“Out Loud” Part 1– A Biography of the Legendary Lee Grant…

"The dichotomy of my genius status at home and my slightly below par status in the outside world gave me a sense of instability and unreality throughout all of my life about exactly who I was and what I was capable of. Could that be why I grabbed so ferociously at acting? Grounding myself in a structure that worked for me, the observant child?"
"” And excerpt from I Said Yes to Everything -Lee Grant talking about Sandy Meisner and The Neighborhood Playhouse.

How do you start out a biography about someone who is a virtual legend?

Lee Grant 1977 © 1978 Ulvis Alberts

When I attended the Chiller Theatre Expo I had the exciting opportunity to meet one of my favorite actors, Academy Award winner Lee Grant. This meeting turned out to be one of the great highlights of my life. While I've followed her work my entire life, after connecting with her, I began my exploration into Lee Grant's life by immersing myself first in her incredibly honest and potent autobiography. "I Said Yes to Everything"Â  is an expository journey written long-hand by Lee herself in classic black and white note books. It's a well-written intimate portrait of a courageous and brilliant actor.

"Lee Grant's I Said Yes to Everything is heart-stopping. More than just a show-business memoir or chronicle of the Hollywood blacklist era, it is a terrifying account of a gifted artist's tumultuous journey"”both personal and professional. You will feel every jolt of terror that Grant endured, wondering if you would have been as brave. Her triumph becomes our own. Readers of this gripping book will surely reach the final page shouting a victorious "Yes! To everything that is Lee Grant." -Marlo Thomas

With every role Lee Grant undertakes "”from stage to early dramatic teleplays, to television series, and onto the big screen"” she transports an inner truth and an understanding of the world's pleasures, and too, its miseries. Never afraid to take risks, she turned a career that was at one time silenced, into a great triumph by reclaiming her place in Hollywood. She then forged her own road into directing, where her voice and compassionate vision helped marginalized people have their say as well.

This is the spirit of Lee Grant, a woman who kicked down the door, prevailed over the madness of the blacklist, and without settling, became a formidable actress, director, legend, and friend.

Reading about her incredible life story, I Said Yes to Everything, brought me closer to the actress whom I already admired and loved for so many years. It's a reflexive reminiscence, at times brutal, and at other times it evokes laughter. Lee Grant has a primal and candid sense of humor that is so invigorating to experience. And hearing it from Lee herself is life-altering and beyond meaningful.

Portrait of American actress Lee Grant, New York, New York, July 1970. (Photo by Jack Robinson/Hulton Archive/Getty Images)

I also reexamined a lot of her great work so I could surround myself with the essence of her talent. It not only fortified what I had already felt about her capacity to engage each role, but I also met several characters that I hadn't seen before. And was completely knocked over by Lee Grant's awe-inspiring performances. To have the opportunity to talk to someone you've known as an acting legend can make you quite a star struck as you try to find your own voice without sounding like a fool. But Lee Grant is a real and raw person. She's one of those people you meet by chance in life, striking up a wonderful connection as if you've known them for years. This is just another layer of greatness to an already great actor.

Lee Grant is one of the most expository of actors. She uses her distinctive voice, that moves along the walls of your mind like an elegant cat, with an expressiveness that brings to bear even the most subtle of gestures. She has an attentiveness to detail, and her extraordinary sensuality is deep-rooted with a swift and clever sense of humor.

Lee Grant1965 © 1978 Gene Trindl

As an actor, she brings intimacy to her roles, complex, passionate sensual dynamic versatile, and authentic. A talent caught up in the net of the HUAC insanity that ruined lives, and literally took her act of belonging away in Hollywood and from an industry where time is essential in order to obtain recognition and primacy.

I suspected that Lee always put a little of her real self in each role. It turns out I was right as you'll learn from our conversation about her performances. There is no one quite like Lee. Absolutely no other actor like her.

Lee with one of her original oil paintings.

Like David fighting Goliath, she kept her resilience during those dark years of the blacklist. She's an actor who is truthful enough to bare her vulnerabilities, machinations, fears, fancies, the quirks, and chinks in the armor"” it's all out there, and wonderfully bold and ballsy an individualist, and unfailingly frank. She is fragile and fierce, honest, courageous, and unwilling to be shut off or out.

The insanity of the McCarthy Era and fanatics like Vincent Hartnett tried to steal 12 years from Lee Grant. But she refused to be silenced. To this day she speaks truth to the powers that be. She has earned the right to be seen and heard. She's a woman who has become a firebrand with her socially conscious lens as a filmmaker, documentarian, director, activist, writer, and a mother to yet another gifted soul, Dinah Manoff. Talent and fierceness"”it runs in the blood.

