A trailer a day keeps the Boogeyman away! The Brainiac or El barón del terror 1962

The Brainiac or El barón del terror 1962

Picture it…1661 Mexico, the Baron Vitelius of Astara has been sentenced to be burned alive at the stake by the Holy Inquisition of Mexico for witchcraft, necromancy, and crimes against nature!

Behold the papery comet!

But as he stands frying in the flames of justice, as in all good revenge/horror films the Baron swears vengeance against the descendants of the Inquisitors.

Now…300 years later, coinciding with a comet that streaks overhead like a fiery paper cut out in all its glory of early special effectiveness, on the night of the Baron’s execution, he is resurrected as a brain-eating fiend that wreaks havoc and brain-sucking retribution on all the descendants of the Inquisitor. Nothing like a steamy pewter serving dish of fresh brains…yum!

Directed by Chano Urueta and starring Abel Salazar (Curse of The Crying Woman 1963, The Vampire 1957)as the Baron Vitelius/Brainiac. Also starring Ariadna Welter and David Silva. A fabulous Mexican Horror film from the 60s that just sort of stays with you…!

“See horrible and insane killings as the Count turns into a monster and seeks his revenge!”

Happy Trailers! MonsterGirl

The Film Score Freak Recognizes Jo Gabriel’s ‘Once’ and Robert Aldrich’s ‘What Ever Happened To Baby Jane'(1962)

Here I’ve taken the last scene of What Ever Happened To Baby Jane (1962) and added my little piece called ‘Once’ which appears on my double album retrospective Hunting Down The Ceremony Vol.1 The Hidden Voice

Here’s to Bette Davis and Joan Crawford and Robert Aldrich for getting these Grand Dames together, to kick the ever loving crap out of each other on and off screen!!!!!!

Lovingly Joey (MonsterGirl)

The Film Score Freak recognizes Jo Gabriel’s ‘Fade To Black’ & the Poe/Corman/Price magic that is ‘The Pit and The Pendulum’ (1961)

Here’s another mash-up using my song Fade To Black which appears on my album The Last Drive In  

blended lovingly with the brilliance of Corman’s film style and Price’s epic performance!

The Pit and The Pendulum (1961) and Jo Gabriel’s ‘Fade To Black

Swing Low Sweet Pendulum!!!!!!! Lovingly Yours, Joey (MonsterGirl)

The Film Score Freak recognizes Jo Gabriel’s “Sweet Charlotte”

Here is my film mash-up with scenes from Robert Aldrich’s masterpiece of Grand Hag Cinema Hush…Hush, Sweet Charlotte (1964) using my song Sweet Charlotte off my lo-fi instrumental album The Last Drive In !

Dedicated to the memory of the immortal Bette Davis! Love Joey (MonsterGirl)

A Trailer a day keeps the Boogeyman Away!! Fall of the House of Usher (1960)

HOUSE OF USHER 1960

Take a story by Edgar Allan Poe adapt it to the screen by Richard Matheson, let Roger Corman get his hands on it, then turn it over to the inimitable and urbane Vincent Price, and see several memorable masterpieces of the 1960s unfold in glorious color. One of my favorite Poe pieces Fall of The House of Usher! The marvelous film score is by Lex Baxter, and production designed by Daniel Haller (Die Monster Die 1965, The Dunwich Horror 1970)

Price inhabits the character of Roderick Usher with his ineffable agility to be both fierce and sympathetic all at once. Tortured by a family curse, a mysterious and tormenting affliction that makes even the slightest sound, taste, sight or touch abject torture for his senses, experience them so acutely that it’s maddening.

The story opens with Philip Winthrop played by Mark Damon arriving at the Usher estate seeking his beloved Madeline (Myrna Fahey) While Roderick spirals into a broken and stricken man, Madeline becomes catatonic. Reluctantly Roderick relates the history of the Usher family curse to Philip, hoping to send him away and spare Madeline and himself from any further anguish. They can never be together.

Also underlying is a very strong incestuous undercurrent to Roderick and Madeline’s relationship. The Ushers are doomed to go insane and die a horrible death!

See this Gothic tale of madness brimming over with ancient curses, torture, incest, premature burial and necrophilia!

The atmosphere, the effectively creepy paintings by Burt Shonberg ,set design, cinematography by Floyd Crosby who also worked on Pit And The Pendulum 1961 and High Noon 1952)both beautifully photographed…

And the use of color that Corman uses in his pallet create these Gothic pieces based on the master Poe, offering a deliciously sinister realm, that is both haunting and terrifying at times.

“I heard her first feeble movements in the coffin… we had put her living in the tomb!”

Happy Trailers MonsterGirl!

