A trailer a day keeps the Boogeyman away! Wicked, Wicked (1973)

“See the hunter, see the hunted – both at the same time!”

WICKED, WICKED (1973)

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Directed and written by Richard L. Bare who usually wrote for television offers us this classic schlocky & obscure little horror thriller from the 70s boasting the technique of ANAMORPHIC DuoVision, employing the use of split- screen to tell the story about a psychotic killer in a creepy fright mask dismembering blondes at the Grandview Hotel. Starring Tiffany Bolling (The Candy Snatchers 1973, Kingdom of the Spiders 1977) as singer Lisa James, Scott Brady plays Police Sgt. Ramsey and Edd Burns (77 Sunset Strip) is ‘Hank’ Lassiter a sleazy lifeguard. With appearances by Madeleine Sherwood, Arthur O’Connell and Roger Bowen.

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Tiffany Bolling singing Wicked Wicked, wish I could have a guy playing bass that looks like this dude…wow

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It’s been wicked fun!- MonsterGirl

A Trailer a day keeps the Boogeyman Away! Between Two Worlds (1944)

BETWEEN TWO WORLDS (1944)

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Produced by Jack L Warner and Mark Hellinger and directed by Edward A.Blatt, with a screenplay by Daniel Fuchs and based on Sutton Vanes play “Outward Bound” this story is a journey with an extraordinary ensemble cast, featuring John Garfield, Paul Henreid, Sydney Greenstreet, Eleanor. Parker, Edmund Gwenn, George Tobias, George Coulouris, Faye Emerson, and Isobel Elsom.

With an beautifully evocative score by Erich Wolfgang Korngold (Kings Row 1942,The Sea Wolf 1941)

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The film begins with an air raid during WWII, in which several people are unable to seek shelter. As the film transcends it’s earthly boundaries, it emerges as a mystical and melancholy tale of lost souls thrown together on a mysterious ship, trying to grasp the meanings of their lives, as they reflect and react to each other.

Aboard this strange ship which acts as a traveling Pergatory the players must wait and see if their final destination will either be heaven or hell, as their paths become clear to them, and they awaken to their final destinies.

Tom Prior: I read a great epitaph once, I’m gonna steal it for myself.
Scrubby: Sir?
Tom Prior: Here lies Prior, died a bachelor. Wifeless. Childless. Wish his father’d died the same.

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Here in this world, saying be happy-MonsterGirl

Quote of The Day!-The Lady From Shanghai (1947)

THE LADY FROM SHANGHAI 1947

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Orson Welles is the black Irish seaman chump Michael O’Hara who falls head long into a web of desire, subterfuge and murder, when he stumbles across (Everette Sloane) Arthur Bannister’s wife Mrs. Elsa Bannister (the exquisite Rita Hayworth) out for a carriage ride in the park one night. With one of the most staggering climaxes in Film Noir!

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“I never make up my mind until it’s over and done with.”- Michael O’Hara

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-MonsterGirl

Twelve Neglected Characters from Classic Film.

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1) The tragically poetic Pete Krumbein in Edmund Goulding’s Nightmare Alley 1947 played by Ian Keith.
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2) The flamboyant Franzi Kartos in Caught 1949 portrayed by Curt Bois ‘darling’
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3) Stauffer, alias Fred Foss in The Dark Corner 1946-played by the wonderful William Bendix in the white linen suit…
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4) Good-hearted kite hanger, Brenda Martin in Women’s Prison 1955 – the eternal pixie Jan Sterling.
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5) Jeff Corey, as the cringing, cowardly informer ‘Freshman’ Stack in Brute Force 1947.
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6) Beulah Bondi as spiittin’ Granny Tucker in Jean Renoir’s The Southerner 1945 ‘Ah shuckity’
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7) Ma Stone in William Dieterle’s The Devil and Daniel Webster 1941– the grand Jane Darwell.
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8) Cecil Kellaway as Harry Wills and Mary Astor as Jewel Mayhew in Hush Hush Sweet Charlotte 1964.
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9) Cliff the jazz sexed drummer in Phantom Lady 1944– the ubiquitous Elisha Cook Jr.
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10) Quirky sisters Louisa and Emily Creed in Ladies in Retirement 1941Edith Barrett & Elsa Lanchester.
11) The wonderful stoolie Mo whose saves for her headstone and plot out on Long Island played with that razor-sharp wit of Thelma Ritter in Pickup on South Street (1953).
12) Jack Oakie as Slob in Jules Dassin’s realism masterpiece Thieves’ Highway (1949).

