A tribute to Diana Sands “Please look at me!…”

“I refuse to be stereotyped. Look at me. Never mind my color. Please look at me!”

WHY ISN’T THERE A BIOPIC OF DIANA SANDS’ LIFE?

I can’t help being drawn to Diana Sands’ startling equilibrium, her fire. Her complex and multi-layered performances. I see her as a Black Woman. I see her as a woman. I see her as ubiquitous. Diana Sands refused to be typecast in roles that were confining and dishonest. I can imagine that she forged an inroad that would later influence incredible dramatic Black actresses like Alfre Woodard or Angela Bassett, women who exude that similar fire and vibrancy from the depths of their souls.

I think of Diana Sands and I think of an inner strength that burns it’s way to the surface until it’s so bright you feel it pierce your skin. There is an essence of a powerfully self-possessed woman who broke ground with her captivating performances in the early 1960s to the mid 1970s. I don’t like the phrase “color blind” it evokes an irresponsibility to see inequality. But that is not what Diana Sands is saying in her quote. That’s not what she is asking of us.

So I am using her own words but want to be clear about how I feel in this post honoring one of the great actresses of all time during Black History Month. We need to recognize each other. It’s essential not to try and erase any aspect of who we are and we need to be conscious of those differences in a positive way, while we embrace what we all have in common and can relate to universally.

Diana Sands had to fend off the offensive scrutiny, the “mysogynoir‘ of being referred to by some 70s critics -one whose name I refuse to even give a moment’s attention here except to pluck out two terms from the ignorant context of his entire, offensive review. Who referred to her role as “cute” in terms of her being a Black woman trying to find herself and “afrocentric” in her performance as Beneatha Younger (A Raisin in the Sun). What she was, was a dynamic, courageous  woman who aspired to become a doctor. That isn’t cute. That is the story of real passion and possibility and a god-given right.

Diana Sands as Beneatha Younger, seen here with Claudia McNeil, Ruby Dee, Sidney Poitier and Ivan Dixon.

As a white woman writing this post I want to just say one more thing. We need to see our own privilege and not be afraid to acknowledge that racism exists. I hope I am a good ally and when I pay tribute to a person of color, that I remain mindful to honor them fully and respectfully. I do see Diana Sands color. I see it as a strength and a dignity in all her pioneering roles. I see her emerge from a sea of white faces. She will not be marginalized, stereotyped and shut out of the conversation.

I began to follow Diana Sands’ career years ago, compelled by her dramatic, electrifying presence in film and in television. Growing up in New York, I wish my theatre mother would have taken me to see her on stage. She is remembered for her striking performance as Beneatha Younger in Lorraine Hansberrys play A Raisin in the Sun about the struggles of a poor black family from the side south of Chicago who have to decide about the direction their lives will take- “What Happens to a Dream Deferred?”

What happens to a dream deferred? by Langston Hughes
      Does it dry up
      like a raisin in the sun?
      Or fester like a sore—
      And then run?
      Does it stink like rotten meat?
      Or crust and sugar over—
      like a syrupy sweet?
      Maybe it just sags
      like a heavy load.
      Or does it explode?

The title A Raisin in the Sun was inspired by Langston Hughes’ powerful poem. The inspirational masterpiece that is A Raisin in the Sun is made all the more remarkable by the performances of the ensemble cast and standing out for me, though Poitier always grabs me by the guts and strums my heart strings, is his progressive sister Beneatha brought to life by Diana Sands with instinctual contemplation that was her acting style.

She was marvelous as sassy Fanny Johnson, married to a Black activist Copee (Louis Gossett Jr.) in Hal Ashby’s (Harold and Maude 1971, The Last Detail 1973, Being There 1979) The Landlord 1970. The story of Elgar Enders a young wealthy white New Yorker (Beau Bridges) who buys a tenement building in a low-income neighborhood afflicted by white-flight and going through gentrification. Elgar Intends to evict the black residents so he can turn it into a luxury apartment building and live there all by himself. The cast is rich with superb performances by Pearl Baily, Mel Stewart, Lee Grant, Louis Gossett Jr, and Marki Bey as Lanie.  In Ashby’s thought provoking method, it’s an interesting meditation on race during the close of the 1960s.

Diana appeared in groundbreaking television dramas, such as the innovative socially conscious series East Side/West Side 1963-1964 that dealt realistically with social problems. The gritty series starred Cicely Tyson, George C. Scott, and Elizabeth Wilson as social workers in 1960s New York City. Sands appeared on several episodes of the 1960s series The Doctors and the Nurses which I am desperately waiting for it to somehow be released on disc. The groundbreaking series surrounded the lives of nurses who in their daily lives confront socially relevant issues. Diana Sands even graced one of my favorite television series The Outer Limits in 1964 as Dr. Julie Harrison in the episode “The Mice”. She also played Dr. Marylou Neeley who went head to head with Chad Everett (who always wore clogs and his scrubs 2 sized too small, but who would mind!) in Medical Center’s episode “The Nowhere Child”. She appeared as Nurse Helen Straughn having an affair with Richard Crenna in George Schaefer’s pulpy Doctors’ Wives 1971, and as Cora in Willie Dynamite 1974 the title played by Roscoe Orman, a nasty piece of work who has a license plate that says Willie on the front and Dynamite on the back! Cora played a prostitute turned social worker who helps other prostitutes get out of jail and find a better life, while also trying to battle the badass pimp Willie who is smacking women around.

I am trying to track down a copy of An Affair of the Skin 1963 co-starring Viveca Lindfors and Lee Grant, LOVE them both, and Georgia, Georgia 1972 written by Maya Angelou. If anyone has a lead on where I can purchase either film please drop me a note here at The Last Drive In.

Diana Sands Broke Barriers In Theater and On The Big Screen

Stacia L. Brown’s thoughtful tribute published on August 23, 2012 on Diana Sands birthday in her piece Diana Sands: What Was and What Could’ve Been

“If you’re familiar with Sands’ work at all, it’s probably owing to her memorable portrayal of Beneatha, the Younger family’s willful, progressive aspiring doctor, in the 1961 film adaptation of Lorraine Hansberry’’s A Raisin in the Sun. But by then, she had already established herself as a living walking testament to the power of risk-taking. Sands grew up in the Bronx with working class parents, her father a carpenter, her mother hatmaker. After high school graduation, she toured with a carnival before returning to New York and joining Greenwich Mews, a multicultural theatre repertory. She worked night jobs to survive, before scoring her first theatre roles (one of the earliest was the stage production of A Raisin in the Sun). By 1964, her star was rapidly rising. She won an Obie for the play, Living Premise, and a Tony nomination for her role in James Baldwin’s Blues for Mr. Charlie.