A trailer a day keeps the boogeyman away! The Innocents (1961)

The Innocents (1961)

Directed by Jack Clayton (Room at The Top 1959, Something Wicked This Way Comes 1983) and based on the Gothic novel set in Victorian England The Turn of The Screw by Henry James. Adapted for the screen by William Archibald and Truman Capote!

Kerr in The Innocents

Beautiful Lady- Deborah Kerr

Starring the great refined lady of cinema Deborah Kerr  as Miss Giddens, the sexually repressed governess to two impish children Miles and Flora played masterfully by Martin Stephens (Village of The Damned 1960) and Pamela Franklin (Legend of Hell House 1973, And Soon The Darkness 1970 plus too numerous films and television series appearances!)

Miss Giddens is hired by the children’s uncle (Michael Redgrave) to hold the reigns over them at their isolated estate, assisted by Mrs Grose, (Megs Jenkins) the kindly housekeeper.

Shortly after Miss Giddens takes charge, she is soon haunted by visitations from the spirits of the former governess Miss Jessel (Clytie Jessop) and her lover, the sadistic valet Peter Quint (Peter Wyngarde)

Convinced that they are possessing the souls of the children. Giddens sets out to exorcise these ominous characters, but at what risk?

Is she truly seeing ghosts or is she spiraling into a world of utter madness?

An absolutely stunning chiller that is not only nihilistic in its atmospherics but darkly riveting til the very end!

“Apparitions? Evils? Corruptions?”

“A strange new experience in shock.”

Here is the song mash-up I did use my piece off the album Fools and Orphans called  I Shudder For The Clouds Have Tempted Madness & scenes from The Innocents (1961)!

Happy Trailers MonsterGirl!

A trailer a day keeps the Boogeyman away! Queen for a day!

QUEEN OF BLOOD (1966)

Writer/Director Curtis Harrington’s (Night Tide 1961, Games 1967 What’s The Matter With Helen 1971) space fantasy about a female alien specie emblazoned with a silver 60s bee hive hairstyle and a proclivity for drinking blood and laying eggs, takes over the crew of a rescue ship sent to Mars. Starring the swarthy John Saxon, as astronaut Allan Brenner Basil Rathbone as Dr. Farraday Judi Meredith as Laura James Dennis Hopper, Paul Grant, Florence Marley as Alien Blood Queen, and a cameo spot for Forrest J Ackerman as Dr. Farraday’s aid.

“A deathless witch who devours men…turns the milky way into a galaxy of GORE!!!!!!!”

QUEEN OF OUTER SPACE 1958

A crew of daring space explorers landing on Venus…are captured by long-limbed beauties! They take them to their leader…the queen of outer space.

They are the only men on the whole planet. Oh boy! But!!!… Will they ever be able to return to Earth?????

Starring Zsa Zsa Gabor as Talleah, Eric Fleming as Capt. Neal Patterson, Paul Birch as Prof.Konrad, Dave Willock as Lt. Mike Cruze and Lisa Davis as Motiya, Laurie Mitchell as Queen Yilana, and Barbara Darrow as Kaeel. Directed by Edward Bernds and written for the screen by Charles Beaumont from a story by Ben Hecht.

“You’ll see a revolt that brings the planet under the domination of strangely masked females who HATE and FEAR the male animal!!!!!”

Happy Trailers MonsterGirl -who doesn’t hate the male animal…

Sure as my name is MonsterGirl, This is a Boris Karloff’s Thriller ” Rose’s Last Summer”

Yet another underrated Karloff Thriller episode in brief. Yes, I know, I”m long-winded, and if you had to wait for me to do the whole transcription for some of these wonderful shows and films, I’d never write anything. I am trying to be disciplined here. Less photo work, less rambling on, and more to the gist of the story!

But don’t get too comfy with my brevity, The long-winded MonsterGirl lurks around the corner to sweep you up with 2 part series and photo galleries that could fill an entire album. That’s just how I roll, and I truly hope most of you take me as I am…!

Rose’s Last Summer -release date October 11 1960

“They Called Me “Bad Girl” – Rose French

Karloff begins his opening soliloquy…

“Rose French. in the blur of memory…the face grows dim…but do you remember the name….20 years ago…Rose French, the remarkable Rose French. As a servant girl, or as a princess. She was a quicksilver star in celluloid heaven. If a woman could sell her soul to achieve such fame, what wouldn’t she do to get it back? Poor Rose, that was all she wanted, to relive the past. And those who loved her, Frank Clyde for instance could do nothing to stop her, but the comeback trail could lead to strange and sinister places. To a lonely garden. And to a night of terror!

