From The Vault: The Queen of Spades (1949)

“The Dead Shall Give Up Their Secrets!”

THE QUEEN OF SPADES 1949

The Queen of Spades is a masterpiece if ever I saw one. Associate Producer Jack Clayton was on board for this film, directed by Thorold Dickinson (Gaslight 1940) who came onto the project last minute. Adapted to the screen by Rodney Ackland and Arthur Boys from the story written by Alexander Pushkin. The story could have easily been dreamt up by Aleksei Tolstoy,  Ivan Chekhov -(The Drop of Water) Nikolai Gogol  or even Oscar Wilde.

My partner Wendy even mentioned Edgar Allan Poe as she watched along with me. It brought to my mind, his short story Never Bet The Devil Your Head. Which of course was brought to life by Frederico Fellini in the segment of Spirits of The Dead 1968 called Toby Dammit, featuring the work of actor Terence Stamp.

Terence Stamp as Toby Dammit in the segment of the same name as part of Spirits of The Dead. Directed by Frederico Fellini 1968 Based on the short story by Poe, Never Bet The Devil Your Head.
From Mario Bava’s Black Sabbath 1963 vignette The Drop of Water based on a story by Chekhov.
Boris Karloff stars in an adaptation of Tolstoy’s story in the segment about The Wurdelak.

It’s clear that Russians are very good at telling Ghost stories and notorious for telling tales about selling your soul to the Devil!

The Queen of Spades, stars Anton Walbrook, Edith Evans, Yvonne Mitchell and Ronald Howard.

The gorgeous music scored by Georges Auric   (Beauty and The Beast (1946), The Innocents (1961), and Wages of Fear 1953 just to mention a very few!) is as heart wrenching as it is heroic, drawing out the exquisite melody and chord changes to reach the soul and twist it into knots while it lingers.

What can I say about the gorgeous cinematography by Otto Heller.The odd camera angles are reminiscent of the great German Expressionist movement, something from Fritz Lang or the use of light and darkly dreamy angles like that of Carl Theodor Dreyer.

Even without any sound, the story would have emerged from the screen as a powerful cautionary tale, rife with grotesque and compelling characters.

The film is an arresting fairytale, that’s dreamy, and haunting in it’s imagery and perhaps, yes perhaps as visually stunning as I dare say Jean Cocteau’s  La Belle et la Bête 1946 or Julian Duvivier’s Flesh and Fantasy 1943 and collaborative efforts of Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer’s Dead of Night 1945.

Betty Fields and the mysterious mask salesman in Flesh and Fantasy
Michael Redgrave and his dummy in Dead of Night

There are frames so masterfully conjured in shadow, that you might even think you’re watching Film Noir or an obscure Val Lewton production. Either way, The Queen of Spades sort of defies being labelled a specific genre.

It has it’s own melancholy fantasy that draws from many elements of  the mystery/suspense crime/noir and supernatural horror gems of that golden age, when visual structure was as essential to the narrative as was the character development and dialogue.

Anton Walbrook is wonderful as Moira Shearer’s domineering impresario Boris Lermontov in Michael Powell and Emeric Pressburger’s The Red Shoes 1948

Anton Walbrook  plays the bitter and venomous Capt.Herman Suvorin an army engineer, who is so poisoned by his resentments toward the ruling aristocracy , that he wants to gain his own wealth, and punish those around him who have benefited by their birthright and title. Suvorin does not want to take life as it comes, he wants to “Grab life by the throat and force it to give him what he wants!”-Suvorin.

This he conspires to do by trying to learn the secret of winning at a card game named Faro, from the Old Countess Ranevskaya, played by Edith Evans.

The marvelous British actress Dame Edith Evans
It’s always a bad omen to draw The Queen of Spades!

After a frustrating night of watching a few of his fellow army officers play Faro, taunting Herman as if he was not of the same class, he bursts out of his room in a self absorbed rage, and wanders onto the streets and into a dusty old book store, first picking up a book about Napoleon Bonaparte whom he admires (his portrait hangs in Herman’s humble room) because Napoleon came into his power at age 26!

Herman Suvorin possess a similar intensely maniacal quality that makes him a very unapproachable,manipulative and unlikable man. Looking at him was like “looking into the eyes of Satan!”

Fatefully placed next to Napoleon’s book is another book, suddenly and with a creepy alacrity, the old bookshop owner picks up the ancient bound leather and starts relating it’s contents to Herman, as if he’d been chosen the messenger… warning Suvorin about the secrets and dangers of tampering with the universe. The old man told Herman that he’d either wind up having riches… or lose his eternal soul!

“You might wind up gaining a fortune or losing your precious soul!”

In terms of appearance and demeanor I thought of Riffraff from Rocky Horror Picture Show, and wondered if this little bookish crypt keeper was an inspiration for Richard O Brien!

Herman purchases the book for 3 rubles, and starts reading aloud to us. This mysterious book, about people making deals with the Devil, and a certain mysterious Count d. Saint Germaine who lived in an isolated palace and molded wax images of his chosen victims, thereby trapping their souls forever in his power.

Herman Suvorin slowly and thoughtfully recites to us from the book:

Containing the true stories of people who sold their souls in return for wealth, power or influence"¦ Chapter IV The Secret of The Cards
Countess R"¦(Countess Ranevskaya )
In the year seventeen hundred and forty six, (60 years ago)
The Count d. Saint Germain arrived in St. Petersburg.
He chose for his residence, a palace on the outskirts of the city.
and soon there were strange rumors, about the weird dwelling and it’s mysterious occupant. It was certainly true that in the vaults of the palace. he had a curious collection of wax figures, which, so it was whispered, contained the souls of those who had fallen under his evil influence. He would derive intense please from modeling the wax figures from his intended victims, each one of whom was chosen.
with deliberate appreciation. Thus the countess Ranevskaya, acknowledged as the most beautiful woman in Russia came to excite his attention. He learned that in spite of a jealous husband, all the men had vied for her favors.

Sleeping with a handsome stranger, gets The Countess into grave trouble!
This stranger warns the Countess of having amorous encounters, then robs her of her jealous husband’s money!

When the last of the guests had left. the countess went down the secret stairway.. To admits the young stranger she had promised to meet. She alone had the key to the hidden door. They had an amorous meeting. He was a cad and threatened her with scandal. Taking all her money. She was haunted by the fear of scandal. She needed to replace the money. In her despair she remembered the message from Saint Germain. she had no alternative but to answer the mysterious summons.  She would sell her soul"¦ anything  to save herself…

Is Saint d. Germain really The Devil?

Germain’s messenger tells the young Countess to meet him at his palace!

In Saint Germain’s vault of waxworks, just before the darkness closes in, and the Countess screams off screen…

Continue reading “From The Vault: The Queen of Spades (1949)”

Postcards From Shadowland No.2

BORN TO KILL (1947) Directed by Robert Wise starring Claire Trevor and Lawrence Tierney
CAGED (1950) Starring Eleanor Parker, Agnes Moorehead and Ellen Corby
The Cape Canaveral Monsters 1960
The Spiral Staircase 1945 directed by Robert Siodmak, Starring Dorothy McGuire, George Brent and Ethel Barrymore
Phantom Lady 1944 Directed by Robert Siodmak, starring Ella Raines, Franchot Tone and Elisha Cook Jr.
I Walked With A Zombie 1943 Produced by Val Lewton, directed by Jacques Tourneur, edited by Mark Robson, written for the screen by Curt Siodmak and starring Frances Dee, James Ellison and Tom Conway.
MAN HUNT 1941 directed by Fritz Lang, starring Walter Pidgeon, Joan Bennett and George Sanders
QUICKSAND 1950
The Naked Kiss 1964
PUSHOVER 1954 directed by Richard Quine, starring Kim Novak and Fred MacMurray
The Seventh Victim 1943 Produced by Val Lewton and directed by Mark Robson, starring Kim Hunter, Tom Conway and Jean Brooks.
THE BURGLAR 1957 Directed by Paul Wendkos and starring Dan Duryea, Jayne Mansfield and Martha Vickers
Sunset Blvd. 1950 directed by Billy Wilder, starring Gloria Swanson and William Holden.

A Trailer a day keeps the Boogeyman away! The Haunted Palace (1963) & Die Monster Die (1965)

The Haunted Palace (1963)

“A warlock’s home is his castle…Forever!”

It’s 1865 in Lovecraft’s mythical town of Arkham. Charles Dexter Ward (Vincent Price) arrives at the small village to visit the house he inherited from his ancestor who died there 100 years ago.

In 1765, the inhabitants of the Gothic New England town are suspicious of the strange goings-on up in the grand ‘palace’ that overlooks the village. They suspect its inhabitant, Joseph Curwen, of being a warlock! What is the ghastly secret behind the mysterious afflictions of the town’s people, and the curse the Curwen name seems to hold over the place…what utter horrors lye in wait for this descendent of Joseph Curwen!

Released by American International Pictures, utilizing that rich Pathécolor director Roger Corman was becoming known for using lavish color to paint the movie frames in his Gothic adaptations of Poe. While they used Edgar Allan Poe’s name in touting this film it actually springs from H.P Lovecraft’s novella  The Case of Charles Dexter Ward, with a screenplay by Charles Beaumont. The title is merely borrowed from a poem by Poe.

Starring the inimitable Vincent Price as the cursed ancestor, with Lon Chaney Jr. as caretaker Simon Orne, and Debra Paget as Charle’s wife Ann. Also appearing are Elisha Cook Jr. and Bruno VeSota.

“What was the terrifying thing in the PIT that wanted women?”

It’s Monday… Let’s show some more H.P. Lovecraftian  Love!!!!!!

DIE MONSTER DIE 1965

“Can you face the ULTIMATE in DIABOLISM!…can you face PURE TERROR!”

Boris Karloff  is Nahum Witley a wheelchair-bound scientist who has uncovered a meteorite that emits radioactive rays which turn plants into mutants in his greenhouse. Freda Jackson plays Letitia Witley, Nahum’s wife who like the monstrous plants, becomes contaminated by the deadly glowing cosmic rays!

The wooden Nick Adams, plays Stephen Reinhart the customary combative fiancé to daughter Susan Witley (Suzan Farmer). Also co-starring Terence de Marney as Merwyn and Patrick Magee as Dr. Henderson. Directed by Daniel Haller who also directed The Dunwich Horror 1970.

Written for the screen by Jerry Sohl  and based on Lovecraft’s The Colour of Outer Space

I’ll just go crawl away now friends! Yours truly-MonsterGirl!

Postcards From Shadowland No.1

A Cry In The Night 1956 starring Brian Donlevy,Edmund O’Brien and Natalie Wood.
Among The Living 1941 starring Albert Dekker, Susan Hayward and Francis Farmer.
Cape Fear 1962 starring Gregory Peck, Robert Mitchum and Polly Bergen-Directed by J.Lee Thompson
Crime Without Passion 1934 starring Claude Rains, Margo, and Whitney Bourne
I Walked With A Zombie 1943 starring Frances Dee, Tom Conway and James Ellison. Directed by Jacques Tourneur and scripted by Curt Siodmak
Stanley Kubrick’s Killer’s Kiss 1955 starring Frank Silvera, Irene Cane and Jamie Smith
Ann Margaret in Kitten With A Whip 1964 directed by Douglas Heyes
Mambo 1954 starring Silvana Mangano, Michael Rennie, Vittorio Gassman and Shelley Winters.
The Naked Kiss 1964 directed by Sam Fuller and starring Constance Towers, Anthony Eisley and Michael Dante.
Fritz Lang’s The Secret Beyond The Door (1947) starring Joan Bennett, Michael Redgrave and Anne Revere.
No Orchids for Miss Blandish 1958, starring Jack La Rue, Hugh McDermott, and Linden Travers
Night and The City (1950) starring Richard Widmark, Gene Tierney. Googie Withers and Hugh Marlowe. Directed by Jules Dassin

That’s it for now from the shadows-MonsterGirl

From The Vault: Flesh & Fantasy (1943)

FLESH AND FANTASY 1943

Released by Universal in 1943 Flesh and Fantasy is by brilliant director Julien Duvivier, and co-produced by Charles Boyer, and still remains an obscure forgotten horror gem.

Fatalistic, philosophical, Impressionistic, and hauntingly romantic, it dabbles in destiny and the dynamism of fate’s meddling hand in our lives. Are we all free souls, or is life predetermined for us? Part social commentary with an edge of ironic charm, utilizing elements of the supernatural to drive the narrative.

The three episodes star Robert Cummings and Betty Field, Edward G. Robinson and Thomas Mitchell,  & Charles Boyer, and Barbara Stanwyck. Robinson and Stanwyck are two of my favorite actors!

The film revolves around 3 vignettes, the first written by Eliis St. Joseph, the second adapted from Oscar Wilde, and the third written by László Vadnay.