This was also the year that Sands became a pioneer in colorblind casting as one of the first ever actresses to earn a role intended for a white actress, without any line rewriting to explain or accommodate her race. She played opposite Alan Alda as his love interest as a would-be actress to his would-be writer. When the film was adapted for screen, Barbra Streisand was cast in her role, but by that time, she’d already garnered a great deal of positive press and audience notice. Television came a-courtin’ and she eventually earned two Emmy nominations. Sands acted through the sixties in various theatre and TV roles. In 1970, she scored her first costarring film role in Hal Ashby’s The Landlord. But the early ’70s would mark the end of a steady and promising rise toward superstardom.”

Diana Sands was born in New York City, the Bronx to be exact, on August 22, 1934. She was a student at the New York City High School for the Performing Arts and a member of the Actor’s Studio. Nominated twice for a Tony Award and twice for an Emmy. She took risks and challenged racial barriers taking on roles that traditionally would have been performed by white actresses. She also fought against a system that marginalized black actors and their roles, becoming a driving force that saw an integration of the cast members.

In 1953 Diana made her debut in the off-Broadway play “An Evening with Will Shakespeare” She went on to appear in George Bernard Shaw’s “Major Barbara” in 1954, also performing in the theatrical production of “The World of Sholem Aleichem.”

Her striking work is notable as she is the first Black actress to be cast in a major Broadway play. Cast in “Land Beyond the River” in 1957 and then appearing in “The Egg and I” in 1958.

It was in 1959 that Diana Sands made her memorable debut as the astonishingly nuanced Beneatha Younger in Raisin in the Sun, in which she won the Outer Circle Critics’ Award, eventually manifesting that magnetic performance in director Daniel Petrie’s (Resurrection 1980) film adaptation co-starring Sidney Poitier, Ruby Dee, Claudia McNeil and Ivan Dixon.

And I want to give a shout out to the incredible contribution by fine actress Claudia McNeil (Bernice Sadie Brown in Member of the Wedding 1958 for The Dupont Show of the Month, Mrs. Quincy in The Last Angry man 1959, Mrs. Hill in television series The Doctors and The Nurses 1963, Madam in There Was a Crooked Man 1970, Odessa Carter in Incident in San Francisco 1971 tv movie, Granny Marshall in Tv’s Mod Squad 1972, Sara in Moon of the Wolf 1972 tv movie, Mu’ Dear in Black Girl 1972, To Be Young, Gifted and Black 1972 tv movie, Ethel Hanson in Cry Panic 1974 tv movie, Big Ma in Roll of Thunder Hear My Cry 1978, Sister Will Ada Barnett in Roots: The Next Generation 1979) as the matriarch, Lena Younger in A Raisin in the Sun. An extraordinary actress herself who deserves the spotlight too. Partly what worked for Hansberry’s story is the chemistry and confluence of the entire cast.

Diana Sands returned to the stage in 1962 appearing in “Tiger Tiger Burning Bright.”

In 1964 she took on two outstanding roles onstage as Juanita in James Baldwin’s “Blues for Mr. Charlie” she was nominated for a Tony Award for Best Featured Actress in a play. She co-starred with Alan Alda as Doris W. in the The Owl and the Pussycat, originally offered to Kim Stanley another actress I find mesmerizing to watch, when Stanley was unavailable, with the script intentionally not re-written for a Black woman went to Diana Sands and once again she nominated for a Tony Award for Best Actress in a Leading Role.

In 1968, she was back on stage at the Vivien Beaumont Theater as the first Black woman to play Saint Joan of Arc in George Bernard Shaw’s play “St. Joan.”

In the beginning of the 1970s Diana Sands among other notable Black actors such as Ossie Davis and Brock Peters, who wanted to feature more positive roles for African-Americans in films, and so they founded Third World Cinema. One of their first productions was the film Georgia, Georgia written by Maya Angelou. Diana Sands plays Georgia Martin a Black woman artist struggling to find herself.

From a New York Times article printed in Feb 1971, A.H. Weiler writes that Third World Cinema Corporation founder and President actor/director Ossie Davis planned on filming The Billie Holiday Story which would have starred Diana Sands. How incredible would that have been.

In hopes of creating an independent film corporation, Sands and her colleagues hoped to ensure that there would be better opportunities for positive portrayals of African-American and People of Color, that would ensure films that presented Black actors with outstanding roles that were versatile and representational rather than stereotypes and limiting. “A group of black and Puerto Rican actors, writers and directors, backed by union leaders and public officials, have joined to form the minority‐controlled Third World Cinema Corporation, an independent company that plans to produce feature films and train minority group members in the film and television fields.”

Above image from the movie, Georgia, Georgia 1972.

In 1974 Diana Sands was ready to take on the role of Claudine, tragically suffering at this point with pancreatic cancer she was too ill by this time, and the part went to friend Diahann Carroll.

Theatre Roles:

As Beaneatha Younger in 1959 A Raisin in the Sun, as Adelaide Smith in Tiger, Tiger Burning Bright 1962 (Theatre World Award), The Living Premise 1963 (Obie Award Distinguished Performance), Doris W. The Owl and the Pussycat 1964, Juanita in Blues for Mr. Charlie 1964, The Premise 1965, as Ruth in We Bombed in New Haven 1968, as Cassandra in Tiger at the Gates 1968, as Joan in Saint Joan 1968, The Gingham Dog 1969.

Television Roles:

As Dr. Julie Harrison in The Outer Limits “The Mice” 1964, in East Side/West Side 1963-1964 as Jane Foster “It’s War, Man and Ruth Goodwin in “Who Do You Kill?” As Sara Harris in Breaking Point 1964. As nurse Ollie Sutton three episodes of The Doctors and The Nurses 1962-1964 and Andrea Jagger in the episode “Night Shift”. In four episodes as Irene Rush along side James Earl Jones (whose wife she played in East Side/West Side episode Who Do You Kill?) In Dr. Kildare 1964, as Dr. Rachel Albert in I Spy 1966 “Turkish Delight”, as Davala Unawa in The Fugitive 1967 “Dossier on a Diplomat” as as Mrs. May Bishop in Bracken’s World 1970 “Will Freddie’s Real Father Please Stand Up” as Cousin Sara in 5 episodes of Julia 1970-1971, as Dr. Marylou Neeley in Medical Center 1971 “The Nowhere Child.”

As Nurse Ollie Sutton from the episode “Imperfect Prodigy” – The Doctors and The Nurses 1964 television series

As Ruth Goodwin in the episode “Who Do You Kill?” from the television series East Side/West Side 1963

As Davala Unawa in The Fugitive 1967 “Dossier on a Diplomat

As Dr. Julie Harrison in The Outer Limits episode “The Mice” 1964

As Dr. Marylou Neeley in Medical Center 1971 “The Nowhere Child.”

As Fanny in Hal Ashby’s The Landlord 1970

As Helen in Doctors’ Wives 1971

As Cora Williams in Willie Dynamite 1974

Film Roles:

Appearing in two extraordinary films, Diana Sands still stood out…

Uncredited as a homeless woman in Elia Kazan’s A Face in the Crowd 1957, uncredited as a club hostess in Odds Against Tomorrow 1959, as Beneatha Younger in A Raisin in the Sun 1961, as Janice in An Affair of the Skin 1963, as Mila in Ensign Pulver 1964, as Fanny in The Landlord 1970, Helen Straughn in Doctors’ Wives 1971, as Georgia Martin in Georgia, Georgia 1972, as Nancy Newman in The Living End (tv movie) 1972, as Cora Williams who co-stars with Thalmus Rasulala (Dr. Gordon Thomas in Blacula 1972) in Willie Dynamite 1974 and as Laura Lewis in Honeybaby, Honeybaby 1974.

Thank you Diana Sands… You touch me with your powerful presence and I am deeply saddened that you left us at age 39, so young, too soon, and I wonder what might have been.

Your EverLovin’ Joey

 

 

Classic TV Blog Association: Announces the 25 Greatest Classic TV Series

CLASSIC TV BLOG ASSOCIATION

After careful deliberation & shared concentration on some of the most groundbreaking and beloved classic television series, the final list is here! Visit Classic TV Blog Associations Blog (Link Above) to read how the list evolved…

I am proud to have been part of this project. Many of the shows included on the final list were series I suggested and while series such as Naked City, Boris Karloff’s Thriller, Alfred Hitchcock Hour, Dark Shadows, Dr. Kildare, Kolchak: The Night Stalker and Leave It To Beaver didn’t make the ultimate tally, I am content that many many fans will agree it is an all inclusive collection of shows that contributed to our collective consciousness, influenced generations of series to follow and left indelible impressions in our hearts and minds.

  1. The Twilight Zone

  2. I Love Lucy

  3. The Mary Tyler Moore Show

  4. Columbo

  5. All in the Family

  6. Dragnet

  7. Monty Python’s Flying Circus

  8. Star Trek

  9. The Prisoner

  10. M*A*S*H

  11. The Dick Van Dyke Show

  12. The Fugitive

  13. Dallas

  14. Doctor Who

  15. The Andy Griffith Show

  16. The Defenders

  17. The Golden Girls

  18. Perry Mason

  19. SCTV

  20. The Honeymooners

  21. Alfred Hitchcock Presents

  22. Hill Street Blues

  23. The Odd Couple

  24. The Outer Limits

  25. The Avengers

Your EverLovin’ Joey saying see ya soon and keep showing your love for those classic series that will forever remain –the finest television viewing experience for all time…

The Archie Bunker Malapropism Dictionary of Mangled English! Season Two

No one but no one mangles the English language quite like Archie Bunker of 74 Hauser St. Flushing Queens!

Continue reading “The Archie Bunker Malapropism Dictionary of Mangled English! Season Two”

What a Character! 2018 – Sassy Sisterhood: Eileen Heckart & Louise Latham

It’s that marvelous time again, when one of the most enjoyable Blogathons has come around, it’s the 7th Annual What A Character Blogathon. And the reason I adore it so much –it’s purpose is essential in paying tribute to the memorable character actors who have often added the sparkle to the cinematic sky of movie stars– they touch our lives so profoundly because of their unique contribution as the characters they bring to life!

I want to thank Aurora of Once Upon a Screen, Paula Guthat of Paula’s Cinema Club, and Kellee Pratt of Outspoken & Freckled. for giving me the opportunity to once again show my sincerest love for the actors & actresses who are so discernible within the art of film, television and theatre. It is their unforgettable performances that make it a much richer, a more compelling experience — as they are as much the stars who inhabit the dream of art because of their singular personalities.

I’ve been participating now for 7 years, and it’s always a great expedition to delve deeper into the career’s of the people who I’ve found the most enigmatic, extraordinary and uniquely engaging. This year I’ve been excited to pay special attention to two remarkable women, Eileen Heckart and Louise Latham.

For years I have always thought of these two women together, as one of those odd associations–yet unexplicable– that makes you put certain faces or impressions together in your head. Another example of two actors that often seem to merge in that vast noggin of mine — I’m always thinking of E.G.Marshall and Eli Wallach together. Heck, maybe, next year I’ll do the same double feature for them. As I adore them both!

It struck me that I should pair Eileen and Louise as a kind of sisterhood, for both of their uniquely extraordinary styles stand out and somehow stand together for me. And an interesting confluence happened as I went on my more intensive journey of discovering of these two fine actresses. I found out that Eileen Heckart and Louise Latham appeared together in a rare episode of The Doctors and The Nurses an hour long television medical drama that ran from 1962-1965. In a macabre tale reminiscent of a Robert Bloch story — the episode is called Night of the Witch, about a woman (Eileen Heckart) who is tortured by the loss of her 6 year old daughter, and seeks her own brand of retribution from the medical staff she believes is responsible. The hospital receptionist who is cold and unfeeling is portrayed by none other than Louise Latham. The fascination I’ve had to see this performance led me to hunt down a rare copy and now I own it and have put together a sample of it here for you. It’s a rather long clip of the episode in honor of them appearing together. It showcases both their talents. I hope you enjoy the excerpt And I am praying that the television series itself will someday find a full release as it is worthy of being re-visited for it’s groundbreaking content, incredible cast and performances.

 

 

As in past What A Character Blogathons Burgess Meredith, Ruth Gordon, Agnes Moorehead, Martin Balsam, and Jeanette Nolan–each of these actors– had a way of elevating every single project they were involved in, making it just that much more fascinating, delightful, heart wrenching and unquestionably memorable because of their performance–no matter how small their presence, they changed the landscape and impacted the narrative.

It is my absolute honor this year to feature two of the most remarkable women whose legacy still lives on.

Continue reading “What a Character! 2018 – Sassy Sisterhood: Eileen Heckart & Louise Latham”

Postcards from Shadowland no. 17 🌀 The Twilight Zone edition

“Five Characters in Search of an Exit” Season 3 Episode 14-Stars William Windom, Susan Harrison, Murray Matheson, Kelton Garwood aired December 22, 1961 Teleplay by Rod Serling.
“The Sixteen Millimeter Shrine” Season 1 episode 4 aired October 23rd 1959-stars Ida Lupino and Martin Balsam, Jerome Cowan, Ted de Corsia and Alice Frost as Sally. Written by Rod Serling
“Black Leather Jackets” Season 5 Episode 18 aired January 31st 1964-stars Lee Kinsolving, Shelley Fabares, Michael Forest, Denver Pyle, Tom Gilleran, Michael Conrad and Irene Hervey.
“Elegy” Season 1 Episode 20 aired on February 19th, 1960 directed by Douglas Heyes and written by Charles Beaumont. Stars Cecil Kellaway, Jeff Morrow, Don Dubbins and Kevin Hagen
“Eye of the Beholder” Season 2 Episode 6 aired on November 11th, 1960 directed by Douglas Heyes and written by Rod Serling. Stars Maxine Stuart, William D. Gordon, Jennifer Howard, George Keymas, Joanna Heyes, and Donna Douglas -revealed
NOVEMBER 11: Twilight Zone episode ‘Eye of the Beholder’, written by Rod Serling. makeup by William Tuttle. Originally broadcast on November 11, 1960. Season 2, episode 6. (Photo by CBS via Getty Images)
“Nothing in the Darkness” Season 3, Episode 16 aired January 5th, 1962. Stars Gladys Cooper Robert Redford and R.G. Armstrong
“Nightmare at 20,000 Feet” Season 5 Episode 3 aired October 11th, 1963 directed by Richard Donner written by Richard Matheson, Starring William Shatner, and Christine White

“The Howling Man” Season 2 Episode 5 aired November 4, 1960 directed by Douglas Heyes written by Charles Beaumont and Rod Serling. Stars John Carradine, H.M. Wynant, and Robin Hughes

“It’s a Good Life” Season 3 Episode 8 aired aired November 3rd, 1961. teleplay by Rod Serling based on a short story by Jerome Bixby. Stars John Larch, Cloris Leachman, Don Keefer, Bill Mumy as Anthony, Alice Frost as Aunt Amy, Max Showalter, Jeanne Bates, Lenore Kingston and Tom Hatcher.

“A Most Unusual Camera” Season 2 Episode 10 aired December 16, 1960. Starring Jean Carson, Fred Clark and Adam Williams written by Rod Serling
“Little Girl Lost” Season 3 Episode 26 aired March 16, 1962 directed by Paul Stewart and written by Richard Matheson. Stars Sarah Marshall, Robert Sampson and Charles Aidman
“Living Doll’ Season 5 Episode 6 aired November 1, 1963 written by Charles Beaumont and Rod Serling. Stars Telly Savalas, Mary LaRoche and Tracy Stratford

“The Midnight Sun” Season 3 Episode 10 aired November 17, 1961 Written by Rod Serling. Stars Lois Nettleton, and Betty Garde
“Mirror Image” Season 1 Episode 21 directed by John Brahm written by Rod Serling. Stars Vera Miles, Martin Milner, Joseph Hamilton and Naomi Stevens
“Mr. Garrity and the Graves” Season 5 Episode 32. Aired May 8th, 1964 directed by Ted Post, with a teleplay by Rod Serling. Stars John Dehner, Stanley Adams, J. Pat O’Malley, Norman Leavitt, Percy Helton and John Mitchum
“Mr. Denton on Doomsday” Season 1 Episode 3 aired October 16th 1959 written by Rod Serling Stars Dan Duryea, Martin Landau, Jeanne Cooper, Malcolm Atterbury, Ken Lynch, Arthur Batanides, Robert Burton and Doug McClure
“A Stop at Willoughby” Season 1 Episode 30 aired May 6, 1960 directed by Robert Parrish written by Rod Serling. Stars James Daly, Howard Smith and Patricia Donahue, Jason Wingreen, and Mavis Neal Palmer.
“Nick of Time” Season 2 Episode 3 aired November 18, 1960 Written by Richard Matheson and Rod Serling Stars William Shatner and Patricia Breslin
“Night Call’ Season 5 Episode 19 aired February 7, 1964 Directed by Jacques Tourneur written by Richard Matheson and Rod Serling. Stars the great Gladys Cooper, Nora Marlowe and Martine Bartlett.
“Nightmare as a Child” Season 1 Episode 29 aired April 29, 1960 written by Rod Serling. Stars Janice Rule, Sheppard Strudwick and Terry Burnham as Markie
“Twenty Two” Season 2 Episode 17 aired February 10, 1961 Directed by Jack Smight written by Rod Serling from Famous Ghost Stories- Stars Barbara Nichols, Jonathon Harris, and Fredd Wayne
“One for the Angels” Season 1 Episode 2 aired October 9, 1959 Written by Rod Serling. Stars Ed Wynn, Murray Hamilton as death, Dana Dillaway as Maggie
“A Penny for your Thoughts” Season 2 Episode 16 aired February 3, 1961 Written by George Clayton Johnson and Rod Serling. Stars Dick York, June Dayton, Dan Tobin, Cyril Delevanti, and Hayden Rorke
“People are Alike All Over” Season 1 Episode 25 aired March 25, 1960 Stars Roddy McDowall, Susan Oliver and Paul Comi
“Long Live Walter Jameson” Season 1 Episode 24 aired March 18, 1960 Written by Charles Beaumont. Stars Kevin McCarthy, Edgar Stehli, Estelle Winwood and Dodie Heath
“Queen of the Nile” Season 5 Episode 23 aired March 6, 1964 directed by John Brahm written by Charles Beaumont and Rod Serling. Starring Ann Blyth, Lee Phillips, and Celia Lovsky