Lee Grant to me, is someone I'll always regard with a sense of awe and respect. I'm incredibly honored that she allowed me a glimpse into her life and shared that sense of humor and her determination to be heard. And what a story she has to tell!

Actress Lee Grant poses for a portrait circa 1971. (Photo by Michael Ochs Archives/Getty Images)

Continue reading ““Out Loud” Part 1– A Biography of the Legendary Lee Grant…”

A Trailer a Day Keeps the Boogeyman Away! Devil Bat’s Daughter (1946) & Blood of Dracula (1957)

BY NIGHT… A Screeching Devil Bat… BY DAY… A Beautiful Girl… BUT ALWAYS… A Blood-Thirsty VAMPIRE

Devil Bat’s Daughter (1946) Directed by Frank Wisbar with a screenplay by Griffin Jay and Ernst Jäger. Rosemary La Planche (Strangler of the Swamp) plays Nina MacCarron a patient of Dr. Elliot (Nolan Leary) who wants to get rid of his wife. He convinces Nina that she has a compulsion to kill, because of her legacy of her evil father–referring to Bela Lugosi in The Devil Bat (1940) A mad scientist develops an aftershave lotion that causes his gigantic bats to kill anyone who wears it. 

Dr. Elliot drugs Nina and disposes of his wife, setting her up not only to believe she has committed the murder but to become the main suspect in the killing.

She Will GIVE YOU Nightmares…FOR EVER!

Blood of Dracula is a spin off of the cycle of teenage horror films of the 1950s–I Was a Teenage Werewolf (1957) and I Was a Teenage Frankenstein (1958).

Directed by Herbert L. Strock with a screenplay by Ralph Thornton. Sandra Harrison plays Nancy Perkins and Louise Lewis is Miss Branding, a svengali virago who hypnotizes Nancy in order to see her experiment with primal feminine powers flourish. What all these films have in common is to tap into the burgeoning sex drives of teenagers and their will to explore their sexuality in a moral constrained society. These films also conflate teenage sexual desires with the monstrous. When Harrison is dumped off at the boarding school by her father and his new bride shortly after Nancy’s mothers death, she is disaffected and unpopular, a perfect vulnerable target for Miss Blanding’s the sinister chemistry teacher’s manipulation. She hypnotizes Nancy using an ancient amulet and manifests a grotesque vampiric persona that runs amok with help of the make up design by Philip Scheer. The film also co-stars Gail Ganley, Jerry Blaine and character actor Malcolm Atterbury.

This is your EverLovin’ Joey saying Happy October 1st! There’s a lot of tricks N’ treats coming up here at The Last Drive In…

Retro Television Ragbag 📺

WHILE YOU’RE WAITING FOR THE LAST DRIVE IN’S UPCOMING SPECIAL FEATURES…

Some of the great Saul Bass original title designs for shows like Quinn Martin Productions by Lee Goldberg, or evocative series scores from such notable composers as Billy Goldenberg, Jerry Goldsmith, Cyril Mockeridge, Pete Rugulo, Lynn Murray, John Williams, Dave Grusin, Nelson Riddle and more…!

Sit back and enjoy almost 3 hours of retro television intros from the 1960s to the 1970s. With a smattering of vintage commercials thrown in for your amusement! It’s the perfect backdrop when your looking to draw the whimsy of nostalgia up your flue!

See you ’round the snack bar… next up my interview with the legendary Lee Grant!

There’s got to be a morning after… Goodbye Carol Lynley Sept. 3, 2019

American actress Carol Lynley, who stars in the film The Cardinal, pictured wearing a winter coat and leather gloves in a London park on 17th December 1963. (Photo by Blackman/Daily Express/Hulton Archive/Getty Images)

We’ve lost Carol Lynley, actress of 60s & 70s film and television. Carol was born Carol Anne Jones on Feb. 13, 1942 in New York City. Lynley worked as a model and in television from her teen years and performed on numerous early live dramatic television shows.

She suffered a heart attack on September 3rd at the age of 77. Perhaps she is best known for her role in the disaster epic The Poseidon Adventure (1972) playing Nonnie, the bright-eyed nymph on the doomed ocean liner turned upside down after a giant tidal wave hits the ship on New Year’s Eve. The Poseidon Adventure launched her into the public consciousness after Lynley lip synced over Maureen McGovern’s singing onscreen, as the ill-fated ship's lead singer of the band, her brother flaunting his bad 70s hair and mutton chops at the piano. The song  "The Morning After," went on to win the 1973 Oscar for Best Song.

