Saturday Nite Sublime: House of The Damned (1963) or The Sideshow in the Basement or It Aint Over Til The Fat Lady Says So!

This post contains spoilers! I do reveal the end of the film, as it was the interesting conclusion, that inspired me to write about the film…

House of The Damned (1963):

Behind These Doors… The Unbearable Otherness

But, I that am not shap’d for sportive tricks,
Nor made to court an amorous looking-glass
I, that am rudely stamp’d and want love’s majesty
To strut before a wanton ambling nymph;
I, that am curtail’d of this fair proportion,
Cheated of feature by dissembling nature,
Deform’d unfinish’d sent before my time
Into this breathing world scarce half made up,
and that so lamely and unfashionable
That dogs bark at me as I halt by them-

-Shakespeare, King Richard III, I.I.14-23

Merry Anders plays the attractive and likable Nancy Campbell married to Scott Campbell (Ron Foster) an architect who is hired by their mutual friend Joseph Schiller( Richard Crane), to survey a castle up in the Hollywood hills. It’s more like a Hollywood Spanish fortress set in the middle of nowhere, for the reclusive Rochester’s who had it built for privacy.

Upon driving up to the Rochester Castle up on the isolated hill, it brought to mind the long opening driving sequence in House on Haunted Hill (1959), with its similar eccentric mansion, opulent… a monstrosity… Same with Eleanor Lance driving up to Hugh Crane’s twisted damned architectural fiend that was Hill House.

Continue reading “Saturday Nite Sublime: House of The Damned (1963) or The Sideshow in the Basement or It Aint Over Til The Fat Lady Says So!”

Obscure Scream Gem: Strangler of The Swamp (1946) “Oh, this swamp breeds more rumors than mosquitos.”

Old legends – strange tales – never die in the lonely swamp land. Villages and hamlets lie remote and almost forgotten. Small ferryboats glide between the shores, and the ferryman is a very important person. Day and night he is at the command of his passengers. On his little barge ride the good and the evil; the friendly and the hostile; the superstitious and the enlightened; the living and – sometimes – the dead.

Directed by Frank Wisbar from his own story, also co-written for the screen by Leo J. McCarthy. Make-up by Bud Westmore. Also co-starring Effie Laird as Martina Sanders, Nolan Leary as Pete Jeffers, Frank Conlan as Joseph Hart, Therese Lyon and Virginia Farmer.

This is a hauntingly beautiful re-make of director Frank Wisbar’s own 1936 German film Faehrmann Maria a retelling of the legend of Death and The Maiden. Which started Sybille Schmitz, the memorable victim of Carl Dreyer’s Vampyr (1931).

The enticing German film actress… Sybille Schmitz
Scene from Wisbar’s Fahrmann Maria 1936

Another scene from Fahrmann Maria 1936

It’s an effectively creepy story from the Poverty Row Film Company PRC who brought us The Devil Bat and The Flying Serpent. While this is a low budget B movie, it is quite effective to watch as the ghost of Douglas seems to dissolve in and out of the darkness.

There is an essence of the slow and dreamlike stylization that is similar to Dreyer’s work, at work here in Strangler of The Swamp. The setting is a lonely backwoods swamplands where the villagers live under a terrible curse left by a wrongly accused man hung for a crime he did not commit.

The Ghost of Ferryman Douglas and Maria Hart

Three women from the village including Martina Sanders glide down the bayou on the ferryboat with Joseph Hart, evoking a mythical quality as if used as augury like that of  The Furies designating Joseph’s ill fated path for his sins of false witness and murder.

Three women of the village including Martina Sanders glide down the bayou on the ferry like The Furies.

Continue reading “Obscure Scream Gem: Strangler of The Swamp (1946) “Oh, this swamp breeds more rumors than mosquitos.””

Boris Karloff in The Man Who Lived Again (1936) “Most of me IS dead…The rest of me is damned.” or “If the monkeys eat you, don’t blame me!”

The Man Who Lived Again (1936) A forgotten British Gem from Gainsborough Pictures, was released on Sept. 11, 1936
it is also known as The Man Who Changed His Mind or by its US title Dr. Maniac Who Lived Again, or Dr. Maniac. Directed by Robert Stevenson.

Starring a chain-smoking Boris Karloff and pairing him with Anna Lee playing Dr. Clara Wyatt, Lee who would 10 years later co-star alongside him again as antagonists in the intensely riveting horror/noir film Bedlam (1946) Directed by Mark Robson and produced and scripted by the great man of shadow plays Val Lewton.

Anna Lee and Boris Karloff in Mark Robson’s/Val Lewton’s masterpiece Bedlam

Karloff plays Dr. Laurience a once brilliant and revered brain surgeon, turned renegade scientist, shunned by the scientific community, for his esoteric and profane ideas about the human brain. Dr. Laurience has created a way to transpose the mind of one person and place it into the body of another. In other words, Soul Transference. A very sacrilegious concept for his fellow scientists to support, without believing that Laurience is utterly insane. In this film, Karloff adheres more to the persona of the gruff Mad Scientist, rather than some of his other sympathetic roles as the misdirected man of science who meets with various obstructions and the unfortunate string of events. For instance, the kindly and altruistic Dr John Garth who is on death row for a mercy killing, in Before I Hang (1940)

The fabulous Musical Direction by Louis Levy and Art Direction by Vetchinksky has a charmingly nostalgic streak of that early 1930s milieu of the sinister.
Also starring is Cecil Parker as Dr. Gratton and Lyn Harding as Professor Holloway.

The film opens with several surgeons finishing up an operation, taking off their surgical gowns, one such to expose that of a female surgeon. As it is Dr. Clara Wyatt’s last surgery with her colleagues, they are saying their goodbyes. Continue reading “Boris Karloff in The Man Who Lived Again (1936) “Most of me IS dead…The rest of me is damned.” or “If the monkeys eat you, don’t blame me!””

More Men Doing Science….!

Continue reading “More Men Doing Science….!”

MonsterGirl’s 13 Days of Halloween: Obscure Films Better Than Candy Corn!

13 Days of schlock, shock…horror and some truly authentic moments of terror…it’s my pre-celebratory Halloween viewing schedule which could change at any time, given a whim or access to a long coveted obscure gem!

No doubt AMC and TCM will be running a slew of gems from the archives of Horror films to celebrate this coming Halloween! Films we LOVE and could watch over and over never tiring of them at all…

For my 13 days of Halloween, I thought I might watch a mix of obscure little gems, some vintage horror & Sci-Fi, film noir, and mystery/thriller. Halloween is a day to celebrate masterpieces like The Haunting, The Tingler, House on Haunted Hill, Curse of The Demon, Pit and The Pendulum, Let’s Scare Jessica To Death, and Psycho just to name a few favorites.

But the days leading up to this fine night of film consumption should be tempered with rare and weird beauties filled with a great cast of actors and actresses. Films that repulse and mystify, part oddity and partly plain delicious fun. Somewhat like Candy Corn is…for me!

I’ll be adding my own stills in a bit!…so stay tuned and watch a few of these for yourselves!

The Witch Who Came From The Sea 1976

Millie Perkins bravely plays a very disturbed woman who goes on a gruesome killing spree, culminating from years of abuse from her drunken brute of a father. Very surreal and disturbing, Perkins is a perfect delusional waif who is bare-breasted most of the time.

Ghost Story/Circle of Fear: Television Anthology series

5 episodes-

The Phantom of Herald Square stars David Soul as a man who remains ageless, sort of.

House of Evil, starring Melvin Douglas as a vindictive grandpa who uses the power of telepathy to communicate with his only granddaughter (Jodie Foster) Judy who is a deaf-mute. Beware the creepy muffin people.

A Touch of Madness, stars Rip Torn and Geraldine Page and the lovely Lynn Loring. Nothing is as it seems in the old family mansion. Is it madness that runs in the family or unsettled ghosts?

Bad Connection stars Karen Black as a woman haunted by her dead husband’s ghost.

The Dead We Leave Behind stars, Jason Robards and Stella Stevens. Do the dead rise up if you don’t bury them in time, and can they speak through a simple television set?

Night Warning 1983

Susan Tyrrell plays Aunt Cheryl to Jimmy McNichol’s Billy, a boy who lost his parents at age 3 in a bad car wreck leaving him to be raised by his nutty Aunt. Billy’s on the verge of turning 17 and planning on leaving the sickly clutches of doting Aunt Cheryl and she’ll kill anyone who gets in the way of keeping her beloved boy with her always…Tyrrell is soooo good at being sleazy, she could almost join the Baby Jane club of Grande Dame Hag Cinema, making Bette Davis’s Baby Jane seem wholesome in comparison.

Also known as Butcher Baker Nightmare Maker...

Murder By Natural Causes (1979 Made for TV movie)

Written by Richard Levinson and William Link the geniuses who gave us Columbo, this film is a masterpiece in cat and mouse. Wonderfully acted by veteran players, Hal Holbrook, Katherine Ross and Richard Anderson, and Barry Bostwick. Holbrook plays a famous mentalist, and his cheating wife has plans to kill him.

Tension 1949

from IMDb -A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife’s lover. Starring Richard Basehart, Audrey Totter, Cyd Charisse, and Barry Sullivan

Messiah of Evil aka Dead People 1973

A girl arrives on the California coast looking for her father, only to learn that he’s disappeared. The town is filled with eerie people and a strange atmosphere of dread. She hooks up with a drifter and they both uncover the true nature of the weird locals and what they’re up to. They learn the horrific secret about the townspeople…This film is very atmospheric and quite an original moody piece. Starring Marianna Hill, Michael Greer, Joy Bang, and Elisha Cook Jr.

