Is That a Woman Doing Science??????

You know, men aren’t the only ones that know how to use a syringe…turn some dials, flip some switches,  crank the whatsit, and raise up the thingamabob…extend the oscillator and tweak the Mezzershmitzchen levels!

Women play with Ape Men, they build men, they like maggots, make deadly nerve gas and even perform reconstructive surgery on their own faces!

LADY FRANKENSTEIN 1971

Rosalba Neri as Tania Frankenstein

FRAULEIN DOKTOR 1969

Capucine as Dr. Saforet

DR JEKYLL & SISTER HYDE 1971

Martine Beswick as Sister Hyde

STRANGE BEHAVIOR 1981 aka Dead Kids

Fiona Lewis as Dr. Gwen Parkinson

TROG 1970

Joan Crawford as Dr. Brockton

DAUGHTER OF DR JEKYLL 1957

Gloria Talbott as Janet Smith Jekyll’s descendent

BLOOD OF DRACULA 1957

Louise Lewis as Miss Branding-science teacher!

Miss Branding, school chemistry teacher transforms this troubled young teen into a horribly violent blood thirsty devil!

The Devil Doll 1936

Radaela Ottiano as Malita

THE SPIDER WOMAN STRIKES BACK 1946

Gale Sondergaard as Miss Zenobia Dollard

SON OF INGAGI 1940

Laura Bowman as Dr. Helen Jackson

La furia del Hombre Lobo 1972 Fury of The Wolfman

Perla Cristal as Dr. Ilona Alman / Eva Wolfstein

FLESH FEAST 1970

Veronica Lake as Dr.Elaine Frederick

The Diabolical Dr. Z 1966

Mabel Karr As Irma Zimmer

Mad Scientist Irma doing plastic surgery on herself!!!!!

EYES WITHOUT A FACE 1960

Special Assistant Award to Alida Valli as Louise.

The devoted Louise

Honorary Mention to Jan in The Pan for donating her head to science!

The Brain That Would Not Die! 1962

Postcards From Shadowland No.6

The 49th Parallel (1949) Directed by Michael Powell and starring Leslie Howard and Laurence Olivier
La Belle et la Bête 1946 directed by Jean Cocteau starring Jean Marais and Josette Day
Beggars of Life 1928 staring Wallace Beery, Louise Brooks and Richard Arlen. Directed by William Wellman
Bunny Lake is Missing 1965 Directed by Otto Preminger. Starring Carol Lynley, Laurence Olivier, and Keir Dullea
La Main du Diable or Carnival of Sinners 1943 Directed by Maurice Tourneur and stars Pierre Fresnay, Josseline Gael and Noel Roquevert
The Devil and Daniel Webster 1941 Directed by William Dieterle and stars Walter Houston as Old Scratch, and Edward Arnold, Jane Darwell and Simone Simon.
Dracula’s Daughter 1936 directed by Lambert Hillyer and starring Gloria Holden, Otto Kruger and Marguerite Churchill
Experiment in Terror 1962 directed by Blake Edwards and starring Lee Remick, Glenn Ford, Stephanie Powers and a raspy Ross Martin as ‘Red’ Lynch
Fallen Angel 1945 Directed by Otto Preminger and starring Linda Darnell, Dana Andrews and Alice Faye
Fedra The Devil’s Daughter 1956 Directed by Manuel Mur Oti and stars Emma Penelia, Enrique Diosdado and Vicente Parra
Joan Crawford is Possessed 1947 directed by Curtis Bernhardt, also starring Van Heflin and Raymond Massey
Diaboliques 1955 directed by Henri-Georges Clouzot and starring Simone Signoret, Vera Clouzot and Paul Meurisse
Never Take Sweets From A Stranger 1960 Directed by Cyril Frankel and stars Gwen Watford, Patrick Allen and Felix Aylmer
The Night Holds Terror 1955 Directed by Andrew L. Stone starring Jack Kelly, Hildy Parks, Vince Edwards and John Cassavetes
Robert Mitchum is Harry Powell, in Night of The Hunter 1955 Directed by Charles Laughton also starring Shelley Winters and Lillian Gish
Plunder Road 1957 directed by Hubert Cornfield and stars Gene Raymond, Jeanne Cooper, Wayne Morris and Elisha Cook Jr.
Seance On a Wet Afternoon 1964 directed by Bryan Forbes and stars Kim Stanley, Richard Attenborough and Margaret Lacey
Alfred Hitchcock’s Strangers On a Train 1951 starring Farley Granger, Robert Walker and Ruth Roman
Gloria Swanson is Norma Desmond in Sunset Boulevard 1950 Directed by Billy Wilder and starring William Holden and Erich von Stroheim
Val Lewton’s The Seventh Victim 1943 Directed by Mark Robson and stars Kim Hunter, Tom Conway and Jean Brooks
Boris Karloff and Bela Lugosi star in Edgar G. Ulmer’s The Black Cat 1934 inspired by Edgar Allan Poe’s story.
The Killer Is Loose 1956 Directed by Budd Boetticher and stars Joseph Cotten, Rhonda Fleming and Wendell Corey
The Ox-Bow Incident 1943 Directed by William Wellman and stars Henry Fonda, Dana Andrews, Mary Beth Hughes and Anthony Quinn
The Prowler 1951 Directed by Joseph Losey and stars Evelyn Keyes and Van Heflin
The Queen of Spades 1949 Directed by Thorold Dickinson and stars Anton Walbrook, Edith Evans and Yvonne Mitchell
Lon Chaney stars in Tod Browning’s The Unknown 1927 also starring Joan Crawford and Norman Kerry.
Edward L. Cahn’s 1956 film The Werewolf
Jean Epstein’s The Fall of the House of Usher 1928 inspired by Edgar Allan Poe and adapted for the screen by Luis Bunuel
Carl Theodor Dreyer’s Vampyr (1932) Based on a story by Sheridan Le Fanu. Starring Julian West, Maurice Schutz and Rena Mandel

