Postcards From Shadowland No. 14

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12 Angry Men (1957) Directed by Sidney Lumet Lee J. Cobb, E.G. Marshall, Jack Klugman, Edward Binns, Jack Warden, Henry Fonda, Joseph Sweeney, Ed Begley, George Voskovec… also stars John Fiedler, Martin Balsam and Robert Webber
Broken Blossoms
Broken Blossoms (1919) Starring Lillian Gish as Lucy the girl.
C cigarettegirl
The Cigarette Girl from Mosselprom (Moscow) 1924 Directed by Yuri Zhelyabuzhsky -starring Yuliya Solntseva as Zina Vesenina- the cigarette girl
Christmas Holiday
Christmas Holiday (1944) Directed by Robert Siodmak-starring Deanna Durbin & Gene Kelly
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Curse of the Demon (1957) Directed by Jacques Tourneur-Starring Dana Andrews, Peggy Cummins and Niall MacGinnis
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Diana Dors as Eunice Higginbotham in My Wife’s Lodger (1952)
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Directed by Lew Landers Harry Woods is Borno in- Call of the Savage (1935)
Hi Dante's Inferno devil
L’Inferno 1911, Dante Alighieri “A Divina Comédia”, Directed by Giuseppe de Liguoro.
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The Sea Hawk 1924 Directed by Frank Lloyd
Hodiak and Bankhead in Lifeboat
Alfred Hitchcock’s Lifeboat (1944) cinematic stage play with the vast scope of the Ocean and the claustrophobic air of desperation. Brilliant performances by Tallulah Bankhead and John Hodiak looking his hunkiest best…
Ingmar Bergman's Virgin Spring
The Virgin Spring (1960) directed by Ingmar Bergman-disturbing journey of revenge
J Gilda
Gilda (1946) directed by Charles VIdor and stars the magnificent Rita Hayworth in the title role Gilda Mundson Farrell, here dancing with Glenn Ford. A film noir classic
Last Tango in Paris
Last Tango in Paris 1972 directed by Bernardo Bertolucci-stars Marlon Brando and Maria Schneider as a pair of angst filled lovers whose relationship is based on sex & death
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Man Made Monster 1941 starring Lionel Atwill as the deranged Dr Rigas
monsieur Verdoux
Monsieur Verdoux 1947 directed by and starring Charles Chaplin-brilliant dark comedy of murder and anti-conformity.
Night of the Hunter Gish & Co.
Charles Laughton’s oneric fable of childhood terrors, the bonds of friendship and the plight of Love vs Hate… Beautifully filmed- starring Lillian Gish as Rachel Cooper and Robert Mitchum as the diabolical Harry Powell in Night of the Hunter (1955)
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Jane Eyre 1943 directed by Robert Stevenson starring Peggy Ann Garner is young Jane.
Plunder Road
Plunder Road (1957) directed by Hubert Cornfeld, perhaps one of the most edgy crime story film noirs headed up Gene Raymond and Elisha Cook Jr.
Robert Ryan in The Set Up
The Set-Up (1949) Robert Ryan stars as boxer Stoker in Robert Wise’s extraordinary noir film centered around the boxing ring and a down on his luck fighter that still has a lot of fight left in him. One of my favorite film noir classics, much to do with Ryan’s performance and Milton R. Krasner’s cinematography…
