Boris Karloff’s Thriller The Remarkable Mrs Hawk: A Modern Re-telling of Homer’s Odyssey, Circean Poison with a Side of Bacon.

Of Circean poison and intoxicating things. When dealing with The Gods, the result is suffering.

The Remarkable Mrs. Hawk (air date December 18, 1961)

Starring Jo Van Fleet as Mrs. Cissy Hawk, John Carradine as Jason Longfellow, Paul Newlan as Sheriff Tom’Ulysses’ Willetts, Hal Baylor as Pete Gogan, and Bruce Dern as Johnny Norton. Directed by John Brahm and adapted to the screen by Donald Sanford from a story by Margaret St Clair

“What beast-molding Drakaina [Kirke] shall he [Odysseus] not behold, mixing drugs with the meal, and beast-shaping doom? And they, hapless ones, bewailing their fate shall feed in the pig styes, crunching grape stones mixed with grass and oil cake. But him the drowsy root shall save from harm and the coming of Ktaros [Hermes].”

Here is yet another favorite episode in the Thriller canon that always brings a smile to my face, even having seen it a number of times over the years. One of the most memorable and striking attributes that most of Karloff’s macabre little theatrical plays possess is an uncannily vivid sense of place, despite them having been filmed on a sound stage at Universal Studios.

Not only is this particular episode so effective because of Jo Van Fleet’s performance as the modern-day witch but it’s also due to the presence of the ubiquitous John Carradine, whose facial expressions alone can be so accentuated by his acrobatic facial expressions that make him so uniquely entertaining to watch not to mention listening to his Shakespearean elucidations, hard-bitten insights, and crafty machinations.

Not unlike the great Burgess Meredith. These actors both, use their faces as their canvas.

It’s a very interesting idea to take mythology and place it in a southern Gothic rural setting, alongside the carnival which adds a layer of mystique.

There’s a great scene that utilizes theatrical anachronism wonderfully. Cissy Hawk carries the bowl, or ‘Circe’s cup’ the night she feeds the pigs grapes and turns Johnny back into a man for a while. An ancient rite on modern rural farm land.

Another thing that’s notable is her wand is a plastic back scratcher!

The mixture of the playful score, clarinet, flute, and the grunts and groans and deep bassy string swells in contradiction adds such a maniacally macabre touch to the episode.

Perhaps it’s just good writing and set design that forges a perfect landscape for each story’s central theme to thrive. Mrs. Hawk is one of those contributions that offers just the right meat, from the perfect theatrical marrow. Continue reading “Boris Karloff’s Thriller The Remarkable Mrs Hawk: A Modern Re-telling of Homer’s Odyssey, Circean Poison with a Side of Bacon.”

The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis”

The Face of Marble (1946) Directed by William Beaudine (Ghosts on the Loose and Bela’s The Ape Man and Billy the Kid VS Dracula)


Screenplay Michel Jacoby Original Story William Thiele and Edmund Hartmann.

Since I’d like to be a John Carradine completest I was very thrilled to get the chance to finally watch The Face Of Marble. Carradine whom I adore so much that I could virtually watch the man eat a tuna sandwich with a cup of coffee and I’d be content because Carradine has such a wonderfully sublime complexion.

Expecting such as the case with The Man Who Turned To Stone, that the horrific side effects of the unusually well intended Dr Charles Randolph’s experimenting with re-animation of dead people, that said dead people would appear to have well…. FACES OF MARBLE!!!!!!!!! not Faces of Pallor.

The guy looks more like he belongs in a German 80s New Wave music video.

I’m not saying that I didn’t enjoy the film, as it had some interesting atmospherics and again, Carradine always brings something wonderful to the table. It’s just that this offering from Monogram Pictures, sort of suffered from a severe identity crisis!

The Face of Marble didn’t know what kind of film it was supposed to be. Frankenstein, The Man They Could Not Hang, Isle Of The Dead, The Hound of the Baskervilles, I Walked With a Zombie, Ghosts On The Loose, Dracula, The 4D Dog? or a variation on White Zombie. And even though it predates The She Creature the end of the film is pretty much the same with footprints in the sand that lead into the ocean, the waves breaking against the shore with no sign of Elaine or Brutus.