Their Leotards are so Mod-ern! The Outer and Inner Space Femme

Aelita:Queen of Mars 1924
Aelita:Queen of Mars 1924
Daughter of Destiny 1928 Brigitte Helm-Alraune
Anne Francis Forbidden Planet 1956
Anne Francis-Forbidden Planet 1956
Cat Women of The Moon 1953

Cat Women of the Moon
Devil Girl From Mars 1954
Devil Girl From Mars 1954
Fire Maidens of Outer Space 1956

Fire Maidens of Outer Space 1956
Metropolis 1927 dancing Maria Brigitte Helm

Metropolis
The Phantom Planet 1961
Plan 9 From Outer Space 1959
Queen of Outer Space 1958
She 1935
She 1935
She 1935
She 1935
She-1935
the Mole People
The Mole People
Things to Come 1936
Things To Come 1936
The Astounding She Monster
Terror From the Year 5000
 Planet of Female Invaders -Mexican sci-fi!
Santos vs the women martian invasion 1966
Cat Women of The Moon

MonsterGirl from Planet Earth , present day!

She’s Become Hysterical: The ‘Cassandra Complex’ in a Cinematic Moment.

SHE’S BECOME HYSTERICAL!!!!!!!!

The Cassandra Metaphor can have various invocations. Also called a ‘syndrome’, ‘complex’, ‘phenomenon’ ‘dilemma’ or ‘curse.’ This occurs when valid warnings are dismissed or ignored.

Originating from Greek Mythology, Cassandra was the daughter of Priam King of Troy. Apollo became obsessed with her beauty and so gave her the gift of prophecy. But once Cassandra rebuffed Apollo’s sexual advances, he cursed her making it impossible for anyone to believe her warnings. She could never convince anyone of her predictions.

Thus could be the origin of ‘the hysterical woman.’ Women often depicted in films as hysterical, to be dismissed, confined, calmed down, psychiatrically subdued and shut away.

The metaphor has been used in various contexts of psychology, philosophy and cinema.

"I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really."Tennessee Williams

Rosemary’s Baby 1968
Women’s Prison 1955
Hush Hush Sweet Charlotte 1964
Airport 1970
The Snake Pit 1948
A Woman Under the Influence 1974
The Haunting 1963
The Devils 1971
House on Haunted Hill 1959
The Birds 1963
Strait-Jacket 1964
Repulsion 1965
Suddenly Last Summer 1959
Caged 1950

Happy Halloween: Trailers to Scream About!

THE TINGLER (1959)

THE BLOB (1958)

13 GHOSTS (1960)

DEMENTIA 13 (1963)

NIGHT OF THE LIVING DEAD (1968)

House of Frankenstein (1944)

CREATURE FROM THE BLACK LAGOON 1954

IT CAME FROM OUTER SPACE (1953)

THE DEVIL BAT (1940)

HORROR HOTEL (1960) aka City of The Dead

CURSE OF THE DEMON (1957)

THE BIRDS (1963)

THE PIT AND THE PENDULUM (1961)

Trick or Treat!  It’s….MonsterGirl !!!!!!!!!

Val Lewton’s Curse of The Cat People (1944) “God should use a Rose Amber Spot!” Seeing the darkness thru the ‘Fearing Child’ and ‘The Monstrous Feminine’ Part II

http://thelastdrivein.com/2012/10/23/begin-the-bagheeta-val-lewtons-fantasy-reality-world-of-curse-of-the-cat-people-fearing-the-femalefeline-monster-and-the-engendering-child-part-i/ 

This post is continued from Part 1: at the link above!

And now Part II

From page 112 Chapter 7 J.P Telotte Dreams of Darkness

FANTASY as REALITY, REALTY as FANTASY

The Curse of the Cat People (1944)

-The child per se makes us uneasy, ambivalent ; we are anxious about the human propensities concentrated by the child symbol. It evokes too much of what has been left out or is unknown, becoming easily associated with the primitive, mad and mystical. – James Hillman ” Abandoning the Child” in Loose Ends

The evil little girl in Master of the Macabre Mario Bava’s Kill Baby Kill (1966)
The embodiment of evil in a little blonde girl from Federico Fellini’s segment Toby Dammit of 1968’s Spirits of The Dead
In stark contrast to those 2 iconic evil imps of horror (above), Amy Reed is not supposed evil incarnate, but she does threaten the equilibrium of the ‘normal’ world her father inhabits.

To continue with this blog post about one of Lewton’s very precious stories, less darker than his others, and dealing with childhood, the fears of and by children.

All of Lewton’s works dealt with subject matters that forced us to push the boundaries of ‘the familiar’ and challenged us to face a darker more mysterious reality of the natural world, and the incomprehensible landscape of the human psyche.

Curse of the Cat People (1944) acts as a cinematic continuum to Lewton’s Cat People 1942, featuring Simone Simon once again as the alluring, and sensual Irena Dubrovna Reed, who may or may not have belonged to a race of beings that could shape shift into the physical form of a large cat or black panther, when sexually aroused.

The symbol of Irena synthesized the fear of women’s sexuality, sexual freedom, the women’s body, and often the correlation that is made with women’s emotional existence and madness. What is engendered in Cat People (1942) is far less about a woman who can morph into a predatory feline, and more about the collective fear of ‘The Monstrous Feminine.’

Amy lashes out at the little boy who has crushed her beautiful friend, the butterfly. Fear the woman/child.

While Amy is not Irena’s biological daughter. Amy is truly more of a progeny to Irena and the mystique she embodies, because they are both alienated figures who are frustrated and misunderstood. Who stand outside the social community which is pumped from the veins of ‘rational’, normative thoughts and behaviors. Amy is the figure of ‘The Fearing Child’, an innocent who not only has ‘power’ she can wreak havoc in our ‘normal’ world.

Both characters are imaginative, and rely on their senses. They are more connected to the natural world, to the darkness which is associated with the feminine energy and less intellectual which is considered a masculine marker. They are considered emotional, irrational and dangerously unpredictable. Oliver Reed is just as frightened and moreover threatened by his six year old little girl as he was of his beautiful and tragic wife Irena, who was more a victim than ever the ‘monster’ she was perceived to be.

In Cat People, Curse of the Cat People, I Walked With A Zombie, The Leopard Man, The 7th Victim and Isle of The Dead there aren’t concrete Monsters as in Universal films as in Frankenstein’s creation, Dracula or The Wolf Man.

Universal’s Bride of Frankenstein 1935 Literal monsters in a corporeal world.

RKO studio heads had a mistrust of Lewton’s creative vision, his unconventional approach to some esoteric subject matter or volatile subjects such as a woman’s sexual desires. Lewton, rather than using literal lumbering, fanged or hairy monsters, used the powers of suggestion and shadow to tell the story.

Irena emerging from Lewton’s shadow world in Cat People 1942
Little Amy lost within the emerging shadows of the old dark house in Lewton’s Curse of The Cat People 1944
Barbara Ferran always placed by a door like a bystander, she is bombarded by Lewton’s shadows.

Lewton disliked mask like faces, that were hardly human, the kinds of images that were expected from the horror genre he was infiltrating. Lewton liked to reveal the monsters that were lurking in the subconscious primitive recesses of our own imaginations. Shadows become the monster in these films, they are the mysterious layer that surfaces in world that only makes sense in the light of day. And Amy draws the shadows to her…

They do not have scary faces, they are quite human and in fact ordinary. He takes the ‘familiar’ and inverts it, subverts it, rattles the soundness of an accepted experience, and turns it into either an illusion, a nightmare, or a fit of paranoia. He taps into our childhood fears, and sets those fears on the frightened characters in his shadow plays. Usually because the thing they fear, is uprooting of their own personal desires and the fear of coming face to face with them.

The tragic and tormented Irena in Cat People 1942

Oliver couldn’t handle Irena’s sexual desires, nor her desirability, it triggered too much of his own primal urges, and so he demonized her, a fragile girl in a foreign country who believed in folklore from her very ancient set of beliefs handed down for centuries.

Oliver Reed has a fear of foreign Objects!-Cat People 1942

A story which quite often itself was ambiguous as to whether the threat was real or imagined. RKO wanted to be in competition with Universal, so they added footage of a menacing Panther which was inserted into several scenes of Cat People.

Continue reading “Val Lewton’s Curse of The Cat People (1944) “God should use a Rose Amber Spot!” Seeing the darkness thru the ‘Fearing Child’ and ‘The Monstrous Feminine’ Part II”

Begin ‘The Bagheeta’: Val Lewton’s fantasy/ reality world of Curse of The Cat People: fearing the female/feline monster and the engendering child. Part I

Val LewtonMaster of Shadow

Val Lewton’s short story ‘The Bagheeta’ appeared in Farnsworth Wright’s July 1930 issue of Weird Tales Magazine. Lewton was dabbling in concepts of terror, before he even got to RKO.

The story takes place in the Ukraine (from which MonsterGirl’s people come!) and is a coming of age story about a 16 year old boy named Kolya who helps his Uncle forge armor. Someone comes into the village with a slaughtered sheep, who claims to have seen a Bagheeta, a monstrous black leopard that can change it’s form into a beautiful woman. Only one person can kill a Bagheeta,  and that is a virgin male, for he needs to be able to resist her seductive powers. If he is seduced, the woman will change back into the black leopard and kill the boy and eat him! Lewton would eventually adapt and produce his story for RKO  in the form of Cat People  in 1942 starring Simone Simon  the suggested embodiment of a Bagheeta.

The Panther

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars; and behind the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils
lifts, quietly–. An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.

-Rainer Maria Rilke

Panther at the zoo, caged in Cat People 1942

CURSE OF THE CAT PEOPLE 1944

Produced by Val Lewton and directed by Robert Wise and Gunther von Fritsch, scripted by DeWitt Bodeen, and stars Simone Simon as the ghost of Irena, Kent Smith as Oliver Reed, Jane Randolph as Alice Reed, Eve March as Miss Callahan, Julia Dean as Mrs. Julia Farren, Elizabeth Russell as Barbara Farren, Sir Lancelot as Edward, and Ann Carter as Amy Reed.

Ann Carter played Beatrice Carroll in the riveting noir classic  The Two Mrs. Carrolls (1947) with Humphrey Bogart and Barbara Stanwyck.

Curse of the Cat People is filled with poignant original music by Roy Webb and with Cinematography by Nicholas Musuraca (Cat People 1942, The Fallen Sparrow 1943, The 7th Victim 1943, The Spiral Staircase 1945 Bedlam 1946 and Out of The Past 1947) It’s no wonder Curse of The Cat People has many of the elements of a classic film noir piece.

CURSE OF THE CAT PEOPLE (1944) – A synopsis

After the tragic death of his wife Irena, played by the beautiful Simone Simon, Oliver Reed once again played by Kent Smtih has remarried his co-worker Alice (Jane Randolph). They now have a very serious , yet gentle six year old little girl named Amy (Ann Carter) who is taken to day-dreaming and being a loner.

She does not mix in well with the other children at school who do not understand her sensitivity or her private world of fantasy that she has built around her as a survival mechanism.

“My beautiful friend”

Symbolic of Amy’s free spirit, the little boy captures her ‘beautiful friend’ and crushes it. Thinking that this would make her happy, he destroys the very thing that symbolizes her own spirit and her connection to the natural world.
Amy is framed here in absolute alienation from the rest of the world.

Amy’s father, Oliver, is constantly wielding an authoritative criticism of his daughters day-dreaming, and wants her to play with the other children, and exist in the ‘real’ world. Amy has a birthday party for which she invites the children in her class, but no one shows up that day, and Oliver discovers that she has mailed out the invitations by placing them in the magic wishing-tree, which is a hollowed out knot of the large tree out behind the house.

waiting for her classmates to share her birthday wishes. But no one ever comes….

Oliver reaches into the wishing-tree and pulls out the birthday invitations…

.

Amy is admonished once again for believing that the tree was a real wishing-tree. Something he himself had told her not too long ago…

Oliver had told Amy this was a magic spot when she was younger, and she remembers it,understanding it to be true because her father told her it was. She was taught to believe in magic and then without preparation, is expected to denounce all things wondrous without any serious provocation on her part. She is only six years old after all.

Saddened by the absence of her classmates at her party, Oliver, Alice and Edward the manservant from Jamaica throw Amy a smaller party instead, equip with a birthday cake decorated with 6 little candles.

Amy is told to make a wish, but not to tell anyone what it is or it won’t come true. Again, Amy is conflicted by the mixed messages the adults in her life are giving her. She tells her father, that wishes don’t come true. Oliver tells her “some do.” And her mother Alice embellishes by saying that you just can’t say it out loud or it will nullify the magic wish.

Once again, there is a suspension of disbelief on their terms, disavowing Amy and her ability to develop a clearly defined sense of fantasy and reality. How can she properly order her world.

The children at school are furious with Amy for not inviting them as promised. As they shun her, they lead her to an old sinister looking mansion, where someone calls to her from the window. A voice calls out to her to come closer. Amy looks around and the unseen person throws down a white handkerchief threading a gold ring.

Continue reading “Begin ‘The Bagheeta’: Val Lewton’s fantasy/ reality world of Curse of The Cat People: fearing the female/feline monster and the engendering child. Part I”

Postcards From Shadowland No.5

A Cry in The Night (1956) Directed by Frank Tuttle, and starring Natalie Wood, Edmond O’Brien and Brian Donlevy
Curse of The Cat People 1944 directed by Robert Wise, produced by Val Lewton, and starring Simone Simon, Kent Smith and Ann Carter
The Sea Beast 1926 directed by Millard Webb, written by Herman Melville and starring Dolores Costello and John Barrymore.
La Belle et la Bête 1946 directed by Jean Cocteau starring Jean Marais and Josette Day.
The Big Heat (1953) directed by Fritz Lang and Starring Gloria Grahame, Glenn Ford and Jocelyn Brando.
Body and Soul 1947 directed by Robert Rossen, starring John Garfield, Lilli Palmer and Hazel Brooks
Bury Me Dead (1947) directed by Bernard Vorhaus starring Cathy O’Donnell, June Lockart and Hugh Beaumont.
Curse of The Cat People 1944 directed by Robert Wise, and produced by Val Lewton. Starring Simone Simon, Kent Smith and Ann Carter.
Dead of Night (1945) directed by Alberto Cavalcanti,Charles Crichton, Basil Dearden and Robert Hamer. With stories by H.G.Wells, E.F.Benson, John Baines and Angus MacPhail.
Dracula’s Daughter 1936 directed by Lambert Hillyer, and starring Otto Kruger, Gloria Holden, Marguerite Churchill and Edward Van Sloan.
The Penalty 1920 directed by Wallace Worsley and starring Lon Chaney as Blizzard. With Charles Clary, Doris Pawn, Jim Mason and Ethel Grey Terry.
Eye of The Devil 1966 directed by J.Lee Thompson and starring Deborah Kerr, David Niven, Sharon Tate, Donald Pleasance, Flora Robson and David Hemmings.
Each Dawn I Die (1939) directed by William Keighley and starring George Raft and James Cagney.
Horror Hotel (1960) aka City of The Dead directed by John Llewellyn Moxey and starring Christopher Lee, Patricia Jessel, Dennis Lotis and Betta St. John
The Lodger: A Story of the London Fog (1927) directed by Alfred Hitchcock, and starring Ivor Novello as the mysterious Lodger.
I Wake Up Screaming (1941) directed by H.Bruce Humberstone and starring Victor Mature, Betty Grable and Carol Landis.
Robert Aldrich’s 1955 Film Noir Kiss Me Deadly starring Ralph Meeker as Mike Hammer.
MAD LOVE (1935) directed by Karl Freund starring Peter Lorre, Frances Drake and Colin Clive.
The Man Who Laughs 1928 directed by Paul Leni and starring Conrad Veidt as Gwynplaine, and Mary Philbin as Dea.
Fritz Lang’s German Expressionist masterpiece of futuristic entropy blending element of Sci-Fi and hints of Film Noir to come. Metropolis (1927) Starring Brigitte Helm and Alfred Abel.
William Castle’s The Night Walker (1964) starring Barbara Stanwyck, Robert Taylor, Judi Meredith, Lloyd Bochner and Marjorie Bennett.

From The Vault: Corridor of Mirrors (1948)

Corridor of Mirrors (1948)

Directed by Terence Young, and starring Eric Portman, Edana Romney, and Barbara Mullen. The script was co-written by Edana Romney.

Terence Young plays Paul Mangin who thinks he is Cesare Borgia reincarnated and that Mifanwy Conway (Edana Romney) is his lost love from a previous life. Appearances by Christopher Lee and Valentine Dyall.

Terence Young’s film is a masterpiece of exquisite filmmaking, immersing the audience in a rich atmosphere and evoking a mood that rivals the best psychological suspense thrillers and horror films from the forties, like the shadow plays of Val Lewton and the Gothic dark romances such as Wuthering Heights, Rebecca, and Jane Eyre.

Corridor of Mirrors evokes an atmospheric, hallucinatory spectacle akin to Henri Alekan’s cinematography as he follows Josette Day’s travels through the mansion in Cocteau’s 1946 fable-like masterpiece Beauty and the Beast imbued with its baroque, gilded, and ornate set design. Andre Thomas’s poetic lighting and camera angles suffuse the landscape of labyrinthine corridors creating a somber and otherworldly landscape that evoked traces of Lewis Carroll’s Alice in Wonderland as Edana Romney journeys through the dreamy complexity of the mansion trying to break free of the spell, as she pursues the white cat who is an emblem of Alice’s white rabbit.

With beautiful music by composer Georges Auric!

See you soon-MonsterGirl

The Devil’s in The Details: 36 film flavors of a devilsh nature!

Häxan (1926)

1-Eye of The Devil (1966)

David Niven is the Marquis Philippe de Montfaucon who is called back to his castle Bellenac because the dry season is destroying his vineyards. He reluctantly lets his wife (Deborah Kerr) and children join him. de Montfaucon has a superstitious secret, as the people surrounding him hold pagan rituals, for his legacy is connected to a great sacrifice…also stars Sharon Tate, Donald Pleasance, and David Hemmings. Directed by J. Lee Thompson.

2-The Devil and Daniel Webster (1941)

A 19th Century New Hampshire farmer who makes a compact with the Devil for economic success enlists Daniel Webster to extract him from his contract. Stars Edward Arnold, Walter Houston as you know who, and Jane Darwell. Directed by William Dieterle

3-The Devil’s Partner (1961)

An old man sells his soul to the devil and turns into a young man. He then uses witchcraft and black magic to win a woman from his rival. Stars Ed Nelson, Edgar Buchanan, Jean Allison, and Richard Crane.

4-The Devil’s Hand (1962)

A man is haunted by visions of a beautiful woman. When he finally meets her, he winds up involved in a satanic cult. Stars Robert Alda and Linda Christian.

5-The Devil’s Hand aka Carnival of Sinners (1943)

Roland Brissot bought a nickel a talisman that gives him love, fame, and wealth. The talisman is a cut left hand..directed by Maurice Tourneur

6-The Devil’s Daughter (1939)

Sylvia Walton returns from Harlem to take over a Jamaican plantation from her vindictive half-sister, amid the growing sound of drums. Stars Nina Mae McKinney, Jack Carter, and Ida James.

7-The Devil’s Daughter (1973)

A young girl whose mother had sold her soul to Satan when she was born is told by Satan that she must marry a fellow demon. Directed by Jeannot Szwarc and starring Shelley Winters and Belinda Montgomery. The 70s made for tv movie!

8-Race With The Devil (1975)

Two couples vacationing together in an R.V. from Texas to Colorado are terrorized after they witness a murder during a Satanic ritual. Starring Peter Fonda, Warren Oates, Loretta Swit, Lara Parker, and R.G. Armstrong.

9-The Devil’s Rain (1975)

A bunch of Satanists in the American rural landscape have terrible powers which enable them to melt their victims. However one of the children of an earlier victim vows to destroy them. Stars Ernest Borgnine, Ida Lupino, William Shatner and Eddie Albert. Directed by Robert Fuest.

10-The Devil’s Wedding Night (1973)

Lady Dracula uses Dracula’s ring to lure beautiful girls to her castle, where she murders them so she can bathe in their blood. Starring Mark Damon and Rosalba Neri.

11-The Devil Rides Out (1968)

Christopher Lee is Nicholas the Duc de Richleau who travels to England to visit a friend and discovers a satanic cult! Also stars Charles Gray and is directed by Terence Fisher.

12-To The Devil, A Daughter (1976)

An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plans on using her as the representative of the Devil on Earth. Stars Christopher Lee, Richard Widmark, Honor Blackman, Denholm Elliot and Nastassja Kinski.

13-The Devil and Miss Sarah (1971)

A notorious outlaw being escorted to prison by a homesteader and his wife turns out to have satanic powers. He uses them on the man’s wife to try to possess her and help him escape. ABC movie of the week starring Janice Rule and Gene Barry.

14-The Doctor and The Devils (1985)

Grave robbers supply a doctor with bodies. Based on Burke and Hare. Directed by Freddie Francis and starred Timothy Dalton, Jonathan Pryce, Julian Sands, and Twiggy.

15-The Devil’s Backbone (2001)

a 12-year-old whose father has died in the Spanish Civil War arrives at an ominous boy’s orphanage he discovers the school is haunted and has many dark secrets that he must uncover. Guillermo del Toro’s hauntingly beautiful film.

16-Dust Devil (1992)

A woman on the run from her abusive husband encounters a mysterious hitchhiker. Stars Robert John Burke, Chelsea Field, and Zakes Mokae.

17-The Devil Doll (1936)

An escaped Devil’s Island convict uses miniaturized humans to wreak vengeance on those that framed him. Story by Tod Browning and uncredited for his directing it stars Lionel Barrymore as Paul Lavond/Madame Mandilip, and Maureen O’Sullivan as the daughter he is cheated of.

18-Sinthia: The Devil’s Doll (1970)

Cynthia Kyle murders her parents while having sex. Eights years later she is plagued with nightmares! Directed by Ray Dennis Steckler

19-Devil Doll (1964)

An evil hypnotist/ventriloquist plots to gain an heiress’ millions. 

20-Devil Dog- The Hound of Hell (1978)

A dog that is a minion of Satan terrorizes a suburban family. Oh well, not one of Curtis Harrington’s shining moments. Stars Richard Crenna Yvette Mimieux and Kim Richards. Another ABC Movie of the Week from the 70s!

21-The Devil’s Own 1966 aka The Witches

Following a horrifying experience with the occult in Africa, a schoolteacher moves to a small English village, only to discover that black magic resides there as well. Stars Joan Fontaine, Kay Walsh, and Alec McCowen.

22-The Devil and Max Devlin (1981)

When Max dies in an accident, he winds up in hell. But the devil Barney makes him an offer: if he can get three innocent youths to sell him their souls, Max can go back to earth. Stars Bill Cosby as Barney Satin and Elliot Gould as Max Devlin.

23-She Devil (1957)

A GORGEOUS DEMON! They created an inhuman being who destroyed everything she touched! The woman they couldn’t kill! Directed by Kurt Neumann and starring Mari Blanchard and Albert Dekker.

24-Blood of The Man Devil (1965) aka House of the Black Death

Two brothers, both of whom are warlocks, use their powers and the covens of witches to battle over the family fortune. Stars Lon Chaney Jr., John Carradine, and Andrea King.

25-Devils of Darkness (1965)

A secret vampire cult, which has its headquarters beneath the town cemetery, searches for victims for its human sacrifice rituals. Stars William Sylvester and Carole Gray. Directed by Lance Comfort.

26-Night of The Devils 1972

The patriarch of a wealthy family fears that he will show up one day in vampire form. Should this happen, he warns his family not to let him back in his house, no matter how much he begs them. Stars Giani Garko and Agostina Belli.

27-Devil’s Possessed (1974)

An evil ruler uses witchcraft and evil spirits to keep his subjects in line, but his reign of terror prompts the people to revolt. Stars Paul Naschy and Norma Sebre

28-She Devil’s on Wheels 1968

An all-female motorcycle gang, called ‘The Maneaters’ holds motorcycle races, as well as terrorize the residents of a small Florida town, and clashes off against an all-male rival gang of hot-riders. Directed by Herschell Gordon Lewis.

29-The Devils (1971)

In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun. Ken Russell’s vigorous take on the true story of The Devils of Loudun. Starring Vanessa Redgrave and Oliver Reed.

30-The Devil Has Seven Faces 1971

Euro-Exploitation thriller starring Carroll Baker, George Hilton, and Stephen Boyd. It’s got Carroll Baker nuf said!

31-Devil In Miss Jones 1973

Adult/Fantasy about Miss Justine Jones who is tired of her life and commits suicide. Will she end up in Heaven or Hell? Starring Georgina Spelvin as Justine Jones. Directed by Gerard Damiano.

32-The House of The Devil (2009)

Ti West directs this contemporary horror flick that looks like it was truly made In the 1980s. College student Samantha Hughes (Jocelyn Donahue)takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients Tom Noonan and Mary Woronov plan to use her in a satanic ritual.

33-The Devil’s Messenger (1961)

In this feature version of the Swedish TV series “13 Demon Street,” a 50,000-year-old woman is found frozen in an ice field, and a man’s death is foretold in dreams. Narrated by Lon Chaney Jr.

34-The Devil’s Widow aka Tam Lin (1970)

Based on an ancient Scottish folk song, an older woman uses witchcraft to keep her young jet-set friends. Directed by Roddy McDowall starring the amazing Ava Gardner, Ian McShane, Stephanie Beacham, and Cyril Cusack.

35-Diablolique (1955)

The wife of a cruel headmaster and his mistress conspire to kill him, but after the murder is committed, his body disappears, and strange events begin to plague the two women. Henri-Georges Cluzot’s macabre masterpiece starring Simone Signoret, Vera Cluzot, and Paul Meurisse.

36-LISA AND THE DEVIL (1974)

Elke Sommer is Lisa a tourist in an ancient city, who stumbles onto an old mansion and soon becomes the victim of a diabolical evil. Also starring Telly Savalas as Leandro a devil! and Alida Vali as the countess. Directed by the master of Gothic horror-Mario Bava.

The Devil made me do this post!-MonsterGirl !