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the Wonderful Norman Lloyd in Alfred Hitchcock’s Saboteur 1942
Seconds
Rock Hudson is psychologically and physically spun around on his head in Seconds 1966 by John Frankenheimer- A story about that precious commodity… one’s identity
Seeds of Sin 1968 Andy Milligan
SEEDS (1968) Directed by Andy Milligan- it’s seedy and low budget and the perfect exploitative indulgence…
Shack Out on I0I
Shack Out on 101 (1955) different styled film noir starring Lee Marvin as Slob.. directed by Edward Dein and co-stars Terry Moore and Frank Lovejoy
ship of fools
Stanley Kramer directs this incredible ensemble of actors in Ship of Fools (1965) Here showing George Segal, Michael Dunn and Lee Marvin
somwhere in the night john hodiak
John Hodiak tries to remember in Somewhere in the Night (1946) -a taut amnesia themed noir with great characters. Directed by Joseph L. Mankiewicz. Here with Fritz Kortner as Anzelmo or Dr Oracle.
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Street With No Name (1948) starring Mark Stevens and directed by William Keighly -This film noir also stars Richard Widmark and Lloyd Nolan…
sunrise
Sunrise (1927) directed by F.W. Murnau starring Janet Gaynor and George O’Brien-Beautifully filmed silent masterpiece
t-nightbirds
Nightbirds 1970 Andy Milligan’s gritty cult journey about two miscreants in London.
Terror From the Crypt
Terror in the Crypt aka Crypt of the Vampire 1964 directed by Camillo Mastrocinque based on the Karnstein saga with Adriana Ambesi and Ursula Davis and the immortal Christopher Lee
The Fiend Who Walked the West
The Fiend Who Walked the West (1958) directed by Gordon Douglas and starring Hugh O’Brian and a really psychotic Robert Evans.
The Scavengers 1959
The Scavengers 1959 starring Carol Ohmart directed by John Cromwell -an obscure film noir also starring Vince Edwards
The Secret Garden Margaret O'Brien
The Secret Garden 1949 starring Margaret O’Brien and a wonderful cast Herbert Marshall, Dean Stockwell, Gladys Cooper, Elsa Lanchester, Reginald Owen, Brian Roper, Aubrey Mather isobel Elsom and George Zucco fill out this fantasy drama directed by Fred M. Wilcox
the seventh sin
The Seventh Sin (1957) directed by Ronald Neame and Vincente Minnelli starring Eleanor Parker and Françoise Rosay Françoise Rosay as Mother Superior
The Soft Skin 1964 Francoise Dorleac
The Soft Skin 1964 Françoise Dorléac directed by François Truffaut
The Stranger 1946
The Stranger 1946 directed by Orson Welles
the terrible_people_1
The Terrible People (1960) directed by Harald Reinl adapted from the story by Edgar Wallace stars Joachim Fuchsberger
The Wild Boys of the Road thirty three
The Wild Boys of the Road 1933 directed by William Wellman
The Young One 1960
The Young One 1960 directed by Luis Buñuel starring Key Meersman as Evalyn. Also stars Zachary Scott and Bernie Hamilton
The-Exterminating-Angel
The Exterminating Angel (1962) directed by Luis Buñuel
The-Twilight-Girls
The Twilight Girls (1957) by André Hunebelle
To Kill a Mockingbird Jim and Dill
To Kill a Mockingbird 1962 directed by Robert Mulligan -John Megna as Dill and Phillip Alford as Jem. adapted from Harper Lee’s masterpiece

See you soon… Your EverLovin’ MonsterGirl!

Saturday Afternoon: Men Doing Science Again….!!!

Four Sided Triangle (1953)

Four Sided Triangle

Based on the novel by William Temple and adapted to the screen and directed by Terence Fisher, this intriguing, thought provoking British sci-fi melodrama invokes the question of creation, playing god, obsession and fate.

Barbara Payton  (Bad Blonde 1953) plays both Lena and Helen a beautiful women caught between two friends who have adored her since they were children. The brilliant Bill (Stephen Murray) invents a duplication machine, and has pined for Lena since he and Bill used to vie for her affections playing knights with wooden swords. But Lena has always been in love with Robin (John Van Eyssen) the other friend that make up the love triangle.

After succeeding in duplicating watches and rabbits Bill wants to try a human subject. One in particular! Tinges of Lang’s Metropolis...

When Lena and Robin get married, Bill asks Lena to allow him to reproduce her in his contraption so he can possess her too. And Lena agrees… the results are disastrous. Co-starring James Hayter as the sympathetic Dr. Harvey.

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Frankenstein 70 (1958)

Frankenstein1970

Karloff still possesses that lyrical majesty and does the best job he can with this slightly meandering 50’s schlocky script, directed by noir, cult, television drama and big box office–producer/director Howard W. Koch and written by Richard H Landau who scripted The Quartermass Experiment 1955, The Girl in the Black Stockings 1957

As always Karloff’s presence makes any film a joy to watch. He always took his acting seriously and it shows here, which makes this odd little modernity meets old mad science horror flick with some interesting set design and chilling moments worth watching.

Karloff plays the last of the line of Frankensteins who desperately needs money in order to continue his arcane experiments on the reanimation of the monster, he has hidden beneath the family crypt in the Castle. The monster is kept bandaged through out the film, (saves on make-up) and becomes a lumbering bandaged plaster of Paris block head with two hollow holes for eyes. Is it effective or defective… well, I focused on Boris Karloff most of the time.

Frankenstein is now using atomic energy to resurrect his ancestors creation (the lab is actually very groovy Strickfaden would approve), but needs a few more things, like an atomic reactor, brains, eyeballs etc.

Baron Von Frankenstein whose face is badly scarred from the Nazi’s who tortured when he refused to experiment on their victims, allows a film maker and his crew to shoot their low budget horror picture on the grounds, finds their presence an immortal intrusion but he is broke and must put up with the nuisance.

But– the aggressive and meddlesome bunch uncover Dr. Frankenstein’s secret laboratory and it just gets chaotic from there…

Rudolph Anders plays the Baron’s confidante Wilhelm Gottfried, and Norbert Schiller plays the very simple butler Shuter… poor poor Shuter…

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The Mask of Fu Manchu 1932

The.Mask.of.Fu.Manchu.1932

Directed by Charles Brabin and an uncredited Charles Vidor they offer this highly stylized horror/sci-fi-/fantasy hybrid from the 30s!

Boris Karloff is the diabolical genius Fu Manchu who only wishes to conquer the world with the help of his beautiful but equally nefarious daughter Fah Lo See played by the exquisite Myrna Loy.

Sir Nayland Smith of the British Secret Service played by Lewis Stone rushes to the Gobi Desert to find the mysterious mask and sword of Genghis Khan. He must get there before Fu Manchu possesses it’s power.

Fu Manchu kidnaps Sir Lionel Barton and tortures him in order to find out where the great treasures of Genghis Khan are buried in his lost tomb, but Barton refuses to tell…

Mean Sir Lionel’s daughter Sheila (Karen Morely) Sir Nayland Smith, Terrence Granville (Charles Starrett) and Von Berg (Jean Hersholt) set out to uncover the whereabouts of the relics before the evil menace can use them in his diabolical plan to conquer the world!

The Mask of Fu Manchu boasts the wonderful Kenneth Strickfaden designs!

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Your Ever Lovin’ MonsterGirl!

Twelve Neglected Characters from Classic Film.

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1) The tragically poetic Pete Krumbein in Edmund Goulding’s Nightmare Alley 1947 played by Ian Keith
Franzi Kartos Caught 1949
2) The flamboyant Franzi Kartos in Caught 1949 portrayed by Curt Bois ‘darling’
Fred Foss- The Dark Corner 949
3) Stauffer, alias Fred Foss in The Dark Corner 1946-played by the wonderful William Bendix in the white linen suit…
Jan Sterling in Women's Prison -Brenda
4) Good hearted kite hanger, Brenda Martin in Women’s Prison 1955 – the eternal pixie Jan Sterling
Brute Force Jeff Corey Freshman Stack
5) Jeff Corey, as the cringing,cowardly informer ‘Freshman’ Stack in Brute Force 1947
Granny Tucker
6) Beulah Bondi as spiittin’ Granny Tucker in Jean Renoir’s The Southerner 1945 ‘Ah shuckity’
Ma Stone- Jane Darwell, The Devil & Daniel Webster
7) Ma Stone in William Dieterle The Devil and Daniel Webster 1941– the grand Jane Darwell
Wills and Jewel talk at tea-Hush Hush Sweet Charlotte
8) Cecil Kellaway as Harry Wills and Mary Astor as Jewel Mayhew in Hush Hush Sweet Charlotte 1964
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9) Cliff the jazz sexed drummer in Phantom Lady 1944– the ubiquitous Elisha Cook Jr.
(Ladies in Retirement)
10) Quirky sisters Louisa and Emily Creed in Ladies in Retirement 1941Edith Barrett & Elsa Lanchester

From The Vault: Ladies in Retirement (1941)

LADIES IN RETIREMENT (1941)

Directed by Charles Vidor  the man responsible for the eminent noir classic, Gilda 1946 and no relation to the more well know King Vidor. With a screenplay by Reginald Denham (The Mad Room 1969 a modern reworking of the same play, Suspense, Kraft Theater and Alfred Hitchock Presents)

The Mad Room 1969 a modern reworking of Denham’s Ladies in Retirement starring Shelley Winters and Stella Stevens.

Based on his play, and given a cast of intelligent performers like Ida Lupino, Elsa Lanchester, Isobel Elsom, Edith Barrett, Evelyn Keyes and Louis Hayward. 

The film is a suspenseful story with tremors of ethical dilemma, evocative of pity and encompassed by the moor like fog of madness and desperation.

Ida Lupino plays the reticent Ellen Creed, housekeeper to the colorful Leonora Fiske (Isobel Elsom) who has retired from the music hall stage. Ellen is the obsessive guardian of her two loosely screwed sisters Emily and Louisa portrayed deliciously vague sort of loony by Elsa Lanchester (Emily) and Edith Barrett (Louisa).

Ellen manipulates Leonora to allow her quirky siblings to come and visit, well aware that she has no intention of making it a temporary stay. Once Leonora realizes that the two are batty, she demands that they leave forcing Ellen to do the unthinkable, to not only murder her employer, but create a deceptive strategy that will allow the sisters to dwell in sanctuary at the cozy manor house by the moors.

Unfortunately, Ellen not only has the full time job of wrangling her nutty sisters, she becomes the target of her blackmailing nephew Albert Feather, played with a dash of charming malevolence by Louis Hayward. ( And Then There Were None 1945, Ruthless 1958, House By The River, Night Gallery: Certain Shadows on The Wall.)

The film is moody, macabre, theatrical, with a musty air of Gothic as Leonora’s remains lay hidden in the coal bin behind the bricks, near the grand piano where she once boisterously sang Tit -Willow from The Mikado

The atmosphere stays closed in, as all three sisters flit about exposing their disconnection to reality. Evelyn Keyes is Lucy the house maid who brings a bit of naivete to the atmosphere as she too falls prey to Albert the ‘charming rogue” who gets her to participate unwittingly in his ruthless scheme of blackmail.

A quiet and delicately creepy hybrid of the old dark house sub genre of horror, mixed with suspenseful psychological thriller as it whimsically touches on the subject of mental illness and the darker sides of human nature.
The brooding Lanchester and the chattering, guileless Barrett (I Walked With A Zombie, The Ghost Ship, Jane Eyre all 1943) are wonderful as the one who is intense and a compulsive collector, to the one who is as fay as an aged wood sprite, wide eyed and childlike.
In contrast to the flightiness of her two sisters, the tightly coiled Lupino is beautiful and menacing as she anguishes over the fate of the peculiar pair who act more like undisciplined children, and less the blatant lunatics.
It’s the subtle intrusions of reality that impinge on the character’s terminal state of fantasy,which brings out the self-centered, insulated psyches of the two sisters. This creates the environment of insanity, and while they cause the situation to ignite a criminal conspiracy because of their unchallenged instability they are essentially harmless ultimately exposing Ellen as the most dangerous and cunning in the family.

Albert charms his way into Leonora’s home and heart!

Louisa Creed: I hate the dark. It frightens me.
Sister Theresa: It shouldn’t, my dear. Don’t you believe we’re watched over?
Louisa Creed: Oh yes. But I’m never quite sure who’s watching us.

Ida Lupino on the set of Ladies in Retirement 1941

There are thousands of films as fabulous as this in my collection, this is just one of them!-MonsterGIrl