HUSH…HUSH SWEET CHARLOTTE (1964) – Continued
Charlotte is sipping her coffee and hears a car pull up. She’s holding her shot gun. She sets the china cup down and starts to get up, moving toward the door, we hear a small bird chirping, then the police vehicle is coming up the drive encircled by glorious oak trees. Charlotte closes the door and runs to the great hall calling “Velma!” Velma comes to the top of the banister looking through the wooden slats down at Charlotte. She hangs over the edge “What?” in a long drawn out suspension of the word.
Velma is unpretentious and could be perceived as a crude woman. She’s like an unmade bed or someone who looks like she just rolled out of one, and she doesn’t throw away her words. She strong, sensible and reliable. Velma, disheveled, unkempt by the years of working as a caretaker to her Miss Charlotte, is misleadingly simple yet she is sturdy and obviously faithful to her mistress. Continue reading “Grande Dame/Guignol Cinema: Aldrich’s Hag Cinema: Hush…Hush Sweet Charlotte Part IV “Murder starts in the heart and it’s first weapon is a vicious tongue””