4 Outstanding Actresses: It’s 1964 and there’s cognitive commotion!

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Anne Bancroft as a lady who lunches and listens to gossip in The Pumpkin Eater – being held hostage by the intensely neurotic Yootha Joyce a lonely housewife sitting next to her while trapped under the hair dryer of life…
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Woman at hair dressers-“It’s like I told you, my life is an empty place!” Jo-“Well what do you want me to do about it?”

“The question isn’t who’s going to let me; it’s who is going to stop me.” – Ayn Rand

Cognition–ˌkägˈniSHən|
(noun)
the mental action or process of acquiring knowledge and understanding through thought, experience, and the senses.
• a result of this; a perception, sensation, notion, or intuition.

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These 4 particular films seem to be part of a trend of films that deal with either women’s brewing emotional turmoil or in the case of Jean Seberg’s Lilith- a creeping organic madness, perhaps from childhood trauma that is not delved into. 

Let’s consider women either in distress or the oft used “hysterical’ trademark that summons every neurotic ill associated with women. With these 4 films it’s the same root problem: Why should society determine what counts as an emotional problem? This is especially true for women, as if she was the engendering source of a specific kind of female mayhem, the creator of the tumult itself… Capable of giving birth, does she also give birth to a certain kind of madness directed inwardly or aimed outward at society and it’s unyielding ethical questions?

It’s not that I think Barbara Barrie is troubled because she falls in love with a black man. It’s that the world is troubled by her decision. Because of her choice -a society inherently cruel punishes her by taking away the one thing she had personal power over, to remove her child from her life. Although, she has a wonderful relationship with Frank both are being judged and condemned.

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The judge who awards custody of her little girl to the biological father even though he is not the better parent. Not too long ago, women could be hospitalized just for being menopausal, based on what their husbands say.

Women were at the mercy of white male society’s judgment. So if a white woman loves and marries a black man in the volatile climate of the civil rights 60s it would absolutely cause turmoil and quite the commotion.

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All these women experience cognitive commotion, but are not necessarily crazy. One Potato Two Potato is about the societal impositions forced upon an inter-racial couple and the strain of a child custody battle forcing her to qualify herself as a good mother. The sentiments of the time, the courts and society in general are dis-empowering Julie through her motherhood.
This inflicts an agonizing torture on Barbara Barrie’s character Julie. Barrie’s performance as well as Bernie Hamilton as a man whose own masculinity is tested, tears me up inside…
A white woman, Julie Cullen falls in love with Frank Richards, a black man, against the will of everyone around them, including his parents who think he should stick with his own kind. Eventually Franks mother and father come around and embrace Julie, and her daughter who considers Martha and William her grandparents.
Julie has a son with Frank…and suddenly is being faced with a white judge deciding on who will gain custody of her little girl from a previous marriage to a man Joe Cullen who abandoned them years ago. Not til he finds out that she is being raised by a black man does he rise to take action and gain custody of his daughter.
This is a courageous story to relate in 1964. Barrie’s anguish is one that is not self inflicted, there is no mental disorder, or neurotic dilemma yet it would challenge anyone who dares to be truthful and follow their heart in a world where many people must hide who they are. A beautiful love story that becomes tainted by the stain of ingrained hatred and ignorance. And causes ruination to a happy family.
Barbara Barrie’s performance as Julie Cullen Richards is nothing short of intuitively astounding.
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Just for funzies I wanted to paint some contrast into the mix, therefore pointing to films that truly deal with women and mental illness. More than cognitive commotion, they’re unstable, non compos mentis, deranged, knife wielding, murderous femmes, traumatized, delusional dames… or all out CRAZY NUTS!!!!!!!!!
And…
I’ll probably write about all these films mentioned–the women on the verge of a nervous breakdown or already on the shoulder of the weary road of life with all four tires flat at some point. I’ll Consider Charles Vidor’s Ladies in Retirement 1941 where Ida Lupino has to take care of her two dotty sisters Elsa Lanchester and Edith Barrett as the Creed sisters… They’re wonderfully Cukoo!!! I did a little piece on this gem a while back…
Robert Siodmak’s The Dark Mirror 1946 with Olivia de Havilland playing twins Terry & Ruth Collins, Gene Tierney gorgeous yet cunningly homicidal in Leave her To Heaven 1945, Laraine Day is totally unhinged in The Locket 1946, Joan Crawford as Louise Howell has a nightmare filled flashback in Curtis Burnhardt’s Possessed 1947.
“she is shown as alienated and stricken with psychological torture”– {source Marlisa Santos The Dark Mirror; Psychiatry and Film Noir 
Then again in Anatole Litvak’s story actually set in a mental institution with Olivia de Havilland stuck in The Snake Pit 1948, Vivien Leigh is the consummate delusional Blanche Dubois in Tennessee Williams’ A Streetcar Named Desire 1951Marilyn Monroe gives a riveting performance as the deranged babysitter–(oh god kid just be quiet for Nell) in Roy Ward Baker’s Don’t Bother to Knock 1952, Joanne Woodward is in emotional conflict with three different personalities all herself…in The Three Faces of Eve 1957.
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Eleanor Parker gives a stunning portrayal of multiple personality disorder in Hugo Haas’ Lizzie 1957, I’ve written about Liz Taylor almost getting her frontal lobe sucked out at the request of her domineering Aunt -(Katherine Hepburn) just to hide her son’s sordid secret life in Suddenly, Last Summer 1959, Jean Simmons tries to find happiness in a loveless marriage that isn’t her fault in the engrossing Home Before Dark 1958, Ingmar Bergman’s Striking minimalist piece about mental turmoil in his beautifully photographed Through a Glass Darkly 1961, William Castle’s groundbreaking gender bending Homicidal 1961.
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Woodward in The Three Faces of Eve 1957
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Joan Marshall is Homicidal 1961 in William Castle’s answer to Psycho
Carroll Baker is a traumatized rape survivor in Something Wild 1961 and what I found to be a misogynist romp wasting several wonderful actresses who were offered these humiliating roles in The Chapman Report. In particular Clare Bloom who deserved better with her talent -as a nymphomaniac struggling with her sexual desires until she ultimately commits suicide in The Chapman Report 1962 and good old William Castle’s once again with his Strait-Jacket 1964 starring one of the ultimate Grande Dames Joan Crawford this time wielding an axe in addition to her nightmarish flashbacks.

Now… none of the 4 women I am covering here are homicidal or dangerous, all these women are experiencing a psychic struggle with issues that speak from their place in the world as women… who are defining somehow in their own way, what their identity means to them… Well, perhaps Lilith is a bit more volatile in terms of how she wields her sexuality and influences men & women both! But she is a divine innocent albeit-nymphomaniac living in a dreamy world of her own –not a homicidal vamp who devours men and spits them out… She is an innocent without malice. The men do the damage to themselves…

“And her eye has become accustomed to obvious ‘truths’ that actually hide what she is seeking. It is the very shadow of her gaze that must be explored”--Luce Irigaray

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Max von Sydow,, Harriet Andersson and Gunnar Bjormstrand in -(1961)-Through the Glass Darkly directed by Ingmar Bergman
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Gene Tierney as the murderously deranged Ellen Berent Harland in Leave Her to Heaven 1945

Seance on a wet afternoon 1964 previous post HERE

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Kim Stanley gives an unnerving performance as a delusional and dangerous woman who plots to kidnap a child so she can claim her psychic powers then located her…

And of course the two titans of Grande Dame Guignol fêtes courtesy of Robert Aldrich…