Devil Times Five aka Peopletoys 1974

This film is a very unsettling ride about a busload of extremely psychopathic children who escape after their transport bus crashes. Finding their way to a lodge, they are taken in by the vacationing adults and are eventually terrorized by these really sick kids. Claustrophobic and disturbing. Stars Sorrell Booke, Gene Evans. Leif Garrett plays one of the violently homicidal kids.

The Night Digger 1971

Starring the great Patricia Neal, this is based on the Joy Cowley novel and penned with Cowley for the screen by the wonderfully dark Roald Dahl, Neal’s husband at the time.

From IMDb -Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle-aged spinster Maura Prince takes an unexpected turn with the arrival of young handyman Billy Jarvis, but there is more to Billy than meets the eye. This well-crafted film, full of sexual tension and Gothic flavor, was Patricia Neal’s second after her return to acting, her real-life stroke worked deftly into the story by then-husband Roald Dahl. Written by Shane Pitkin

They Call It Murder (1971 Made for TV movie)

A small-town district attorney has his hands filled with several major investigations, including a gambler’s murder and a possible insurance scam. Starring Jim Hutton, Lloyd Bochner, Leslie Nielsen, Ed Asner and Jo Anne Pflug

A Knife For The Ladies 1974

Starring Ruth Roman and Jack Elam, there is a jack the ripper-like killer terrorizing this small Southwest town. Most all the victims are prostitutes. A power struggle ensues between the town’s Sheriff and Investigator Burns who tries to solve the murders.

Born To Kill 1947

Directed by the amazing Robert Wise ( The Haunting, West Side Story, Day The Earth Stood Still )this exploration into brutal noir is perhaps one of the most darkly brooding films of the genre. Starring that notorious bad guy of cinema Lawrence Tierney who plays Sam Wild, of all things, a violent man who has already killed a girl he liked and her boyfriend. He hops a train to San Francisco where he meets Helen played by Claire Trevor who is immediately drawn to this dangerous man.

The Strangler 1964

Starring the inimitably imposing Victor Buono, who plays mama’s ( Ellen Corby/Grandma Walton) boy Leo Kroll, a psychopathic misogynous serial killer, under the thumb of his emasculating mother. Kroll’s got a doll fetish and a fever for strangling young women with their own pantyhose. The opening scene is chilling as we watch only Buono’s facial expressions as he masturbates while stripping one of the dolls nude by his last victim’s body. Part police procedural, this is a fascinating film, and Buono is riveting as Leo Kroll a psycho-sexual fetish killer who is really destroying his mother each time he murders another young woman. Really cool film by Allied Artist

Murder Once Removed (1971 made for tv movie)

A doctor and the wife of one of his wealthy patients hatch a plot to get rid of her husband so they can be together and get his money. Starring John Forsythe, Richard Kiley, and Barbara Bain.

Scream Pretty Peggy (1973 made for tv movie)

This stars Bette Davis who plays Mrs. Elliot. Ted Bessell plays her son Jeffrey Elliot a sculptor who hires young women to take care of his elderly mother and his insane sister who both live in the family mansion with him. Also stars Sian Barbara Allen. What can I say? I love Bette Davis in anything, specially made for tv movies, where something isn’t quite right with the family dynamic. Lots of vintage fun directed by Gordon Hessler

The Man Who Cheated Himself 1950

A veteran homicide detective witnesses his socialite girlfriend kill her husband. Then what ensues is his inexperienced brother is assigned to the case. Starring Lee J. Cobb, Jane Wyatt, and John Dall.

The Flying Serpent 1946

Classic horror/sci-fi flick that just doesn’t get the attention it deserves. Almost as fun as The Killer Shrews.  Starring veteran actor George Zucco

The Pyjama Girl Case 1977

This more obscure Giallo film was directed by Flavio Mogherini and starred one of my favorite actors Ray Milland, Also starred Mel Ferrer and the beautiful model/actress Delilah Di Lazzaro. I’ve left my passion for Giallo films in the dust these days, but I decided to watch one that was a little off the beaten track.

From IMDb- Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they’re wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together? Written by <jhailey@hotmail.com>

Cul-de Sac 1966

Directed by Roman Polanski starring Donald Pleasance and  Françoise Dorléac as Teresa

A wounded criminal and his dying partner take refuge in a seaside castle inhabited by a cowardly Englishman and his strong-willed French wife. A bizarre dynamic unfolds as this eccentric couple once captives of the criminals at first, their relationship strangely begins to evolve into something else.

Dr Tarr’s Terror Dungeon aka Mansion of Madness 1973

This is a mysterious and nightmarish excursion into the “the inmates have taken over the asylum” theme. Based upon Edgar Allan Poe’s The System of Dr. Tarr and Professor Feather

Blue Sunshine 1978

Three women are murdered at a party. the wrong man is accused of the crimes. yet still more brutal killings continue throughout the town. What is the shocking truth behind this bizarre epidemic of …people losing their hair and turning into violent psychopaths?

Homebodies 1974

Starring Peter Brocco, Francis Fuller, William Hanson, the adorable Ruth McDevitt, Ian Wolfe, and Paula Trueman playing elderly tenants who first try to thwart by rigging accidents, a group of developers from tearing down their building. Old homes and old people…It turns into murder! This is a wonderfully campy 70s-stylized black comedy/horror film. I love Ruth McDevitt as Miss Emily in Kolchak: The Night Stalker series.

The ensemble cast is brilliantly droll and subtly gruesome as they try to stave off the impending eviction and relocation to the institutional prison life of a cold nursing home facility.

A modern Gothic commentary on Urban Sprawl, the side effects of Capitalism on the elderly and their dust-covered dreams, and the fine balance between reverence for the past, and the inevitability of modernity.

The jaunty music by Bernardo Segáll and lyrics by Jeremy Kronsberg for “Sassafras Sundays” is fabulous!

The Evictors 1979

Directed by Charles B. Pierce whose style has somewhat of a documentary feel ( The Town That Dreaded  Sundown 1976 Legend of Boggy Creek 1972) This film has a very stark and dreading tone. Starring one of my favorite unsung naturally beautiful actresses, Jessica Harper ( Suspiria, Love and Death, Stardust Memories, and the muse Pheonix in DePalma’s Faustian musical Phantom of The Paradise ) and another great actor Michael Parks. A young couple Ruth and Ben Watkins move into a beautiful old farmhouse in a small town in Louisiana. The house has a violent past, and things start happening that evoke fear and dread for the newlyweds. Are the townspeople trying to drive them out, or is there something more nefarious at work? Very atmospheric and quietly brutal at times. Also stars Vic Morrow

Jennifer 1953

Starring Ida Lupino and Howard Duff. Agnes Langsley gets a job as a caretaker of an old estate. The last occupant was the owner’s cousin Jennifer who has mysteriously disappeared. Agnes starts to believe that Jennifer might have been murdered. Is Jim Hollis the man whom she is now in love with… responsible?

Lured 1947

Directed by Douglas Sirk and starring Lucille Ball, George Sanders, and my beloved Boris Karloff!

There is a serial killer in London, who lures his young female victims through the personal ads. He taunts the police by sending cryptic notes right before he is about to murder again. The great cast includes Cedric Hardwicke, George Zucco, and Charles Coburn...

Love From A Stranger 1947

A newly married woman begins to suspect that her husband is a killer and that she is soon to be his next victim. Starring John Hodiak and Sylvia Sidney

Savage Weekend 1979

Several couples head upstate to the country and are stalked by a murderer behind a ghoulish mask.

The Beguiled 1971

Directed by the great Don Siegel ( Invasion of The Body Snatchers 1956, The Killers 1964 Dirty Harry 1971 This stars Clint Eastwood, Geraldine Page and Elizabeth Hartman. Eastwood plays John McBurney who is a Union soldier imprisoned in a Confederate girls boarding school.  A very slow yet tautly drawn web of psycho-sexual unease forms as he works his charms on each of these lonely women’s psyche.

The Mad Doctor of Market Street 1942

An old-forgotten classic horror, starring Lionel Atwill and Una Merkel. Atwill plays A mad scientist forced out of society when his experiments are discovered. He winds up on a tropical island, there by holding the locals hostage by controlling and terrorizing them.

The Man Who Changed His Mind original title (The Man Who Lived Again) 1936

Directed by Robert Stevenson. Starring my favorite of all Boris Karloff, and Anna Lee of Bedlam

Karloff plays Dr. Laurence, a once-respected scientist who begins to delve into the origins of the mind and soul connection.

Like any good classic mad scientist film, the science community rejects him, and so he risks losing everything for which he has worked, shunned by the scientific community he continues to experiment and further his research, but at what cost!…

The Monster Maker 1944

This stars J. Carrol Naish and Ralph Morgan. Naish plays Dr Igor Markoff who injects his enemies with the virus that causes Acromegaly, a deformity that enlarges the head and facial structures of his victims.

The Pyx 1973

I love Karen Black and not just because she let herself be chased by that evil Zuni doll in Trilogy of Terror or dressed up like Mrs Allardice in Burnt Offerings. She’s been in so many memorable films, in particular for me from the 70s. Here she plays Elizabeth Lucy a woman who might have fallen victim to a devil cult. Christopher Plummer plays Detective Sgt. Jim Henderson investigating the death of this heroin-addicted prostitute. The story is told using the device of flashback to tell Elizabeth’s story.