The character of Maria reminds me more of the superstitious old women Madame Kyra who suspected the beautiful Ellen Drew of being a “Vorvolaka” a Greek sort of succubus or vampire in Val Lewton’s Isle of the Dead (1945)

John Carradine plays the kindly Dr Charles Randolph who has moved to an isolated house on the coast somewhere to pursue his experimentation in reviving dead bodies. Unlike most mad scientist’s who are narcissistic Megalomaniacs Dr Randolph is more like the kindly altruistic humanitarian type that Boris Karloff often played who is truly looking to help mankind with his discovery. He is assisted by a clean-cut young man Dr. David Cochran played by Robert Shayne. Dr Randolph isn’t even one of those tyrants who forces David to work with him, by threatening either his death or worse the life of his girlfriend. At one point he accepts David’s wishes to go home with Linda. So Randolph doesn’t fall into the evil mad scientist trope, just an altruistic good-natured scientist who wants to help all of humanity by bringing them back to life if let’s say they drown or fall out of a building, you know help a poor dead person out. Continue reading “The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis””

The Unearthly (1957) “Here’s to youth, here’s to eternity” John Carradine the ubiquitous actor

The Unearthly (1957)

The Unearthly was directed by Brooke L Peters (IMDb has the director listed as Boris Petroff) and scripted by Jane Mann and Geoffrey Dennis. The film stars the ubiquitous character actor John Carradine, the sultry Allison Hayes, the mammoth Tor Johnson, Myron Healey, Marilyn Buferd, Arthur Batanides, and Sally Todd.

John Carradine with his characteristic cello-like voice plays Dr. Charles Conway, the archetypal mad scientist who has developed a 17th artificial gland. Conway believes he has discovered the secret to eternal youth and immortality. Dr. Conway revels “I can prolong life for thousands of years, perhaps forever this 17th gland is the secret of youth.”

The Face of Marble (1946) An Odd John Carradine Obscurity with an “Identity Crisis”

The voluptuous Allison Hayes (Attack of The 50 Foot Woman 1958, The Undead ) plays Grace Thomas, a woman who has suffered a nervous breakdown and is brought to Dr. Conway’s house for a rest cure. Grace has been tricked by her doctor, Dr. Loren Wright (Roy Gordon) who’s been working with Conway, by procuring the victims and ensuring they do not have any living family members who can trace them. Dr. Wright slips up when he doesn’t realize that Grace has a father. The plan is to take her coat and handbag and fake her suicide.

Myron Healy is Mark Houston an undercover cop posing as an escaped convict, that Lobo finds lurking on the grounds. Dr. Conway having heard the description of the man threatens to call the police but offers Mark sanctuary because he is a perfect specimen to experiment on. Houston is purposely posing as the escaped murderer in order to infiltrate Conway’s operation.

Tor Johnson as Lobo once again (Bride of The Monster and Plan 9 From Outer Space) is a giant with the mind of a child who is the caretaker, bodyguard, and overall man-servant to Dr. Conway.

Dr. Conway and his icy assistant Sharon Gilcrest (Marilyn Buferd) are experimenting on these human guinea pigs trying to find the secret of eternal youth.

Also, there is the unfortunate Jedrow, stuck in a cataleptic state, with a huge gash in his neck where the 17th gland was implanted. It’s sweet when Lobo washes his face with a wet rag. He somewhat looks like the Man Who Turned To Stone or an extra from Carnival of Souls.

Dr. Conway’s home is a front for his experiments, seemingly a sanatorium for neurotics. While his guests/patients are Danny Green (Arthur Batanides) an edgy drug addict, and Sally Todd is Natalie Anders suffering from chronic sex appeal?

They all think that Conway is actually trying to help them get over whatever affliction they’re supposedly troubled by. Sharon is drugging their milk and secreting them away for the glandular transplants.

Unfortunately, his operations have failed, only creating monstrous and insane mutants that wind up locked away in his basement dungeon.

Sally reads trashy romance novels and flirts with all the men, even Lobo, who mumbles Pretty Girl like a 2-year-old. Danny is a cranky rageaholic whose temper tantrums are irritating.

Mark and Grace discover that Conway has experimented on Natalie turning her into a horrifically scarred version of herself. Together with Danny, they stop Conway’s experiments, but ultimately as is typical it is one of Dr. Conway’s own creations that kills him. And his assistant Sharon is taken away by the police. Grace and Mark go off into the sunset.

