, no heaven, no hell, and no immortality, then anything is permissible.”

Euripides 425 B.C.“Whom God wishes to destroy… he first makes mad.”

Davis & Crawford What Ever Happened to Baby Jane?
Bette Davis and Joan Crawford bring to life two of the most outrageously memorable characters in Robert Aldrich’s What Ever Happened to Baby Jane? 1962

WHAT DOES PSYCHOTRONIC MEAN?

psychotronic |ˌsīkəˈtränik| adjective denoting or relating to a genre of movies, typically with a science fiction, horror, or fantasy theme, that were made on a low budget or poorly received by critics. [1980s: coined in this sense by Michael Weldon, who edited a weekly New York guide to the best and worst films on local television.] Source: Wikipedia

In the scope of these transitioning often radical films, where once, men and women aspired for the moon and the stars and the whole ball of wax. in the newer scheme of things they aspired for you know… “kicks” yes that word comes up in every film from the 50s and 60s… I’d like to have a buck for every time a character opines that collective craving… from juvenile delinquent to smarmy jet setter!

FILM NOIR HAD AN INEVITABLE TRAJECTORY…

THE ECCENTRIC & OFTEN GUTSY STYLE OF FILM NOIR HAD NO WHERE ELSE TO GO… BUT TO REACH FOR EVEN MORE OFF-BEAT, DEVIANT– ENDLESSLY RISKY & TABOO ORIENTED SET OF NARRATIVES FOUND IN THE SUBVERSIVE AND EXPLOITATIVE CULT FILMS OF THE MID TO LATE 50s through the 60s and into the early 70s!

I just got myself this collection of goodies from Something Weird!

weird-noir
There’s even this dvd that points to the connection between the two genres – Here it’s labeled WEIRD. I like transgressive… They all sort of have a whiff of noir.
Grayson Hall Satan in High Heels
Grayson Hall -Satan in High Heels 1962
mimi3
Gerd Oswald adapts Fredrick Brown’s titillating novel — bringing to the screen the gorgeous Anita Ekberg, Phillip Carey and Gypsy Rose Lee and Harry Townes in the sensational, obscure and psycho-sexual thriller Screaming Mimi 1958
The Strangler 1964 Victor Buono
Victor Buono is a deranged mama’s boy in Burt Topper’s fabulous The Strangler 1964
Repulsion
Catherine Deneuve is extraordinary as the unhinged nymph in Roman Polanski’s psycho-sexual tale of growing madness in Repulsion 1965

Just like Alice falling down the rabbit hole, Noir took a journey through an even darker lens… Out of the shadows of 40s Noir cinema, European New Wave, fringe directors, and Hollywood auteurs, brought more violent, sexual, transgressive, and socially transformative narratives into the cold light of day with a creeping sense of verité. While Film Noir pushed the boundaries of taboo subject matter and familiar Hollywood archetypes it wasn’t until later that we are able to visualize the advancement of transgressive topics.

Continue reading “Film Noir ♥ Transgression Into the Cultural Cinematic Gutter: From Shadowland to Psychotronic Playground”

