Danny Fuller (Dan Duryea) to Jane Palmer (Lizabeth Scott)- “Don’t ever change, Tiger. I don’t think I’d like you with a heart.
In celebration of our upcoming Anti Damsel Blogathon on August 15 & 16, I had this idea to provide a list of bold, brilliant and beautiful women!
From the heyday of Silent film and the advent of talking pictures, to the late ‘20s to 1934 Pre-Code Hollywood, films were rife with provocative and suggestive images, where women were kicking up a storm on screen… The end of the code during the early 60s dared to offer social commentary about race, class, gender and sexuality! That’s our party!
In particular, these bold women and the screen roles they adopted have become legendary. They sparked catchy dialogue, inspired fashion trends, or just plain inspired us… All together there are 111 of SOME of the most determined, empowered and uniquely fortified femmes of classic film…!
First of course I consulted the maven of all things splendid, shimmery and SILENT for her take on silent film actresses and the parts that made them come alive on the immortal screen…. Fritzi at Movies Silently has summoned up these fabulous femmes….
Stars like Bette Davis, Barbara Stanwyck , Joan Crawford and Ida Lupino managed to keep re-inventing themselves. They became spirited women with an inner reserve of strength and a passion for following their desires!
Pitfall stars Dick Powell as John Forbes a disaffected insurance agent working for Olympic Mutual Insurance who needs more umph in his life when the daily grind begins to get to him. He’s married to Jane Wyatt who needs more than just his boring kiss on the cheek. But she’s the good wife in this crime story!
Lizabeth Scott is one of the ultimate noir femme fatales. In Pitfall she plays the sultry Mona Stevens –And when Forbes comes to recover the embezzled loot that her boyfriend bad boy Bill Smiley (Byron Barr) absconded with and lavished on her, she tells Forbes- “You’re a little man with a briefcase.”
Next thing you know it’s late afternoon and Mona’s sobbing in her gin at the dimly lit cocktail lounge, and Johnny Forbes is just a sucker for those dreamy eyes and that wispy voice of hers…
Boyfriend Smiley’s got pinched and is spending a year in the slammer thinking that Mona’s gonna wait for him but she and Forbes begin spending time together. She even tells him about the motorboat Smiley gave her, and it get’s conveniently omitted from his report. I mean after that sea sprayed, whirling, bumpy, ride with her blonde hair blowing alongside the mighty wakes from her untamed steering style, it seems to get him just a bit unraveled– I’m surprised he didn’t lose his hat!
But Mona’s not all fatal and when she finds out he’s married she lets him off easy telling him though she’s the kinda girl he’s always dreamed of she’s gonna let him go ‘without an angle… I could be nasty, but I’m not going to be.”
And besides he doesn’t want to tempt fate any more than he already has…
Raymond Burr who plays the sinister private detective J.B. MacDonald who, Forbes hired to find Mona in the first place, is a tad unstable. He’s got a growing psychotic fixation on Mona and starts stalking her in the shadows. When Forbes confronts MacDonald– he wants revenge, so he visits Smiley in jail and tells him that the two are having an affair setting in motion an even bigger pitfall!
Watch out for those pitfalls… Your EverLovin’ MonsterGirl