Some memorable quotes:

“In science, there have always been some necessary sacrifices”– Dr. Conway
“The unearthly  In science nothing is taken for granted.”-Dr. Conway
“Here’s to youth, here’s to eternity.”
“Alright I wear a leather jacket and I’m not a midget, so what?” -Mark Houston
“I’m a scientist, thinking is my business.”-Dr. Conway

Thriller with Boris Karloff: 14 Episodes in Brief

1)The Purple Room-airdate October 25,1960-Rip Torn inherits Black Oak Mansion from his recently deceased uncle, but with one condition;he must live in the house for one full year. Patricia Barry and Richard Anderson (The Night Strangler , The Six Million Dollar Man) play his cousins who lure him into spending one night in the haunted Purple Room! Black Oak Mansion makes use of Universal’s Psycho house.

2) Fingers Of Fear-aired Feb 21 1961-This disturbing and psychologically progressive episode deals with a child killer.It opens with a stark and chilling scene of an elementary school teacher chasing a ball (bouncing balls are usually foreboding of an impending shock! )from the playground only to discover the body of a mutilated little girl in the shrubs. The police start looking for an overweight brutish man, and a mentally ill man fitting the description starts to fear that he will be arrested for the crime. This starts a series of events that are filmed with a taut and thoughtful narrative until the shocking climax where the real murderer is caught. The final scene is quite disturbing when the killer violently attacks a doll, thinking it is a little girl. Directed by Jules Bricken, but could have been filmed by Sam Fuller. Highly recommend Fuller’s The Naked Kiss.

3)The Ordeal of Dr Cordell airdate March 7 1961-A doctor, Frank Cordell, played by Robert Vaughn ( The Man From U.N.C.L.E)trying to find the cure for nerve gas accidentally stumbles onto a chemical vapor that stirs a murderous uncontrollable rage in him, every time he hears a bell. This episode taps into Robert Louis Stevenson’s 1886 short story The Strange Case of Dr. Jekyll and Mr.Hyde as Cordell modulates between these dueling personalities.

4) Parasite Mansion airdate April 25 1961-Pippa Scott plays a woman who wrecks her car, then gets shot at and faints only to awaken in an old dark house inhabited by an extremely strange family that are beset by the fear of a family “secret” in the form of violence that has plagued their home and family for three generations. Poltergeists,telekinesis,stigmata,alcoholism, insanity, backwoods vengeance and family dysfunction all play themselves out at the hands of Granny brilliantly acted by the incredible Jeanette Nolan, Beverly Washburn as Lollie ( Spider Baby ).Written by Donald S. Sanford and directed by Herschel Daugherty.

5) Mr George airdate May 9 1961-After a little girl loses both her parents, she is left in the care of her last remaining relatives, a sociopathic provincial trio who plan to kill her for her inheritance. But the child has a special guardian, a ghost named Mr George who is watching out for her safety at every turn.Written by Sanford, and directed by Ida Lupino. Virginia Gregg, Howard Freeman and Lillian Bronson as Adelaide the simple minded sister apropos of a Tennessee Williams character. The musical dynamic to this episode in particular is it’s own character within the plot. it seems to guide the narrative masterfully through a childlike lens.

6) Terror In Teakwood airdate May 16 1961-A concert pianist obsessed with being the greatest living pianist, takes extreme measures to improve his abilities.Guy Rolfe (Mr Sardonicus) plays Vladimir Vicek the tormented musician who goes to drastic and unholy ends to achieve greatness.Hazel Court plays Leonie his beautiful wife. Directed by Paul Henreid. Bette Davis’s love interest and doctor in Now Voyager. Perhaps my favorite film of the great Ms Davis! The theme is very reminiscent of The Hands Of Orlac . Also stars Charles Aidman.

7) What Beckoning Ghost airdate September 18 1961-Judith Evelyn plays Mildred Beaumont, a woman, yet another concert pianist, recovering from a heart attack,goes downstairs one night hearing a funeral dirge, and has a vision of her own dead body lying in repose in an open coffin.She faints and upon awakening is told by her husband and sister that she has started having memory lapses and hallucinations. Are they trying to drive her crazy or to her grave? Written by Donald Sanford from a story by Harold Lawlor first published in Weird Tales (July 1948) and directed by Ida Lupino. photo right Reggie Nalder from Terror in Teakwood.

8) The Premature Burial airdate October 2 1961-loosely based on Poe’s story, Sidney Blackmer (Roman Castavet the patriarchal warlock in Rosemary’s Baby ) plays a cataleptic man who suffers a seizure and is mistakenly buried alive. His doctor friend Boris Karloff breaks into the crypt and saves his life. After being revived by the galvanic battery! Blackmer becomes obsessed with this never happening again. However his young wife Patricia Medina and her artist lover Scott Marlowe are more interested in his inheritance. This episode has a wonderfully morbid tone to it.

9) The Weird Taylor airdate October 16 1961-Writer Robert Bloch brings this macabre story to life directed by Herschel Daugherty.

An abusive husband and bitter man, a tailor is asked to make a special suit of clothes for a wealthy man. The tailor doesn’t know that the man has accidentally caused his son’s death during one of his black mass rituals.The father’s only goal now is to bring his son back to life and having paid one million dollars for a rare book on sorcery which has the formula for creating a suit that if worn can bring back the dead!.George Macready is wonderful as the mournfully obsessed father.Henry Jones is Erik Conrad the angry tailor who doesn’t know what he’s getting himself into.

10) God Grante That She Lye Stille airdate October 23 1961-In 1661 a woman is burned at the stake for being a witch. She swears that her spirit will avenge her death. 300 years later,a girl descendant from the witch returns to her ancestral home and begins having to fight off the ghost of the witch who is now trying to possess her very body and soul! Henry Daniell plays Vicar Weatherford the descendant of the man who burned the witch 300 years prior.

11)Masquerade airdate Oct 30 1961-A young couple, a writer and his droll wife are on their honeymoon down south after being caught in a thunderstorm, stop at a house to seek shelter. This episode is laced with a lyrical quality and much campy humor.What they find, is a bizarre family led by John Carradine ( love him!) Jed Carta who taunts the couple with local stories about the Henshaw Vampire. Is the family a family of vampires?cannibals or just a bunch of psychopaths who kill wayward visitors for their valuables?Tom Poston as Charlie Denham, and Elizabeth Montgomery (Bewitched)as Roz Denham.The banter between the cast is so enjoyable. Pictured here John Carradine as Jed Carta sharpening his butcher’s knife.

12)The Return Of Andrew Bentley airdate Dec 11 1961-in 1900’s Ellis and Sheila Corbett arrive at the home of his Uncle Amos an occult enthusiast, who reveals that he is dying and plans on leaving everything to them as long as they remain in the house, never to leave and to keep vigil on his crypt in order to protect his eternal slumber from the mysterious Andrew Bentley and his minion demon that follows him around like a ghoulish pet.Written by Richard Matheson and directed by John Newland who also plays Ellis. Antoinette Bower is Sheila and Reggie Nalder is Andrew Bentley. Nalder is another actor with a very distinct face.

13)The Remarkable Mrs Hawk airdate Dec 19 1961-Mrs Hawk runs a pig farm. Best hogs in the county.She also goes through handy men like Kleenex. They all seem to disappear without a trace. When the last hired hand to go missing, it stirs curiosity in his friends,so they set out to investigate the goings on. Turns out that the lady is the Greek Goddess Circe who is masterful at turning men into swine! John Carradine plays “Jason” Longfellow, Paul Newlan as Sheriff ” Ulysses” Willetts and Jo Van Fleet as the remarkable Mrs Hawk. Directed by John Brahm and written by Donald S Sanford. The original script http://www.geocities.com/emruf7/hawk.htm

14) The Storm airdate January 22 1962-Nancy Kelly ( The Bad Seed’s mother ) as Janet Wilson after finding the body of a dead woman in the trunk in her cellar, is then stalked by a killer during one terrible stormy night! Directed by Herschel Daugherty.

A few other of my favorite episodes are~Dialogues With Death, Well Of Doom ,The Last of The Summervilles , Hay Fork and Bill-Hook, What Beckoning Ghost, A Wig for Miss Devore and The Closed Cabinet.

Boris Karloff’s Thriller 1960s television series

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From the show’s opening iconic musical score, you know something deliciously sinister is about to occur. The word THRILLER appears against a fractured white web like graphic title design quite a bit in the style of Saul Bass. The discordant piano and horn stabs of modern jazz already bring you into the inner sanctum of menacing story telling. As Boris would often say as a precursory welcome,“Let me assure you ladies and gentlemen, as sure as my name is Boris Karloff, this is a thriller.”

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Boris Karloff’s THRILLER was an anthology series that ran from 1960-1962. It included 60 minute B&W episodes, 67 in all, that were expected to compete with The Twilight Zone and Alfred Hitchcock Presents.

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The series was developed by Executive Producer Hubbell Robinson and producers William Frye, Fletcher Markle  & Maxwell Shane for MCA’s Revue Studios. The format was somewhat plagued by two ambivalent themes, leaving the show’s narrative straddling both crime melodrama and tales of the macabre genres. But… either atmospheres created by some of the best writers, directors and players delivered a highly intoxicating blend of both.