It could even lead to the face of a painted doll…but the comeback trail is a journey without maps…as sure as my name is Boris Karloff…Poor Rose French and her last desperate summer…That’s the name of our story ROSE’S LAST SUMMER. Our principal players are Ms. Mary Astor, Mr. Lin McCarthy, and Miss Helen Quintal …

Let me assure you this is a THRILLER!”

Starring Mary Astor as Rose French/Mrs. Horace Goodfield/Helen Quintal. This teleplay would poetically mirror Astor’s personal journey as a Hollywood movie star whose life took a different direction, one mixed with alcohol and scandal.

Lin McCarthy as Frank Clyde, Jack Livesey as Haley Dalloway, Hardie Albright as Willet Goodfield, Dorothy Green as Ethel Goodfield

In the beginning scenes of Roses Last Summer we see a weary yet unrestrained drunk, an uninhibited woman who looks like she’s got a mad on at the world, stumbling outside a night crawlers bar. She’s having an argument with the bar owner who apparently has thrown her out of his establishment. After spouting a few barbs at the place, she takes off her shoe and throws it through the glass window with neon letters that spell BAR.

She then stumbles in front of a moving truck which strikes her down in the street. A crowd gathers around her unconscious body. Someone picks up a snapshot of her from her handbag and announces, that this is no ordinary lush, this is the once famous but now aged star of the silver screen Rose French. An intense and curious man in the throng of street faces begins looking suspiciously at poor Rose splayed out on the asphalt.

But this is just the beginning of the story.

Continue reading “Sure as my name is MonsterGirl, This is a Boris Karloff’s Thriller ” Rose’s Last Summer””

A trailer a day keeps the Boogeyman away! What Ever Happened to Aunt Alice (1969)

What Ever Happened To Aunt Alice? (1969)

From the wickedly penetrating mind of Robert Aldrich and his production company comes yet another Hag Cinema obscurity and a consummate Women in Peril movie starring impishly resplendent actress Ruth Gordon and the intensely razor-edged Geraldine Page, in this confrontational psychological thriller of matching wits.

Directed by Lee H. Katzin, ( Along Came A Spider 1970) and uncredited Bernard Girard  (Dead Heat on A Merry Go Round 1966, The Mad Room 1969, and several of the most powerful episodes of Alfred Hitchcock Presents 1962-64 )

Based on the novel The Forbidden Garden by Ursula Curtiss, penned for the screen by Theodore Apstein.

The casting is perfect, with not only the two brilliant ladies mentioned above but includes the wonderful Mildred Dunnock, Rosemary Forsyth, Robert Fuller, and Joan Huntington.

Ruth Gordon performs the inquisitive and determined Aunt Alice Dimmock, who takes on the job of housekeeper for the iron widow Geraldine Page as Claire Marrable who maniacally tends to her garden. Alice goes undercover as the widow’s helper in order to find out what happened to a missing widowed friend, Edna Tilsney ( Mildred Dunnock).

Claire Marrable is a tightly wound, biting, and ruthless serial killer who is left only a stamp collection by her husband, thus resorting to stealing money from her housekeepers, killing them, and burying the bodies in her lovely garden.

All *kinds* of observable differences: The world of Ruth Gordon

“What makes her garden grow… wouldn’t you like to know!”

Happy Trailers MonsterGirl!

A Trailer a day keeps the Boogeyman away! Dead Ringer 1964

Dead Ringer (1964) Starring Bette Davis & Bette Davis!

The twin sister of a callous wealthy woman murders her sister out of revenge and assumes the identity of the dead woman.

This Film Noir/ Thriller is directed by Davis’s co-star who played Jerry Durrance in Now Voyager (1942), debonair actor and director Paul Henreid (Casablanca 1942, Hollow Triumph 1942. Among over 35 titles Henreid directed one such is my favorite episode of Boris Karloff’s Thriller’s The Terror in Teakwood.

Davis gives a command performance as both the wealthy and ruthless, Margaret DeLorca and modest and kindly club owner, twin Edith Phillips. The film also gives Karl Malden another chance to show off his superb acting skills as Sergeant Jim Hobbson the man who adores Edith and wants to marry her.

Also starring Philip Carey, Jean Hagen, Peter Lawford, and George Macready. Perhaps one of my favorite films of Bette Davis, and the hybrid Film Noir/Thriller as well, I plan on going in depth in the near future with a post called The Twisted Mirror which will cover psychological thrillers featuring female twin sisters.

“What Bette Davis does to Bette Davis and to Karl Malden and Peter Lawford in DEAD RINGER is just what “Baby Jane” people will adore!”

Happy Trailers MonsterGirl!