Sure as my name is MonsterGirl, This is a Boris Karloff’s Thriller ” Rose’s Last Summer”

Yet another underrated Karloff Thriller episode in brief. Yes, I know, I”m long-winded, and if you had to wait for me to do the whole transcription for some of these wonderful shows and films, I’d never write anything. I am trying to be disciplined here. Less photo work, less rambling on, and more to the gist of the story!

But don’t get too comfy with my brevity, The long-winded MonsterGirl lurks around the corner to sweep you up with 2 part series and photo galleries that could fill an entire album. That’s just how I roll, and I truly hope most of you take me as I am…!

Rose’s Last Summer -release date October 11 1960

“They Called Me “Bad Girl” – Rose French

Karloff begins his opening soliloquy…

“Rose French. in the blur of memory…the face grows dim…but do you remember the name….20 years ago…Rose French, the remarkable Rose French. As a servant girl, or as a princess. She was a quicksilver star in celluloid heaven. If a woman could sell her soul to achieve such fame, what wouldn’t she do to get it back? Poor Rose, that was all she wanted, to relive the past. And those who loved her, Frank Clyde for instance could do nothing to stop her, but the comeback trail could lead to strange and sinister places. To a lonely garden. And to a night of terror!

It could even lead to the face of a painted doll…but the comeback trail is a journey without maps…as sure as my name is Boris Karloff…Poor Rose French and her last desperate summer…That’s the name of our story ROSE’S LAST SUMMER. Our principal players are Ms. Mary Astor, Mr. Lin McCarthy, and Miss Helen Quintal …

Let me assure you this is a THRILLER!”

Starring Mary Astor as Rose French/Mrs. Horace Goodfield/Helen Quintal. This teleplay would poetically mirror Astor’s personal journey as a Hollywood movie star whose life took a different direction, one mixed with alcohol and scandal.

Lin McCarthy as Frank Clyde, Jack Livesey as Haley Dalloway, Hardie Albright as Willet Goodfield, Dorothy Green as Ethel Goodfield

In the beginning scenes of Roses Last Summer we see a weary yet unrestrained drunk, an uninhibited woman who looks like she’s got a mad on at the world, stumbling outside a night crawlers bar. She’s having an argument with the bar owner who apparently has thrown her out of his establishment. After spouting a few barbs at the place, she takes off her shoe and throws it through the glass window with neon letters that spell BAR.

She then stumbles in front of a moving truck which strikes her down in the street. A crowd gathers around her unconscious body. Someone picks up a snapshot of her from her handbag and announces, that this is no ordinary lush, this is the once famous but now aged star of the silver screen Rose French. An intense and curious man in the throng of street faces begins looking suspiciously at poor Rose splayed out on the asphalt.

But this is just the beginning of the story.

Continue reading “Sure as my name is MonsterGirl, This is a Boris Karloff’s Thriller ” Rose’s Last Summer””

Boris Karloff in The Man Who Lived Again (1936) “Most of me IS dead…The rest of me is damned.” or “If the monkeys eat you, don’t blame me!”

The Man Who Lived Again (1936) A forgotten British Gem from Gainsborough Pictures, was released on Sept. 11, 1936
it is also known as The Man Who Changed His Mind or by its US title Dr. Maniac Who Lived Again, or Dr. Maniac. Directed by Robert Stevenson.

Starring a chain-smoking Boris Karloff and pairing him with Anna Lee playing Dr. Clara Wyatt, Lee who would 10 years later co-star alongside him again as antagonists in the intensely riveting horror/noir film Bedlam (1946) Directed by Mark Robson and produced and scripted by the great man of shadow plays Val Lewton.