Turning out a collection of eerie stories told by Gentlemen at their club. The stories are framed by Robert Benchley as Doakes and David Hoffman as Davis.

The first stars Betty Field as Henrietta a dowdy woman who comes upon a mysterious mask during Mardis Gras and then goes to a party festooned with regalia, turbulence, and a romantic game of cat-and-mouse with the handsome Michael (Robert Cummings) A beautifully tragic tale of loneliness and the essence of what beauty is. The use of masks creates a nightmarish landscape of human disconnection.

The shop of mysterious masks.

The second vignette is an adaptation of Oscar Wilde’s, Lord Arthur Saville’s Crime, which stars Edward G. Robinson as Marshall Tyler, a lawyer who is told by a Fortune Teller Septimus Podgers (Thomas Mitchell) that he is going to kill someone. Also at the affair is Dame May Whitty as Lady Pamela Hardwick and C. Aubrey Smith as the Dean of Norwalk.

Playing out the obsessive victim, Tyler devolves ever increasingly into a world of malefic paranoia in that way that Robinson is so good at. He spirals into madness as he is surrounded by reflections and warning shadows, and an impending dread, that creates a sense of the film being a Horror/Noir hybrid. The use of shadow does invoke a bit of Jacques Tourneur’s style as well.

In the third installment, Charles Boyer plays an acrobat in the circus named Paul Gaspar, who has a premonition of fatal consequences surrounding his high-wire act. Gaspar has a dream one night before his performance that he falls to his death, and so he decides to take a cruise, where he meets the woman from his dream, Joan Stanley played by Barbara Stanwyck, who was the one person he could still hear screaming as he plunges to his death! This episode concludes the film with a dreamy and grim set of atmospherics.

Impressionism in Nightmares-Symbolism-and the fear of falling…

the woman in dreams, is she as unattainable in real life?

THE GREAT GASPAR: that drunken gentleman of the tightrope will walk 75ft. in the air without a net!

Flesh and Fantasy predate by two years another wonderfully suspenseful ensemble of ghostly stories, Dead of Night 1945 starring Michael Redgrave in the iconic short tale of the ventriloquist and his frightening dummy sidekick!

Never trust a guy who’s made of wood and lets you stick your hand up his shirt for no money!

There are thousands of wonderful obscurities in my collection, this is just one of them!

See it for yourself-MonsterGirl

MonsterGirl & Meleva the Gypsy!

MonsterGirl is on the go! I’ll be back in a few weeks folks! Stay tuned…

I’m about to leave the beautiful coast of Maine and settle in for a while in Caldwell NJ! So MonsterGirl is on the move again, but not silent for long.I’ll be blogging and recording my music soon enough! But while this journey isn’t Wanderlust on my part, it certainly sort of brings out the true gypsy blood in me!!!!

So here’s to Maria Ouspenskaya as Meleva! I don’t have the earrings, but oy do I have the Babooshkas on hand. So hang in there, and I’ll be posting more in the next few weeks, once I get settled into my new digs.

PS: It’s an 110 year old Victorian and I swear it’s haunted!!!! It’ll make for some inspiring posts, I bet!

Maria Ouspenskaya plays Meleva the Gypsy in George Waggner’s 1941 Universal Horror Classic The Wolf Man 1941

Maria Ouspenskaya as Meleva the Gypsy!
Jo Gabriel singer/songwriter-gypsy and part time blogger as MonsterGirl

Written by the prolific Curt Siodmak and starring Lon Chaney Jr. as the ill- fated Lawrence Talbot the Wolfman, Claude Raines as Sir John Talbot Sr and Bela Lugosi as Bela the gypsy! Also starring Evelyn Ankers.

Here’s a to howling successful move to N.J friends!-Joey (MonsterGirl)

MonsterGirl’s Fiend of The Day! The Thing That Couldn’t Die (1958)

The Thing That Couldn’t Die 1958

The Live Severed Head of Gideon Drew!

Directed by Will Cowen and Starring Carolyn Kearney (Molly Bancroft in Doktor Markeson episode of Thriller) as Jessica Burns, a young girl with psychic abilities who, like a dowser,

uncovers the ancient chest containing the severed head of Gideon Drew ( Robin Hughes), which has been buried for centuries on her aunt’s ranch. Once released from his entombment…

Gideon’s head wreaks havoc trying to be reunited with his evil body, as he used to be a 16th-century devil worshiper who Sir Francis Drake beheaded!

“Greed had made them unearth an evil that was centuries old!”

Like ‘Jan in the pan,’ it’s Gideon in the hatbox!

“The grave can’t hold it …nothing human can stop it!”

Keep Your Chin Up!- MonsterGirl

A trailer a day keeps the Boogeyman away! Blood and Roses (1960)

BLOOD AND ROSES 1960

Et mourir de plaisir (To Die of Pleasure)

European Director/Provocateur Roger Vadim (And God Created Woman 1956, Barbarella 1968, Spirits of The Dead 1968, Pretty Maids All In A Row 1971) adapts Sheridan Le Fanu’s tale of sensuality, jealous Obsession, and Vampirism.

The Gorgeous Annette Vadim is ‘Carmilla’ Karnstein who is jealous of her cousin Leopoldo de Karnstein’s (Mel Ferrer) upcoming engagement to the beautiful Georgia Monteverdi (Elsa Martinelli).

Carmilla’s fixation manifests itself in the form of a female ancestor who is a vampire, which possesses her thus beginning a siege of terror at the family estate, culminating in a surreal and stunning bloodbath.

Stumbling onto the ancestral tomb! Is it real or imagined?

This is a beautiful cinematic horror film… a surreal journey that is at times told in dream-like sequences that are utter visual feasts for the Gothic soul. Blood and Roses has some of the most memorable imagery, and tastefully lensed eroticism, especially for ‘Lesbian Vampire’ aficionados. One of my favorite classic Euro horror films of the 1960s.

“To Die of Pleasure”

Happy Trailers- MonsterGirl

A trailer a day keeps the Boogeyman away! She 1935 ‘She who must be obeyed!’

SHE 1935  by H Rider Haggard

KINO VIDEO’s colorized version of H.Rider Haggard’s fantastical tale of immortality and passions literally on fire!~ Directed by Lansing C Holden and Irving Pichel

I am planning a more in depth overview of this beautiful film that plays like a surrealist opera, with extravagant choreography and fantastic art and visual design. Massive quasi Sumerian /Deco sets by Art Director Van Nest Polglase and set direction by Thomas Little. A stunning score by Max Steiner

 Costume Design by Aline Bernstein and Harold Miles

Randolph Scott  plays Leo Vincey  the descendant of his identical looking ancestor who claims to have visited an ancient lost land over 500 years ago, where exists the secret of immortality within the eternal flames of a mystic fire. Over seen by an immortal Queen called ‘She’ the entrancingly beautiful Helen Gahagan

Vincey sets out with family friend Horace Holly, the wonderful Nigel Bruce to discover this mysterious legend, taking along with him as well, the beautiful Tanya Dugmore (Helen Mack), a guide’s daughter.

They struggle through the frozen terrain of the Russian arctic, until they stumble upon Kor, the hidden civilization brutally reigned over by the vicious Queen She. Once She sets her sights on Leo, she believes that it is her beloved John Vincey, her long lost lover who left her behind 500 years ago!

“From H. Rider Haggard’s weird, wondrous story of the beautiful woman who bathed in flame and lived 500 years .. at last to find her first love at this very hour!”


 

Happy Trailers- Eternally Yours-MonsterGirl

A trailer a day keeps the Boogeyman away! Play Misty For Me (1971)

Play Misty For Me 1971

Dave has a brief fling with a sexy fan who calls his radio program and asks him to “Play Misty For Me.” Unfortunately, this one-night stand between a savvy playboy disc jockey and an obsessed female fan turns into a nightmarish game of cat and mouse.

Spirally toward a deadly climax once a woman enters the picture.

The story is by Jo Heims (You’ll Like My Mother, 1972, Nightmare in Badham County, 1976, and uncredited for Dirty Harry, 1971).

Directed and starring that guy with the satin-toned whispering voice, Clint Eastwood, as Dave, Jessica Walter as the psychotically iconic Evelyn Draper, and Donna Mills as Dave’s love interest, Tobie.

Also starring John Larch as Sgt. McCallum.

Original soundtrack by Dee Barton and great use of Roberta Flack’s timeless song The First Time Ever I Saw Your Face. Predating Adrian Lyne’s Fatal Attraction, Walter’s portrayal of an obsessive psychopath is absolutely stunning. Truly one of the most memorable thrillers in film history!

“The scream you hear may be your own!”

“… an invitation to terror…”

Happy Trailers – MonsterGirl