“I think the title leaves the stories wide open to be based on melodrama not violence or shock. They’ll be stories about people in ordinary surroundings and something happened to them. The whole thing boils down to taste. Anybody can show you a bucket of blood and say-‘This is a bucket of blood’, but not everyone can produce a skilful story”-Boris Karloff (1960)

Karloff starred in five episodes: The Prediction, The Premature Burial, The Last of the Somervilles, Dialogues With Death, and The Incredible Doctor Markesan.

Many of the stories were based on writing taken from Weird Tales and scripted by that magazine's contributors such as Robert Bloch (author of the novel Psycho) who wrote one of my favorite episodes The Cheaters as well as adapting his story The Weird Tailor.

Other contributing writers were Donald S. Sanford, Richard Matheson, Barré Lyndon and August Derleth John Kneubuhl, Alan Caillou, Robert Hardy Andrews, Charles Beaumont, Robert Arthur, William D. Gordon, Jay Simms and Wilkie Collins.

THRILLER had an incredible line up of serious dramatic players. Leslie Nielsen, Mary Astor, Rip Torn, Patricia Barry, Richard Anderson, Martin Gabel, Cloris Leachman, Fay Bainter, Victor Buono, Audrey Dalton, Alan Caillou, Elisha Cook, Robert Lansing, Mary Tyler Moore, Beverly Garland,Warren Oates, Werner Klemperer, Harry Townes, Jack Weston, Paul Newlan, Ed Nelson, Mildred Dunnock, Phyllis Thaxter,William Shatner, Elizabeth Allen, Guy Stockwell, Susan Oliver, Nehemiah Persoff, Torin Thatcher, Marlo Thomas, Robert Vaughn, John Ireland, Pippa Scott, Jeanette Nolan, Guy Rolfe, Hazel Court, Lloyd Bochner, Brandon DeWilde, Sidney Blackmer, George Macready, Tom Poston, Constance Ford, Elizabeth Montgomery, John Carradine, Edward Andrews, Estelle Windwood, Bruce Dern, Jo Van Fleet, Jane Greer, Richard Long, Ursula Andress, Lillian Bronson, Reta Shaw, Dick York, Howard McNear, Richard Carlson, Nancy Kelly, John Fiedler, Linda Watkins, Martita Hunt, George Grizzard, Robert Middleton, Natalie Schafer, James Griffith, Bethel Leslie, Patricia Medina, Richard Chamberlain, Sarah Marshall, Conrad Nagel, Reggie Nalder, Henry Jones, Russell Johnson, Natalie Trundy, Diana Millay, Philip Carey, Kathleen Crowley, Susan Oliver, J. Pat O’Malley, Judith Evelyn, Tom Helmore, Robert Vaughn, Virginia Gregg, Scott Marlowe, Judson Pratt, Marion Ross, Antoinette Bower, Jocelyn Brando, William Windom, George Kennedy, Abraham Sofaer, Monte Markham, Patricia Breslin, Charles Aidman and so many other great character actors.

Ida Lupino Looking Through Movie Camera
Ida Lupino directed Last of the Summervilles, The Lethal Ladies, The Bride Who Died Twice, La Strega, The Closed Cabinet, and What Beckoning Ghost? Guillotine, Mr. George, and Trio for Terror

The series drew much of its artist edge because of the directors who contributed their stylistic observations of the storytelling like Robert Florey, a French Screenwriter who was responsible for contributing to The Outer Limits, Alfred Hitchcock Presents, and The Twilight Zone as well as assistant director on Murders In The Rue Morgue and the 1946 film The Beast With 5 Fingers yet another take of the Orlac saga. John Brahm directed the 1944 version of The Lodger and Hangover Square. Much of the overall tone of the series combined elements of film noir and classical horror. The shadowy gray-toned cinematography created so much of the atmospherics for some of the most memorable episodes in the series. Pigeons From Hell is yet another story adapted from Weird Tales Magazine. This episode was directed by John Newland of One Step Beyond, a television series consisting of half-hour episodes that were purported to be based on true paranormal events. Some other notable directors who contributed their work to the series were the ever-versatile Ida Lupino, Arthur Hiller, Lazlo Benedak, (The Wild One ’53) Hershel Daugherty, Paul Henreid, Douglas Heyes, and Jules Bricken.