Anna Lee and Boris Karloff in Mark Robson’s/Val Lewton’s masterpiece Bedlam

Karloff plays Dr. Laurience a once brilliant and revered brain surgeon, turned renegade scientist, shunned by the scientific community, for his esoteric and profane ideas about the human brain. Dr. Laurience has created a way to transpose the mind of one person and place it into the body of another. In other words, Soul Transference. A very sacrilegious concept for his fellow scientists to support, without believing that Laurience is utterly insane. In this film, Karloff adheres more to the persona of the gruff Mad Scientist, rather than some of his other sympathetic roles as the misdirected man of science who meets with various obstructions and the unfortunate string of events. For instance, the kindly and altruistic Dr John Garth who is on death row for a mercy killing, in Before I Hang (1940)

The fabulous Musical Direction by Louis Levy and Art Direction by Vetchinksky has a charmingly nostalgic streak of that early 1930s milieu of the sinister.
Also starring is Cecil Parker as Dr. Gratton and Lyn Harding as Professor Holloway.

The film opens with several surgeons finishing up an operation, taking off their surgical gowns, one such to expose that of a female surgeon. As it is Dr. Clara Wyatt’s last surgery with her colleagues, they are saying their goodbyes. Continue reading “Boris Karloff in The Man Who Lived Again (1936) “Most of me IS dead…The rest of me is damned.” or “If the monkeys eat you, don’t blame me!””

More Men Doing Science….!

Continue reading “More Men Doing Science….!”

Boris Karloff’s Thriller The Remarkable Mrs Hawk: A Modern Re-telling of Homer’s Odyssey, Circean Poison with a Side of Bacon.

Of Circean poison and intoxicating things. When dealing with The Gods, the result is suffering.

The Remarkable Mrs. Hawk (air date December 18, 1961)

Starring Jo Van Fleet as Mrs. Cissy Hawk, John Carradine as Jason Longfellow, Paul Newlan as Sheriff Tom’Ulysses’ Willetts, Hal Baylor as Pete Gogan, and Bruce Dern as Johnny Norton. Directed by John Brahm and adapted to the screen by Donald Sanford from a story by Margaret St Clair

“What beast-molding Drakaina [Kirke] shall he [Odysseus] not behold, mixing drugs with the meal, and beast-shaping doom? And they, hapless ones, bewailing their fate shall feed in the pig styes, crunching grape stones mixed with grass and oil cake. But him the drowsy root shall save from harm and the coming of Ktaros [Hermes].”

Here is yet another favorite episode in the Thriller canon that always brings a smile to my face, even having seen it a number of times over the years. One of the most memorable and striking attributes that most of Karloff’s macabre little theatrical plays possess is an uncannily vivid sense of place, despite them having been filmed on a sound stage at Universal Studios.

Not only is this particular episode so effective because of Jo Van Fleet’s performance as the modern-day witch but it’s also due to the presence of the ubiquitous John Carradine, whose facial expressions alone can be so accentuated by his acrobatic facial expressions that make him so uniquely entertaining to watch not to mention listening to his Shakespearean elucidations, hard-bitten insights, and crafty machinations.

Not unlike the great Burgess Meredith. These actors both, use their faces as their canvas.

It’s a very interesting idea to take mythology and place it in a southern Gothic rural setting, alongside the carnival which adds a layer of mystique.

There’s a great scene that utilizes theatrical anachronism wonderfully. Cissy Hawk carries the bowl, or ‘Circe’s cup’ the night she feeds the pigs grapes and turns Johnny back into a man for a while. An ancient rite on modern rural farm land.

Another thing that’s notable is her wand is a plastic back scratcher!

The mixture of the playful score, clarinet, flute, and the grunts and groans and deep bassy string swells in contradiction adds such a maniacally macabre touch to the episode.

Perhaps it’s just good writing and set design that forges a perfect landscape for each story’s central theme to thrive. Mrs. Hawk is one of those contributions that offers just the right meat, from the perfect theatrical marrow. Continue reading “Boris Karloff’s Thriller The Remarkable Mrs Hawk: A Modern Re-telling of Homer’s Odyssey, Circean Poison with a Side of Bacon.”

MonsterGirl’s 13 Days of Halloween: Obscure Films Better Than Candy Corn!

13 Days of schlock, shock…horror and some truly authentic moments of terror…it’s my pre-celebratory Halloween viewing schedule which could change at any time, given a whim or access to a long coveted obscure gem!

No doubt AMC and TCM will be running a slew of gems from the archives of Horror films to celebrate this coming Halloween! Films we LOVE and could watch over and over never tiring of them at all…

For my 13 days of Halloween, I thought I might watch a mix of obscure little gems, some vintage horror & Sci-Fi, film noir, and mystery/thriller. Halloween is a day to celebrate masterpieces like The Haunting, The Tingler, House on Haunted Hill, Curse of The Demon, Pit and The Pendulum, Let’s Scare Jessica To Death, and Psycho just to name a few favorites.

But the days leading up to this fine night of film consumption should be tempered with rare and weird beauties filled with a great cast of actors and actresses. Films that repulse and mystify, part oddity and partly plain delicious fun. Somewhat like Candy Corn is…for me!

I’ll be adding my own stills in a bit!…so stay tuned and watch a few of these for yourselves!

The Witch Who Came From The Sea 1976

Millie Perkins bravely plays a very disturbed woman who goes on a gruesome killing spree, culminating from years of abuse from her drunken brute of a father. Very surreal and disturbing, Perkins is a perfect delusional waif who is bare-breasted most of the time.

Ghost Story/Circle of Fear: Television Anthology series

5 episodes-

The Phantom of Herald Square stars David Soul as a man who remains ageless, sort of.

House of Evil, starring Melvin Douglas as a vindictive grandpa who uses the power of telepathy to communicate with his only granddaughter (Jodie Foster) Judy who is a deaf-mute. Beware the creepy muffin people.

A Touch of Madness, stars Rip Torn and Geraldine Page and the lovely Lynn Loring. Nothing is as it seems in the old family mansion. Is it madness that runs in the family or unsettled ghosts?

Bad Connection stars Karen Black as a woman haunted by her dead husband’s ghost.

The Dead We Leave Behind stars, Jason Robards and Stella Stevens. Do the dead rise up if you don’t bury them in time, and can they speak through a simple television set?

Night Warning 1983

Susan Tyrrell plays Aunt Cheryl to Jimmy McNichol’s Billy, a boy who lost his parents at age 3 in a bad car wreck leaving him to be raised by his nutty Aunt. Billy’s on the verge of turning 17 and planning on leaving the sickly clutches of doting Aunt Cheryl and she’ll kill anyone who gets in the way of keeping her beloved boy with her always…Tyrrell is soooo good at being sleazy, she could almost join the Baby Jane club of Grande Dame Hag Cinema, making Bette Davis’s Baby Jane seem wholesome in comparison.

Also known as Butcher Baker Nightmare Maker...

Murder By Natural Causes (1979 Made for TV movie)

Written by Richard Levinson and William Link the geniuses who gave us Columbo, this film is a masterpiece in cat and mouse. Wonderfully acted by veteran players, Hal Holbrook, Katherine Ross and Richard Anderson, and Barry Bostwick. Holbrook plays a famous mentalist, and his cheating wife has plans to kill him.

Tension 1949

from IMDb -A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife’s lover. Starring Richard Basehart, Audrey Totter, Cyd Charisse, and Barry Sullivan

Messiah of Evil aka Dead People 1973

A girl arrives on the California coast looking for her father, only to learn that he’s disappeared. The town is filled with eerie people and a strange atmosphere of dread. She hooks up with a drifter and they both uncover the true nature of the weird locals and what they’re up to. They learn the horrific secret about the townspeople…This film is very atmospheric and quite an original moody piece. Starring Marianna Hill, Michael Greer, Joy Bang, and Elisha Cook Jr.

Devil Times Five aka Peopletoys 1974

This film is a very unsettling ride about a busload of extremely psychopathic children who escape after their transport bus crashes. Finding their way to a lodge, they are taken in by the vacationing adults and are eventually terrorized by these really sick kids. Claustrophobic and disturbing. Stars Sorrell Booke, Gene Evans. Leif Garrett plays one of the violently homicidal kids.

The Night Digger 1971

Starring the great Patricia Neal, this is based on the Joy Cowley novel and penned with Cowley for the screen by the wonderfully dark Roald Dahl, Neal’s husband at the time.

