This Halloween season Iām covering those fierce women who graced the 1950s Science Fiction & Fantasy/Horror screen with their beauty, brawn and bravado! Like years pastāI pay tribute to the Scream Queens of the 1930s & 1940s.
MonsterGirlās Halloween š 2015 special feature! the Heroines, Scream Queens & Sirens of 30s HorrorĀ Cinema!
Heroines & Scream Queens of Classic Horror: the 1940s! A very special Last Drive In HallšweenĀ treat
Weāve arrived at the 1950s decadeās deliriously dynamic damesā¦ Who had to deal with mad scientists, gigantism, alien invasions and much more menace & mayhem!
Of course I plan on doing the 1960s and 1970s in the next yearāand youāll notice that I am listing some of our Queen Bās future films & television appearances of a supernatural or science fiction nature, and even a few scattered exploitation films that fit the bill. Added are a few photos to fill out the framework of their contribution to the genre. Iāve included honorable mentions to those who starred in at least one film and perhaps a few science fiction & horror anthology shows on television.
And I guess I should be super clear about this, so no one gets their hackles standing on end, not one actress who wound up only getting an honorable mention, (be it one of your favorites and believe me their are a few of mine on that smaller list), by any means does it imply that I think they have a less substantial participation in the decadeās genre.
All these actresses have performed in other types of films-other genres and dramatic roles and enjoyed a full career that transcends the science fiction & horror films they appeared in.
Allied together they created the fabric of the 1950s decade, colored by their unique and valuable presence to ensure that science fiction & horror/fantasy will live on to entertain and enamor a whole new generation of fans and aficionados.
Collectively and Individually these women are fantastic , and I feel very passionate about having put this wonderful collection together as a tribute!
BEVERLY GARLAND
I canāt begin to describe the admiration Iāve developed over the past several years, by delving into Beverly Garlandās long impressive career as a popular cult actress. All I can think of sayingā seems crudeā but itās what truly comes to mindā¦ Beverly Garland kicks some serious ass!!!
From historian/writer Tom Weaver-āFor most fans of 50s horror there are just no two ways about it. Beverly Garland is the exploitation film heroine of the period. A principal member of Roger Cormanās early stock company, she was the attractive, feisty leading lady in such Corman quickies as It Conquered the World, Gunslinger, Naked Paradise, and Not of this Earth. In between Corman assignments she braved the perils of the Amazon River on writer-director Curt Siodmakās Curucu, Beast of the Amazon, and a less harrowing Hollywood backlot swamp in Foxās the Alligator People. Her 1960s film work included Pretty Poison, The Mad Room and the multi-storied Twice Told Tales with Vincent Price. Overall, this list of titles is unmatched by any other ā50s genre actress.ā
The diverse, dynamic and uniquely sexy Beverly Garland was born in Santa Cruz, California. She studied with dramatics teacher Anita Arliss, sister to Hollywood actor George Arliss. Garland also worked in radio actually appeared semi-clothed in various racy shorts, until she made her first feature debut supporting role in the taut noir thriller D.O.A (1949) starring Edmund OāBrien. Beverly started out doing small parts in science fiction/horror films such as The Neanderthal Man 1955 and The Rocket Man 1954. But her cult/exploitation status was forged when she signed onto to work with legendary filmmaker Roger Corman, the first film takes place in Louisiana called Swamp Women. In 1983 Beverly Garland received a star on the Hollywood Walk of Fame. She worked right up until 2004 and sadly passed away in 2008.
There are so many credits Beverly Garland has under her belt, I can only list the few that are memorable for me, but here she is linked to her massive IMDb list of credits for you to peruse. One of the roles that stands out for me is her groundbreaking role in the late 1950s as Casey Jones a policewoman for NYC in the series called Decoy (1957) Garland finds herself in diverging & dangerous situations where she not only uses her sexy good looks but her smarts and her instincts to trap criminals from all walks of life. Itās a fabulous show and it shows not only how diverse Beverly Garland is but the show was a historical first for a woman starring in a dramatic television series.
Beverly Garland has performed in dramaās including a musical with Frank Sinatra directed by Charles Vidor The Joker is Wild (1957) Film Noir (The Miami Story 1954, New Orleans Uncensored 1955, Sudden Danger 1955, The Steel Jungle 1956, Chicago Confidential 1957, Science Fiction/Fantasy, Adventure, Exploitation, Westerns and Crime dramas & Thrillers like Pretty Poison 1968. For the purposes of The Last Drive In tribute to this magnetic actress, here are those performances in the genre Iām featuring both film & television series!