THRILLER’S musical compositions seemed to be sculpted perfectly for each episode, underscoring the haunting and poignant quality of each story in such an evocative way that the music itself became integral to the narrative. The subtly intrinsic emotional quality in each of the arrangements help forge a climate of the distinctive theater of dramatic and unearthly chills.

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Jerry Goldsmith, Morton Stevens & Pete Rugolo  wrote some of the most vivid and beautiful melodies for the series. I was inspired by the episode God Grante That She Lye Stille, to name a song on my album Fools and Orphans after it.

Henry Daniell, who in addition to his marvelous face, had a wonderfully theatrical voice, plays the 17th-century reincarnation of his ancestor Vicar Weatherford in God Grante She Lye Stille. He condemns the witch Elsbeth Clewer to be damned to the fires of hell and burn at the stake. Memorable is his invocation “God Grant That She Lye Still.” in that measured and lucidly flowing tone of his.”Thou shall not suffer a witch to live!”

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Henry Daniell in God Grant That She Lye Stille.

Daniell would inhabit several striking characters in the series, including Dirk van Prinn the alchemist in The Cheaters.

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Henry Daniell as the cruel headmaster in Jane Eyre 1943.

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I’ll be writing about some of my favorite episodes in depth because THRILLER was so ahead of its time in terms of the serious and artful risk-taking of the various directors on board, the incredibly spellbinding storytelling and dialogue, inspired set & art design, experimental cinematography, dramatic performances, and evocative musical scoring.

Together the confluence of all these elements contributed to a show that often pushed the boundaries of what you might expect from a 1960s television series. Its moody, compelling, and haunting quality, has not been duplicated on any other anthology series of its type to date. Although I also feel passionate about The Outer Limits for much of the same reasons, a show philosophizing on morality with a very science fiction lens. I plan on covering that series in depth as well. Alfred Hitchcock Presents & The Alfred Hitchcock Hour was a fabulous mystery series that also merged noir with suspense. This is another show I’ll be talking about in the future. Yet THRILLER holds a special fascination for me, partly due to my enduring love for Boris Karloff.

Somehow THRILLER seemed to encapsulate its own Gothic methodology and mythos.

The sets had a uniquely eerie landscape and their own vitally uncanny, bizarre, and shadowy environment. Not unlike the way Val Lewton seemed to create his own unique cycle of supernaturally themed shadow plays for RKO.

The show still evokes chills and Gestalt responses in me even after having watched these episodes a hundred times over.

Also notable is Jack Barron’s make-up on the series, including The Incredible Doktor Markesan~

So please stay tuned as I journey back to Boris Karloff’s Thriller and wander through some of my most treasured episodes I’d love to share with you!

Also notable is Jack Barron’s make-up on the series, including Doktor Markesan

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a few scenes from a most groundbreaking & thrilling series!

A Wig for Miss Devore
A Wig for Miss Devore – Patricia Barry & Linda Watkins.
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The Storm-Nancy Kelly.
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What Beckoning Ghost?-Judith Evelyn.
Fingers of Fear
Fingers of Fear- Robert Middleton.
Mr George
Mr.George- Virginia Gregg and Lillian Bronson.
Masquerade
Masquerade – John Carradine, Tom Poston, and Elizabeth Montgomery.
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Rose’s Last Summer– Mary Astor.
Parasite Mansion
Parasite Mansion- James Griffith and Jeanette Nolan.
Pigeons from Hell
Pigeons From Hell– Ottola Nesmith.
Prisoner in the Mirror
Prisoner in the Mirror – Lloyd Bochner.
The Cheaters
The Cheaters- Mildred Dunnock.
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The Ordeal of Doctor Cordell-Robert Vaughn.
the grim reaper
The Grim Reaper– himself.
the hollow watcher
The Hollow Watcher– Audrey Dalton.
the hungry glass
The Hungry Glass– William Shatner and Joanna Heyes.
The Premature Buriel
The Premature Burial- Sidney Blackmer.
The Purple Room
The Purple Room.
the remarkable mrs hawk
The Remarkable Mrs. Hawk– Jo Van Fleet.
the weird tailor
The Weird Tailor- Sandra Blake & Hans the Mannequin.
The Incredible Doktor Markesan
The Incredible Doktor Markeson – Boris Karloff.
Doktor Markeson
Doktor Markeson
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There are 2 episodes listed that never made it to the screen- A Secret Understanding and The Black-Eyed Stranger.

Season One –

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Season Two