From IMDb -Effective psychological love story with a macabre twist not found in the original Joy Cowley novel. The dreary existence of middle-aged spinster Maura Prince takes an unexpected turn with the arrival of young handyman Billy Jarvis, but there is more to Billy than meets the eye. This well-crafted film, full of sexual tension and Gothic flavor, was Patricia Neal’s second after her return to acting, her real-life stroke worked deftly into the story by then-husband Roald Dahl. Written by Shane Pitkin

They Call It Murder (1971 Made for TV movie)

A small-town district attorney has his hands filled with several major investigations, including a gambler’s murder and a possible insurance scam. Starring Jim Hutton, Lloyd Bochner, Leslie Nielsen, Ed Asner and Jo Anne Pflug

A Knife For The Ladies 1974

Starring Ruth Roman and Jack Elam, there is a jack the ripper-like killer terrorizing this small Southwest town. Most all the victims are prostitutes. A power struggle ensues between the town’s Sheriff and Investigator Burns who tries to solve the murders.

Born To Kill 1947

Directed by the amazing Robert Wise ( The Haunting, West Side Story, Day The Earth Stood Still )this exploration into brutal noir is perhaps one of the most darkly brooding films of the genre. Starring that notorious bad guy of cinema Lawrence Tierney who plays Sam Wild, of all things, a violent man who has already killed a girl he liked and her boyfriend. He hops a train to San Francisco where he meets Helen played by Claire Trevor who is immediately drawn to this dangerous man.

The Strangler 1964

Starring the inimitably imposing Victor Buono, who plays mama’s ( Ellen Corby/Grandma Walton) boy Leo Kroll, a psychopathic misogynous serial killer, under the thumb of his emasculating mother. Kroll’s got a doll fetish and a fever for strangling young women with their own pantyhose. The opening scene is chilling as we watch only Buono’s facial expressions as he masturbates while stripping one of the dolls nude by his last victim’s body. Part police procedural, this is a fascinating film, and Buono is riveting as Leo Kroll a psycho-sexual fetish killer who is really destroying his mother each time he murders another young woman. Really cool film by Allied Artist

Murder Once Removed (1971 made for tv movie)

A doctor and the wife of one of his wealthy patients hatch a plot to get rid of her husband so they can be together and get his money. Starring John Forsythe, Richard Kiley, and Barbara Bain.

Scream Pretty Peggy (1973 made for tv movie)

This stars Bette Davis who plays Mrs. Elliot. Ted Bessell plays her son Jeffrey Elliot a sculptor who hires young women to take care of his elderly mother and his insane sister who both live in the family mansion with him. Also stars Sian Barbara Allen. What can I say? I love Bette Davis in anything, specially made for tv movies, where something isn’t quite right with the family dynamic. Lots of vintage fun directed by Gordon Hessler

The Man Who Cheated Himself 1950

A veteran homicide detective witnesses his socialite girlfriend kill her husband. Then what ensues is his inexperienced brother is assigned to the case. Starring Lee J. Cobb, Jane Wyatt, and John Dall.

The Flying Serpent 1946

Classic horror/sci-fi flick that just doesn’t get the attention it deserves. Almost as fun as The Killer Shrews.  Starring veteran actor George Zucco

The Pyjama Girl Case 1977

This more obscure Giallo film was directed by Flavio Mogherini and starred one of my favorite actors Ray Milland, Also starred Mel Ferrer and the beautiful model/actress Delilah Di Lazzaro. I’ve left my passion for Giallo films in the dust these days, but I decided to watch one that was a little off the beaten track.

From IMDb- Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they’re wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together? Written by <jhailey@hotmail.com>

Cul-de Sac 1966

Directed by Roman Polanski starring Donald Pleasance and  Françoise Dorléac as Teresa

A wounded criminal and his dying partner take refuge in a seaside castle inhabited by a cowardly Englishman and his strong-willed French wife. A bizarre dynamic unfolds as this eccentric couple once captives of the criminals at first, their relationship strangely begins to evolve into something else.