āThe Memories of working with Roger Corman are pleasant because I got along with him very well. He was fun to be around and work with. We always did these films on a cheap budget, and people were always mad at Roger because heād hardly feed us! And no matter what happened to you, your worked regardlessā¦ You could be dead and Roger would prop you up in a chair!ā-Beverly Garland
From Beverly Garlandās Interview in āInterviews with B Science Fiction and Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls and Makeupā by Tom Weaver (McFarland 1988).
In The Mad Room (1969) her character was pregnantāso was she at the time, with her son James.
[referring to her 1950s Roger Corman cult films] āItās funny today because itās so ridiculous. But at the time, it was very serious! We were just actors doing our best, I think. None of us overacted. Iām not saying we werenāt good. We didnāt do it tongue-in-cheek. We really meant it. We gave our all. We were serious, good actors and we played it seriously.ā-Beverly Garland
āMaybe I do come on strong, and people sense in me a strength and a positiveness . . . Itās really the way I look and act, not the way I am . . . Once you cut through the protective coating, Iām strictly molasses.ā-Beverly Garland
Audrey Daltonā āI noticed you wrote a bit about Beverly Garland.Ā She was such a dear friend of mine.Ā She was in Pretty Poison with Noel Black who just passed away last year. Bev died years ago and even though she remained active in the Scarecrow and Mrs King for so long, she loved acting in āBā films the most.ā
Waitress Nola Mason in The Neanderthal Man 1954, Ludine in The Rocket Man 1954, Vera in Swamp Women 1956, Claire Anderson in It Conquered the World 1956, Dr. Andrea Romar in Curucu the Beast of the Amazon, Nadine Storey in Not of this Earth 1957, Joyce Webster in The Alligator People 1959, Ellen Winslow in Stark Fear 1962, as Alice Pyncheon in Twice-Told Tales (1963) Mrs. Stepanek in Pretty Poison 1968, Mrs. Racine in The Mad Room 1969, Science Fiction Theatre (TV Series) Katherine Kerston / Sally Torensā The Other Side of the Moon (1956) ā¦ Katherine Kerstonā The Negative Man (1955) ā¦ Sally Torens, The Twilight Zone (TV Series) Maggie- The Four of Us Are Dying (1960), Thriller (TV Series) Ruth Kentonā Knock Three-One-Two (1960)
Tom Weaver ā āIn your Corman movies you yourself generally played plucky, strong willed, sometimes two-fisted types.ā
Beverly Garland- āI think that was really what the scripts called for. In most all the movies I did for Roger my character was kind of a tough person. Allison Hayes always played the beautiful, sophisticated āheavyā and I played the gutsy girl who wanted to manage it all, take things into her own hands. I never considered myself much of a passive kind of actress-I never was very comfortable in love scenes, never comfortable playing a sweet, lovable lady. Maybe if the script wasnāt written that way, then probably a lot of it I brought to the role myself. I felt I did that better than playing a passive part.ā
Swamp Women (1956) An undercover policewoman helps three female convicts escape from prison so that they can lead her to a stash of stolen diamonds hidden in a swamp. Co-stars Marie Windsor, Carole Mathews, Mike Connors, Susan Cummings and Ed Nelson!
Also in Swamp Women 1956, Garland was expected to do her own stunts, even dropping out of a 20 foot tree. Roger Corman told her āWhen youāre killed you have to dropāĀ Roger planted three guys underneath the tree to catch Beverly when she letās go. āAnd when they killed me I just fell-dead weight on these three poor guys!ā Roger told her āYouāre really one of the best stuntwomen I have ever worked with.ā
Even after breaking her ankle in Gunslinger 1956, Beverly was a trooper, she did all her fight scenes and worked to finish the film for Roger Corman, even though she couldnāt walk for weeks after that!
As Ellen Winslow, Garland takes a courageous role as a non-victim of abuse and assault, she pushes back head on against the grain instead of wilting from the trauma she prevails. The film showcases the gutsy quality Garland herself tried to portray in all her performances. in the darkly psychological Stark Fear (1962) A sadistic husband mentally tortures his wife, while eventually planning to murder her. Although no one believes her, she gets help from an unexpected source.