Re-Ocurring Iconography-The Cinematic Mirror

A Streetcar Named Desire
Vivien Leigh as Blanch Dubois in Tennessee William’s A Streetcar Named Desire 1951
IsobelaCorona is Sara the witch-the witches mirror
Isobela Corona is Sara the witch-The Witches Mirror 1962
Repulsion- Catherine
Catherine Deneuve as the demented Carol in Roman Polanski’s Repulsion 1965
Bette Davis in Deception
Bette Davis as Christine Radcliffe in Irving Rapper’s Deception 1946
Robert Cummings in The Chase
Robert Cummings is Chuck Scott in Arthur Ripley’s The Chase 1946
citizen-kane-1941-orson-welles-
Citizen Kane-1941-Orson Welles
Corridor of Mirrors 2
Terence Young’s Corridor of Mirrors 1948 Edana Romney as Mifanwy Conway
Dead Ringer
Paul Henreid’s Dead Ringer 1964 starring Bette Davis & Bette Davis as twin sisters Margaret DeLorca / Edith Phillips
Decoy
Jack Bernhard’s film noir classic Decoy 1946 Herbert Rudley as Dr. Craig
fritz lang's M
Fritz Lang’s M (1931) starring Peter Lorre
Ida On Dangerous Ground
Ida Lupino is blind Mary Malden in Nicholas Ray’s On Dangerous Ground 1951
Jane Wyman Stage Fright
Jane Wyman is Eve Gill in Alfred Hitchcock’s thriller Stage Fright 1950
Jean Simmons and Dan O'Herlihey Home After Dark
Jean Simmons is Charlotte Bronn and Dan O’Herlihy as Arnold Bronn in Mervyn LeRoy’s psychological melodrama Home Before Dark 1958
jean-marais-Orpeus '50
Jean Cocteau’s Orpheus (Orphée)1950 starring Jean Marais
Kiss Before The Mirror '33 James Whale
The Kiss Before the Mirror 1933 directed by James Whale Gloria Stuart and Paul Lukas
Lady in the Lake
Robert Montgomery is Phillip Marlowe in Lady in the Lake 1947
Marilyn Don't Bother to Knock-mirror
Marilyn Monroe is the disturbed babysitter Nell Forbes in Roy Ward Baker’s Don’t Bother to Knock 1952
Psycho-Janet Leigh Marion Crane
Janet Leigh plays the ill fated Marion Crane in Hitchcock’s classic horror Psycho 1960
Renoir's The Rules of the Game 39
Jean Renoir’s The Rules of the Game 1939
She Wolf of London
June Lockhart is Phyllis Allenby in Jean Yarbrough’s She-Wolf of London 1946
sin in the suburbs
Joe Sarno’s Sin in the Suburbs 1946
Somewhere in the night Hodiak
Joseph L. Mankiewicz’s Somewhere in the Night 1946 starring John Hodiak as George Taylor and Nancy Guild (rhymes with Wild) as Christy Smith
Sunset Blvd
Gloria Swanson is the sensational Norma Desmond and William Holden is Joe Gillis in Billy Wilder’s Sunset Blvd. 1950
The Big Steal
Robert Mitchum is Lt. Duke Halliday and William Bendix as Capt. Vincent Blake in Don Siegel’s The Big Steal 1949
The Dark Mirror
Olivia de Havilland & Olivia de Havilland star as Terry and Ruth Collins in Robert Siodmak’s The Dark Mirror 1946
The Lady from Shanghai
Rita Hayworth is Elsa Bannister in Orson Welles’ The Lady from Shanghai 1947
The Queen of Spades mirror

Yvonne Mitchell is Lizaveta Ivanova in Thorold Dickinson’s The Queen of Spades 1949
Thomas Mitchell in The Dark Mirror
Thomas Mitchell is Lt Stevenson in Robert Siodmak’s The Dark Mirror 1946
what ever happened to baby jane
Bette Davis is the outrageous Baby Jane Hudson in Robert Aldrich’s What Ever Happened to Baby Jane? 1962