Dr Tarr’s Terror Dungeon aka Mansion of Madness 1973

This is a mysterious and nightmarish excursion into the “the inmates have taken over the asylum” theme. Based upon Edgar Allan Poe’s The System of Dr. Tarr and Professor Feather

Blue Sunshine 1978

Three women are murdered at a party. the wrong man is accused of the crimes. yet still more brutal killings continue throughout the town. What is the shocking truth behind this bizarre epidemic of …people losing their hair and turning into violent psychopaths?

Homebodies 1974

Starring Peter Brocco, Francis Fuller, William Hanson, the adorable Ruth McDevitt, Ian Wolfe, and Paula Trueman playing elderly tenants who first try to thwart by rigging accidents, a group of developers from tearing down their building. Old homes and old people…It turns into murder! This is a wonderfully campy 70s-stylized black comedy/horror film. I love Ruth McDevitt as Miss Emily in Kolchak: The Night Stalker series.

The ensemble cast is brilliantly droll and subtly gruesome as they try to stave off the impending eviction and relocation to the institutional prison life of a cold nursing home facility.

A modern Gothic commentary on Urban Sprawl, the side effects of Capitalism on the elderly and their dust-covered dreams, and the fine balance between reverence for the past, and the inevitability of modernity.

The jaunty music by Bernardo Segáll and lyrics by Jeremy Kronsberg for “Sassafras Sundays” is fabulous!

The Evictors 1979

Directed by Charles B. Pierce whose style has somewhat of a documentary feel ( The Town That Dreaded  Sundown 1976 Legend of Boggy Creek 1972) This film has a very stark and dreading tone. Starring one of my favorite unsung naturally beautiful actresses, Jessica Harper ( Suspiria, Love and Death, Stardust Memories, and the muse Pheonix in DePalma’s Faustian musical Phantom of The Paradise ) and another great actor Michael Parks. A young couple Ruth and Ben Watkins move into a beautiful old farmhouse in a small town in Louisiana. The house has a violent past, and things start happening that evoke fear and dread for the newlyweds. Are the townspeople trying to drive them out, or is there something more nefarious at work? Very atmospheric and quietly brutal at times. Also stars Vic Morrow

Jennifer 1953

Starring Ida Lupino and Howard Duff. Agnes Langsley gets a job as a caretaker of an old estate. The last occupant was the owner’s cousin Jennifer who has mysteriously disappeared. Agnes starts to believe that Jennifer might have been murdered. Is Jim Hollis the man whom she is now in love with… responsible?

Lured 1947

Directed by Douglas Sirk and starring Lucille Ball, George Sanders, and my beloved Boris Karloff!

There is a serial killer in London, who lures his young female victims through the personal ads. He taunts the police by sending cryptic notes right before he is about to murder again. The great cast includes Cedric Hardwicke, George Zucco, and Charles Coburn...

Love From A Stranger 1947

A newly married woman begins to suspect that her husband is a killer and that she is soon to be his next victim. Starring John Hodiak and Sylvia Sidney

Savage Weekend 1979

Several couples head upstate to the country and are stalked by a murderer behind a ghoulish mask.

The Beguiled 1971

Directed by the great Don Siegel ( Invasion of The Body Snatchers 1956, The Killers 1964 Dirty Harry 1971 This stars Clint Eastwood, Geraldine Page and Elizabeth Hartman. Eastwood plays John McBurney who is a Union soldier imprisoned in a Confederate girls boarding school.  A very slow yet tautly drawn web of psycho-sexual unease forms as he works his charms on each of these lonely women’s psyche.

The Mad Doctor of Market Street 1942

An old-forgotten classic horror, starring Lionel Atwill and Una Merkel. Atwill plays A mad scientist forced out of society when his experiments are discovered. He winds up on a tropical island, there by holding the locals hostage by controlling and terrorizing them.

The Man Who Changed His Mind original title (The Man Who Lived Again) 1936

Directed by Robert Stevenson. Starring my favorite of all Boris Karloff, and Anna Lee of Bedlam

Karloff plays Dr. Laurence, a once-respected scientist who begins to delve into the origins of the mind and soul connection.