Beverly Garland recalls making Swamp Women co-starring Marie Windsor with Tom Weaver-āSwamp Women! Ooh that was a terrible thing! Roger put us up in this old abandoned hotel while we were on location in Louisiana- I mean it was really abandoned! Roger certainly had a way of doing things back in those days-Iām surprised the hotel had running water! I remember that we each had a room with an iron bed. Our first night there, I went to bed and I heard this tremendous crash! I went screaming into Marie Windsorās room, and there she was with the bed on top of her-the whole bed had collapsed! Well, we started laughing because everything was so awful in this hotel. just incredibly terrible, and we became good friends.ā
Carole Mathews, Marie Windsor and Beverly Garland in Swamp Women
Beverly Garland not only exuded a gutsy streak in every role she took, but she also shared the notable distinction of starring in one of Boris Karloffās THRILLER episodes called Knock-Three-One-Two co-starring with the wonderful character actor Joe Maross who has a gambling problem and will be beaten to a pulp if he doesnāt pay his bookie. So he enlists the help of a psychopathic lady killer to murder his wife Beverly for her tightly held purse and large savings account!
Tom Weaver asks Beverly Garland if she enjoyed working on Twice-Told Tales (1963) ā āOh, I love it because I loved Vincent Price. He is the most wonderful sweet, adorable man! I donāt remember much about the movie, I just remember working with Vinnie and how wonderful he was.ā
Tom Drake, Bill Elliott, and Beverly Garland in Sudden Danger (1955).
On working with Roger Corman on Gunslinger (1956) after Allison Hayes another seasoned actress and a bloominā trooper who broke her arm during filming. The working conditions were dismal but Beverly Garland isnāt a woman you can keep down. āI always wondered if Allison broke her arm just to get off the picture and out of the rain. It poured constantly. But what I adored about Roger was he never said, āThis canāt be done.ā Pouring rain, trudging through the mud and heat, getting ptomaine poisoning, sick as a dogādidnāt matter. Never say die. Never say canāt Never say quit. I learned to be a trooper with Roger. I could kid him sarcastically about these conditions and laugh. Thatās why we got along so well. On Gunslinger, I was supposed to run down the saloon stairs, jump on my horse and ride out of town. Now we never had stunt people in low-budget films. Riding, stunts, fightsāwe all did it ourselves and we all expected it, and we all just said it was marvelously grand. I told myself just to think tall. So my first take I thought tall and sailed right over the saddle and landed on the other side of the horse. The second take I twisted my ankle running down the stairsā a bad twist.ā
About working with Roy del Ruth on The Alligator PeopleāāHe was sweetheart of a guy and a good director. The Alligator People was a fast picture, but he really tried to do something good with it. And I think that shows in the film. Itās not something that was just slapped together. It as such a ridiculous. storyā¦).. I felt when I read the script and when I saw the film, which was a long time ago, that it ended very abruptly. It all happened too fast; it was kind of a cop out. But there really was no way to end it. What were they going to do-were they going to have us live happily ever after and raise baby alligators?ā
On first seeing the cucumber creature that Paul Blaisdell designed for It Conquered the WorldāāI remember the first time I saw the It Conquered the World Monster. I went out to the caves where weād be shooting and got my first look at the thing. I said to Roger, āThat isnāt the monsterā¦! That little thing over there is not the monster, is it?ā He smiled back at me , āYeah, Looks pretty good, doesnāt it?ā I said, āRoger! I could bop that monster over the head with my handbag!ā This thing is no monster, it was a terrible ornament!ā He said, āWell donāt worry about it because weāre gonna show you, and then weāll show the monster, back and forth.ā āWell, donāt ever show us together, because if you do everybodyāll know that I could step on this little creature! Eventually I think they did do some extra work on the monster: I think they resprayed it so it would look a little scarier, and made it a good bit taller. When we actually filmed, they shot it in shadow and never showed the two of us together.ā
Beverly Garland as Clair talking on the radio to ITā āI hate your living guts for what youāve done to my husband and my world, and Iām going to kill you! Do you hear that? Iām going to kill you!āā¦) āSo thatās what you look like, youāre uglyā¦) You think youāre gonna make a slave of the worldā¦ Iāll see you in hell first!ā
Tom Weaver asks āāDo you ever look back on your B movies and feel that maybe you were too closely associated with them? That they might have kept you from bigger and better things?
Beverly Garland āāNo, I really donāt think so. I think that it was my getting into television; Decoy represented a big turn in my life. Everybody did B movies, but at least they were movies, so it was okay. In the early days, we who did TV werenāt considered actors; we were just horrible people that were doing this ātelevisionā which was so sickening, so awful, and which was certainly going to disappear off the face of the earth. Now, without TV, nobody would be working. No-bod-y. But I think that was where my black eye came from; I donāt think it came from the B movies at all.ā
Tom Weaver-āWhich of your many horror and science fiction roles did you consider your most challenging?ā
Beverly GarlandāāPretty Poison. It was a small part, but it had so much to say that you understood why Tuesday Weld killed her mother. I worked hard to make that understood not a surface one, but tried to give you the lady above and beyond what you would see in a short time.ā
AUDREY DALTON
The bewitchingly beautiful Audrey Dalton was born in Dublin, Ireland, and maintains the most delicately embroidered lilt of Gaelic tones became an American actress in film in the heyday of Hollywood and the Golden Age of television. Knowing from early on that she wanted to be an actress while studying at the Royal Academy of Dramatic Arts was discovered by a Paramount Studio executive in London, thus beginning her notable career starring in classic drama, comedy, film noir, science fiction, campy cult classic horror and dramatic television hits!
Since then Iāve had the incredible honor of chatting with this very special lady whom I consider not only one of THE most ethereal beauties of the silver screen, Audrey Dalton is a versatile actress and an extremely gracious and kind person.
Read More about this lovely actress Here: MonsterGirl Listens: Reflections with Great Actress Audrey Dalton!
Audrey Dalton made a monumental contribution to one of the biggest beloved 1950s āBā Sci-Fi treasures and she deserves to be honored for her legacy as the heroine in distress, pursued by a giant bunny killing Mollusk āThat monster was enormous!ā āAudrey commented in her interview with USA Today.
Gail MacKenzie in The Monster that Challenged the World 1957, Baroness Maude Sardonicus in William Castleās Mr. Sardonicus 1961 Boris Karloffās Thriller (1960-1962)- Norine Burton in The Prediction, Meg OāDanagh Wheeler in The Hollow Watcher and Nesta Roberts in Hay-Fork and Bill-Hook.
BARBARA RUSH
Barbara Rush appeared in director Martin Rittās turbulent suburban drama No Down Payment 1957 with ex-husband Jeffrey Hunter though they werenāt married to each other in the film.
Barbara Rush, Possesses a transcendent gracefulness. She moves with a poise like a dancer, a beautiful gazelle stirring in the gentle quiet spaces like silent woods. When I see Barbara Rush, I see beauty personified by elegance and decency. Barbara Rush will always remain in my eyes, one of the most gentle of souls on the screen, no matter what role she is inhabiting. She brings a certain kind of class that is not learned, itās inherent.
She was born in Denver, Colorado in 1927 and began at the University of California. Then she joined the University Players, taking acting classes at the Pasadena Playhouse. Paramount scooped Barbara up and signed her to a contract in 1950. She debuted with The Goldbergs (1950) as Debby Sherman acting with Gertrude Berg as Molly Goldberg -a popular television program that follows the warm, human story of the famous Jewish Bronx radio & TV family the Goldbergs, and their everyday problems. Co-starring David Opatoshu and Eduard Franz.
Before joining the Goldbergs she met the strikingly handsome actor Jeffrey Hunter who eventually became a hot commodity at 20th Century Fox. Barbara Rush and Jeffrey Hunter fell in love and were married in December 1950. They became Hollywoodās most gorgeous couple, and the camera seemed to adore them. Their son Christopher was born in 1952.
During her time at Paramount, Barbara Rush appeared in the science fiction catastrophic end of the world thriller directed by Rudolph MatĆ© āWhen Worldās Collide 1951 co-starring Richard Derr, Peter Hansen, and John Hoyt.
As time went on Barbara Rush co-starred with some of the most desirable actors in Hollywood, James Mason, Monty Clift, Marlon Brando, Paul Newman, Richard Burton, and Kirk Douglas. Her roles ran the gamut from disenchanted wives, scheming other women or pretty socialites
Though Barbara Rush is capable of a range of acting, the one great role of a lifetime never seemed to surface for her, though whatever she appeared in was elevated to a higher level because of her presence.
Television became a wonderful avenue for Barbara Rushās talent, she appeared in guest parts in many popular tv series of the 1960s and 1970s. She also co-starred in tv movies. One enjoyable character she played was a guest villain on the 1966 television series Batman as femme fatale āNora Clavicleā Barbara Rush also played Marsha Russell on the popular television drama Peyton Place 1968-69
Barbara Rush also turned to work on the stage. She garnered the Sarah Siddons Award for her starring role in Forty Carats. Making her Broadway debut in the one-woman showcase, āA Woman of Independent Meansā which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included āPrivate Livesā, āSame Time, Next Yearā, āThe Night of the Iguanaā and āSteel Magnoliasā.
Barbara Rush still possesses that transcendent beauty, poise, and grace. She will always be someone special someone memorable.
INTERVIEW QUESTIONS:
Joey Q: Did you ever imagine Jack Arnoldās āIt Came from Outer Spaceā (1953) with you (in that black dress by Rosemary Odell) aiming that laser beam would become so iconic, and leave such a lasting impression on fans and film historians after all these years?āØ
Barbara Rush: A: Iād never think that anybody who saw it needed to see it again, but if it left an impression, thatās fine. I loved the chiffon dress. It was too weird that these people that came from other space were too frightening to look at, so they took the form of regular humans. What I thought was interesting that these creatures didnāt actually want to be there and werenāt vicious at all. They were just trying to fix their ship and get it together. I remember thinking that with a lot of science fiction films; we were so afraid these creatures, but they were just trying to get away and werenāt threatening at all.
Joey Q: Is there a role you would have liked to play ā letās say in a Gothic thriller? Or was there ever a script for one that you turned down that you regret now? Were there any other high quality A-picture science fiction film scripts sent to you afterĀ āWhen Worlds CollideāĀ (1951) andĀ āIt Came from Outer SpaceāĀ (1953)?
Barbara Rush āØāØA: I donāt remember anything that was given to me to do other than those two pictures. That was all just orders from the studio. The science fiction film I admired the most was the picture E. T. ā I just love that film and it is my favourite, but I never thought it was something I wanted to be in myself.
Joey Q: āThe Outer Limitsā is one of the most extraordinary anthology television shows of the 1960s. It was clearly ahead of its time, beautifully crafted and though-provoking. You star as the tortured Leonora in the episode āThe Forms of Things Unknownā which is perhaps one of THE finest of the series written by Joseph Stefano, all due to the cinematography, lighting, and particularly the ensemble acting. Do you have any lasting impressions or thoughts about that role and/or working with Vera Miles, Cedric Hardwicke, David McCallum, and Scott Marlowe?
Barbara Rush A: I loved doing that show and loved Vera Miles. She was just the most wonderful person to work with. She was so funny. There was a scene where she had to run after me in the forest in the rain. After that miserable experience she told me:āBarbara, I promise you Iāll never chase after you in the rain, in the forest, ever again.ā I thought the episode was very interesting, though.
Joey Q: In that same high calibre of dramatic television series, were you ever approached by William Frye, Doug Benton, or Maxwell Shane from Boris Karloffās āThrillerā series or by Alfred Hitchcock for his anthology series? You would have been extraordinary in either television program! These shows were remarkably well-written and directed and Iām certain there would have been a perfect role for your wonderful acting style. Did you ever receive a script or were you ever interested in appearing on either of those shows?
Barbara Rush A: Unfortunately they didnāt really seem to want me. They never got in touch with me about anything. I would have loved to work for Hitchcock ā I liked his films.
Joey Q: It seems that the early 70ās found you a niche in the macabre. Perhaps this is because you are such a consummate actress and the contrast of your gentility works well with the darker subject matter. In 1971 you co-starred with Henry Darrow in a short piece on Rod Serlingās āNight Galleryā ā āCool Air.ā It was a Gothic romantic tale based on H.P. Lovecraftās story about a woman who falls in love with a man who must remain in a refrigerated apartment dare something dreadful occur. Then, in 1972 you appeared in āThe Eyes of Charles Sandsā as Katherine Winslow co-starring Peter Haskell and Joan Bennett, a film about ESP and solving a murder. Then came āMoon of the Wolfā where you co-starred with David Janssen and Bradford Dillman, two very handsome leading men. Did you enjoy venturing into these uncanny story lines?