“Spur of the Moment” Season 5 Episode 21 aired February 21, 1964 directed by Eliot Silverstein written by Richard Matheson. Stars Diana Hyland, Marsha Hunt, Philip Ober and Roger Davis.
“The After Hours” Season 1 Episode 34 aired June 10, 1960 directed by Douglas Heyes written by Rod Serling. Stars Anne Francis and Elizabeth Allen
“The Dummy” Season 3 Episode 33 aired May 4, 1962 directed by Abner Biberman teleplay by Rod Serling. Stars Cliff Robertson, Frank Sutton, George Murdock, John Harmon and Sandra Warner.
“The Fear” Season 5 Episode 35 aired May 29, 1964 directed by Ted Post written by Rod Serling. Stars Hazel Court and Peter Mark Richman
“The Grave” Season 3 Episode 7 aired October 27, 1961 Written and Directed by Montgomery Pittman Stars Lee Marvin, James Best, and Strother Martin, Elen Willard and Lee Van Cleef
“The Hitch-Hiker” Season 1 Episode 16 aired January 22, 1960 Teleplay by Rod Serling based on a radio play by Lucille Fletcher. Stars Inger Stevens, Adam Williams, Lew Gallo and Leonard Strong as The Hitch-Hiker
“The Invaders” Season 2 Episode 15 aired January 27, 1961 Directed by Douglas Heyes written by Richard Matheson. Stars Agnes Moorehead in a completely dialogue-less performance.
“The Lonely” Season 1 Episode 7 aired November 13, 1959 Directed by Jack Smight written by Rod Serling. Stars Jack Warden, John Dehner, Jean Marsh and Ted Knight
“The Man in the Bottle” Season 2 Episode 2 aired October 7, 1960 directed by Don Medford written by Rod Serling. Stars Luther Adler, Vivi Janiss, and Joseph Ruskin
“The Masks” Season 5 Episode 25 aired March 20, 1964 Directed by Ida Lupino written by Rod Serling. Stars Robert Keith, Milton Seltzer, Virginia Gregg, Brooke Hayward and Willis Bouchey
“The Monsters are Due on Maple Street” Season 1 Episode 22 aired March 4, 1960. Written by Rod Serling. Stars Claude Akins, Barry Atwater, Jack Weston, Jan Handzlik, Amzie Strickland, Burt Metcalfe, Mary Gregory, Anne Barton
“The New Exhibit” Season 4 Episode 14 aired April 4 1963 Directed by John Brahm written by Charles Beaumont and Rod Serling. Stars Martin Balsam, Will Kuluva, Margaret Field William Mims
“The Shelter” Season 3 Episode 3 aired September 29, 1961 directed by Lamont Johnson written by Rod Serling. Stars Larry Gates, Joseph Bernard, Jack Albertson, Peggy Stewart, Sandy Kenyon, Michael Burns, Jo Helton, Moria Turner, and Mary Gregory
“Time Enough At Last” Season 1 Episode 8 aired November 20, 1959 Directed by John Brahm and teleplay by Rod Serling based on a short story by Lynn Venable. Stars Burgess Meredith as Henry Bemis
“To Serve Man” Season 3 Episode 24 aired March 2, 1962 Teleplay by Rod Serling based on a short story by Damon Knight. Stars Lloyd Bochner, Susan Cummings and Richard Kiel
“A Passage for Trumpet” Season 1 Episode 32 aired May 20, 1960 Directed by Don Medford written by Rod Serling. Stars Jack Klugman and John Anderson
“Walking Distance” Season 1 Episode 5 aired October 30th, 1959 directed by Robert Stevens and written by Rod Serling. Stars Gig Young, Frank Overton and Irene Tedrow and a young Ronny Howard
“Two” Season 3 Episode 1 aired September 15, 1961 directed by Montgomery Pittman written by Montgomery Pittman and Rod Serling. Stars Elizabeth Montgomery and Charles Bronson
“Third from the Sun” Season 1 Episode 14 aired January 8, 1960 Teleplay by Rod Serling based on a story by Richard Matheson. Stars Fritz Weaver, Edward Andrews, Joe Maross, Denise Alexander and Lori March
“What You Need” Season 1 Episode 12 aired Deccember 25, 1959 Stars Steve Cochran, Ernest Truex, Read Morgan and Alrene Martel
Season 1 Episode 1 aired October 2nd 1959. Written by Rod Serling. Stars Earl Holliman, James Gregory, and Paul Langton,
“Will the Real Martian Please Stand Up?” Season 2 Episode 28 aired May 26, 1961. Directed by Montgomery Pittman written by Rod Serling. Stars John Hoyt, Jean Willes, Jack Elam, Barney Phillips, John Archer, William Kendis, Morgan Jones, Gertrude Flynn, Bill Irwin, Jill Ellis and Ron Kipling

Your EverLovin’ Joey saying The Last Drive In is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge!

Queen B’s of 1950s Science Fiction & Horror 🎃

This Halloween season I’m covering those fierce women who graced the 1950s Science Fiction & Fantasy/Horror screen with their beauty, brawn and bravado! Like years past–I pay tribute to the Scream Queens of the 1930s & 1940s

MonsterGirl’s Halloween 🎃 2015 special feature! the Heroines, Scream Queens & Sirens of 30s Horror Cinema!

Heroines & Scream Queens of Classic Horror: the 1940s! A very special Last Drive In Hall🎃ween treat

We’ve arrived at the 1950s decade’s deliriously dynamic dames… Who had to deal with mad scientists, gigantism, alien invasions and much more menace & mayhem!

Of course I plan on doing the 1960s and 1970s in the next year–and you’ll notice that I am listing some of our Queen B’s future films & television appearances of a supernatural or science fiction nature, and even a few scattered exploitation films that fit the bill. Added are a few photos to fill out the framework of their contribution to the genre. I’ve included honorable mentions to those who starred in at least one film and perhaps a few science fiction & horror anthology shows on television.

And I guess I should be super clear about this, so no one gets their hackles standing on end, not one actress who wound up only getting an honorable mention, (be it one of your favorites and believe me their are a few of mine on that smaller list), by any means does it imply that I think they have a less substantial participation in the decade’s genre.

All these actresses have performed in other types of films-other genres and dramatic roles and enjoyed a full career that transcends the science fiction & horror films they appeared in.

Allied together they created the fabric of the 1950s decade, colored by their unique and valuable presence to ensure that science fiction & horror/fantasy will live on to entertain and enamor a whole new generation of fans and aficionados.

Collectively and Individually these women are fantastic , and I feel very passionate about having put this wonderful collection together as a tribute!

BEVERLY GARLAND

I can’t begin to describe the admiration I’ve developed over the past several years, by delving into Beverly Garland’s long impressive career as a popular cult actress. All I can think of saying– seems crude– but it’s what truly comes to mind… Beverly Garland kicks some serious ass!!!

From historian/writer Tom Weaver-“For most fans of 50s horror there are just no two ways about it. Beverly Garland is the exploitation film heroine of the period. A principal member of Roger Corman’s early stock company, she was the attractive, feisty leading lady in such Corman quickies as It Conquered the World, Gunslinger, Naked Paradise, and Not of this Earth. In between Corman assignments she braved the perils of the Amazon River on writer-director Curt Siodmak’s Curucu, Beast of the Amazon, and a less harrowing Hollywood backlot swamp in Fox’s the Alligator People. Her 1960s film work included Pretty Poison, The Mad Room and the multi-storied Twice Told Tales with Vincent Price. Overall, this list of titles is unmatched by any other ’50s genre actress.”

The diverse, dynamic and uniquely sexy Beverly Garland was born in Santa Cruz, California. She studied with dramatics teacher Anita Arliss, sister to Hollywood actor George Arliss. Garland also worked in radio actually appeared semi-clothed in various racy shorts, until she made her first feature debut supporting role in the taut noir thriller D.O.A (1949) starring Edmund O’Brien. Beverly started out doing small parts in science fiction/horror films such as The Neanderthal Man 1955 and The Rocket Man 1954. But her cult/exploitation status was forged when she signed onto to work with legendary filmmaker Roger Corman, the first film takes place in Louisiana called Swamp Women. In 1983 Beverly Garland received a star on the Hollywood Walk of Fame. She worked right up until 2004 and sadly passed away in 2008.