Like any good classic mad scientist film, the science community rejects him, and so he risks losing everything for which he has worked, shunned by the scientific community he continues to experiment and further his research, but at what cost!…

The Monster Maker 1944

This stars J. Carrol Naish and Ralph Morgan. Naish plays Dr Igor Markoff who injects his enemies with the virus that causes Acromegaly, a deformity that enlarges the head and facial structures of his victims.

The Pyx 1973

I love Karen Black and not just because she let herself be chased by that evil Zuni doll in Trilogy of Terror or dressed up like Mrs Allardice in Burnt Offerings. She’s been in so many memorable films, in particular for me from the 70s. Here she plays Elizabeth Lucy a woman who might have fallen victim to a devil cult. Christopher Plummer plays Detective Sgt. Jim Henderson investigating the death of this heroin-addicted prostitute. The story is told using the device of flashback to tell Elizabeth’s story.

Five Minutes To Live 1961

Johnny Cash, the immortal man in black, plays the very unstable Johnny Cabot, who is part of a gang of thugs who terrorize a small town. This is a low-budget thriller later released as Door to Door Maniac. I could listen to Cash tune his guitar while drinking warm beer and I’d be satisfied, the man just gives me chills. Swooning little me…….!

The Psychic 1977

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In this more obscure EuroShocker, a clairvoyant… the gorgeous Jennifer O’Neill, suffers from visions, which inspire her to smash open a section of wall in her husband’s home where she discovers a skeleton behind it.

She sets out to find the truth about how the victim wound up there, and if there’s a connection between their death and her fate as well!

Too Scared To Scream 1985

Directed by actor Tony Lo Bianco A killer is brutally attacking several tenants that live in a high-rise apartment building in New York City. Mike Connors stars as Detective Lt. Alex Dinardo who investigates the killings. Also stars another unsung actress, Anne Archer, Leon Isaac Kennedy, and Ian McShane

Violent Midnight 1963

An axe murderer is running loose in a New England town! Also known as Psychomania not to be confused with the fabulous British film of devil-worshiping bikers who come back to life starring Beryl Reid. This film features Dick Van Patten, Sylvia Miles, James Farentino, and Sheppard Strudwick. It’s got it’s own creepy little pace going for it.

When Worlds Collide 1951

Another classic sci-fi world is headed toward destruction film, that I remember from my childhood. Starring Barbara Rush and John Hoyt, two of my favorite character actors. It’s a lot of fun to watch and a well-made film that’s off the beaten path from… Forbidden Planet and War of The Worlds.

All The Kind Strangers  (1974 made for tv film)

Starring Stacy Keach, Sammantha Eggar, John Savage, and Robby Benson

A couple traveling through a backwoods area is held hostage by a group of orphan children who want them to be their parents. Whenever an adult refuses to participate in the delusion, they are killed. Great disturbing made for tv movie.

The Todd Killings 1971

Directed by Barry Shear and stars Robert F. Lyons as Skipper Todd, a very sociopathic young man who holds sway over his younger followers like a modern-day Svengali. Also starring Richard Thomas, Belinda Montgomery, and the great Barbara Bel Geddes as Skipper’s mother who takes care of the elderly.

From IMDb-“Based on the true story of ’60s thrill-killer Charles Schmidt (“The Pied Piper of Tucson”), Skipper Todd (Robert F. Lyons) is a charismatic 23-year old who charms his way into the lives of high school kids in a small California town. Girls find him attractive and are only too willing to accompany him to a nearby desert area to be his “girl for the night.” Not all of them return, however. Featuring Richard Thomas as his loyal hanger-on and a colorful assortment of familiar actors in vivid character roles including Barbara Bel Geddes, Gloria Grahame, Edward Asner, Fay Spain, James Broderick, and Michael Conrad.” Written by alfiehitchie

This film has a slow-burning brutality that creates a disturbing atmosphere of social and cultural imprisonment by complacency and the pressure to conform, even with the non-conformists.

