From At the Circus 1939 The always sublime and irreverent Groucho Marx!
Cheers from the tattooed MonsterGirl!
Cheers from the tattooed MonsterGirl!
James Whale’s brilliant follow up film and what I consider even better than it’s predecessor Frankenstein,(1931) starring the great Karloff and Elsa Lanchester as The Bride.
And a deliciously campy and fabulous performance by Ernest Thesiger as Doctor Pretorius.
In Karl Freund’s The Mummy Boris plays Imhotep who comes after his immortal beloved played by the fiery sensual Zita Johann.
I have said this so many times, and I never get tired of making the point, I wish Boris Karloff had been my grandfather. I did this music tribute to just 2 of his memorable performances, although there hasn’t been any time that I haven’t been moved by his gentility that comes through even the most notorious characters he’s inhabited.
Here is my song Fable Honey off the album Fools and Orphans. I dedicate this video to Boris and hope that he would be pleased with my treatment of his performances.
MonsterGirl (jogabriel)
Celebrate Life all you Wonderful Freaks!
MonsterGirl ( Jo Gabriel )
Starring Merle Oberon and Laurence Olivier
MonsterGirl (Jo Gabriel)
This is why I love this woman; she is immortal, she is extraordinary, there will never be another like her!
M.G.
Today we lost a true legend. One of the most evocatively beautiful and Dionysian actresses of all time, and a passionate humanitarian. To say Elizabeth Taylor is one of my favorite people would sound contrived and pale inadequately to how much I truly love her. Dame Elizabeth was and always will be what dreams are made of.
Elizabeth Taylor was indeed a legendary actress known for her stunning beauty, captivating performances, and undeniable screen presence. Many people have described her as a true Hollywood icon and an embodiment of grace and elegance. Her ability to emote and convey a wide range of emotions on-screen was one of her greatest talents.
Taylor had a unique ability to portray complex characters with depth and authenticity. Whether she was expressing joy, sorrow, love, or despair, her emotive power was unparalleled. Her raw sensuality, expressive violet eyes, radiant smile, and subtle gestures allowed her to connect with audiences on a profound level. She could effortlessly captivate viewers with her every movement and expression.
Throughout her illustrious career, Taylor showcased her emotional range in films like “Cleopatra,” “Cat on a Hot Tin Roof,” “Who’s Afraid of Virginia Woolf?” and some very obscure films but no less significant due to her evocative presence. Her performances garnered critical acclaim and multiple Academy Awards, further solidifying her status as a cinematic goddess.
Off-screen, Taylor was also known for her philanthropic work and her genuine compassion for others. Her charisma and ability to connect with people transcended the silver screen, making her beloved by fans worldwide.
Elizabeth Taylor possessed a unique ability to emote like a goddess, captivating audiences with her beauty, talent, and raw emotional power. She will always be remembered as one of the greatest actresses of all time.
Sam Fuller’s The Naked Kiss (1965): Part I: “There’ll be no later, this town is clean”
May 16th celebrates #NationalClassicMovieDay! with FIVE STARS BLOGATHON
EDGAR G.ULMER’S: THE BLACK CAT (1934) “ARE WE BOTH NOT"¦ THE LIVING DEAD?”
Amazing Rasputina score The New Zero feat to The Black Cat 1934.
Melora Creager plays a wicked Cello!!!!!!
Chills -M.G.
THE 4D MAN
PETER CUSHING- The Curse of Frankenstein 1957
BLOOD OF THE VAMPIRE 1958
DR. PHIBES
DR FRANKENSTEIN
ATOM AGE VAMPIRE
Leo G Carroll playing with the forces of nature
TARANTULA
BEN TURPIN
THE BRAIN FROM PLANET AROUS
IT CONQUERED THE WORLD
THE INVISIBLE RAY
THE BRAIN THAT WOULDN’T DIE
EYES WITHOUT A FACE
BRIDE OF FRANKENSTEIN
JOHN CARRADINE
MONSTER ON CAMPUS 1958
ATTACK OF THE PUPPET PEOPLE 1958
THE DEVIL BAT
THE DEVIL COMMANDS 1941
DR JEKYLL AND MR HYDE
DONOVAN’S BRAIN 1953
DR. CYCLOPS 1940
THE FACE OF MARBLE
DR MORBIUS – FORBIDDEN PLANET 1956
CORRIDORS OF BLOOD
HELP ME HELP ME ….THE FLY 1958
METROPOLIS
THE UNEARTHLY
THE INDESTRUCTIBLE MAN 1956
DR MOREAU THE ISLAND OF LOST SOULS
THE INVISIBLE MAN – CLAUDE RAINS
THE THING -HOWARD HAWKS
THE MAD GHOUL
THE MAD DOCTOR OF MARKET STREET
THE TINGLER
The Face of Marble (1946) Directed by William Beaudine (Ghosts on the Loose and Bela’s The Ape Man and Billy the Kid VS Dracula)
Screenplay Michel Jacoby Original Story William Thiele and Edmund Hartmann.
Since I’d like to be a John Carradine completest I was very thrilled to get the chance to finally watch The Face Of Marble. Carradine whom I adore so much that I could virtually watch the man eat a tuna sandwich with a cup of coffee and I’d be content because Carradine has such a wonderfully sublime complexion.
Expecting such as the case with The Man Who Turned To Stone, that the horrific side effects of the unusually well intended Dr Charles Randolph’s experimenting with re-animation of dead people, that said dead people would appear to have well…. FACES OF MARBLE!!!!!!!!! not Faces of Pallor.
The guy looks more like he belongs in a German 80s New Wave music video.
I’m not saying that I didn’t enjoy the film, as it had some interesting atmospherics and again, Carradine always brings something wonderful to the table. It’s just that this offering from Monogram Pictures, sort of suffered from a severe identity crisis!
The Face of Marble didn’t know what kind of film it was supposed to be. Frankenstein, The Man They Could Not Hang, Isle Of The Dead, The Hound of the Baskervilles, I Walked With a Zombie, Ghosts On The Loose, Dracula, The 4D Dog? or a variation on White Zombie. And even though it predates The She Creature the end of the film is pretty much the same with footprints in the sand that lead into the ocean, the waves breaking against the shore with no sign of Elaine or Brutus.
The character of Maria reminds me more of the superstitious old women Madame Kyra who suspected the beautiful Ellen Drew of being a “Vorvolaka” a Greek sort of succubus or vampire in Val Lewton’s Isle of the Dead (1945)
John Carradine plays the kindly Dr Charles Randolph who has moved to an isolated house on the coast somewhere to pursue his experimentation in reviving dead bodies. Unlike most mad scientist’s who are narcissistic Megalomaniacs Dr Randolph is more like the kindly altruistic humanitarian type that Boris Karloff often played who is truly looking to help mankind with his discovery. He is assisted by a clean-cut young man Dr. David Cochran played by Robert Shayne. Dr Randolph isn’t even one of those tyrants who forces David to work with him, by threatening either his death or worse the life of his girlfriend. At one point he accepts David’s wishes to go home with Linda. So Randolph doesn’t fall into the evil mad scientist trope, just an altruistic good-natured scientist who wants to help all of humanity by bringing them back to life if let’s say they drown or fall out of a building, you know help a poor dead person out. Continue reading “The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis””