From The Vault: The Queen of Spades (1949)

“The Dead Shall Give Up Their Secrets!”

THE QUEEN OF SPADES 1949

The Queen of Spades is a masterpiece if ever I saw one. Associate Producer Jack Clayton was on board for this film, directed by Thorold Dickinson (Gaslight 1940) who came onto the project last minute. Adapted to the screen by Rodney Ackland and Arthur Boys from the story written by Alexander Pushkin. The story could have easily been dreamt up by Aleksei Tolstoy,  Ivan Chekhov -(The Drop of Water) Nikolai Gogol  or even Oscar Wilde.

My partner Wendy even mentioned Edgar Allan Poe as she watched along with me. It brought to my mind, his short story Never Bet The Devil Your Head. Which of course was brought to life by Frederico Fellini in the segment of Spirits of The Dead 1968 called Toby Dammit, featuring the work of actor Terence Stamp.

Terence Stamp as Toby Dammit in the segment of the same name as part of Spirits of The Dead. Directed by Frederico Fellini 1968 Based on the short story by Poe, Never Bet The Devil Your Head.
From Mario Bava’s Black Sabbath 1963 vignette The Drop of Water based on a story by Chekhov.
Boris Karloff stars in an adaptation of Tolstoy’s story in the segment about The Wurdelak.

It’s clear that Russians are very good at telling Ghost stories and notorious for telling tales about selling your soul to the Devil!

The Queen of Spades, stars Anton Walbrook, Edith Evans, Yvonne Mitchell and Ronald Howard.

The gorgeous music scored by Georges Auric   (Beauty and The Beast (1946), The Innocents (1961), and Wages of Fear 1953 just to mention a very few!) is as heart wrenching as it is heroic, drawing out the exquisite melody and chord changes to reach the soul and twist it into knots while it lingers.

What can I say about the gorgeous cinematography by Otto Heller.The odd camera angles are reminiscent of the great German Expressionist movement, something from Fritz Lang or the use of light and darkly dreamy angles like that of Carl Theodor Dreyer.

Even without any sound, the story would have emerged from the screen as a powerful cautionary tale, rife with grotesque and compelling characters.

The film is an arresting fairytale, that’s dreamy, and haunting in it’s imagery and perhaps, yes perhaps as visually stunning as I dare say Jean Cocteau’s  La Belle et la Bête 1946 or Julian Duvivier’s Flesh and Fantasy 1943 and collaborative efforts of Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer’s Dead of Night 1945.

Betty Fields and the mysterious mask salesman in Flesh and Fantasy
Michael Redgrave and his dummy in Dead of Night

There are frames so masterfully conjured in shadow, that you might even think you’re watching Film Noir or an obscure Val Lewton production. Either way, The Queen of Spades sort of defies being labelled a specific genre.

It has it’s own melancholy fantasy that draws from many elements of  the mystery/suspense crime/noir and supernatural horror gems of that golden age, when visual structure was as essential to the narrative as was the character development and dialogue.

Anton Walbrook is wonderful as Moira Shearer’s domineering impresario Boris Lermontov in Michael Powell and Emeric Pressburger’s The Red Shoes 1948

Anton Walbrook  plays the bitter and venomous Capt.Herman Suvorin an army engineer, who is so poisoned by his resentments toward the ruling aristocracy , that he wants to gain his own wealth, and punish those around him who have benefited by their birthright and title. Suvorin does not want to take life as it comes, he wants to “Grab life by the throat and force it to give him what he wants!”-Suvorin.

This he conspires to do by trying to learn the secret of winning at a card game named Faro, from the Old Countess Ranevskaya, played by Edith Evans.

The marvelous British actress Dame Edith Evans
It’s always a bad omen to draw The Queen of Spades!

After a frustrating night of watching a few of his fellow army officers play Faro, taunting Herman as if he was not of the same class, he bursts out of his room in a self absorbed rage, and wanders onto the streets and into a dusty old book store, first picking up a book about Napoleon Bonaparte whom he admires (his portrait hangs in Herman’s humble room) because Napoleon came into his power at age 26!

Herman Suvorin possess a similar intensely maniacal quality that makes him a very unapproachable,manipulative and unlikable man. Looking at him was like “looking into the eyes of Satan!”

Fatefully placed next to Napoleon’s book is another book, suddenly and with a creepy alacrity, the old bookshop owner picks up the ancient bound leather and starts relating it’s contents to Herman, as if he’d been chosen the messenger… warning Suvorin about the secrets and dangers of tampering with the universe. The old man told Herman that he’d either wind up having riches… or lose his eternal soul!

“You might wind up gaining a fortune or losing your precious soul!”

In terms of appearance and demeanor I thought of Riffraff from Rocky Horror Picture Show, and wondered if this little bookish crypt keeper was an inspiration for Richard O Brien!

Herman purchases the book for 3 rubles, and starts reading aloud to us. This mysterious book, about people making deals with the Devil, and a certain mysterious Count d. Saint Germaine who lived in an isolated palace and molded wax images of his chosen victims, thereby trapping their souls forever in his power.

Herman Suvorin slowly and thoughtfully recites to us from the book:

Containing the true stories of people who sold their souls in return for wealth, power or influence"¦ Chapter IV The Secret of The Cards
Countess R"¦(Countess Ranevskaya )
In the year seventeen hundred and forty six, (60 years ago)
The Count d. Saint Germain arrived in St. Petersburg.
He chose for his residence, a palace on the outskirts of the city.
and soon there were strange rumors, about the weird dwelling and it’s mysterious occupant. It was certainly true that in the vaults of the palace. he had a curious collection of wax figures, which, so it was whispered, contained the souls of those who had fallen under his evil influence. He would derive intense please from modeling the wax figures from his intended victims, each one of whom was chosen.
with deliberate appreciation. Thus the countess Ranevskaya, acknowledged as the most beautiful woman in Russia came to excite his attention. He learned that in spite of a jealous husband, all the men had vied for her favors.

Sleeping with a handsome stranger, gets The Countess into grave trouble!
This stranger warns the Countess of having amorous encounters, then robs her of her jealous husband’s money!

When the last of the guests had left. the countess went down the secret stairway.. To admits the young stranger she had promised to meet. She alone had the key to the hidden door. They had an amorous meeting. He was a cad and threatened her with scandal. Taking all her money. She was haunted by the fear of scandal. She needed to replace the money. In her despair she remembered the message from Saint Germain. she had no alternative but to answer the mysterious summons.  She would sell her soul"¦ anything  to save herself…

Is Saint d. Germain really The Devil?

Germain’s messenger tells the young Countess to meet him at his palace!

In Saint Germain’s vault of waxworks, just before the darkness closes in, and the Countess screams off screen…

Continue reading “From The Vault: The Queen of Spades (1949)”

Special Note from Jo Gabriel alias MonsterGirl : The Film Score Freak had been ailing…

In the past few months I have been experiencing technical difficulties due to an issue with my music mash ups and Youtube. The problem has now been corrected, so I am inviting all to revisit posts from The Film Score Freak that feature movie/music mash ups that I conjured myself to pay tribute to some timeless masterpieces as well as tout little ole me’s singer/songwriting chops….

Thanks for your patience…

So now, without any further empty popcorn boxes in the aisles and pink glops of chewing gum under your theatre seats! I welcome you back to !!!!

THE FILM SCORE FREAK!

Yours Eternally-Joey

The Incredible DokTor Markesan-[Essay on Boris Karloff’s Thriller]

The Incredible Doktor Markesan played by Boris Karloff for one of Thriller’s most memorable episodes of the series!

A sign readsNO TRESPASSING ~VIOLATORS WILL BE SHOT ON SIGHT~DokTor Konrad Markesan”

The Incredible DokTor Markesan aired Feb 26 1962 perhaps the most creepy of all the Thriller stories, originally appeared in Weird Tales Magazine and was taken from a story written by August Derleth and Mark Schorer, and adapted by Donald S Sanford and directed by Robert Florey. The rotting corpse makeup by Jack Barron actually predates Romero’s 1968 Night Of The Living Dead, which I feel only made both effectively more creepy by the B&W film.

Mort Stevens’s score begins as gravely contemplative and daydreamy single notes on the piano beckon us into this episode, then begins the darker, deeper cello strings foreboding and ominous. As the piano resolves into more somber chords, the young Fred Bancroft and his new bride Molly drive up to the entrance of Oakmoor. What has happened to the broad green lawns and the servants in starched white uniforms? They proceed to enter the house, the door having been strangely left unlocked. Seemingly vacant, Oakmoor is crocheted in cobwebs, from years of neglect. There is no electricity. Fred lights a candelabra and the couple continue to search for Fred’s Uncle Konrad. As they start to ascend the staircase, suddenly a door creaks open, the music sways from ominous to severe, and a sallow, blank, expressionless, Konrad Markesan steps out of the shadows. Uncle Konrad stares up at them, ashen, emotionless, his right hand poised in a state of rigor, he stares off, silent. Fred trying to ingratiate himself awkwardly, remains smiling, excruciatingly strained in the midst of his Uncle’s peculiarly inhospitable behavior. Molly acutely more aware of his uncle’s bizarre presence stands there obviously horrified and uncomfortable while Fred still flounders to make a connection with his relative. Molly chirps out a “Hello” and from the moment Fred holds out his hand to shake his Uncle’s, Markesan turns away and says “Come with me” and proceeds to leave the grand hallway.

 

Continue reading “The Incredible DokTor Markesan-[Essay on Boris Karloff’s Thriller]”

The Film Score Freak recognizes The Outer Limits: The Forms of Things Unknown & Jo Gabriel’s Mistress of Time

The Outer Limits: The Forms of Things Unknown

Season One Episode 32 Air date May 4th, 1964

Directed by Gerd Oswald and written by Joseph Stefano

Two women decide the only way out of an abusive relationship with a sadistic blackmailer is to poison him. In the midst of fleeing, they come upon an isolated house with an odd old caretaker and a solitary young man who dabbles with clocks, time travel, and raising the dead.

The dreamy David McCallum plays Tone Hobart, the man who can tinker with time, space, and soul revival. Vera Miles plays the self-assured Kasha, Barbara Rush is the slightly neurotic Leonora, Cedric Hardwicke is Colus, the stoic manservant and Scott Marlowe is the fiendish Andre. From one of the truly timeless series, with the advent of a social consciousness, The Outer Limits, is one of my favorite television series of all time!

As I’ve been known to write about Boris Karloff’s Thriller, I do plan on covering a few of my most treasured episodes in-depth and certainly with my usual long-winded overview and images of the original The Outer Limits!

For now… I couldn’t resist adding my musical voice to a ‘moment in time’ of one of the most poetic and haunting stories in the series. Here are edited scenes from The Forms of Things Unknown mashed up with my song ‘The Mistress of Time’ off my album The Amber Sessions.

Eternally Yours – Jo Gabriel – MonsterGirl

The Film Score Freak recognizes The Phantom of The Opera starring Lon Chaney and Jo Gabriel’s ‘Bulldozer’

The Phantom of The Opera 1925 starring Lon Chaney and Mary Philbin

A mad, disfigured composer seeks love with a lovely young opera singer. Starring the man of a thousand faces Lon Chaney as Erik The Phantom and the lovely Mary Philbin as Christine Daae.

Here I’ve taken beautiful scenes from Phantom and edited them together with my song Bulldozer from my album Fools and Orphans.

For tragic love runs between both the song and the eternal story of undying and unrequited love!

the lovely Mary Philbin.

A tragic love…!

“A masterpiece of horror that shocked cinema for decades!”

JoGabriel the girl behind the mask of MonsterGirl!

The Film Score Freak recognizes Carnival of Souls 1962 and Jo Gabriel’s ‘Vacant Little Stare’

CARNIVAL OF SOULS 1962

Carnival of Souls (1962): Criterion 60s Eerie Cinema: That Haunting Feeling

Herk Harvey’s one film masterpiece of the macabre, starring Candace Hilligoss.

I’ve taken scenes from the film and edited them together with my song called Vacant Little Stare off the album Fools and Orphans.

This cult classic is so incredibly atmospheric and the imagery so unique for its day, that I couldn’t resist melding it together with my song, of alienation, loneliness, and madness, which compliment Mary Henry’s persona very well I think! Enjoy!-Joey

‘A story so unusual it will burn itself into your mind’

‘A weird tale of the unnatural’

‘She Was A Stranger Among The Living.’

‘She Escaped Death. Now It Wants Her Back!’

MonsterGirl- Jo Gabriel

The Film Score Freak recognizes Mario Bava’s ‘Black Sunday’ and Jo Gabriel’s ‘Waking The Dark’

Black Sunday 1960 ‘La maschera del demonio’ & Jo Gabriel’s ‘Waking the Dark’

Here is a music/film mash-up tribute to Bava and Steele, using edited clips from the classic film and a song off my neo-classical lo-fi album The Last Drive In!

Mario Bava’s masterpiece of Gothic horror starring the legendary Barbara Steele is the vengeful witch Katia Vajda / Princess Asa Vajda who rises from the tomb to possess the body of her descendant!

“STARE INTO THESE EYES… discover deep within them the unspeakable terrifying secret of BLACK SUNDAY… it will paralyze you with fright!”

BRIDES OF HORROR – Scream Queens of the 1960s! – Part 4: The Dark Goddess-This Dark Mirror

MonsterGirl (Jo Gabriel)

A trailer a day keeps the Boogeyman away! The Reincarnation of Peter Proud (1975)

The Reincarnation of Peter Proud (1975)

Featuring the Original Music by Composer Jerry Goldsmith

I see this is going to be yet another casualty of the remake syndrome that our film culture suffers from. Due out in 2013. Don’t get me wrong, there are certain films that can be faithfully re-imagined by the right director/screenwriter and it could add an element of tribute with a contemporary twist that feeds the palate nicely. Perhaps this will be one of them…we’ll see. For now, let’s say that it… won’t have Margot Kidder, Michael Sarrazin, or the heavenly Jennifer O’Neill. All three actors, 70s staples, and fine performers, are engrossing to watch. Sarrazin

(They Shoot Horses Don’t They 1969, Frankenstein, The True Story 1973 The Gumball Rally 1976) has always struck me as a quasi-urbane/ feral cat, sophisticated yet wildly sexy and untamed.Especially with his deeply fluid eyes. And I do LOVE cats!

Yes, I had a huge crush on Michael Sarrazin…I mean look at those lips!

College professor Peter Proud starts to have flashbacks and reoccurring dreams from a previous life. He begins to become drawn to a place that he has never been before yet is so hauntingly and disturbingly familiar. Leaving his girlfriend Nora played by the sexy Cornelia Sharpe behind, he goes on a personal mission to find the truth…

Driven by the cosmic forces that surround his destiny, Peter meets up with his wife Marcia Curtis (Margot Kidder) from his past incarnation. Some how Marcia recognizes in Peter very unique characteristics that are startling to that of her dead husband, Jeff.

Eerily at times, even the sound of Peter’s voice seems to be that of Jeff’s. The film adds a twist of irony and a strain of incestuous actuality when Peter becomes romantically drawn to Ann Curtis played by Jennifer O’Neill, the daughter of Jeff and Marcia. Peter’s daughter from a past life…

Recognizing the implications of the nature of Peter and Ann’s relationship, the anxious and melancholy Mrs. Curtis tries to keep the two young lovers away from each other. But…what is the secret behind the death of Jeff Curtis? And what will happen to Peter in the end?

The film is a soft-core 70s journey into, the psycho-sexual and an indulgence into mysticism. The preoccupation of the 70s with reincarnation and past lives emerging. Peter Proud is a truly, gripping, haunting film directed seamlessly by J. Lee Thompson (The Guns of Navarone 1961, Cape Fear 1962, Eye of the Devil 1966) and written by Max Ehrlich

One of the superb elements of this fine supernatural suspense/horror film is the musical contribution by legendary composer Jerry Goldsmith.

Goldsmith’s original soundtrack adds such a powerfully indelible layer to the film that makes it for me one of the most memorable films from the 1970s.

Not only is Jerry Goldsmith ONE of my all-time favorite composers, but he has also had a profound effect on me in terms of inspiration growing up as a young singer/songwriter.

Here, in this film, his work is perhaps one of THE MOST beautifully poignant and heart-wrenching pieces of music I’ve ever heard. A transcendent solemnity and delicately exquisite introspective journey of the soul through longing, silence, and eventually an eternal unknowing that lingers….

I could not find a proper theatrical trailer of The Reincarnation of Peter Proud 1975 anywhere, but I still felt it significant to highlight the film’s score as it does set the tone for Peter’s self-awareness, his journey back in time, and toward re-encountering his true self.

So here is a little something from the film. I hope you watch this version before you go and see the re-make slated for 2013.

Happy Trailers MonsterGirl (JoGabriel)

The Film Score Freak Recognizes Jo Gabriel’s ‘Once’ and Robert Aldrich’s ‘What Ever Happened To Baby Jane'(1962)

Here I’ve taken the last scene of What Ever Happened To Baby Jane (1962) and added my little piece called ‘Once’ which appears on my double album retrospective Hunting Down The Ceremony Vol.1 The Hidden Voice

Here’s to Bette Davis and Joan Crawford and Robert Aldrich for getting these Grand Dames together, to kick the ever loving crap out of each other on and off screen!!!!!!

Lovingly Joey (MonsterGirl)

The Film Score Freak recognizes Jo Gabriel’s ‘Fade To Black’ & the Poe/Corman/Price magic that is ‘The Pit and The Pendulum’ (1961)

Here’s another mash-up using my song Fade To Black which appears on my album The Last Drive In  

blended lovingly with the brilliance of Corman’s film style and Price’s epic performance!

The Pit and The Pendulum (1961) and Jo Gabriel’s ‘Fade To Black

Swing Low Sweet Pendulum!!!!!!! Lovingly Yours, Joey (MonsterGirl)