Todd almost gets away with several murders, as the people around him idolize him as a hero, and not the ruthless manipulating psychopathic killer that he is. Frighteningly stunning at times. One death scene, in particular, is absolutely chilling in his handling of realism balanced with a psychedelic lens. This film is truly disturbing for it’s realism and for a 1971 release.

To Kill A Clown 1972

Starring Alan Alda and Blythe Danner. Danner and Heath Lamberts play a young hippie couple who couple rent a secluded cabin so that they can try and reconnect and save their marriage.

Alan Alda plays Maj. Evelyn Ritchie the man who owns the property and who is also a military-raised- sociopath who has two vicious dogs that he uses as an extension of his madness and anger.

 

MonsterGirl’s Fiend of The Day! The Ghoul (1933)

The Ghoul 1933 Starring Boris Karloff

Karloff stars as Professor Henry Morlant a fanatical Egyptologist who rises from his tomb to seek revenge!

Also co-starring Sir Cedric Hardwicke, Ernest Thesiger, and Ralph Richardson. Directed by T. Hayes Hunter.

“An ancient curse is about to be unleashed!”

Happy Bump in the Night-Yours Truly…MonsterGirl

Boris Karloff’s Thriller: The Premature Burial (1961) Jo Gabriel’s How The Devil Falls In Love

Season 2, Episode 3: The Premature Burial

Starring Sidney Blackmer as Edward Stapleton and Patricia Medina as Victorine also starring Boris himself as Dr. Thorne and Scott Marlowe as Julian Directed by Douglas Heyes and adapted from Edgar Allan Poe. Script by William D. Gordon.

Original Air Date"”2 October 1961

Jo Gabriel’s How The Devil Falls In Love appears my album Fools and Orphans

featuring the incredible performance by cellist Matt Turner


The song How The Devil Falls In Love is dedicated to my beloved Lady Cat Angeline who passed away tragically too soon from this earth. I cannot breath without you here.

MonsterGirl (JoGabriel)

Boris Karloff’s Thriller: God Grante That She Lye Stille 1961″Until my body is restored to me”

Boris Karloff’s Thriller Season 2, Episode 5: God Grante That She Lye Stille

Original Air Date"”23 October 1961

Directed by Hershel Daugherty and starring Sarah Marshall

JO GABRIEL’S “GOD GRANT SHE LYE STILL” appears on my album Fools and Orphans

Featuring the incredible performance by cellist Matt Turner


MonsterGirl (JoGabriel)

Boris Karloff’s Thriller: The Ordeal of Dr Cordell: “I know that science and ego make lousy chemistry”

Boris Karloff’s Thriller The Ordeal of Dr. Cordell Episode release date: March 7, 1961

Directed by Lazlo Benedek, Written by Donald S. Sanford and music scored by Morton Stevens. Starring Robert Vaughn as Dr. Frank Cordell and Kathleen Crowley as Dr. Lois Walker.

There are obvious elements of  Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde with more of a neo-realism that displaces the Gothic romanticist nature of the story of dualities of the mind/soul connection transplanting it in a modern setting, making it almost hyper eerier. This episode is also one of the few in the series that is an integration of post-world War II science-fiction mystery with the reoccurring themes of crime drama and Gothic horror that most of the other episodes pivoted on in this timeless hybrid television show. Not only are there traces of Neo-Noir realism of the 60s, but it also flirted with good science vs bad science. I find a correlation with the original novella published by Stevenson in the late 1800s.

ROBERT LOUIS STEVENSON

The Strange Case of Dr. Jekyll and Mr. Hyde is the original title of a novella written by author Robert Louis Stevenson that was first published in London on Jan  5th, 1886. The work is commonly known today as simply Dr Jekyll and Mr Hyde Dr Henry Jekyll has unleashed a bestial alter ego Edward Hyde, a violent misanthrope. A fracturing of the self, into two clashing and opposing natures. It is the ultimate parable of good vs evil where 2 vastly different personalities within the same person battle over their moral character and the question of right and wrong.