Five Minutes To Live 1961

Johnny Cash, the immortal man in black, plays the very unstable Johnny Cabot, who is part of a gang of thugs who terrorize a small town. This is a low-budget thriller later released as Door to Door Maniac. I could listen to Cash tune his guitar while drinking warm beer and I’d be satisfied, the man just gives me chills. Swooning little me…….!

The Psychic 1977

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In this more obscure EuroShocker, a clairvoyant… the gorgeous Jennifer O’Neill, suffers from visions, which inspire her to smash open a section of wall in her husband’s home where she discovers a skeleton behind it.

She sets out to find the truth about how the victim wound up there, and if there’s a connection between their death and her fate as well!

Too Scared To Scream 1985

Directed by actor Tony Lo Bianco A killer is brutally attacking several tenants that live in a high-rise apartment building in New York City. Mike Connors stars as Detective Lt. Alex Dinardo who investigates the killings. Also stars another unsung actress, Anne Archer, Leon Isaac Kennedy, and Ian McShane

Violent Midnight 1963

An axe murderer is running loose in a New England town! Also known as Psychomania not to be confused with the fabulous British film of devil-worshiping bikers who come back to life starring Beryl Reid. This film features Dick Van Patten, Sylvia Miles, James Farentino, and Sheppard Strudwick. It’s got it’s own creepy little pace going for it.

When Worlds Collide 1951

Another classic sci-fi world is headed toward destruction film, that I remember from my childhood. Starring Barbara Rush and John Hoyt, two of my favorite character actors. It’s a lot of fun to watch and a well-made film that’s off the beaten path from… Forbidden Planet and War of The Worlds.

All The Kind Strangers  (1974 made for tv film)

Starring Stacy Keach, Sammantha Eggar, John Savage, and Robby Benson

A couple traveling through a backwoods area is held hostage by a group of orphan children who want them to be their parents. Whenever an adult refuses to participate in the delusion, they are killed. Great disturbing made for tv movie.

The Todd Killings 1971

Directed by Barry Shear and stars Robert F. Lyons as Skipper Todd, a very sociopathic young man who holds sway over his younger followers like a modern-day Svengali. Also starring Richard Thomas, Belinda Montgomery, and the great Barbara Bel Geddes as Skipper’s mother who takes care of the elderly.

From IMDb-“Based on the true story of ’60s thrill-killer Charles Schmidt (“The Pied Piper of Tucson”), Skipper Todd (Robert F. Lyons) is a charismatic 23-year old who charms his way into the lives of high school kids in a small California town. Girls find him attractive and are only too willing to accompany him to a nearby desert area to be his “girl for the night.” Not all of them return, however. Featuring Richard Thomas as his loyal hanger-on and a colorful assortment of familiar actors in vivid character roles including Barbara Bel Geddes, Gloria Grahame, Edward Asner, Fay Spain, James Broderick, and Michael Conrad.” Written by alfiehitchie

This film has a slow-burning brutality that creates a disturbing atmosphere of social and cultural imprisonment by complacency and the pressure to conform, even with the non-conformists.

Todd almost gets away with several murders, as the people around him idolize him as a hero, and not the ruthless manipulating psychopathic killer that he is. Frighteningly stunning at times. One death scene, in particular, is absolutely chilling in his handling of realism balanced with a psychedelic lens. This film is truly disturbing for it’s realism and for a 1971 release.

To Kill A Clown 1972

Starring Alan Alda and Blythe Danner. Danner and Heath Lamberts play a young hippie couple who couple rent a secluded cabin so that they can try and reconnect and save their marriage.

Alan Alda plays Maj. Evelyn Ritchie the man who owns the property and who is also a military-raised- sociopath who has two vicious dogs that he uses as an extension of his madness and anger.

 

Obscure Scream Gem: Invisible Invaders (1959) “The Dead Will Kill The Living…And The People Of Earth Will Cease To Exist”

Invisible Invaders (1959) Directed by Edward L Cahn. Responsible for 2 of my favorite films of the 50s It, The Terror From Beyond Space 1958 and The Four Skulls of Jonathan Drake 1959

Stars the ever present John Agar (Tarantula 1955, Brain From Planet Arous 1957) as Major Bruce Jay.

JOHN AGAR

Philip Tonge (Miracle on 34th Street 1947, Witness For The Prosecution 1957) as Dr. Adam Penner. His role as Adam Penner was the final role for Philip Tonge. He died on January 28 1959 before this film went into release on May 15 (shooting began December 11, 1958)

Jean Byron as Phyllis Penner (The Magnetic Monster 1953 tv actress, mom on The Patty Duke Show, Pat in the Columbo episode  Ransom for a Dead Man 1971)

JEAN BYRON

and Robert Hutton (Tales From The Crypt 1972 Trog 1972 The Vulture, The Slime People 1963) as Dr John Lamont and a small part by Hal Torey (Earth vs The Spider, The Cosmic Man) as a local Farmer turned dead man walking.

And of course the inimitable John Carradine as Karol Noymann, a dead scientist inhabited by the lead invisible.

Released May 15th, 1959 Double billed with The Four Skulls of Jonathan Drake. Music by Paul Dunlop offers up a very science eerie sonic landscape. Written by Samuel Newman and Philip Sheer is responsible for the very effective re-animated corpse make-up.

Invisible Invaders predates Night of The Living Dead 1968  by 9 years.

Night Of The Living Dead offered up more of a variety of local dead folk, some even in their boxer shorts and nightgowns.

From the book Interviews with Science Fiction and Horror Movie Makers. Writers Producers, Directors, Actors Moguls and Makeup by Tom Weaver.  McFarland Press. On page 11 interview with John Agar.

Asking John Agar how much guidance he got from Ed Cahn on the set of Invaders.

Agar says “Edward Cahn was Mr Speed-O He’d jump and almost get in the shot before he’d yell “cut” But in all fairness, I have to say that directors like Eddie Cahn Didn’t really have a chance. They had a schedule to contend with and they wanted those films finished ka-boom. I think he did the best he could with the time he had. but in something like Invisible Invaders, it’s pretty much learn the lines and get’em out. They just didn’t have the money to stay there and work on it.”

A silly fun fact:
In the film, John Carradine’s character is named Dr. Karol Noymann. In the ending cast list, his character is listed as Carl Noymann

An alien contacting scientist Adam Penner in the form of the corpse of Karol Noymann famous scientist killed in a laboratory experiment comes knocking on Penner’s door. The disembodied voice of Noymann informs Penner that they have been on the moon for twenty thousand years, undetected due to their invisibility, and have now decided to annihilate humanity unless all the nations of Earth surrender immediately. Hiding out in an impenetrable laboratory bunker trying to find the key to the aliens’ invisibility and thus penetrating their weakness, Penner, his daughter, a pragmatic army major, and a squeamish scientist are attacked from outside the cave bunker by the aliens, who have occupied the bodies of the recently deceased.

This is one of those 50s sci-fi films where the military is working with science and not in conflict with it, to defeat a common enemy invader that threatens to destroy our world. Continue reading “Obscure Scream Gem: Invisible Invaders (1959) “The Dead Will Kill The Living…And The People Of Earth Will Cease To Exist””

Obscure Scream Gems: The Monster of Piedras Blancas 1959 “People would rather start a legend”

The Monster of Piedras Blancas 1959

This is an obscure scream gem. The monster really freaked me out when I was a kid. Not only was he purely merciless, but the ripping off heads thing, really scared the crap out of me back when I was young and they aired the movie frequently on Saturday afternoons. I usually really love monsters, except for that nasty bastardly brain Gor, in The Brain From Planet Arous 1957. The Giant Sea Mollusk in Monster that Challenged the World 1957, and perhaps that outre nasty stowaway alien in Edward L Cahn’s It, the Terror from beyond space 1958

NOTE THE SIMILARITY: PAUL BLAISDELL’S FRIGHTENINGLY IMPOSING ALIEN!



I loved the giant ants in Them 1954 although they did kill Gramps Johnson. I love ants in general and the Grasshoppers in The Beginning of The End and The Praying Mantis and I didn’t blame the Tarantula that much. These are creatures that act from a nervous system that is set in stone, with no other mission but to procreate, eat to survive, and procreate, did I already say that? I didn’t like the Killer Shrews because they killed the horses. Hmm,  maybe I should make a post someday about sympathetic monsters vs bad bad monsters. The reasons why we identify with some and can’t wait to see others be blasted to pieces by the local police, military, or savvy reporter or scientist, usually male who has a beautiful girlfriend. I love the blog pants monsters, so what could I call this comparative study of Ugly Evil Mess vs. Cheesy Likability? Well, that’s something to ponder later on.

Anyway.
The Monster From Piedras Blancas stars Les Tremayne as Dr. Sam Jorgensen, Forrest Lewis (the lovable hard-of-hearing trombone player in The Mayberry Band episode of The Andy Griffith Show) as Constable George Matson, John Harmon as Sturges, the lighthouse keeper, Jeanne Carmen as Lucy Sturges. An interesting note is when the credits roll, the characters are made impersonal by giving them titles instead of their actual names, like Lewis as The Doctor, Sturges as The Lighthouse Keeper, Jeanne Carmen as Lucy The Girl, Frank Arvidson as The Storekeeper and Don Sullivan who plays Fred is The Boy.

The dreamy DON SULLIVAN IN THE GIANT GILA MONSTER

Produced by Jack Kevan and Directed by Irvin Berwick and screenplay by C. Haile Chace.