What Ever Happened to Baby Jane? 1962 & Hush… Hush Sweet Charlotte 1964

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Roman Polanski’s very post-modern almost Brechtian/Picassoesque ode to insanity starring Catherine Deneuve in his Repulsion 1965 –
There’s always Hitchcock’s Marnie (1964) showcasing an unstable female in distress brought on by childhood trauma. Considering Hitch’s lavish colors, and overt psychological embellishments that have created a pulpy romanticized landscape, that at times obfuscates the mental turbulence rather than letting it surface on it’s own. I chose to set this film aside and instead include the more off the beaten path of psychological leaning-‘women’s pictures.’ 1964 seemed to be one hell of a  year for Women in Distress by virtue of the female psychological crisis, once again to reiterate -not the ‘hysteria’ kind, mind you.”
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Tippie Hedren and Louise Latham in Hitchcock’s Marnie (1964)
“From the socially conservative 1950s to the permissive 1970s, this project explores the ways in which insanity in women has been linked to their femininity and the expression or repression of their sexuality. An analysis of films from Hollywood’s post-classical period (The Three Faces of Eve (1957), Lizzie (1957), Lilith (1964), Repulsion (1965),Images (1972) and 3 Women (1977)) demonstrates the societal tendency to label a woman’s behavior as mad when it does not fit within the patriarchal mold of how a woman should behave. In addition to discussing the social changes and diagnostic trends in the mental health
profession that define “appropriate” female behavior, each chapter also traces how the decline of the studio system and rise of the individual filmmaker impacted the films’ ideologies with regard to mental illness and femininity.”

— from FRAMING FEMININITY AS INSANITY: RE PRESENTATIONS OF MENTAL ILLNESS IN WOMEN IN POST-CLASSICAL HOLLYWOOD by Kelly Kretschmar

WOMEN ON THE VERGE… OF A BREAKTHROUGH!

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Curt Jurgens carries Samantha Eggar after she has fallen off her horse. There is more going on that Patricia Neal’s blind eye can see

Psyche 59 (1964)

Patricia Neal and Sammantha Eggar in Psyche 59
Patricia Neal and Samantha Eggar in Psyche 59 (1964)

The Pumpkin Eater 1964

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Ann Bancroft and Peter Finch are a married couple in crisis. Having perpetually popped out a myriad of children she is yet again pregnant. Will this keep him home this time…? The Pumpkin Eater (1964)

One Potato Two Potato 1964

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Barbara Barrie falls in love and marries Bernie Hamilton. Once her ex-husband realizes that his child is being brought up by a black man, times get even tougher for the couple

Lilith 1964

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THE WOMEN!!!

Barbara Barrie

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Patricia Neal

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Anne Bancroft

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Jean Seberg

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LET’S BEGIN WITH…!

Alison Crawford (Patricia Neal)“Love has to stop somewhere along the line otherwise it’s almost like… like committing suicide “

PSYCHE 59 (1964) Alexander Singer (A Cold Wind in August 1961 with Lola Albright and Scott Marlowe) directs the remarkable Patricia Neal as Alison Crawford, a woman struck down with a form of psychosomatic or hysterical blindness. Alison is aware that the affliction is all in her mind since the doctors can’t find anything organically wrong with her sight. Her ‘hysterical blindness’ and memory loss of the events leading up to her accident follows a fall down the stairs while she is pregnant. When she awakens she is unable to see.

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Alison “My Brain won’t accept the images that my eyes make.”

What is happening for Alison is that she is subconsciously blocking out the truth about her husband and her younger, coquettish sister Robin.

She is now living a very quaint life with her husband played by the austere Curd Jürgens (I love him as the devilishly urbane concert pianist Duncan Mowbray Ely in The Mephisto Waltz 1971).

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Aside from her intense husband Eric, Alison’s very sexually charged sister Robin (Samantha Eggar) has now come to live with the couple after a divorce. Robin hovers very close to Eric like a carrion bird waiting to pick the bones of Alison’s troubled marriage. While Alison doesn’t have any cognitive memory of what led up to her fall, it’s obvious to us that she can sense the strong attraction between her husband and younger sister. At one time, her younger sister Robin and Eric and been involved before Alison caught and married him. Robin hasn’t stopped lusting after him. Slowly Alison’s memory comes back as the flashes and images of what she experienced right before she lost her sight literally comes into view.

Singer builds the tension in the air slowly, methodically until it all comes to a head set against the skillfully contained cinematography by Walter Lassally (The Loneliness of the Long Distance Runner 1962, Zorba the Greek 1964, To Kill a Clown 1972).

IMDb tidbit-Patricia Neal was offered the lead in The Pumpkin Eater, but it was not 100% confirmed she would get the role. She then opted, to her later regret, to make Psyche 59 (1964) instead, since it was an official offer.

Neal gives a restrained yet powerful performance of a woman who is trapped in self imposed darkness by her fear of the truth…

There is very subtle theme of self-brutality that exists for each of the characters, Alison’s self imposed sightlessness, Eric’s indignant stoicism is palpable as he walks through the story like a trapped stray dog, He is agitated by Robin’s presence, because he can not resist her.

Robin, her younger sister who must have been quite young at the time of her relationship with Eric begs the question of appropriate behavior on his part. Robin is constantly asserting a seductive influence on Eric right in front of the disadvantaged Alison.

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She is both a hyper-sexual narcissist and a bit self-destructive at the same time, either way she gets off on playing the seductress torturing Eric, right in front of her sister, dark sunglasses and delicate pout. Although Alison suffers from blindness, she maintains a certain dignity that although as all three characters seem like she is, one of the trapped animals in a psycho-melodramatic forest, we get a sense that she will one day regain her freedom and spread her wings and fly away from it all truth in hand.

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Alison “We must be near the marshes” Robin “We just passed it … Coming to the old windmill soon…its still turning.. nothing’s changed” Alison “There’s a factory there now, Don’t protect me Robby. Don’t make up windmills.”

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Based on the novel by Françoise des Ligneris, with a screenplay by Julian Zimet (who wrote Horror Express 1972 and one of the best atmospheric little horror obscurities The Death Wheelers 1973 formally called Psychomania about a group of British motor cycle thugs and their pretty birds who dabble in the occult. Beryl Reid and George Sanders being one of their relatives, they learn the secret of immortality. But you have to die first to obtain it.)

Psyche 59 is an interesting psychological mood piece, almost post modernly impressionistic with it’s stark and polished black and white photo work. And Patricia Neal who had just won an Oscar for her role as Alma Brown in Hud 1963 and gave a command performance in 1957 as Marcia Jeffries in A Face in the Crowd is just exceptional as Alison who is trying to navigate the dark world surrounding her.

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The film is strange and at times subtly cruel yet Neal’s character relies on our visual journey which becomes quite painful at times yet beautiful as she begins to emerge. In the film Patricia Neal’s relationship with Curd Jürgens has an eerie parallel to real life marriage to writer/spy Roald Dahl, but I don’t want to get into the sensationalized tidbits of public people’s wreckage.

The Film also stars Ian Bannen as Robin’s poor befuddled boyfriend , Elspeth March and Beatrix Lehmann plays Alison’s staunch and science fiction reading grandmother-wish I had one of those!

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Continue reading “4 Outstanding Actresses: It’s 1964 and there’s cognitive commotion!”

MonsterGirl’s 13 Days of Halloween: Obscure Films Better Than Candy Corn!

13 Days of schlock, shock…horror and some truly authentic moments of terror…it’s my pre celebratory Halloween viewing schedule which could change at any time, given a whim or access to a long coveted obscure gem!

No doubt AMC and TCM will be running a slew of gems from the archives of Horror films to celebrate this coming Halloween! Films we LOVE and could watch over and over never tiring of them at all….

For my 13 days of Halloween, I thought I might watch a mix of obscure little gems, some vintage horror & Sci-Fi , film noir and mystery/thriller. Halloween is a day to celebrate masterpieces like The Haunting, The Tingler, House on Haunted Hill, Curse of The Demon, Pit and The Pendulum, Let’s Scare Jessica To Death, Psycho just to name a few favorites.

But the days leading up to this fine night of film consumption, should be tempered with rare and weird beauties filled with a great cast of actors and actresses. Film’s that repulse and mystify, part oddity and partly plain delicious fun. Somewhat like Candy Corn is…for me!

I’ll be adding my own stills in a bit!…so stay tuned and watch a few of these for yourselves!

The Witch Who Came From The Sea 1976

Millie Perkins bravely plays a very disturbed woman who goes on a gruesome killing spree, culminating from years of abuse from her drunken brute of a father. Very surreal and disturbing, Perkins is a perfect delusional waif who is bare breasted most of the time.

Ghost Story/Circle of Fear: Television Anthology series

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The Phantom of Herald Square starring David Soul as a man who remains ageless, sort of.

House of Evil, starring Melvin Douglas as a vindictive grandpa who uses the power of telepathy to communicate with his only granddaughter (Jodie Foster) Judy who is a deaf mute. Beware the creepy muffin people.

A Touch of Madness, stars Rip Torn and Geraldine Page and the lovely Lynn Loring. Nothing is as it seems in the old family mansion. Is it madness that runs in the family or unsettled ghosts?

Bad Connection starring Karen Black as a woman haunted by her dead husband’s ghost.

The Dead We Leave Behind starring Jason Robards and Stella Stevens. Do the dead rise up if you don’t bury them in time, and can they speak through a simple television set.

Night Warning 1983

Susan Tyrrell plays Aunt Cheryl to Jimmy McNichol’s Billy, a boy who lost his parents at age 3 in a bad car wreck leaving him to be raised by his nutty Aunt. Billy’s on the verge of turning 17 and planning on leaving the sickly clutches of doting Aunt Cheryl and she’ll kill anyone who gets in the way of keeping her beloved boy with her always….Tyrrell is soooo good at being sleazy, she could almost join the Baby Jane club of Grande Dame Hag Cinema, making Bette Davis’s Baby Jane seem wholesome in comparison.

Also known as Butcher Baker Nightmare Maker...

Murder By Natural Causes (1979 Made for TV movie)

Written by Richard Levinson and William Link the geniuses who gave us Columbo, this film is a masterpiece in cat and mouse. Wonderfully acted by veteran players, Hal Holbrook, Katherine Ross and Richard Anderson and Barry Bostwick. Holbrook plays a famous mentalist, and his cheating wife has plans to kill him off.

Tension 1949

from IMDb -A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife’s lover. Starring Richard Basehart, Audrey Totter , Cyd Charisse and Barry Sullivan

Messiah of Evil aka Dead People 1973

A girl arrives on the California coast looking for her father, only to learn that he’s disappeared. The town is filled with eerie people, and a strange atmosphere of dread. She hooks up with a drifter and they both uncover the true nature of the weird locals and what they’re up to. They learn the horrific secret about the townspeople…This film is very atmospheric and quite an original moody piece. Starring Marianna Hill, Michael Greer, Joy Bang and Elisha Cook Jr.

Devil times Five aka Peopletoys 1974

This film is a very unsettling ride about a bus load of extremely psychopathic children who escape after their transport bus crashes. Finding their way to a lodge, they are taken in by the vacationing adults and are eventually terrorized by these really sick kids. Claustrophobic and disturbing. Stars Sorrell Booke, Gene Evans. Leif Garrett plays one of the violently homicidal kids.

The Night Digger 1971

Starring the great Patricia Neal, this is based on the Joy Cowley novel and penned with Cowley for the screen by the wonderfully dark Roald Dahl, Neal’s husband at the time.

From IMDb -Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle- aged spinster Maura Prince takes an unexpected turn with the arrival of young handyman Billy Jarvis, but there is more to Billy than meets the eye. This well-crafted film, full of sexual tension and Gothic flavor, was Patricia Neal’s second after her return to acting, her real-life stroke worked deftly into the story by then-husband Roald Dahl. Written by Shane Pitkin

They Call It Murder (1971 Made for TV movie)

A small-town district attorney has his hands filled with several major investigations, including a gambler’s murder and a possible insurance scam. Starring Jim Hutton, Lloyd Bochner, Leslie Nielsen, Ed Asner and Jo Anne Pflug

A Knife For The Ladies 1974

Starring Ruth Roman and Jack Elam, there is a jack the ripper like killer terrorizing this small Southwest town. Most all the victims are prostitutes. A power struggle ensues between the town’s Sheriff and Investigator Burns who tries to solve the murders.

Born To Kill 1947

Directed by the amazing Robert Wise ( The Haunting, West Side Story, Day The Earth Stood Still )this exploration into brutal noir is perhaps one of the most darkly brooding films of the genre. Starring that notorious bad guy of cinema Lawrence Tierney who plays Sam Wild, of all things, a violent man who has already killed a girl he liked and her boyfriend. He hops a train to San Francisco where he meets Helen played by Claire Trevor who is immediately drawn to this dangerous man.

The Strangler 1964

Starring the inimitably imposing Victor Buono, who plays mama’s ( Ellen Corby/Grandma Walton) boy Leo Kroll, a psychopathic mysogynous serial killer, under the thumb of his emasculating mother. Kroll’s got a doll fetish and a fever for strangling young women with their own panty hose. The opening scene is chilling as we watch only Buono’s facial expressions as he masturbates while stripping one of the dolls nude by his last victim’s body. Part police procedural, this is a fascinating film, and Buono is riveting as Leo Kroll a psycho-sexual fetish killer who is really destroying his mother each time he murders another young woman. Really cool film by Allied Artist

Murder Once Removed (1971 made for tv movie)

A doctor and the wife of one of his wealthy patients hatch a plot to get rid of her husband so they can be together and get his money.Starring John Forsythe, Richard Kiley and Barbara Bain.

Scream Pretty Peggy (1973 made for tv movie)

This stars Bette Davis who plays Mrs. Elliot. Ted Bessell’s plays her son Jeffrey Elliot a sculptor who hires young women to take care of his elderly mother and his insane sister who both live in the family mansion with him. Also stars Sian Barbara Allen. What can I say. I love Bette Davis in anything, especially made for tv movies, where something isn’t quite right with the family dynamic. Lots of vintage fun directed by Gordon Hessler

The Man Who Cheated Himself 1950

A veteran homicide detective witnesses his socialite girlfriend kill her husband. Then what ensues is his inexperienced brother is assigned to the case.Starring Lee J.Cobb, Jane Wyatt and John Dall

The Flying Serpent 1946

Classic horror/sci fi flick that just doesn’t get the attention it deserves. Almost as fun as The Killer Shrews.  Starring veteran actor George Zucco

The Pyjama Girl Case 1977

This more obscure Giallo film directed by Flavio Mogherini and starring one of my favorite actors Ray Milland, Also starring Mel Ferrer and the beautiful model/actress Delilah Di Lazzaro. I’ve left my passion for Giallo films in the dust these days, but I decided to watch one that was a little off the beaten track.

From IMDb- Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they’re wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together? Written by <jhailey@hotmail.com>

Cul-de Sac 1966

Directed by Roman Polanski starring Donald Pleasance and  Françoise Dorléac as Teresa

A wounded criminal and his dying partner take refuge in a sea side castle inhabited by a cowardly Englishman and his strong willed French wife. A bizarre dynamic unfolds as this eccentric couple once captives of the criminals at first, their relationship, strangely begins to evolve into something else.

Dr Tarr’s Terror Dungeon aka Mansion of Madness 1973

This is a mysterious and nightmarish excursion into “the inmates have taken over the asylum” theme. Based upon Edgar Allan Poe’s The System of Dr Tarr and Professor Feather

Blue Sunshine 1978

Three women are murdered at a party. the wrong man is accused of the crimes. yet still more brutal killings continue throughout the town. What is the shocking truth behind these bizarre epidemic of …people are losing their hair and turning into violent psychopaths?

Homebodies 1974

Starring Peter Brocco, Francis Fuller, William Hanson, the adorable Ruth McDevitt, Ian Wolfe and Paula Trueman playing elderly tenants who first try to thwart by rigging accidents, a group of developers from tearing down their building. Old homes and old people…It turns into murder! This is a wonderfully campy 70s stylized black comedy/horror film. I love Ruth McDevitt as Miss Emily in Kolchak : The Night Stalker series.

The ensemble cast is brilliantly droll and subtly gruesome as they try to stave off the impending eviction and relocation to the institutional prison life of a cold nursing home facility.

A modern Gothic commentary on Urban Sprawl, the side effects of Capitalism on the elderly and their dust covered dreams, and the fine balance between reverence for the past, and the inevitability of modernity.

The jaunty music by Bernardo Segáll and lyrics by Jeremy Kronsberg for “Sassafras Sundays” is fabulous!

The Evictors 1979

Directed by Charles B. Pierce whose style has somewhat of a documentary feel ( The Town That Dreaded  Sundown 1976 Legend of Boggy Creek 1972) This film has a very stark and dreading tone. Starring one of my favorite unsung naturally beautiful actresses, Jessica Harper ( Suspiria, Love and Death, Stardust Memories, and the muse Pheonix in DePalma’s Faustian musical Phantom of The Paradise ) and another great actor Michael Parks. A young couple Ruth and Ben Watkins move into a beautiful old farmhouse in a small town in Louisiana. The house has a violent past, and things start happening that evoke fear and dread for the newlyweds. Are the townspeople trying to drive them out, or is there something more nefarious at work? Very atmospheric and quietly brutal at times. Also stars Vic Morrow

Jennifer 1953

Starring Ida Lupino and Howard Duff. Agnes Langsley gets a job as a caretaker of an old estate. The last occupant was the owner’s cousin Jennifer who has mysteriously disappeared. Agnes starts to believe that Jennifer might have been murdered. Is Jim Hollis the man whom she is now in love with… responsible?

Lured 1947

Directed by Douglas Sirk and starring Lucille Ball, George Sanders and my beloved Boris Karloff!

There is a serial killer in London, who lures his young female victims through the personal ads. He taunts the police by sending cryptic notes right before he is about to murder again. Great cast includes Cedric Hardwicke, George Zucco and Charles Coburn...

Love From A Stranger 1947

A newly married woman begins to suspect that her husband is a killer, and that she is soon to be his next victim.Starring John Hodiak and and Sylvia Sidney

Savage Weekend 1979

Several couples head upstate to the country and are stalked by a murderer behind a ghoulish mask.

The Beguiled 1971

Directed by the great Don Siegel ( Invasion of The Body Snatchers 1956, The Killers 1964 Dirty Harry 1971 This stars Clint Eastwood, Geraldine Page and Elizabeth Hartman. Eastwood plays John McBurney who is a Union soldier imprisoned in a Confederate girls boarding school.  A very slow yet tautly drawn web of psycho sexual unease forms as he works his charms on each of these lonely women’s psyche.

The Mad Doctor of Market Street 1942

An old forgotten classic horror, starring Lionel Atwill and Una Merkel. Atwill plays A mad scientist forced out of society when his experiments are discovered. He winds up on a tropical island, there by holding the locals hostage by controlling and terrorizing them.

The Man Who Changed His Mind original title (The Man Who Lived Again) 1936

Directed by Robert Stevenson. Starring my most favorite of all Boris Karloff, and Anna Lee of Bedlam

Karloff plays Dr. Laurence, a once-respected scientist who begins to delve into the origins of the mind and  soul connection.

Like any good classic mad scientist film, the science community rejects him, and so he risks losing everything for which he has worked, shunned by the scientific community he continues to experiment and further his research, but at what cost!…

The Monster Maker 1944

This stars J. Carrol Naish and Ralph Morgan. Naish plays Dr Igor Markoff who injects his enemies with the virus that causes Acromegaly, a deformity that enlarges the head and facial structures of his victims.

