A Trailer a Day Keeps the Boogeyman Away! Halloween A-Z

I

I Married a Witch 1942

I Married a Witch is a 1942 romantic comedy fantasy directed by René Clair. The movie combines elements of witchcraft and romance in a lighthearted and whimsical tale.

The story revolves around a 17th-century witch named Jennifer, played by Veronica Lake, and her father Daniel (Cecil Kellaway), who are burned at the stake by the Puritans. Before their execution, they curse the descendants of the man responsible for their demise, the Wooley family.

In a quest for vengeance, Jennifer cast a malevolent curse upon all future generations of the Wooley family, ensuring that each of their sons would be destined to marry the wrong woman, leading to a lifetime of unhappiness.

Their spirits have been trapped in a tree for centuries.

Fast forward to the 20th century, and lightning strikes the tree, releasing the spirits of Jennifer and Daniel. Jennifer, still a mischievous and enchanting witch, is determined to seek revenge on the Wooley family. However, when she meets Wallace Wooley, played by Fredric March, a descendant of her accuser, she finds herself falling in love with him.

Jennifer decides to abandon her vengeful plans and use her magical powers to win Wallace’s heart. She brews love potions, casts spells, and creates humorous chaos in the process. As their love story unfolds, Jennifer’s magical antics lead to a series of comical and unexpected situations.

I Bury the Living 1958

I Bury the Living will be a film I cover in-depth for Sunday Nite Surreal. So stayed tuned

I Bury the Living is a 1958 horror-thriller film directed by Albert Band. The strange and offbeat story uses a graveyard as its primary stage, to follow Robert Kraft (played by Richard Boone), a cemetery manager who discovers that the placement of black and white pins on a map (a map that is a matrix of a sardonic, animated face) of the cemetery seems to affect the fate of the individuals they represent. When he mistakenly places a black pin in a plot reserved for a living person, mysterious and tragic events begin to unfold the first time the uncanny deaths occur is when Kraft sticks the wrong pins in the plot owned by newlyweds, and winds up dead. The question of the film is, was it a mere coincidence, or can Kraft control who lives or dies?

As the body count rises, Kraft becomes increasingly obsessed with unraveling the deadly secret behind the map, leading to a suspenseful and chilling exploration of fate, superstition, and the boundaries of reality. Theodore Bikel plays Andy McKee. Frederick Gately’s (Wicked, Wicked 1975, mostly working in television) cinematography almost gives the film the effect of being a stage play.

The Incredibly Strange Creatures 1964

An oddity, Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? is a cult film released in 1964, directed by Ray Dennis Steckler, who also appears in the film as the character Jerry (Ray Dennis Steckler aka "˜Cash Flag'). The movie is often considered one of the worst films ever made and has achieved a certain notoriety in the realm of cult and exploitation cinema. The low production values, amateurish acting, and incoherent plot have contributed to its reputation as a “so bad it’s good” movie.

The film’s plot is quite bizarre and disjointed, featuring a mix of elements like romance, hypnotism, murder, and musical numbers, and yet nothing is ever fully explained such as the reason for the acid-disfigured victims kept in a cage. It follows bad boy Jerry and his friends as they attend a beach carnival, where Jerry becomes hypnotized by Madam Estrella and is compelled to commit murder. The film then follows his efforts to resist the urge to kill and uncover the secrets of the sinister Madam Estrella though the motives of Madam Estrella and her aide, Ortega, are also unclear.

Unemployed jerk Jerry (Ray Dennis Steckler credited in this oddity as "˜Cash Flag') is pals with sidekick Harold (Atlas King), but he’s a lousy boyfriend to Angela (Sharon Walsh). When he takes her on a date to the beach carnival, they go to see a mysterious fortune-teller named Madam Estrella (Brett O'Hara). Jerry is attracted to one of the dancers at the carnival named Carmelita (Erina Enyo) which pisses off Angela. Jerry is invited to come backstage and is put under a hypnotic spell by Madam Estrella and soon begins to go on a murder spree killing dancers, beginning with headliner Marge Neilson (Carolyn Brandt). Jerry is haunted by strange hallucinations and soon learns the news of the carnival killings. When he seeks out Angela, he gets a wave of murderous lust again and nearly kills her too. Jerry is determined to learn Madam Estrella's hidden secrets.

Also, the film features various dance costumes and scenes from the carnival midway, which are noted for their historical interest as they capture the atmosphere of the Long Beach Pike in the early 1960s.

Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? has garnered a cult following among fans of low-budget and exploitation cinema. It is often appreciated for its unintentional humor and its unique blend of genres and elements. Interesting note:

The three cameramen who started their careers under Ray Steckler’s guidance would go on to leave indelible marks in the film industry. Joseph V. Mascelli, for instance, authored a widely acclaimed cinematography manual, plied his trade as a cinematographer for Arch Hall Sr., and even took a shot at directing his own Z-horror film, “Monstrosity.”

In parallel, the camera operator Vilmos Zsigmond and his assistant, László Kovács, who had fled Hungary in the tumultuous year of 1956, embarked on their ascent with the Hollywood camera profession. Their involvement in “Incredibly Strange Creatures” marked one of the early steps in their dedicated climb, how ironic – they began their remarkable careers with one of the worst films ever made.

Island of Terror 1966

Island of Terror is a 1966 British horror film directed by Terence Fisher. The story unfolds on a remote island off the coast of Ireland, where a group of scientists led by Dr. Brian Stanley (played by Peter Cushing) and Edward Judd as Dr. Davis West becomes embroiled in a terrifying ordeal.

A series of gruesome deaths occur on the island, with victims reduced to skeletal remains, and the local population is gripped by fear. Dr. Stanley and his team soon discover the cause of these horrors: the island has become infested with deadly, gelatinous creatures resembling turtle-like amoebas with tentacles, which suck the bones out of their victims, leaving them as lifeless husks. The monocellular creatures are reminiscent of those in Caltiki, the Immortal Monster 1959 which also features a scene in which one of the characters loses a hand.

In the pursuit of a potential cancer cure on a remote island nestled off the Irish coast, the project’s esteemed scientist unwittingly creates a monstrous new organism that thrives by devouring all other living creatures.

As the scientists and the island’s inhabitants attempt to combat the horrific creatures, they realize that traditional weapons are ineffective against them. The film explores themes of scientific curiosity, survival, and the desperate struggle to find a way to defeat the relentless, bone-devouring monsters. The film also stars Niall MacGinnis as Mr. Roger Campbell. Offering support to David West is his beloved socialite girlfriend, Toni Merrill (Carole Gray).

Island of Terror features two well-known actors in British cinema, Sam Kydd plays the constable, John Harris who discovers a missing farmer dead in a cave. The frightening discovery reveals the body is a mass of jelly. Eddie Byrne (Hammer’s The Mummy, The Vengeance of Fu Manchu) is the island doctor, who mocks mere simplicity used to describe the gruesome condition of the corpse: “There was no face, just a horrible mush, with the eyes sittin’ in it.” 

Fisher knows how to create an eerie landscape and in this horror/sci-fi hybrid, the mood is suffocating due to the isolation and the inescapable reality that they are all marooned on this remote island. The village is encircled by these insatiable parasites, as they try desperately to survive while scrambling to find a way to exterminate these organisms before catastrophe strikes. Of course, there’s a twist ending… the scenario repeats itself in Japan.

The Incredible Two-Headed Transplant 1971

The Incredible 2-Headed Transplant is a 1971 science fiction horror film directed by Anthony M. Lanza. The story revolves around an ambitious scientist, Dr. Roger Girard (Bruce Dern), who conducts a groundbreaking and ethically questionable experiment.

Dr. Girard successfully performs a head transplant, attaching the head of a convicted murderer, Max (played by Albert Cole), to the body of a mentally disabled man, Danny (played by John Bloom). The result is a grotesque and unnerving two-headed lumbering mess. Max and Danny’s conflicting personalities and desires create chaos and tension within their shared body.

As Dr. Girard struggles to control his increasingly unhinged creation, Max’s criminal tendencies resurface, leading to a series of violent and deadly actions. The trashy pick also stars Pat Priest (The Munsters) Berry Kroeger, and Casey Kasem.

The Incredible 2-Headed Transplant is known for its cheesy, campy, and exploitative nature, more ridiculous than bizarre, or macabre. It has become a cult classic for all the obvious reasons.

This is your EverLovin’ Joey saying ‘I’ will see you around the snack bar while I pick up an icy cup of the letter J!

Boris Karloff’s Thriller 1960s television series

Thriller-graphic

From the show’s opening iconic musical score, you know something deliciously sinister is about to occur. The word THRILLER appears against a fractured white web like graphic title design quite a bit in the style of Saul Bass. The discordant piano and horn stabs of modern jazz already bring you into the inner sanctum of menacing story telling. As Boris would often say as a precursory welcome,“Let me assure you ladies and gentlemen, as sure as my name is Boris Karloff, this is a thriller.”

boris karloff thriller

Boris Karloff’s THRILLER was an anthology series that ran from 1960-1962. It included 60 minute B&W episodes, 67 in all, that were expected to compete with The Twilight Zone and Alfred Hitchcock Presents.

Thriller ad

The series was developed by Executive Producer Hubbell Robinson and producers William Frye, Fletcher Markle  & Maxwell Shane for MCA’s Revue Studios. The format was somewhat plagued by two ambivalent themes, leaving the show’s narrative straddling both crime melodrama and tales of the macabre genres. But… either atmospheres created by some of the best writers, directors and players delivered a highly intoxicating blend of both.

“I think the title leaves the stories wide open to be based on melodrama not violence or shock. They’ll be stories about people in ordinary surroundings and something happened to them. The whole thing boils down to taste. Anybody can show you a bucket of blood and say-‘This is a bucket of blood’, but not everyone can produce a skilful story”-Boris Karloff (1960)

Karloff starred in five episodes: The Prediction, The Premature Burial, The Last of the Somervilles, Dialogues With Death, and The Incredible Doctor Markesan.

Many of the stories were based on writing taken from Weird Tales and scripted by that magazine's contributors such as Robert Bloch (author of the novel Psycho) who wrote one of my favorite episodes The Cheaters as well as adapting his story The Weird Tailor.

Other contributing writers were Donald S. Sanford, Richard Matheson, Barré Lyndon and August Derleth John Kneubuhl, Alan Caillou, Robert Hardy Andrews, Charles Beaumont, Robert Arthur, William D. Gordon, Jay Simms and Wilkie Collins.

THRILLER had an incredible line up of serious dramatic players. Leslie Nielsen, Mary Astor, Rip Torn, Patricia Barry, Richard Anderson, Martin Gabel, Cloris Leachman, Fay Bainter, Victor Buono, Audrey Dalton, Alan Caillou, Elisha Cook, Robert Lansing, Mary Tyler Moore, Beverly Garland,Warren Oates, Werner Klemperer, Harry Townes, Jack Weston, Paul Newlan, Ed Nelson, Mildred Dunnock, Phyllis Thaxter,William Shatner, Elizabeth Allen, Guy Stockwell, Susan Oliver, Nehemiah Persoff, Torin Thatcher, Marlo Thomas, Robert Vaughn, John Ireland, Pippa Scott, Jeanette Nolan, Guy Rolfe, Hazel Court, Lloyd Bochner, Brandon DeWilde, Sidney Blackmer, George Macready, Tom Poston, Constance Ford, Elizabeth Montgomery, John Carradine, Edward Andrews, Estelle Windwood, Bruce Dern, Jo Van Fleet, Jane Greer, Richard Long, Ursula Andress, Lillian Bronson, Reta Shaw, Dick York, Howard McNear, Richard Carlson, Nancy Kelly, John Fiedler, Linda Watkins, Martita Hunt, George Grizzard, Robert Middleton, Natalie Schafer, James Griffith, Bethel Leslie, Patricia Medina, Richard Chamberlain, Sarah Marshall, Conrad Nagel, Reggie Nalder, Henry Jones, Russell Johnson, Natalie Trundy, Diana Millay, Philip Carey, Kathleen Crowley, Susan Oliver, J. Pat O’Malley, Judith Evelyn, Tom Helmore, Robert Vaughn, Virginia Gregg, Scott Marlowe, Judson Pratt, Marion Ross, Antoinette Bower, Jocelyn Brando, William Windom, George Kennedy, Abraham Sofaer, Monte Markham, Patricia Breslin, Charles Aidman and so many other great character actors.

Ida Lupino Looking Through Movie Camera
Ida Lupino directed Last of the Summervilles, The Lethal Ladies, The Bride Who Died Twice, La Strega, The Closed Cabinet, and What Beckoning Ghost? Guillotine, Mr. George, and Trio for Terror

The series drew much of its artist edge because of the directors who contributed their stylistic observations of the storytelling like Robert Florey, a French Screenwriter who was responsible for contributing to The Outer Limits, Alfred Hitchcock Presents, and The Twilight Zone as well as assistant director on Murders In The Rue Morgue and the 1946 film The Beast With 5 Fingers yet another take of the Orlac saga. John Brahm directed the 1944 version of The Lodger and Hangover Square. Much of the overall tone of the series combined elements of film noir and classical horror. The shadowy gray-toned cinematography created so much of the atmospherics for some of the most memorable episodes in the series. Pigeons From Hell is yet another story adapted from Weird Tales Magazine. This episode was directed by John Newland of One Step Beyond, a television series consisting of half-hour episodes that were purported to be based on true paranormal events. Some other notable directors who contributed their work to the series were the ever-versatile Ida Lupino, Arthur Hiller, Lazlo Benedak, (The Wild One ’53) Hershel Daugherty, Paul Henreid, Douglas Heyes, and Jules Bricken.

THRILLER’S musical compositions seemed to be sculpted perfectly for each episode, underscoring the haunting and poignant quality of each story in such an evocative way that the music itself became integral to the narrative. The subtly intrinsic emotional quality in each of the arrangements help forge a climate of the distinctive theater of dramatic and unearthly chills.

thriller music

Jerry Goldsmith, Morton Stevens & Pete Rugolo  wrote some of the most vivid and beautiful melodies for the series. I was inspired by the episode God Grante That She Lye Stille, to name a song on my album Fools and Orphans after it.

Henry Daniell, who in addition to his marvelous face, had a wonderfully theatrical voice, plays the 17th-century reincarnation of his ancestor Vicar Weatherford in God Grante She Lye Stille. He condemns the witch Elsbeth Clewer to be damned to the fires of hell and burn at the stake. Memorable is his invocation “God Grant That She Lye Still.” in that measured and lucidly flowing tone of his.”Thou shall not suffer a witch to live!”

CapturFiles
Henry Daniell in God Grant That She Lye Stille.

Daniell would inhabit several striking characters in the series, including Dirk van Prinn the alchemist in The Cheaters.

jane_eyre-04
Henry Daniell as the cruel headmaster in Jane Eyre 1943.

thriller04

I’ll be writing about some of my favorite episodes in depth because THRILLER was so ahead of its time in terms of the serious and artful risk-taking of the various directors on board, the incredibly spellbinding storytelling and dialogue, inspired set & art design, experimental cinematography, dramatic performances, and evocative musical scoring.

Together the confluence of all these elements contributed to a show that often pushed the boundaries of what you might expect from a 1960s television series. Its moody, compelling, and haunting quality, has not been duplicated on any other anthology series of its type to date. Although I also feel passionate about The Outer Limits for much of the same reasons, a show philosophizing on morality with a very science fiction lens. I plan on covering that series in depth as well. Alfred Hitchcock Presents & The Alfred Hitchcock Hour was a fabulous mystery series that also merged noir with suspense. This is another show I’ll be talking about in the future. Yet THRILLER holds a special fascination for me, partly due to my enduring love for Boris Karloff.

Somehow THRILLER seemed to encapsulate its own Gothic methodology and mythos.

The sets had a uniquely eerie landscape and their own vitally uncanny, bizarre, and shadowy environment. Not unlike the way Val Lewton seemed to create his own unique cycle of supernaturally themed shadow plays for RKO.

The show still evokes chills and Gestalt responses in me even after having watched these episodes a hundred times over.

Also notable is Jack Barron’s make-up on the series, including The Incredible Doktor Markesan~

So please stay tuned as I journey back to Boris Karloff’s Thriller and wander through some of my most treasured episodes I’d love to share with you!

Also notable is Jack Barron’s make-up on the series, including Doktor Markesan

thrillerpic

a few scenes from a most groundbreaking & thrilling series!

A Wig for Miss Devore
A Wig for Miss Devore – Patricia Barry & Linda Watkins.
capturfiles_263
The Storm-Nancy Kelly.
capturfiles_431
What Beckoning Ghost?-Judith Evelyn.
Fingers of Fear
Fingers of Fear- Robert Middleton.
Mr George
Mr.George- Virginia Gregg and Lillian Bronson.
Masquerade
Masquerade – John Carradine, Tom Poston, and Elizabeth Montgomery.
capturfiles_420
Rose’s Last Summer– Mary Astor.
Parasite Mansion
Parasite Mansion- James Griffith and Jeanette Nolan.
Pigeons from Hell
Pigeons From Hell– Ottola Nesmith.
Prisoner in the Mirror
Prisoner in the Mirror – Lloyd Bochner.
The Cheaters
The Cheaters- Mildred Dunnock.
cm-capture-27
The Ordeal of Doctor Cordell-Robert Vaughn.
the grim reaper
The Grim Reaper– himself.
the hollow watcher
The Hollow Watcher– Audrey Dalton.
the hungry glass
The Hungry Glass– William Shatner and Joanna Heyes.
The Premature Buriel
The Premature Burial- Sidney Blackmer.
The Purple Room
The Purple Room.
the remarkable mrs hawk
The Remarkable Mrs. Hawk– Jo Van Fleet.
the weird tailor
The Weird Tailor- Sandra Blake & Hans the Mannequin.
The Incredible Doktor Markesan
The Incredible Doktor Markeson – Boris Karloff.
Doktor Markeson
Doktor Markeson
Karloff_sign_1
There are 2 episodes listed that never made it to the screen- A Secret Understanding and The Black-Eyed Stranger.

Season One –

thriller_banner2

Season Two