There are so many credits Beverly Garland has under her belt, I can only list the few that are memorable for me, but here she is linked to her massive IMDb list of credits for you to peruse. One of the roles that stands out for me is her groundbreaking role in the late 1950s as Casey Jones a policewoman for NYC in the series called Decoy (1957) Garland finds herself in diverging & dangerous situations where she not only uses her sexy good looks but her smarts and her instincts to trap criminals from all walks of life. It’s a fabulous show and it shows not only how diverse Beverly Garland is but the show was a historical first for a woman starring in a dramatic television series.

Beverly Garland has performed in drama’s including a musical with Frank Sinatra directed by Charles Vidor The Joker is Wild (1957) Film Noir (The Miami Story 1954, New Orleans Uncensored 1955, Sudden Danger 1955, The Steel Jungle 1956, Chicago Confidential 1957, Science Fiction/Fantasy, Adventure, Exploitation, Westerns and Crime dramas & Thrillers like Pretty Poison 1968. For the purposes of The Last Drive In tribute to this magnetic actress, here are those performances in the genre I’m featuring both film & television series!

“The Memories of working with Roger Corman are pleasant because I got along with him very well. He was fun to be around and work with. We always did these films on a cheap budget, and people were always mad at Roger because he’d hardly feed us! And no matter what happened to you, your worked regardless… You could be dead and Roger would prop you up in a chair!”-Beverly Garland

From Beverly Garland’s Interview in “Interviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeup” by Tom Weaver (McFarland 1988).

In The Mad Room (1969) her character was pregnant–so was she at the time, with her son James.

[referring to her 1950s Roger Corman cult films] “It’s funny today because it’s so ridiculous. But at the time, it was very serious! We were just actors doing our best, I think. None of us overacted. I’m not saying we weren’t good. We didn’t do it tongue-in-cheek. We really meant it. We gave our all. We were serious, good actors and we played it seriously.”-Beverly Garland

“Maybe I do come on strong, and people sense in me a strength and a positiveness . . . It’s really the way I look and act, not the way I am . . . Once you cut through the protective coating, I’m strictly molasses.”-Beverly Garland

Audrey Dalton“I noticed you wrote a bit about Beverly Garland.  She was such a dear friend of mine.  She was in Pretty Poison with Noel Black who just passed away last year. Bev died years ago and even though she remained active in the Scarecrow and Mrs King for so long, she loved acting in “B” films the most.”

Waitress Nola Mason in The Neanderthal man 1954, Ludine in The Rocket Man 1954, Vera in Swamp Women 1956, Claire Anderson in It Conquered the World 1956, Dr. Andrea Romar in Curucu the Beast of the Amazon, Nadine Storey in Not of this Earth 1957, Joyce Webster in The Alligator People 1959, Ellen Winslow in Stark Fear 1962, as Alice Pyncheon in Twice-Told Tales (1963) Mrs. Stepanek in Pretty Poison 1968, Mrs. Racine in The Mad Room 1969, Science Fiction Theatre (TV Series) Katherine Kerston / Sally TorensThe Other Side of the Moon (1956) … Katherine KerstonThe Negative Man (1955) … Sally Torens, The Twilight Zone (TV Series) Maggie- The Four of Us Are Dying (1960) , Thriller (TV Series) Ruth KentonKnock Three-One-Two (1960)

Tom Weaver – In your Corman movies you yourself generally played plucky, strong willed, sometimes two-fisted types.”

Beverly Garland- “I think that was really what the scripts called for. In most all the movies I did for Roger my character was kind of a tough person. Allison Hayes always played the beautiful, sophisticated “heavy” and I played the gutsy girl who wanted to manage it all, take things into her own hands. I never considered myself much of a passive kind of actress-I never was very comfortable in love scenes, never comfortable playing a sweet, lovable lady. Maybe if the script wasn’t written that way, then probably a lot of it I brought to the role myself. I felt I did that better than playing a passive part.”

Swamp Women (1956) An undercover policewoman helps three female convicts escape from prison so that they can lead her to a stash of stolen diamonds hidden in a swamp. Co-stars Marie Windsor, Carole Mathews, Mike Connors, Susan Cummings and Ed Nelson!

Also in Swamp Women 1956, Garland was expected to do her own stunts, even dropping out of a 20 foot tree. Roger Corman told her “When you’re killed you have to drop”  Roger planted three guys underneath the tree to catch Beverly when she let’s go. “And when they killed me I just fell-dead weight on these three poor guys!” Roger told her “You’re really one of the best stuntwomen I have ever worked with.”

Even after breaking her ankle in Gunslinger 1956, Beverly was a trooper, she did all her fight scenes and worked to finish the film for Roger Corman, even though she couldn’t walk for weeks after that!

As Ellen Winslow, Garland takes a courageous role as a non-victim of abuse and assault, she pushes back head on against the grain instead of wilting from the trauma she prevails. The film showcases the gutsy quality Garland herself tried to portray in all her performances. in the darkly psychological Stark Fear (1962) A sadistic husband mentally tortures his wife, while eventually planning to murder her. Although no one believes her, she gets help from an unexpected source.

Beverly Garland recalls making Swamp Women co-starring Marie Windsor with Tom Weaver-“Swamp Women! Ooh that was a terrible thing! Roger put us up in this old abandoned hotel while we were on location in Louisiana- I mean it was really abandoned! Roger certainly had a way of doing things back in those days-I’m surprised the hotel had running water! I remember that we each had a room with an iron bed. Our first night there, I went to bed and I heard this tremendous crash! I went screaming into Marie Windsor’s room, and there she was with the bed on top of her-the whole bed had collapsed! Well, we started laughing because everything was so awful in this hotel. just incredibly terrible, and we became good friends.”

Carole Mathews, Marie Windsor and Beverly Garland in Swamp Women

Beverly Garland not only exuded a gutsy streak in every role she took, she shared the notable distinction of starring in one of Boris Karloff’s THRILLER episodes called Knock-Three-One-Two co-starring with the wonderful character actor Joe Maross who has a gambling problem and will be beaten to a pulp if he doesn’t pay his bookie. So he enlists the help of a psychopathic lady killer to murder his wife Beverly for her tightly held purse and large savings account!

Tom Weaver asks Beverly Garland if she enjoyed working on Twice-Told Tales (1963) — “Oh, I love it because I loved Vincent Price. He is the most wonderful sweet, adorable man! I don’t remember much about the movie, I just remember working with Vinnie and how wonderful he was.”