Producer Jack Kevan was actually responsible for creating such fantastical figures from The Wizard of Oz 1939 during his time at MGM. He did the makeup for Spencer Tracy in his version of Dr. Jekyll and Mr. Hyde 1941 and of very cool note, he created the decomposing features of Hurd Hatfield’s Dorian Gray 1945 Kevan was already making a name for himself in Hollywood with his special makeup effects when he signed onto Universal. It was actually Bud Westmore head of the department at that time that got the notoriety. There was also a monster designer named Millicent Patrick who was also bathed in anonymity. She managed to become recognized not as a designer but for a few acting roles, as she was a sensual beauty as well. Beauty over brains I guess. But I always love to see women working and showcased in the fields of engineering, technology, science, and art design when it is almost always assumed that the men held the reins in that department and in particular in the Horror and Sci-Fi Genres. Women didn’t just design gowns like Edith Head, Norma Koch, and Theoni V. Aldredge.

So when you consider the notable names of make-up designers from that period, Bud Westmore is one of the first people who come to mind. Creating The Gil Man character which needed to not only look compelling, it needed to be functional as Ben Chapman and Ricou Browning needed to be filmed underwater for many of the The Creature From The Black Lagoon’s sequences. Westmore having come from a famous line of Westmore artists elevated him to administrative status in the industry.

Once at Universal Kevan became friends with Irvin Berwick, who was actually a dialogue coach for such stars as Rock Hudson Tony Curtis, and John Saxon. There was also a technical adviser for racing films there named C Haile Chace. Universal went through a period where they had massive budget cutbacks and layoffs ensued. So in 1958 Kevan and Berwick founded VanWyck Productions. The first film was supposed to arc off the Gil Man craze at Universal and they wanted a movie that would be equal to or more shocking than Creature From The Black Lagoon. Filming began in the small town of Cayucos in California, and partially at Point Conception. Piedras Blancas literally means White Rocks in Spanish.

NOTE: I apologize for the less-than-stellar quality of my photos in this post, the copy of the film I have isn’t the greatest. I’ll try and replace the more blurry ones, later on, I just couldn’t wait to share the film. MG.

The film opens in the early morning, at the Point Piedras Blancas Lighthouse. The beacon has just been shut down. There is a view of a rugged crag, on the rocky part of the cliffs, a scaly tusk-like claw grabs at an empty tin plate. We do not see this creature, but we watch as it pulls the plate out of view and then thrusts it back onto the rocks. The scene is stark and abrupt.

John Harmon who plays Sturges The Lighthouse Keeper runs the tower as a way to remain isolated from society. He is ready to do his daily routine of going into town for provisions. He spots two fishermen getting too close to the rocks and warns them off in his usual cantankerous manner.

Once Sturges gets to the small fishing town on his bicycle, we see a crowd of people surrounding a battered rowboat on the beach. Inside the boat are two headless bodies of the Rinaldi brothers.

At the site of the Rinaldi brother’s crime scene, one of the town’s people says~”Never seen anything like it in my life, head’s ripped clean off.” Then he asks Constable Matson what he makes of it “I don’t know what to think, they’re as white as sheets they don’t look like they have a drop of blood left in ’em.”

“I bet old Sturges knows more than he’ll tell.” The townspeople clearly have a mistrust of Sturges. “I still think Sturges oughta tell us what he knows”… “Maybe he don’t know nothing”, “You wanna bet!” Matson says, “Okay quit your grumbling.”

Sturges arrives at Kochek’s store on his bicycle. He starts to put in his weekly order. Kochek talks about the Rinaldi killings, “I didn’t pay attention til it drifted toward the pier then I seen them… like a slaughtered steer.” He makes a gesture with his finger as if to cut his throat. “Throats cut clean, not much blood around. You wanna know what I think, it ain’t rocks and it ain’t squalls. It’s something living that did it.”

Sturges tells Kochek that he talks too much. But Kochek says that’s what they said about the couple 2 years ago from the east when their boat washed ashore but they weren’t found. “We should pay more attention to these legends it would explain a lot many things that have happened over the last 3o years.” Sturges leers at him, “Kochek you’re a lot bigger fool than I thought.”

When Kochek tells him that he gave his meat scraps away to Burt for his hogs. “You idiot you’ll be sorry for this,” Kochek argues with him that Burt got them for his hogs when Sturges didn’t come in yesterday, besides he paid for them, and he’s getting tired of giving him his weekly meat scraps for free. It’s curious that Sturges gets so riled about a bunch of meat scraps.

Continue reading “Obscure Scream Gems: The Monster of Piedras Blancas 1959 “People would rather start a legend””

Obscure Scream Gems: The Monolith Monsters 1957 “The desert’s full of things that don’t belong”

THE MONOLITH MONSTERS 1957

From Outer Space they Came! Now these amazing Monolith Monsters reveal Powers… Shocking beyond belief! The most startling Science-Fiction concept ever brought to the screen! Stranger than anything science had ever discovered as THRILL CROWDS UPON THRILL…”The Monolith Monsters”

The film starts out with the constellation of stars and planets. The vast universe in the scope of the night sky. The narrator in typical 50s vox populi style not unlike the control voice from the original The Outer Limits yet more cornball, warns us, setting up the prologue as the “explaining” portion of the film’s story. The origin of the phenomena will soon hold a small desert town hostage with sheer panic and terror.