 

From The Vault: Picture Mommy Dead (1966)

“who hated Jessica enough to kill her “that” way?”

Picture Mommy Dead  1966

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Susan Gordon plays Susan Shelley a demented child not unlike Jan Brady, just released from a convent/ institution run by nuns…where she’s been placed after suffering from the shock of seeing her mother, (the flamboyant Zsa Zsa Gabor) Jessica Flagmore Shelley be consumed by flames in her opulent bedroom.

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Susan still traumatized by the haunting memories of her mother’s horrific death and surrounded by some of the creepiest toys in all tarnation, comes home to the palatial hearth with father Don Ameche as Edward Shelley and his new lusty, conniving second wife Francene played by sexy  Martha Hyer. Edward is so blinded by his desire for Francene that he’d sell out the whole estate contents and all to give his conspiring hussy all the money, vacations, and furs she wants.

Francene starts sneaking around again with brother-in-law Anthony Flagmore played by Maxwell Reed. Flagmore’s face has been charred from that fateful night when Mommy went up in flames. His odd presence and faithfulness to his pet hawk, add an air of the macabre to the already heady script.

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The brazen couple plot to drive little Susan over the edge, while trying to get her to reveal the whereabouts of her mother’s missing diamond necklace.

This Grande Dame horror film is a little gem from the vintage 60s, by director Bert I Gordon, and also boasts a great supporting cast with, Wendell Corey, Signe Hasso, and Anna Lee. It’s creepy, it’s campy and a wonderfully colorful psychosomatic romp. Cinematography by Ellsworth Fredericks, who was director of photography on Invasion of The Body Snatchers 1956 and the sublime Mister Buddwing 1966 which I’ll be writing about soon) The soundtrack includes The Hearse Song sung by Gordon‘The worms crawl in, the worms crawl out.’

Portrait of Mommy

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Hedy Lamarr gets passed over by Bert I. Gordon.

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“Through a Child’s Eyes You Will See Torment … Murder … And Flaming Passion!”

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Be nice to mother now!- MonsterGirl

From The Vault: The Long Dark Hall (1951)

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THE LONG DARK HALL 1951

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Directed by Reginald Beck, and Anthony Bushell. Written by Nunnally Johnson, Edgar Lustgarten is based on his book “A Case To Answer” and W.E. Fairchild. With cinematography by Wilkie Cooper (Stage Fright 1950, Jason and The Argonauts 1963), granting wisps of shadowy montages that are equally noirish, suspenseful, and simply splendid.

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Patricia Cutts gets no sympathy from me after slipping him a mickey and letting loose that darn Tingler on poor unsuspecting Vincent Price.

Yielding and obsessive Rex Harrison plays Arthur Groome a London gentleman married to the devoted and lovely Mary (Lilli Palmer.)Unfortunately, Arthur becomes consumed by a flirtatious showgirl Rose Mallory (Patricia Cutts), who winds up being brutally knifed in her boarding house room, and left for the credulous Groome to become suspect one. First gets the splatter of Rose’s blood on his jacket, but then fails to prove his innocence in a sea of circumstantial evidence.

Condemned to hang, this allows the real serial killer played by the tall and eerie Anthony Dawson who looks frightened all the time, a destroyer of wanton women who sees himself as ‘an instrument of justice‘, still lurking about, first at the trial spouting off about his obvious philosophy on sexually independent women, and then creepily shadowing poor Mrs. Groome, whom he idealizes as the perfect woman.

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I’ll be up the long dark hall til next time! -Yours always- MonsterGirl