Tom Drake, Bill Elliott, and Beverly Garland in Sudden Danger (1955)

Beverly Garland and Allison Hayes in Roger Corman’s western Gunslinger (1956)
Directed by Noel Black Beverly plays Mrs Stepanek the mother of sociopathic Sue Ann Stepanek played by Tuesday Weld. Anthony Perkins is Dennis Pitt a mentally disturbed young man with delusions, released from an institution only to stumble into Folie à deux with someone who is more violent and disturbed than he is!

Beverly Garland plays feisty nurse Nadine Storey in Roger Corman’s creepy alien invasion film Not of this Earth 1957 co-starring the white eyed vampiric villain Paul Birch as Paul Johnson-why not smith?

About working with Roy del Ruth on The Alligator People–“He was sweetheart of a guy and a good director. The Alligator People was a fast picture, but he really tried to do something good with it. And I think that shows in the film. It’s not something that was just slapped together. It as such a ridiculous. story…).. I felt when I read the script and when I saw the film, which was a long time ago, that it ended very abruptly. It all happened too fast; it was kind of a cop out. But there really was no way to end it. What were they going to do-were they going to have us live happily ever after and raise baby alligators?”

Beverly Garland having fun on the set of The Alligator People
Beverly Garland with Lon Chaney Jr. in Roy del Ruth’s The Alligator People
Directed by Roy Del Ruth-Beverly stars as Joyce Webster a woman who while under hypnosis recalls a horrific story She went in search of her husband who has gone missing. He is part of a secret experimentation with on men and alligators. Co-stars Bruce Bennett

Directed by Curt Siodmak Curucu Beast of the Amazon 1956 stars Beverly Garland as Dr. Andrea Romar and John Bromfield as Rock Dean who venture up the Amazon River to find the reason why the plantation workers are fleeing from a mysterious monster!

On first seeing the cucumber creature that Paul Blaisdell designed for It Conquered the World–“I remember the first time I saw the It Conquered the World Monster. I went out to the caves where we’d be shooting and got my first look at the thing. I said to Roger, ‘That isn’t the monster…! That little thing over there is not the monster, is it?’ He smiled back at me , “Yeah, Looks pretty good, doesn’t it?’ I said, ‘Roger! I could bop that monster over the head with my handbag!’ This thing is no monster, it was a terrible ornament!’ He said, ‘Well don’t worry about it because we’re gonna show you, and then we’ll show the monster, back and forth.’ ‘Well, don’t ever show us together, because if you do everybody’ll know that I could step on this little creature! Eventually I think they did do some extra work on the monster: I think they resprayed it so it would look a little scarier, and made it a good bit taller. When we actually filmed, they shot it in shadow and never showed the two of us together.”

Beverly Garland as Clair talking on the radio to IT– “I hate your living guts for what youve done to my husband and my world, and I’m going to kill you! Do you hear that? I’m going to kill you!”…) “So that’s what you look like, you’re ugly…) You think you’re gonna make a slave of the world… I’ll see you in hell first!

It Conquered the Wold (1956) is yet another Roger Corman campy gem that features my favorite cucumber monster created by Paul Blaisdell. Beverly stars as Claire Anderson married to Dr. Tom Anderson played by Lee Van Cleef who communicates with an alien life from who claims he comes in peace. Co-stars Peter Graves and Sally Fraser

Tom Weaver asks —“Do you ever look back on your B movies and feel that maybe you were too closely associated with them? That they might have kept you from bigger and better things?

Beverly Garland —“No, I really don’t think so. I think that it was my getting into television; Decoy represented a big turn in my life. Everybody did B movies, but at least they were movies, so it was okay. In the early days, we who did TV weren’t considered actors; we were just horrible people that were doing this ‘television’ which was so sickening, so awful, and which was certainly going to disappear off the face of the earth. Now, without TV, nobody would be working. No-bod-y. But I think that was where my black eye came from; I don’t think it came from the B movies at all.”

Tom Weaver-“Which of your many horror and science fiction roles did you consider your most challenging?”

Beverly Garland–“Pretty Poison. It was a small part, but it had so much to say that you understood why Tuesday Weld killed her mother. I worked hard to make that understood not a surface one, but tried to give you the lady above and beyond what you would see in a short time.”

Beverly Garland as policewoman Casey Jones in the stirring television series Decoy broadcast from October 14, 1957, to July 7, 1958

AUDREY DALTON

The bewitchingly beautiful Audrey Dalton was born in Dublin, Ireland who maintains the most delicately embroidered lilt of Gaelic tones became an American actress of film in the heyday of Hollywood and the Golden Age of television. Knowing from early on that she wanted to be an actress while studying at the Royal Academy of Dramatic Arts was discovered by a Paramount Studio executive in London, thus beginning her notable career starring in classic drama, comedy, film noir, science fiction, campy cult classic horror and dramatic television hits!

Since then I’ve had the incredible honor of chatting with this very special lady whom I consider not only one of THE most ethereal beauties of the silver screen, Audrey Dalton is a versatile actress, and an extremely gracious and kind person.

Read More about this lovely actress Here: MonsterGirl Listens: Reflections with Great Actress Audrey Dalton!

Audrey Dalton’s made a monumental contribution to one of the biggest beloved 1950s ‘B’ Sci-Fi  treasures and she deserves to be honored for her legacy as the heroine in distress, pursued by a giant bunny killing Mollusk “That monster was enormous!” –Audrey commented in her interview with USA Today.

Gail MacKenzie in The Monster that Challenged the World 1957, Baroness Maude Sardonicus in William Castle’s Mr. Sardonicus 1961 Boris Karloff’s Thriller (1960-1962)- Norine Burton in The Prediction, Meg O’Danagh Wheeler in The Hollow Watcher and Nesta Roberts in Hay-Fork and Bill-Hook.

Audrey Dalton plays Meg O’Danagh who is haunted by local prejudice and the rural boogeyman that is The Hollow Watcher

Audrey Dalton in Hay-Fork and Bill-Hook shown here with Doris Lloyd as Mother Evans. There’s witchcraft afoot in the Welsh moors.
William Castle’s Mr. Sardonicus 1961 stars Audrey Dalton as Baroness Maude Sardonicus who is a prisoner to her husband’s madness driven to fury because his face has been stuck in a horrifying grimace when he found his father was buried alive. Co-stars Guy Rolfe as Sardonicus and Ronald Lewis

BARBARA RUSH

Barbara Rush and Marlon Brando in The Young Lions 1958-Twentieth Century Fox
Barbara Rush and Harry Townes in Strategy of Terror (1969)
Frank Sinatra and Barbara Rush in Come Blow Your Horn (1963)
Frank Sinatra, Dean Martin, Sammy Davis Jr., Richard Bakalyan, Victor Buono, and Barbara Rush in Robin and the 7 Hoods (1964)

Barbara Rush appeared in director Martin Ritt’s turbulent suburban drama No Down Payment 1957 with ex-husband Jeffrey Hunter though they weren’t married to each other in the film.