Here’s looking back at ya!-Your ever lovin’ monstergirl

Postcards From Shadowland’s Big Fat No.10

Alexandra Schmidt in Mother Kraus' jounrey to happiness mutter-krausens-fahrt-ins-gluck-schmidt
Alexandra Schmidt in ‘Mother Krause’s Journey to Happiness’ (1929)
all-about-eve-anne-baxter-bette-davis-marilyn-monroe-richard carlson-george sanders-celeste holm
Director Joseph L. Mankiewicz’s brilliant satire- All About Eve (1950) starring the inimitable Bette Davis as Margo Channing and Ann Baxter as the cunning Eve Harrington.
All's Quet on the Western Front
Director Lewis Milestone’s All’s Quiet on the Western Front-(1930) starring Lew Ayres
anatomy of murder scene
Otto Preminger’s riveting court room noir Anatomy of a Murder (1959)
battleship-potemkin-odessa-steps-sergei-eisenstein
Battleship Potemkin (1925) Sergei Eisenstein’s masterpiece about the great Russian naval mutiny.
Brute Force
Jule’s Dassin’s brutal noir masterpiece Brute Force (1947)
Cat-on-a-Hot-Tin-Roof-elizabeth-taylor-scene
Richard Brooks adaptation of Tennessee William’s Cat on a Hot Tin Roof (1958)
DameJudith:MrsDanvers
Alfred Hitchcock’s adaptation of Daphne Du Maurier’s Rebecca 1940
janet-leigh-touch-of-evil-charlton-heston
Orson Welles’ film classic Touch of Evil (1958)
notre-dame-hunchbackLaughton
William Dieterle’s adaptation of Victor Hugo’s The Hunchback of Notre Dame 1939
kiss of death
Henry Hathaway’s disturbing noir classic Kiss of Death 1947
Laura
Otto Preminger’s quintessential noir Laura (1944)
Lee Remick in Experiment in Terror 1960
Blake Edwards Experiment in Terror 1960
Earth Vs The Spider
Bert I. Gordon’s Earth Vs The Spider 1958
Dracula's Daughter
Lambert Hillyer’s understated yet powerfully erotic horror classic Dracula’s Daughter 1936
Linda darnell no way out
Joseph L. Mankiewicz’s taut and thought provoking social noir No Way Out 1950
little-caesar-edward-g-robinson
Mervyn LeRoy’s gangster odyssey Little Caesar 1931
Day the earth stood still robert wise
Robert Wise’s Science Fiction masterpiece The Day the Earth Stood Still (1951)
long dark hall
Reginald Beck and Anthony Bushell’s suspenseful The Long Dark Hall 1951
loretta-young-lon-chaney-laugh-clown-laugh
Herbert Brenon’s beautiful Laugh, Clown, Laugh 1928
m-peter-lorre-
Fritz Lang’s notorious psychological thriller M (1931)
Monday Nights with Oscar
Otto Preminger’s noir masterpiece about addiction The Man with the Golden Arm 1955
allison hayes Attack of the 50 foot woman
Nathan Juran’s iconic 50s campy sci-fi romp Attack of the 50 Foot Woman (1958)
marsha-hunt-actress-raw-deal-john-ireland
Anthony Mann’s noir classic Raw Deal (1948)
Mother Joan of the Angels
Jerzy Kawalerowicz’s surreal and transcendent Mother Joan of the Angels 1961
Nancy Kelly in The Bad Seed
Mervyn LeRoy’s naughty tale about a child psychopath. The Bad Seed (1956)
naked kiss2
Samuel Fuller’s irreverent noir gem The Naked Kiss (1964)
odd+man+out+1947
Carol Reed’s intense noir thriller Odd Man Out (1947)
Norma Desmond
Billy Wilder’s iconic film noir masterwork of grand proportions Sunset Blvd (1950)
orphee-jean-marais
Jean Cocteau’s stunning Orpheus (1950) Orphée
outofthepas
Jacques Tourneur’s hauntingly mesmerizing noir Out of the Past (1947)
Peggy Cummings Gun Crazy
Joseph E. Lewis Gun Crazy or Deadly is the Female (1950)
penny_serenade
George Steven’s sadness and joyful Penny Serenade (1941)
frankenstein
James Whale’s campy take on Mary Shelley’s Frankenstein 1931
the+black+cat
Edgar G. Ulmer’s sadistic and transgressive journey into horror The Black Cat 1934
vampyr
Carl Theodor Dreyer’s masterful vision of quiet uncanny horror Vampyr (1932)
prowler-tale
Joseph Losey’s titillating noir The Prowler ((1951)
photo-Les-Diaboliques-1954-3
Henri-Georges Clouzot’s brilliantly chilling Les-Diaboliques-1955
Seance
Bryan Forbes’ compelling suspense thriller Seance on a Wet Afternoon (1964)
Seven Chances
Buster Keaton’s fantastic Seven Chances (1925)
SCARFACE (1932)
Howard Hawks and Richard Rosson’s SCARFACE (1932)
sparrows-mary-pickford
William Beaudine’s haunting Sparrows (1926)
Bride of Frankestein
James Whales even campier and finest work The Bride of Frankenstein 1935
streetcar-named-desire-leigh-brando
Elia Kazan’s volatile theme of desolation and passion based on Tennessee William’s play A Streetcar Named Desire 1951
SUNSET BOULEVARD
some more divine SUNSET BOULEVARD 1950
the nymph ward shock corridor
Samuel Fuller’s edgy Shock Corridor (1963)
old-dark-house-karloff-stuart
Jame’s Whale’s The Old Dark House 1932
They-Live-By-Night
Nicholas Ray’s incredibly beautiful film noir journey They Live By Night (1948)
Theo and Eleanor
Robert Wise’s uncompromising ghost story adapted from Shirley Jackson’s novel The Haunting (1963)
white-heat-james-cagney-600x450
Raoul Walsh’s iconic crime thriller White Heat (1949)