The Pyx 1973

I love Karen Black and not just because she let herself be chased by that evil Zuni doll in Trilogy of Terror or dressed up like Mrs Allardice in Burnt Offerings. She’s been in so many memorable films, in particular for me from the 70s. Here she plays Elizabeth Lucy a woman who might have fallen victim to a devil cult. Christopher Plummer plays detective  Sgt. Jim Henderson investigating the death of this heroin-addicted prostitute. The story is told using the device of flash back to tell Elizabeth’s story.

Five Minutes To Live 1961

Johnny Cash, the immortal man in black, plays the very unstable Johnny Cabot, who is part of a gang of thugs who terrorize a small town. This is a low budget thriller later released as Door to Door Maniac. I could listen to Cash tune his guitar while drinking warm beer and I’d be satisfied, the man just gives me chills. Swooning little me…….!

The Psychic 1977

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In this more obscure EuroShocker, a clairvoyant… the gorgeous Jennifer O’ Neill, suffers from visions, which inspire her to smash open a section of wall in her husband’s home where she discovers a skeleton behind it.

She sets out to find the truth about how the victim wound up there, and if there’s a connection between their death and her fate as well!

Too Scared To Scream 1985

Directed by actor Tony Lo Bianco A killer is brutally attacking several tenants that live in a high rise apartment building in New York City.Mike Connors stars as Detective Lt. Alex Dinardo who investigates the killings. Also stars another unsung actress, Anne Archer, Leon Isaac Kennedy and Ian McShane

Violent Midnight 1963

An axe murderer is running loose in a New England town! Also known as Psychomania not to be confused with the fabulous British film of devil worshiping bikers who come back to life starring Beryl Reid. This film features Dick Van Patten, Sylvia Miles, James Farentino and Sheppard Strudwick. It’s got it’s own creepy little pace going for it.

When Worlds Collide 1951

Another classic sci fi world is headed toward destruction film, that I remember from my childhood. Starring Barbara Rush and John Hoyt, two of my favorite character actors. It’s a lot of fun to watch and a well made film that’s off the beaten path from… Forbidden Planet and War of The Worlds.

All The Kind Strangers  (1974 made for tv film)

Starring Stacy Keach, Sammantha Eggar, John Savage and Robby Benson

A couple traveling through a backwoods area are held hostage by a a group of orphan children who want them to be their parents. When ever an adult refuses to participate in the delusion, they are killed. Great disturbing made for tv movie.

The Todd Killings 1971

Directed by Barry Shear and starring Robert F. Lyons as Skipper Todd, a very sociopathic young man who holds sway over his younger followers like a modern day Svengali. Also starring Richard Thomas, Belinda Montgomery and the great Barbara Bel Geddes as Skippers mother who takes care of the elderly.

From IMDb-“Based on the true story of ’60s thrill-killer Charles Schmidt (“The Pied Piper of Tucson”), Skipper Todd (Robert F. Lyons) is a charismatic 23-year old who charms his way into the lives of high school kids in a small California town. Girls find him attractive and are only too willing to accompany him to a nearby desert area to be his “girl for the night.” Not all of them return, however. Featuring Richard Thomas as his loyal hanger-on and a colorful assortment of familiar actors in vivid character roles including Barbara Bel Geddes, Gloria Grahame, Edward Asner, Fay Spain, James Broderick and Michael Conrad.” Written by alfiehitchie

This film has a slow burning brutality that creates a disturbing atmosphere of social and cultural imprisonment by complacency and the pressure to conform, even with the non conformists.

Todd almost gets away with several murders, as the people around him idolize him as a hero, an not the ruthless manipulating psychopathic killer that he is. Frighteningly stunning at times. One death scene in particular is absolutely chilling in his handling of realism balanced with a psychedelic lens. This film is truly disturbing for it’s realism and for a 1971 release.

To Kill A Clown 1972

Starring Alan Alda and Blythe Danner. Danner and Heath Lamberts play a young hippie couple who couple rent a secluded cabin so that they can try and reconnect and save their marriage.

Alan Alda plays Maj. Evelyn Ritchie the man who owns the property and who is also a military raised- sociopath who has two vicious dogs that he uses as an extension of his madness and anger.