The earth comes into central focus on the screen surrounded by tiny lights of stars and darting flames like arrows pelting the strata that we see as long-distant spectators. Continue reading “Obscure Scream Gems: The Monolith Monsters 1957 “The desert’s full of things that don’t belong””

MonsterGirl’s Saturday Morning Some Men Doing Science In Their Laboratories!

Saturday mornings are for MEN WHO DO SCIENCE… BEWARE…!!!!!!!

THE 4D MAN

PETER CUSHING- The Curse of Frankenstein 1957

BLOOD OF THE VAMPIRE 1958

DR. PHIBES

DR FRANKENSTEIN

ATOM AGE VAMPIRE


Leo G Carroll playing with the forces of nature

TARANTULA

BEN TURPIN

THE BRAIN FROM PLANET AROUS

IT CONQUERED THE WORLD

THE INVISIBLE RAY

THE BRAIN THAT WOULDN’T DIE

EYES WITHOUT A FACE

BRIDE OF FRANKENSTEIN

JOHN CARRADINE

MONSTER ON CAMPUS 1958

ATTACK OF THE PUPPET PEOPLE 1958

THE DEVIL BAT

THE DEVIL COMMANDS 1941

DR JEKYLL AND MR HYDE

DONOVAN’S BRAIN 1953

DR. CYCLOPS 1940

THE FACE OF MARBLE

DR MORBIUS – FORBIDDEN PLANET 1956

CORRIDORS OF BLOOD

HELP ME HELP ME ….THE FLY 1958

METROPOLIS

THE UNEARTHLY

THE INDESTRUCTIBLE MAN 1956

DR MOREAU THE ISLAND OF LOST SOULS

THE INVISIBLE MAN – CLAUDE RAINS

THE THING -HOWARD HAWKS

THE MAD GHOUL

THE MAD DOCTOR OF MARKET STREET

THE TINGLER

The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis”

The Face of Marble (1946) Directed by William Beaudine (Ghosts on the Loose and Bela’s The Ape Man and Billy the Kid VS Dracula)


Screenplay Michel Jacoby Original Story William Thiele and Edmund Hartmann.

Since I’d like to be a John Carradine completest I was very thrilled to get the chance to finally watch The Face Of Marble. Carradine whom I adore so much that I could virtually watch the man eat a tuna sandwich with a cup of coffee and I’d be content because Carradine has such a wonderfully sublime complexion.

Expecting such as the case with The Man Who Turned To Stone, that the horrific side effects of the unusually well intended Dr Charles Randolph’s experimenting with re-animation of dead people, that said dead people would appear to have well…. FACES OF MARBLE!!!!!!!!! not Faces of Pallor.

The guy looks more like he belongs in a German 80s New Wave music video.

I’m not saying that I didn’t enjoy the film, as it had some interesting atmospherics and again, Carradine always brings something wonderful to the table. It’s just that this offering from Monogram Pictures, sort of suffered from a severe identity crisis!

The Face of Marble didn’t know what kind of film it was supposed to be. Frankenstein, The Man They Could Not Hang, Isle Of The Dead, The Hound of the Baskervilles, I Walked With a Zombie, Ghosts On The Loose, Dracula, The 4D Dog? or a variation on White Zombie. And even though it predates The She Creature the end of the film is pretty much the same with footprints in the sand that lead into the ocean, the waves breaking against the shore with no sign of Elaine or Brutus.

The character of Maria reminds me more of the superstitious old women Madame Kyra who suspected the beautiful Ellen Drew of being a “Vorvolaka” a Greek sort of succubus or vampire in Val Lewton’s Isle of the Dead (1945)

John Carradine plays the kindly Dr Charles Randolph who has moved to an isolated house on the coast somewhere to pursue his experimentation in reviving dead bodies. Unlike most mad scientist’s who are narcissistic Megalomaniacs Dr Randolph is more like the kindly altruistic humanitarian type that Boris Karloff often played who is truly looking to help mankind with his discovery. He is assisted by a clean-cut young man Dr. David Cochran played by Robert Shayne. Dr Randolph isn’t even one of those tyrants who forces David to work with him, by threatening either his death or worse the life of his girlfriend. At one point he accepts David’s wishes to go home with Linda. So Randolph doesn’t fall into the evil mad scientist trope, just an altruistic good-natured scientist who wants to help all of humanity by bringing them back to life if let’s say they drown or fall out of a building, you know help a poor dead person out. Continue reading “The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis””