THE SILENT YEARS: When we started not giving a damn on screen!
In celebration of our upcoming Anti Damsel Blogathon on August 15 & 16, I had this idea to provide a list of bold, brilliant, and beautiful women!
There was to be no indecent exposure of the ankles and no SCHWOOSHING! Not in this Blogathon baby!
From the heyday of Silent film and the advent of talking pictures to the late ‘20s to 1934 Pre-Code Hollywood, films were rife with provocative and suggestive images, where women were kicking up a storm on screen… The end of the code during the early 60s dared to offer social commentary about race, class, gender, and sexuality! That’s our party!
In particular, these bold women and the screen roles they adopted have become legendary. They sparked catchy dialogue, inspired fashion trends, or just plain inspired us… Altogether there are 111 of SOME of the most determined, empowered, and uniquely fortified femmes of classic film…!
First of course I consulted the maven of all things splendid, shimmery, and SILENT for her take on silent film actresses and the parts that made them come alive on the immortal screen…. Fritzi at Movies Silently has summoned up thesefabulous femmes…
Now to unleash the gust of gals from my tornadic mind filled with favorite actresses and the characters that have retained an undying sacred vow to heroine worship… In their private lives, their public persona and the mythological stardom that has & still captivates generations of fans, the roles they brought to life, and the lasting influence that refuses to go away…!
Because they have their own unique rhythm to the way they moved through the world… a certain kind of mesmerizing allure, and/or they just didn’t give a hoot, a damn… nor a flying fig!
“The most courageous act is still to think for yourself. Aloud”-Coco Chanel
Stars like Bette Davis, Barbara Stanwyck, Joan Crawford, and Ida Lupino managed to keep re-inventing themselves. They became spirited women with an inner reserve of strength and a passion for following their desires!
The following actresses and their immortal characters are in no particular order…!
“Down This Street Raced Dead-End Violence… Down This One Stretched Excitement Taut As Silk!”
Directed by Arnold Laven this noir acts as part police procedural, starring gruff he-man Broderick Crawford( the pre Tony Soprano alpha male, bull in the china shop cop) who plays FBI Agent John ‘Rip’ Ripley. Likable and mild mannered Kenneth Tobey plays his partner agent Zack Stewart who is gunned down from the shadows while juggling three cases that might be interrelated. John Ripley continues to hunt down the relationship between all these cases and find his partner’s murderer!
One connection involves gangster Joe Walpo as Ripley finds his hideout through Joe’s glitz and glamorous girl friend Connie Anderson played by Martha Hyer. Joe gets gunned down, and cleared of Stewart’s killing. Connie won’t be receiving anymore shiny things in the mail anymore!
The Second link involves a car-theft ring which Ripley, uses the wife of Vince Angelino (Gene Reynolds) to turn on his fellow thugs, when Vince finds out that they have roughed up his gentle and blind wife Julie, played by the beautiful Marisa Pavan.
The last and most disturbing case involves Kate Martell, the victim of an extortionist who says he’ll kidnap her little girl if she doesn’t fork over some cash. He calls using a creepy threatening voice and sends her on wild goose chases, trying to break her down, so she’ll pay the $10,0000 ransom.
Kate is played by the brassy Ruth Roman.There are a lot of dubious suspects surrounding her. The menacing uncle Max played by Jay Adler, and the smarmy, drooling suiter Dave Milson played byMax Showalter. How will this thriller play out in 3 dark streets!?
Directed by William Berke, Screenplay by Henry Kaneand based on the novel The Mugger by the great pulp mystery writer Evan Hunter as Ed McBain!
Starring again another likable actor Kent Smithwho plays Dr.Peter Graham a psychiatrist who works for the police department, living in a dark city anywhere U.S.A.
“We need good cops, even if you are a psychiatrist now.”
There’s a mysterious masher stalking women, ritualistically slicing their left cheek and stealing their purses as a trophy. Pretty gruesome for 1958 film goers. The mugger escapes undetected until his last victim is actually murdered! The film stars Nan Martin, a cop who goes undercover as a dime a dance girl, James Franciscus, and Stefan Schnabel. With bit parts by Beah Richards as a ‘maid’ (god forgive Hollywood and their ever present stereotyping) a young George Maharis as Nicholas Grecco, a possible slime ball. And the first time appearance of Renee Taylor as a cheap hussy who is physically abusive to her wormy husband.
The film uncovers a lot of unsavory characters, in the dark underbelly of a city that is diseased in a way that might breed a handbag, cheek slashing maniac! As Dr.Graham tries to draw conclusions about the sort of man who would attack these women, we meet a handful of offbeat characters along the way as the likable police psychiatrist and his woman cop girlfriend are on the track of ‘the mugger’ terrorizing the city.
Very gritty and realistic slice of psycho=sexual agression run amok in the city and hidden secrets within a small struggling America family!
“They all had one thing in common… The terrifying night they met!”
Written for the screen by Collier Young ( Former husband to Ida Lupino and Joan Fontaine and written by Ida Lupino. Directed by Don Siegel , starring Howard Duff who plays detective Jack Farnham an honest cop with a beautiful wife Francey (Dorothy Malone) who loves him. His partner Cal Bruner,(Steve Cochran) is a little more dark and brooding and rough around the edges. He’s hungry for something better than suburban living with ‘pay on time’ furniture and a small backyard with a grill and a white fence.
Both detectives while staking out a robbery, in which $300,000 was stolen, stumble onto the hot cash. Of course, Farnham wants to turn it into Captain Michaels played by the meditative Dean Jagger.
But Bruner has fallen hard for night club singer Lili Marlowe played by the one and only Ida Lupino. She’s great as the unattainable women who’s been burned once before and is now wearing asbestos lipstick. Cal is just too swarthy and smitten with Lili and soon, they go up in smoke!. Lily has very high expectations for herself, and loves nice shiny things. And Cal wants to give her anything she wants, but refuses to live like Farnham on a cop’s salary, playing nice little suburban couple struggling to get by.
Number 36 refers to the locker the money is hid inside of, while Farnham roils and ruminates over his dilemma.
Does he become a rat and turn in his partner or should he do what’s expected and go to Captain Michaels with the missing money and the truth!
“These are the Night Faces…living on the edge of evil and violence…making their own.”
A man down on his luck falls in with a criminal. After a senseless murder, the two are lynched.
Directed by Cy Enfield and written for the screen by Joe Pagano, based on his novel The Condemned.
It stars Frank Lovejoyas Howard Tyler and Kathleen Ryan as Judy Tyler. Two ordinary people in this allegory about how a decent human being can be directed to do a desperate or violent act in order to survive and protect their own family. Taken over by a fanatical young con-man, petty thief and psychopath named Jerry Slocum, played by Lloyd Bridges. Slocum preys on the Tyler’s need for money, Slocum convinces Tyler to be involved in a kidnapping scheme that goes horribly wrong and ends in murder.
The narrative unfolds more deeply as a condemnation of sensationalist journalism that can incite a mob mentality which feeds off the lurid details, culminating in a destructive force, almost worse than the original crimes committed.
Richard Carlson plays Gil Stanton a newspaper man who eventually has a pang of conscience, although much too late!
The ending is quite potent, powerful and remains a stunning commentary. The imagery holds a very powerful message in the final moments of the film…
PS: it seems that both The Sound of Fury 1950 and Fury 1936 Fritz Lang’s film starring Spencer Tracy are based on the same true events -from TRIVIA IMDb:
Based upon the 1933 kidnapping and murder of Brooke Hart, son of the owner of Hart’s Department Store in San Jose, California. Two suspects were arrested and jailed, but a lynch mob broke into the jail, dragged out the suspects and took them across the street to a city park where they hanged them from a tree
Hope you get to see at least one of these lesser known Noir/Thriller goodies!- Til next time!-MonsterGirl