I’ve always been taken with Carol Lynley for many other roles along her diverse career. A child model who made it to the cover of Life magazine at age 15. After appearing in the 1958 Broadway play, she delivered a moving performance in the controversial screen version of Blue Denim in 1959, co-starring cutie Brandon De Wilde. She was nominated for a Golden Globe Award for Most Promising Newcomer! She then co-starred with Clifton Webb and Jane Wyman in Holiday For Lovers (1959).

Afterward she appeared in a variety of popular films, Return to Peyton Place (1961), and Under the Yum Yum Tree (1963) with Jack Lemmon. Carol Lynley appeared in the Otto Preminger film The Cardinal (1963). She was also in The Stripper (1963), and Shock Treatment (1964) where she plays a very disturbed young girl with hyper-sexual tendencies. In the same year she played Maggie Williams in The Pleasure Seekers. Lynley also took the role of Jean Harlow in the biopic Harlow (1965).

Carol Lynley in The Stripper (1963)

Carol Lynley and Gene Tierney in The Pleasure Seekers (1964)

Carol Lynley as Harlow

As Ann Lake she is superb playing a mother who claims her little girl vanishes after a day at school. Otto Preminger’s Bunny Lake is Missing (1965), is one of my favorite psychological thrillers partly due in part to Lynley’s ability to show her growing paranoia. She also appeared in the very dark and twisted The Shuttered Room (1965) co-starring Oliver Reed and Gig Young based on a story by horror writer August Derleth.

She was in Once You Kiss a Stranger… (1969)

In the pilot episode that launched the iconic television series The Night Stalker (1972), the cult chiller directed by John Llewellyn Moxey, I adore Lynely as the character of Gail Foster, who was portrayed as the girlfriend of Darren McGavin’s journalist of the bizarre and the occult. As the stalwart reporter investigating the uncanny and supernatural, Carl Kolchak, often puts Gail through the wringer. This groundbreaking classic television series developed by Dan Curtis went on to inspire popular shows like “The X Files”.

Carol Lynley appeared in various television shows, Alfred Hitchcock Presents, The Alfred Hitchcock Hour, It Takes a Thief, Night Gallery, The Invaders, Kojak, The Man from U.N.C.L.E, Journey to the Unknown, The Sixth Sense, The Magician, The Evil Touch, Quincy M.E. and Police Woman, just to mention my favorites.

Vince Edwards and Carol Lynley in Alfred Hitchcock Presents (1955) episode The Young One

Christopher Walken and Carol Lynley in Kojak 1973

Carol Lynley possessed a certain kind of rare beauty and inner light, a subtle essence of fairy in her smile and soft glimmer in her eyes.

Mandatory Credit: Photo by Barry Peake/Shutterstock (605004b)
Carol Lynley-Mar 1967

This is your EverLovin Joey saying goodbye Carol Lynley, gone but not forgotten. There will always be a morning after and my eternal love for you, beautiful girl.

Quote of the Day! The Accused (1949)

Loretta Young plays Wilma Tuttle, a charming yet slightly repressed psychology professor, who after allowing one of her aggressively sleazy students Bill Perry (Douglas Dick) to drive her home, kills him in self-defense after he attempts to rape her. Wilma in a panic tries to cover up her sympathetic crime. Director William Dieterle creates a taut little psychological coil that unwinds as homicide detective Lt. Ted Dorgan (Wendell Corey) tries to solve the murder while tossing out the sharp-edged lines. The investigation causes great angst for Wilma with Young’s inner monologues regaling us of her guilty conscience, amidst her budding romance with Warren Ford (Robert Cummins). The film co-stars Sam Jaffe as Dr. Romley.

Wendell Corey as Lt. Ted Dorgan-“You know sometimes I wish there were two of me. We generally do work in pairs. The idea being that one could be mean, the other one nice.

In my next life I’m gonna be a minister. Never have to pick on anybody but the devil.”

This is your EverLovin’ Joey saying sometimes I wish there were two of me, so I could get more done!

 

Quote of the Day! Pickup on South Street (1953) Shifty as smoke!

One of my favorite film noirs with outstanding performances and dialogue from the entire cast. In particular, Ritter shines in this one as Moe Williams the tie-selling wheeler-dealer informant who’s got her heart set on a proper gravestone out on Long Island. Ritter is brilliant with her quicksilver one-liners and her poignant lovable puss.

Ritter was nominated for Best Supporting Actress Oscar for her role in this film!

