We’ve lost Carol Lynley, actress of 60s & 70s film and television. Carol was born Carol Anne Jones on Feb. 13, 1942 in New York City. Lynley worked as a model and in television from her teen years and performed on numerous early live dramatic television shows.
She suffered a heart attack on September 3rd at the age of 77. Perhaps she is best known for her role in the disaster epic The Poseidon Adventure (1972) playing Nonnie, the bright-eyed nymph on the doomed ocean liner turned upside down after a giant tidal wave hits the ship on New Year’s Eve. The Poseidon Adventure launched her into the public consciousness after Lynley lip synced over Maureen McGovern’s singing onscreen, as the ill-fated ship’s lead singer of the band, her brother flaunting his bad 70s hair and mutton chops at the piano. The song “The Morning After,” went on to win the 1973 Oscar for Best Song.
I’ve always been taken with Carol Lynley for many other roles along her diverse career. A child model who made it to the cover of Life magazine at age 15. After appearing in the 1958 Broadway play, she delivered a moving performance in the controversial screen version of Blue Denim in 1959, co-starring cutie Brandon De Wilde. She was nominated for a Golden Globe Award for Most Promising Newcomer! She then co-starred with Clifton Webb and Jane Wyman in Holiday For Lovers (1959).
Afterward she appeared in a variety of popular films, Return to Peyton Place(1961), and Under the Yum Yum Tree (1963) with Jack Lemmon. Carol Lynley appeared in the Otto Preminger film The Cardinal (1963). She was also in The Stripper (1963), and Shock Treatment (1964) where she plays a very disturbed young girl with hyper-sexual tendencies. In the same year she played Maggie Williams in The Pleasure Seekers. Lynley also took the role of Jean Harlow in the biopic Harlow (1965).
Carol Lynley in The Stripper (1963)
Carol Lynley and Gene Tierney in The Pleasure Seekers (1964)
Carol Lynley as Harlow
And her role as Ann Lake is superb. She plays a mother who claims her little girl vanishes after a day at her school. Otto Preminger’s Bunny Lake is Missing (1965), is one of my favorite psychological thrillers. She also appeared in the very dark and twisted The Shuttered Room (1965) co-starring Oliver Reed and Gig Young based on a story by horror writer August Derleth.
She was in Once You Kiss a Stranger… (1969) and I adored her as Gail Foster the girlfriend of Darren McGavin’s stalwart reporter of the uncanny and supernatural Carl Kolchak, in the fabulous television cult chiller directed by John Llewellyn Moxey, The Night Stalker (1972), the pilot that launched the groundbreaking series of the show that inspired The X Files!
Carol Lynley appeared in various television shows, Alfred Hitchcock Presents, The Alfred Hitchcock Hour, It Takes a Thief, Night Gallery, The Invaders, Kojak, The Man from U.N.C.L.E, Journey to the Unknown, The Sixth Sense, The Magician, The Evil Touch, Quincy M.E. and Police Woman, just to mention my favorites.
Vince Edwards and Carol Lynley in Alfred Hitchcock Presents (1955) episode The Young One
Christopher Walken and Carol Lynley in Kojak 1973
Carol Lynley possessed a certain kind of rare beauty and inner light, a subtle essence of fairy in her smile and soft glimmer in her eyes.
This is your EverLovin Joey saying goodbye Carol Lynley, gone but not forgotten. There will always be a morning after and my eternal love for you, beautiful girl.
“Unexpressed emotions will never die. They are buried alive and will come forth later in uglier ways.”
― Sigmund Freud
“Ladies and gentlemen- welcome to violence; the word and the act. While violence cloaks itself in a plethora of disguises, its favorite mantle still remains sex.” — Narrator from Faster, Pussycat! Kill! Kill! (1965)
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Patricia Morán as Rita Ugalde: The Exterminating Angel 1962:“I believe the common people, the lower class people, are less sensitive to pain. Haven’t you ever seen a wounded bull? Not a trace of pain.”
Ann Baxter as Teresina Vidaverri Walk on the Wild Side 1962—“When People are Kind to each other why do they have to find a dirty word for it.”
The Naked Venus 1959–“I repeat she is a gold digger! Europe’s full of them, they’re tramps… they’ll do anything to get a man. They even pose in the NUDE!!!!”
Baby Boy Franky Buono-Blast of Silence (1961)“The targets names is Troiano, you know the type, second string syndicate boss with too much ambition and a mustache to hide the facts he’s got lips like a woman… the kind of face you hate!”
Lorna (1964)-“Thy form is fair to look upon, but thy heart is filled with carcasses and dead man’s bones”
The Snake Pit (1948): Jacqueline deWit as Celia Sommerville “And we’re so crowded already. I just don’t know where it’s all gonna end!” Olivia de Havilland as Virginia Stuart Cunningham“I’ll tell you where it’s gonna end, Miss Somerville… When there are more sick ones than well ones, the sick ones will lock the well ones up.”
Delphine Seyrig as Countess Bathoryin Daughters of Darkness (1971)– “Aren’t those crimes horrifying. And yet -so fascinating!”
Julien Gulomar as Bishop Daisy to the Barber (Michel Serrault) King of Hearts (1966)–“I was so young. I already knew that to love the world you have to get away from it.”
The Lickerish Quartet (1970)–“You can’t get blood out of an illusion.”
THE SWEET SOUND OF DEATH (1965)– Dominique-“I’m attracted” Pablo-” To Bullfights?” Dominique-” No, I meant to death. I’ve always thought it… The state of perfection for all men.”
Peter O’Toole asSir Charles Ferguson Brotherly Love (1970): “Remember the nice things. Reared in exile by a card-cheating, scandal ruined daddy. A mummy who gave us gin for milk. Ours was such a beautifully disgusting childhood.”
Euripides 425 B.C.–“Whom God wishes to destroy… he first makes mad.”
WHAT DOES PSYCHOTRONIC MEAN?
psychotronic|ˌsīkəˈtränik| adjective denoting or relating to a genre of movies, typically with a science fiction, horror, or fantasy theme, that were made on a low budget or poorly received by critics. [1980s: coined in this sense by Michael Weldon, who edited a weekly New York guide to the best and worst films on local television.] Source: Wikipedia
In the scope of these transitioning often radical films, where once, men and women aspired for the moon and the stars and the whole ball of wax. in the newer scheme of things they aspired for you know… “kicks” yes that word comes up in every film from the 50s and 60s… I’d like to have a buck for every time a character opines that collective craving… from juvenile delinquent to smarmy jet setter!
FILM NOIR HAD AN INEVITABLE TRAJECTORY…
THE ECCENTRIC & OFTEN GUTSY STYLE OF FILM NOIR HAD NO WHERE ELSE TO GO… BUT TO REACH FOR EVEN MORE OFF-BEAT, DEVIANT– ENDLESSLY RISKY & TABOO ORIENTED SET OF NARRATIVES FOUND IN THE SUBVERSIVE AND EXPLOITATIVE CULT FILMS OF THE MID TO LATE 50s through the 60s and into the early 70s!
I just got myself this collection of goodies from Something Weird!
Just like Alice falling down the rabbit hole, Noir took a journey through an even darker lens… Out of the shadows of 40s Noir cinema, European New Wave, fringe directors, and Hollywood auteurs, brought more violent, sexual, transgressive, and socially transformative narratives into the cold light of day with a creeping sense of verité. WhileFilm Noir pushed the boundaries of taboo subject matter and familiar Hollywood archetypes it wasn’t until later that we are able to visualize the advancement of transgressive topics.
Bunny Lake Is Missing (1965) (British) is director/producer Otto Preminger’spsychological thriller, considered to be part of the noir cannon or Post-Noir yet embraces the suspense thriller sub-genre. A thriller about a little girl who may or may not exist! The film deals with the dread of losing yourself, not being believed, childhood nightmares which are rooted in the sense of lack of safety in the environment where they should be protected.
Starring Carol Lynley (The Cardinal 1963, Shock Treatment 1964,The Shuttered Room 1967) as Ann Lake and Keir Dullea (2001: A Space Odyssey 1968, Black Christmas 1974) as brother Stephen Lake, the Americans who relocate to London and exude a mysteriously emotionless manner even when they act frenzied, enraged or frantically distressed.
The film also stars Laurence Olivier as Superintendent Newhouse, Martita Huntas retired head schoolmistress Ada Ford, Anna Massey as the uptight Elvira Smollett, Clive Revillas Sergeant Andrews, playwright Noel Coward as Horatio Wilson, the lewd, drunken, seedy and lecherous Landlord who is creepy and inappropriate as he carries his little dog Samantha around with him everywhere. He’s also got a wicked whip collection… one which was once owned by the ‘master himself’ the Marquis de Sade.
Preminger filmed Bunny Lake Is Missing in stunning black & white using a widescreen format on location in London, hiring Director of Photography and cameraman Denys Coop (The Third Man 1949, Saint Joan 1957, Lolita 1962 and Billy Lair 1963) and Production Designer Don Ashton.
The story is based on the mystery novel by Marryam Modell using the pseudonym Evelyn Piper (who also wrote the novel,The Nanny 1965 brilliantly adapted to the screen starring Bette Davis as a very sympathetic yet disturbed nanny) With a screenplay by John and Penelope Mortimer, Preminger adapted Piper’s original novel and re oriented the story taking it out of New York and placing it in heart of London.
The incredibly striking, simplistic and evocative score was composed by Paul Glass (Lady in a Cage 1964) and used not only in the opening titles designed effectively by the great Saul Bass but the theme is used frequently as a childlike refrain, poignant and moving. The British group The Zombiesalso appear in a television broadcast, featuring three of their songs, “Remember You”, “Just Out of Reach” and “Nothing’s Changed.”
Hope Bryce (Anatomy of a Murder 1959, Exodus 1960, Advise and Consent 1962) was responsible for the Costume design.
