We accept you; One of us. Gooba Gabba, Gooba Gabba– Freaks, 1932 Tod Browning
Like one that on a lonesome road
Doth walk in fear and dread,
And having once turnd round, walks on
And turns no more his head;
Because he knows of frightful fiend
Doth close bdhind him tread.
”Pain be gone, I shall have no more of thee!” –Rosemary Woodhouse, Rosemary’s Baby
My pop was the strong silent type. He was stoic. He was fearless. He was fair…Growing up in the Bronx he would pronounce things like Toilet Paper as Terlit Paper and Oil as Erl. He had been a marine in the Korean War. He worked two jobs most of his life until a heart condition knocked him down permanently. Mom was a mix of Sarah Bernhardt and Blanche DuBois. She was an incredible painter and a frustrated actress who did local Theater and sang a bit like Ethel Mermen which brought about a lot of wrath on me as a kid because the neighbors would taunt me about it. She always left the kitchen door open and would bellow out show tunes while making lunch or cleaning the house. I would be harassed relentlessly about it until I moved away from the neighborhood.
Me, I was terrorized by the neighborhood kids for being different. Not different like weird in a serial killer way. I didn’t light things on fire or have a fascination with taxidermy. No, I was normal in that regard. I just wasn’t mainstream like them. And I was very very sensitive. They smelled it on me like fresh blood to a shark.
They tortured me endlessly. One such person even locked me in her basement for what seemed like an eternity, although it was probably no more than a few hours. It’s not like I was Stephanie Powers at the mercy of Tallulah Bankhead in Die Die My Darling or anything but still as a child, that was traumatic. That’s why I gravitated toward the misunderstood monster. So what if he was greenish? hairy, 50 feet tall, and eating tourists. He had feelings, didn’t he? You gotta eat don’t ya?
Mom and Pop never treated me like a freak, even though I was obsessed with monsters and creepy tales and the supernatural etc. They nurtured my imagination and allowed me to explore my creativity and my otherness. I’ll always be grateful to them for that. They gave me my piano when I was 8 years old. They encouraged me to play for their friends and anyone who would listen. Even the plumber. They were very proud of their pretty little monster girl. It made me kind and sympathetic. Thank god they understood that about me and didn’t force me to roller skate or become a cheerleader. Yikes! And I did play with dolls, I was just less interested in Barbi and more into action figures and Aurora Models of Frankenstein and Wolf Man.
One of Pop’s jobs was working for a printer. He worked the presses late at night and would often go on deliveries to the local Stationery and Candy Stores on Long Island. There’s nothing really like that anymore. Just 7/11’s and Gas Station Mini marts. But I am sure there are those who will remember the small mom-and-pop stationery stores that carried all your needs. At least Whalens did. My pop would often take me on his route and buy me the latest issue of Forest J Ackerman’s Famous Monsters Of Filmland. I’d get a package of SweetTarts and perhaps the latest DC comic with Iron Man or The Flash! These little excursions meant the world to me. My pop never complained that I was not doing girlie things or that I might have been morbidly preoccupied with creatures with 1,000.000 eyes or Mad Doctors and such!
He just loved me and let me be. He even put up with my taking his hammer and tools to build the space stations out of boxes, putting on knobs and dials where ever I could find loose odds and ends around the house. This I would endeavor in the basement. Oh, he’d get a little annoyed if I’d forget to put things back in his workbench, but he never said, go put on a dress and stop acting like Dr. Pretorius!
Although I don’t think he would have known who that was, more like Gary Cooper is like it. And that’s cool with me!
My folks never put constraints on me. They would let me stay up late and watch Chiller Theater or Alfred Hitchcock Presents or Thriller. And when the latest Hammer Horror, 70’s cult Film or Drive-In movie came out, they would take me. I spent so many balmy Saturday afternoons in the cool dark movie theater enraptured by the double bill’s offering. I saw Rosemary’s Baby and The Mephisto Waltz at 9 years old. They were released as a double feature. They had a lot of double features back then. Nothing like today. Back then I would see every horror movie there was to see. On television, Movie Theaters, and Drive-In Theatre. My imaginary world often collided with my waking life.
I could always count on my folks to give me access to the dream world that was horror and sci-fi. It was my salvation and my escape. They were my muse of a sort. I carry those impressions with me still. I’ve written music because of it. I’ve learned to cope because of it. It gave me a unique perspective on life, which I think is very characteristic of classic horror movie fans.
On the weekends I would watch cartoons like The Groovy Ghoulies or shows like Lost In Space. I’d sketch superheroes and read true stories from Hans Holzer about ghosts all over the world. I had a subscription to Fate Magazine. I had toys like Cootie that bore a resemblance to the Zanti Misfits from The Outer Limits. I’d build Aurora Models of the Universal Monsters and sometimes, I’d put the chair against the basement door when no one was home. I believed in things that lurked in the dark. But I welcomed them as long as they were on the television screen or on a page. This was just a bit of my childhood on Warren Drive. This was where dreams were made. And visions became clear. On Warren Drive…
I know that i haven’t posted anything as of yet. And I do want to say that I appreciate all of you have checked in with me. I am in the process of working on my upcoming album and this has taken up much of my time as of late. In fact I’ll be going to New York to start recording in the glorious month of spookie October! I just wanted to keep you aprised of my plans and to tell you not to give up on me posting film commentaries and various asides about the current state of the horror film. I think my first little rant will be about remakes! Blasted remakes. So please stay tuned and don’t give up on me.
Or think of calling me more like “The invisible monster girl”! I do plan on writing about some of the great masterpieces and certain actors who have had an impact on us all. And add wonderful links and thoughts and visual goodies!
This is a blog in the making and i do have a passion for this genre and I felt like I just needed to dive in and start the blog already, I am just currently distracted and do not have the time yet to really put my thoughts properly or extensively out there in the ether…
Later and please stay tuned my good friends~
MG
I will confess that when i was growing up all the kids in the neighborhood and at school gave me the moniker of “Monster Girl. In retrospect, I consider it a great honor. I have always identified with “the other” or ” otherness”. And i spent a great deal of my childhood exploring the world through the lens of imagination. I emancipated myself from the often cruel treatment i felt from the outside world, and the pressure i felt in trying to keep up with what was perceived as “normal” So I turned inward and I turned toward the dark light. I found comfort in the mysterious landscapes of the macabre and haunting tales translated on film.And so I developed an intense appreciation for the art of Horror.
I particularly love the works of Val Lewton and Mario Bava. The visually nightmarish landscapes that are hauntingly beautiful and surreal. I love Curtis Harrington’s “horror of personality” with his characterizations of the fractured mind and injured soul that do extreme harm in order to define themselves.The grand days of Universal and the timelessly atmospheric and socially conscious creep shows of the ’70s.The campy and ridiculous cautionary fun of the ’50’s sci-fi films
The incredibly atmospheric tales that were visually stunning and narrative that were way ahead of their time, in Boris Karloff’s Thriller anthology television series. The visually self conscious and epic morality plays of The Outer Limits. and the quirky and charming Kolchak The Night Stalker series that eventually inspired The X-Files.
There are very noble and introspective ideas not so hidden in the genre of horror and sci-fi. Horror explores the world in a very poetic way, though dark and often disturbing,it examines the details of our existence by way of the fantastical, fable,allegory and the mysterious. These themes chosen by film makers make them cinematic philosophers, anthropologists and social voyeurs.
These creature features and chillers, became my companions and helped me find myself in the darkened hallway of my youth and yet still do, and will forever be a great inspiration to me in my work as a songwriter as well as being a more sympathetic person and lends to having more of an expansive visionary sensibility. These themes and certain characters became my extended family. They also became the mirror with which I viewed myself and the world.
I wish that Boris Karloff had been my grandfather. He was a gentle soul and a comforting image to me even at his most ghoulish, and I wish that Vincent Price had been my uncle. To have been read a bedtime story by either of these two wonderful characters would have been a truly great privilege.
So that is just a bit of what impels me to now write about this monumentally significant genre and the impression it has left on my life…
More soon~
MG
Welcome to the Last Drive-In. Reviews and commentary on all films dark, creepy and wonderful coming soon.