Directed by Samuel Fuller who reins in his gritty vision a bit and plays off more of the interrelationships between the small time crooks, added with a bit of anti-communist sentiment of that period thrown in.

Starring Richard Widmark, Jean Peters who is adorable as Candy in this role, Thelma Ritter, and Willis Bouchey as detective Zara, Richard Kiley, Murvyn Vye. Shelley Winters was the first choice for the role of Candy, but she dropped out. Then the role was offered to Betty Grable. That did not pan out. Jean Peters did a wonderful job as Candy. With a dynamic music score by Leigh Harline with cinematography by veteran Joe MacDonald.

On a crowded subway, Skip McCoy prince of the cannons, pickpockets Candy’s purse. He nabs her wallet, inadvertently stealing a roll of microfilm containing top secret military and scientific plans that her boyfriend Joey (Richard Kiley– who tells her it’s just a patent for a formula) is really going to pass along to Communist agents.

Candy learns where Skip lives and that he has lifted the wallet from Moe Williams (Thelma Ritter), a police informer. Joey begs Candy to track Skip down at his shack on the water and she attempts and seduces Skip McCoy to recover the film. She fails to get the film back but does however fall in love with him.

Moe Williams – (about Skip) “He’s as shifty as smoke, but I love him.”

Capt. Dan Tiger – “You sold him out for a few bucks.”

Moe Williams – “Oh, look. Some people peddle apples, lamb chops, and lumber. I peddle information. Skip ain’t sore, he understands.

Moe Williams: You got any Happy Money?

Candy: Happy Money?

Moe Williams: Yeah, money that’s gonna make me happy.

Moe Williams: I’ve got almost enough to buy both the stone and the plot.

Capt. Dan Tiger: If you lost that kitty, it’s Potter’s Field.

Moe Williams: This I do not think is a very funny joke, Captain Tiger!

Capt. Dan Tiger: I just meant you ought to be careful how you carry your bankroll.

Moe Williams: Look, Tiger, if I was to be buried in Potter’s Field, it would just about kill me.

Skip McCoy: Pack up the pitch with the charge or drive me back to my shack.

Capt. Dan Tiger: I’ll drive you back in a hearse if you don’t get the kink out of your mouth!

This is your EverLovin’ Joey sayin’ I haven’t forgotten my Coded Gay Characters article,

Moe Williams: You got any Happy Money?

Candy: Happy Money?

Moe Williams: Yeah, money that’s gonna make me happy.

Moe Williams: I’ve got almost enough to buy both the stone and the plot.

my concussion really set me back in my writing but I’m trying to catch up and I’ve got a few surprises in my bag if some smooth-operating cannon don’t come by and pickpocket me while I’m on the train headed to the South Side next week!

Thanks for being patient. And say… Can anyone suggest a logo for my helmet?

The Man Who Laughs (1928) guest post at Once Upon a Screen…

I’ve been honored by Aurora over at Once Upon a Screen to do a guest post on not only one of the most provocative films of the silent era, but one of my most beloved classic horror films The Man Who Laughs (1928) starring Conrad Veidt. Without any further ado, please visit the classiest place in town for all your classic film and television essentials!

Your EverLovin’ Joey sayin’ I promise I’ll be back at The Last Drive In soon. I’m still shopping for a helmet for my head!

Happy Pride 🌈 from The Last Drive In

I had every intention of releasing Queers & Dykes in the Dark: Classic Noir and Horror Cinema’s Coded Gay Characters! in time to celebrate June’s Gay Pride month with you. But as it goes with me somehow, I am always apt to bang my head from time to time. A couple weeks ago I got clobbered by an iron headboard and wound up with one hell of a concussion. So it’s put my writing on hold. Actually it put almost everything on pause, since in order to rest the brain, you must observe stillness nor read, think or do anything physical.

I did try to write against the prescribed wishes of my doctors and Wendy. Needless to say It was like throwing a scrabble board of tiled letters up in the air and watching the scattershot of words fall aimlessly without connection to what my brain was trying to spell out on the computer. Nothing  made sense. My eyes saw one thing and my hands had something else entirely in mind. So this is what they call brain fog eh?

I will have the piece done hopefully in a few weeks/months?, and with the Medrol my Neurologist gave me will help me put sentences back together again without the tremendous effort to refocus my eyes. Then there’s always the post-concussion side effects. One iron bed frame wallops you in the head and your whole writing plan becomes a silent comedy!

And of course, this constant pain in my skull has been so distracting I can’t even concentrate on the word concentrate.

Your Ever Lovin’ Joey saying I’m standing with you my sisters and brothers in arms and see ya real soon, and say… watch your heads!