CHILDREN SHOULDN’T PLAY WITH DEAD THINGS 1972
Children Shouldn’t Play with Dead Things (1972) stands as a seminal work in the evolution of 70s horror cinema, a quirky, influential, and enduringly entertaining blending macabre humor with low-budget ingenuity to create a cult classic that saw its influence spread to future indie filmmakers.
Directed by Bob Clark (credited as Benjamin Clark), who would later show off his diverse talents with holiday favorites like the beloved A Christmas Story 1983 and the end of the spectrum of holiday movies with his darkly sinister Black Christmas 1974, this early foray into horror showcases Clark’s versatility and willingness to push boundaries.
Shot on a shoestring budget of $50,000 over just 14 days, the film follows a troupe of hammy actors led by the insufferable Alan (played by Alan Ormsby, who also co-wrote the script and designed the eerie corpse makeup) as they venture to a cursed island cemetery for a mock séance. The cast, which was primarily composed of Clark’s college friends, lends an authentic if amateurish, charm to the proceedings, with many actors using their real first names in a quirky nod to budget constraints. All this seems to contribute to that bit of personal flair the film possesses. The actors include: Valerie Mamches as Val, Jeff Gillen as Jeff, Anya Ormsby as Anya ( I met Anya at Chiller Theater a while back. She was lovely), Paul Cronin as Paul, Jane Daly as Terry, Roy Engleman as Roy, Robert Philip as Emerson, Bruce Solomon as Winns and best of all… Seth Sklarey as Orville Dunworth – Alan’s favorite dead guy!
Cinematographer Jack McGowan transforms Florida’s swampy landscapes into a gothic playground of shadows and mist, creating an atmosphere of creeping dread that adds to not detracts due to the film’s limited resources. This visual style is complemented by Carl Zittrer’s score, which oscillates between carnival-esque whimsy and spine-tingling unease, perfectly capturing the film’s tonal balancing act between horror and dark comedy.
I can’t overstate this enough: Children Shouldn’t Play With Dead Things serves as a bridge between the voodoo zombies of early cinema and George A. Romero’s flesh-eating ghouls that stalked the streets of Pittsburgh in his Dead saga; in Clark’s film introducing the concept of occult-summoned undead. This innovative approach to zombie lore and Ormsby’s gruesome yet inventive makeup effects laid the groundwork for future indie horror productions, proving that creativity and passion could often overcome a lack of funding. These movies always tend to be the most compelling!
Moreover, Children Shouldn’t Play with Dead Things helped establish the horror-comedy subgenre that would later flourish with films like Sam Raimi’s The Evil Dead 1983. Its blend of slapstick humor, occult themes, and genuine scares created a template for future filmmakers to explore the intersection of laughter and fear.
As the zombies set sail for Miami in the film’s audacious finale, viewers are left with a sense of the absurd that perfectly captures the movie’s charm.