Postcards From Shadowland No.4

BAD BLONDE (1953) directed by Reginald Le Borg starring Barbara Payton, Frederick Valk and John Slater.
Directed by Julien DuviveirFLESH AND FANTASY(1943) starring Betty Field, Edward G.Robinson, Barbara Stanwyck, Charles Boyer, Robert Cummings, Anna Lee, Dame May Whitty and C.Aubrey Smith
Cast A Dark Shadow (1955) directed by Lewis Gilbert and starring Dirk Bogarde, Margaret Lockwood and Kay Walsh
The Hitch-Hiker (1953) Directed by Ida Lupino and starring Edmond O’Brien, Frank Lovejoy and William Talman
Night of The Eagle aka Burn Witch Burn (1962) directed by Sidney Hayers, written for the screen by Charles Beaumont, and starring Peter Wyngarde , Janet Blair and Margaret Johnston.
Panic In The Streets (1950) directed by Elia Kazan and starring Jack Palance, Richard Widmark, Paul Douglas and Barbara Bel Geddes
M (1931) Directed by Fritz Lang and starring Peter Lorre
The Queen of Spades (1949) Directed by Thorold Dickinson and starring starring Anton Walbrook, Edith Evans and Yvonne Mitchell
ROPE OF SAND (1949) Directed by William Dieterle and starring Burt Lancaster, Paul Henried, Claude Rains, Peter Lorre and Corinne Calvet.
Edge of Doom (1950) directed Mark Robson and starring Farley Granger, Dana Andrews and Joan Evans.
Joe Sarno’s Sin In The Suburbs (1964)
Stranger on The 3rd Floor (1940) Directed by Boris Ingster and starring Peter Lorre, John McGuire and Margaret Tallichet.
Strangers on a Train (1951) Directed by Alfred Hitchcock and starring Farley Granger, Robert Walker and Ruth Roman.
The 39 Steps (1935) Directed by Alfred Hitchcock and starring Robert Donat, Madeleine Carroll, Lucie Mannheim and Peggy Ashcroft.
The Dark Corner (1946) directed by Henry Hathaway and starring Lucille Ball, Mark Stevens, Clifton Webb and William Bendix.
Director Robert Siodmak’s masterpiece of film noir adapted from Ernest Hemingway, 1946 The Killers. Starring Burt Lancaster, Ava Gardner, Edmond O’Brien and Albert Dekker.
Director Robert Aldrich’s Kiss Me Deadly (1955) Starring Ralph Meeker as Mike Hammer. Featuring a young Cloris Leachman…
A Streetcar Named Desire (1951) Director Elia Kazan’s exploration into Tennessee Williams’ iconic characters. Starring Vivien Leigh as Blanche Duboise, Marlon Brando as Stanley Kowalski, Kim Hunter as Stella…and Karl Malden as Mitch.
The World, The Flesh and The Devil (1959) Directed by Ranald MacDougall, starring Harry Belafonte, Inger Stevens and Mel Ferrer.