A standout performance is Martita Hunt, the wonderful British character actress who was in Boris Karloff’s Thriller episode as the batty aunt Celia Sommerville in The Last of The Summervilles. Here, she plays the school’s eccentric retired old headmistress Ada Ford who listens incessantly to recordings of little children who tell their nightmares and dreams recorded on her reel to reel tape machine.
Columbia Pictures actually wanted Otto Preminger to cast Jane Fonda as Ann Lake, and Fonda was very anxious to play the role, but Preminger insisted on using Carol Lynley.
Much like the hype of Alfred Hitchcock’s Psycho, audiences were not allowed to tell the film’s ending. The film’s poster promoted a tagline “No One Admitted While the Clock is Ticking” I will also choose not to reveal the film’s coda in this post, so as not to give away the culmination of the film’s secrets or it’s finale.
Within the film’s openness, and it’s various environments, it appears that several of the frames are cluttered with visual odds and ends and bits and pieces, the sequence with the unbroken view of dolls, Wilson’s African masks and whips all evidence of the film’s sense of Fetishism.
Bunny Lake is Missing has a visual openness and fluidity which gives the film a striking dimension. The sweeping camerawork is familiar from the noir days of Preminger’s epic Laura (1944), although here it breaks away more completely from the enclosed environs of the 40s noir film.
Denys Coop’s diligent camera seems to peek into corners, moving through doors and up and down those iconographicSTAIRS becoming part of the film’s fretful and apprehensive rhythm. Coop uses peculiar camera angles and lights his subjects from below in order to distort the mood, and throw odd uncomfortable shadows on their faces.
BUNNY LAKE IS MISSING: THE SYNOPSIS
A single American mother Ann Lake (Carol Lynley relocates to London England to live with her journalist brother Stephen (Keir Dullea), Ann drops off her four year old daughter Felicia nicknamed ‘Bunny’ on the first day at her new nursery school “The Little People’s Garden.” When Ann returns to see how Bunny is getting on in school, she can not find a teacher or administrator present, except for a cranky German cook who is complaining about serving Junket (which is essentially gruel) played by Lucie Mannheim. Ann is forced to leave Bunny unsupervised in the building’s ‘first day’ room under the promise by the cranky cook that she will look after the child. Ann must rush to meet the movers who are awaiting her at the new apartment. When Ann returns in the afternoon to pick up her little girl, the cook has quit, and she becomes distressed when Bunny is no where to be found and the school’s employees Elvira Smollett (Anna Massey) and Dorothy (Adrienne Corri) who are left in charge fervently obstruct Ann’s attempts at locating Bunny even denying that the little girl was ever at the school in the first place. No one remembers having seen her. This creates a mood of distrust and paranoia.
Ann desperately calls her brother Stephen for help. Ann and Stephen were raised without a father, and Ann never married the man who got her pregnant. She and Bunny have depended on Stephen to take care of them. Brother Stephen becomes enraged by the carelessness of the school’s staff, but Scotland Yard begins to investigate the matter. In walks police superintendent Newhouse acted thoughtfully by Laurence Olivier assisted by Sergeant Andrews played by Clive Revill. Newhouse begins searching through the Lake’s belongings and the details of their lives trying to uncover what seems to be a mystery as to whether the child ever existed at all. He discovers that Ann once had an imaginary childhood daughter named Bunny, but even more odd is that there seems to be no presence of Bunny’s belongings at the Lake’s residence.
There are several red herrings which are inserted into the plot to divert us away from the truth. One such red herring involves retired headmistress, the eccentric Ada Ford played by the marvelous Martita Hunt who seems to have an odd sensibility about children and an acute understanding of childhood motivations which is quickly picked up on by the plasticine yet cold-blooded Stephen Lake.Yet another odd character in the mix is the lecherous landlord Horatio Wilson an aging writer and radio actor played by Noel Coward who revels in his African Fertility Masks and let’s himself into the Lakes apartment at will, in a perpetual state of inebriation lurking about making lewd gestures and propositions to Ann. He also has a collection of whips, exhibiting signs of his sadomasochistic proclivities.
All these strange characters give Inspector Newhouse a lot to digest, as he tries to eliminate all the possible suspects while trying to find a trace of Bunny that proves she actually does exist, not discounting the idea that Ann Lake is a delusional hysterical woman.
Ann and Stephen tell Inspector Newhouse that Bunny’s passport and all her belongings have also gone missing, assumed stolen during the mysterious burglary in the apartment. Another odd detail which doesn’t support Ann’s truly having raised this missing child, is that the school’s authorities claim that they never received a tuition check for a Bunny Lake.
Ann finally remembers that she has a ticket for the Doll Hospital where she took Bunny’s doll. She remembers this during a scene where Stephen is taking a bath, and brother and sister are both just smoking and talking like a married couple. The film constantly hints at traces of a very incestuous relationship, creepily manifested in several scenes, Stephens physical contact with Ann when he tries to comfort her and one other such overt scene while Stephen is taking his bath…