Continue reading “Boris Karloff’s Thriller: The Ordeal of Dr Cordell: “I know that science and ego make lousy chemistry””

Boris Karloff’s Thrilling: Another Visit with Boris Karloff’s Cinematic Television Masterpiece

When I first started blogging on The Last Drive In, I chose one of my most beloved memories, a thing of nostalgia for me, and what I consider to be one of the greatest television programs that contained not only the classic crime mystery drama, but Gothic horrors based on some of the most prolific writers of these genres back then, such as Cornell Woolrich , Robert Bloch and August Derleth.

I recently covered episodes like The Hungry Glass, The Hollow Watcher, The Grim Reaper, The Cheaters, The Incredible Doktor Markesan and Pigeons From Hell.


This time I will be blogging about a few more interesting tales such as The Ordeal of Dr Cordell starring Robert Vaughn. The Remarkable Mrs. Hawk starring Jo Van Fleet and John Carradine, The Premature Burial starring Sidney Blackmer (the piercing Roman Casstavette in Rosemary’s Baby) and Boris himself as Dr. Thorne. And finally Rose’s Last Summer starring Mary Astor since I’m on a Mary Astor kick what with working on my Aldrich series and Hush…Hush Sweet Charlotte post that’s giving me an infarction, it’s so detailed, yet I don’t know how to write any other way.

I’ll be periodically choosing other great episodes from the series,but these were the ones I thought would be really interesting to cover right now.

I am talking about Boris Karloff’s television series that ran from 1960-1962: Thriller: The Complete Series.

Also the contributions by directors like John Brahm, Ida Lupino , Herschel Daugherty, Arthur Hiller and Paul Henreid who had a unique visual perspective that created creepy landscapes and lighting that would fit the noir canon very well.Also very notable for me as a musician are the musical scores by Mort Stevens, Pete Rugolo and Jerry Goldsmith that were nothing short of stunning, evocative melodies that tore at your soul and fit the mood of each episode,adding another vivid dimension to the atmospherics.

I have written earlier about some of my favorite episodes from Boris Karloff’s anthology series Thriller, which was an unusual collection of mixed genres. The series seems to be a very popular one here at The Drive In, so I’ve decided to write about a few more that have stayed with me over time, not that I didn’t absolutely love every single episode, all 67 of them. I only wish there had been more, or that someone would discover lost episodes that were never released. I have virtually watched each episode hundreds of times, not only catching little details for the first time with each reviewing, but never do I grow tired of them. That is the sign of something timeless, and masterful. And the more time goes by, I realize even further how preeminent this body of work truly is.

I can only imagine how excited fans like me were when they finally released the box set.I cried, I am not even kidding you. I, like many other devotees, waited a very long time for them to release this masterpiece on DVD. I used to have to wait up until 3am back in the day so that I could set my VCR to record when the Sci-Fi Channel had the good sense to run the episodes. Although I’d always get hocked off that the commercials were ads with nude girls telling me to “pick up the phone” while they were sliding up and down a pole. I know that boys and men love sci-fi and horror, but news flash! girls and women actually can have an avid appreciation for all things scary, thrilling and wondrous like the marvels of science, just as much. We can have a visceral passion for action and frightmares just like anyone else. So having to endure the “babes” of late night Sci-Fi Channel commercial land was irksome. Now I can watch Boris with some undisturbed dignity and I don’t have to be told to “pick up the phone” by some bimbo jutting her tongue over her shiny lip gloss, as if that were sexy to me. I’d rather watch Marisa Mell or Barbara Steele sitting under a tree reading a book. But again I digress as by now you know I am apt to do. Forgive MonsterGirl her little occasional rants.

So anyway, not only was there unmistakable atmosphere to each of Thriller’s episodes, but the stories themselves were lensed in a unique way that was very ahead of it’s time. The actors brought a serious attitude to their characters and the plot development, and didn’t treat them as merely short pulp stories as fodder for the tv masses. This was an intelligent show, and the presence of Boris Karloff only added a charming sage fabulist narration that was like being tucked in by your remarkable grandfather who loved to tell a good spooky tale to you right before bedtime. I’ve said this plenty, I wish Boris Karloff had been my grandfather.

MonsterGirl