Jeffrey Hunter, Pat Hingle, Patricia Owens, and Barbara Rush in Martin Ritt’s No Down Payment (1957) co-stars Joanne Woodward, Sheree North, Tony Randall.

Barbara Rush, Possesses a transcendent gracefulness. She moves with a poise like a dancer, a beautiful gazelle stirring in the gentle quiet spaces like silent woods. When I see Barbara Rush, I see beauty personified by elegance and decency. Barbara Rush will always remain in my eyes, one of the most gentle of souls on the screen, no matter what role she is inhabiting. She brings a certain kind of class that is not learned, it’s inherent.

She was born in Denver, Colorado in 1927 and began at University of California. Then she joined the University Players, taking acting classes at the Pasadena Playhouse. Paramount scooped Barbara up and signed her to a contract in 1950. She debuted with The Goldbergs (1950) as Debby Sherman acting with Gertrude Berg as Molly Goldberg -a popular television program that follows the warm, human story of famous Jewish Bronx radio & TV family the Goldbergs, and their everyday problems. Co-starring David Opatoshu and Eduard Franz.

Before joining the Goldbergs she met the strikingly handsome actor Jeffrey Hunter who eventually became a hot commodity over at 20th Century Fox. Barbara Rush and Jeffrey Hunter fell in love and were married in December of 1950. They became Hollywood’s most gorgeous couple, and the camera seemed to adore them. Their son Christopher was born in 1952.

During her time at Paramount, Barbara Rush appeared in the science fiction catastrophic end of the world thriller directed by Rudolph Maté —When World’s Collide 1951 co-starring Richard Derr, Peter Hansen and John Hoyt.
As time went on Barbara Rush co-starred with some of the most desirable actors in Hollywood, James Mason, Monty Clift, Marlon Brando, Paul Newman , Richard Burton and Kirk Douglas. Her roles ran the gamut from disenchanted wives, scheming other women or pretty socialites
Though Barbara Rush is capable of a range of acting, the one great role of a lifetime never seemed to surface for her, though what ever she appeared in was elevated to a higher level because of her presence.
Television became a wonderful avenue for Barbara Rush’s talent, she appeared in guest parts in many popular tv series of the 1960s and 1970s. She also co-starred in tv movies. One enjoyable character she played was a guest villain on the 1966 television series Batman as femme fatale ‘Nora Clavicle” Barbara Rush also played Marsha Russell on the popular television drama Peyton Place 1968-69

Barbara Rush also turned to work on the stage. She garnered the Sarah Siddons Award for her starring role in Forty Carats. Making her Broadway debut in the one woman showcase, “A Woman of Independent Means” which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included “Private Lives”, “Same Time, Next Year”, “The Night of the Iguana” and “Steel Magnolias”.
Barbara Rush still possesses that transcendent beauty, poise and grace. She will always be someone special someone memorable.

IMDb trivia -Along with Leonard Nimoy, David McCallum, Cliff Robertson and Peter Breck, she is one of only five actors to appear in both The Outer Limits (1963) and The Outer Limits (1995) and the only woman to do so. She played Leonora Edmond in The Outer Limits: The Forms of Things Unknown (1964) and Barbara Matheson in The Outer Limits: Balance of Nature (1998).

Attended and graduated from the University of California, Santa Barbara (1948). She graduated from the Pasadena Playhouse School for Performing Arts in Pasadena, California.

Is mentioned in the movie Shampoo (1975), when hairdresser Warren Beatty says “I do Barbara Rush’s hair”.

Was separated from second husband Warren Cowan in 1969 at the time she learned of first husband Jeffrey Hunter’s sudden death following brain surgery after falling down a flight of stairs.

Appears in No Down Payment (1957) with ex-husband Jeffrey Hunter, they both portraying married characters, but not married to each other.

She is one of five actors to have played “Special Guest Villains” on Batman (1966) who are still alive, the others being Julie Newmar, John Astin, Joan Collins and Glynis Johns.

“I can safely say that every movie role I was ever offered that had any real quality went to someone else.”-Barbara Rush

As Joyce Hendron in When Worlds Collide 1951, as Ellen Fields in It Came from Outer Space 1953 Night Gallery episode as Agatha Howard in ‘Cool Air’ released on December 8, 1971 based on a story by H.P. Lovecraft and The Outer Limits as Leonora Edmond in episode The Form of Things Unknown written by Joseph Stefano released on May 4, 1964, as Karen Lownes in Kraft Suspense Theatre tv series ‘In Darkness, Waiting (1965), as Nora Clavicle and The Ladies’ Crime Club Batman Series 1966, Moon of the Wolf (TV Movie) 1972
as Louise Rodanthe, as Katherine Winslow in The Eyes of Charles Sand (1972), The Bionic Woman (TV Series) – Jaime’s Mother (1976) … Ann Sommers / Chris Stuart, 1979 Death Car on the Freeway (TV Movie) as Rosemary

Jack Arnold, Richard Carlson, Charles Drake, Russell Johnson, and Barbara Rush in It Came from Outer Space (1953)

Everybody wants to know about Barbara Rush’s fabulous clothes in It Came From Outer Space, in particular this lovely black gown.. so here it is–designed by Rosemary Odell

COOL AIR. First aired on December 8, 1971 Paintings for the opening of each episode were done by artist Tom Wright

The classy fashionable villainess Barbara Rush as Nora Clavicle and The Ladies’ Crime Club Batman Series 1966
Vera Miles as Kasha and Barbara Rush as Leonora pushed to the limit of all they can bare poison Scott Marlowe a sadistic blackmailer and leave him in the trunk of their car. As they flee the scene they stumble upon an Old Dark House where the servant Ralph Richardson takes care of Tone Hobart played by David McCallum a solitary sad young man, an introvert who tinkers with clocks, an inventor who is able to tip the balance of time and bring back the past and ultimately the dead. Barbara Rush conveys a depth of sadness and vulnerability that is tragic and beautifully pieced together for this macabre story written by Joseph Stefano. The lighting traps each player in the shadows of their own machinations. It is a brilliant little morality play.

Barbara Rush and Vera Miles on the set of The Outer Limits television series episode The Form of Things Unknown

The cinematography by Conrad L. Hall is extraordinarily moody and dark in this psychological supernatural story by Joseph Stefano.

Continue reading “Queen B’s of 1950s Science Fiction & Horror 🎃”

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