Barbara Rush A: I particularly enjoyed working with Bradford Dillman, who was a dear friend of mine. We more or less grew up together, in Santa Barbara. In one of these he played a werewolf and heād have these hairy mittens as part of his costume and heād come trampling in all the time ā as a werewolf! I have a tendency to get very hysterical about how funny people can be, and heād just make me crack up. āØWe were shooting ā I think in New Orleans or Mississippi, somewhere in the south ā on location, so it was very hot. Poor Brad who had to walk around in those mittens.
Ā
IMDb trivia -Along with Leonard Nimoy, David McCallum, Cliff Robertson and Peter Breck, she is one of only five actors to appear in both The Outer Limits (1963) and The Outer Limits (1995) and the only woman to do so. She played Leonora Edmond in The Outer Limits: The Forms of Things Unknown (1964) and Barbara Matheson in The Outer Limits: Balance of Nature (1998).
Attended and graduated from the University of California, Santa Barbara (1948). She graduated from the Pasadena Playhouse School for Performing Arts in Pasadena, California.
Is mentioned in the movie Shampoo (1975), when hairdresser Warren Beatty says āI do Barbara Rushās hairā.
Was separated from second husband Warren Cowan in 1969 at the time she learned of first husband Jeffrey Hunterās sudden death following brain surgery after falling down a flight of stairs.
Appears in No Down Payment (1957) with ex-husband Jeffrey Hunter, they both portraying married characters, but not married to each other.
She is one of five actors to have played āSpecial Guest Villainsā on Batman (1966) who are still alive, the others being Julie Newmar, John Astin, Joan Collins and Glynis Johns.
āI can safely say that every movie role I was ever offered that had any real quality went to someone else.ā-Barbara Rush
As Joyce Hendron in When Worlds Collide 1951, Ellen Fields in It Came from Outer Space 1953 Night Gallery episode as Agatha Howard in āCool Airā released on December 8, 1971, based on a story by H.P. Lovecraft and in The Outer Limits as Leonora Edmond in the episode The Form of Things Unknown written by Joseph Stefano released on May 4, 1964, as Karen Lownes in Kraft Suspense Theatre tv series āIn Darkness, Waiting (1965), as Nora Clavicle and The Ladiesā Crime Club Batman Series 1966, Moon of the Wolf (TV Movie) 1972
as Louise Rodanthe, as Katherine Winslow in The Eyes of Charles Sand (1972), The Bionic Woman (TV Series) ā Jaimeās Mother (1976) ā¦ Ann Sommers / Chris Stuart, 1979 Death Car on the Freeway (TV Movie) as Rosemary
MARA CORDAY
Mara Corday was born Marilyn Watts in Santa Monica California. Corday started out as a showgirl with āEarl Carrollās Revueā and did some modeling which garnered her enough attention to land her roles on television and bit parts in low-budget movies, signed to Universal. Mara Corday was a Playboy Playmate in 1958, and she gave up acting for her marriage and motherhood to likable actor Richard Long in 1957 lasting until his untimely death in 1974. Getting back into the business once again, she took roles in friend Clint Eastwoodās films.
Interviewed in āIt Came from Horrorwood: Interviews with Moviemakers in the SF and Horror Traditionā by Tom Weaver (McFarland, 1996).
[on Susan Cabot] āSusan was very weird, a strange little girl. She had this enormous head and then this little tiny body, and she was paranoid.ā-Mara Corday
As Steve Clayton in Tarantula 1955, Sally Caldwell in The Giant Claw 1957, Teresa Alvarez in The Black Scorpion 1957 as Vera Parkinson in Girls on the Loose 1958.
LOLA ALBRIGHT
Born Lola Jean Albright on July 20, 1924, in Akron, Ohio. Her parents John Paul Albright and Marion Harvey, were gospel singers. Lola was a model before she took that familiar journey that young gals dreamed ofāgoing to Hollywood in the mid-1940s. Lola Albright has a sensuality that is unique to her and one of the sultriest voices youāll ever hear. She starred as Palmer with Kirk Douglas in the film Noir Champion (1949). From 1958 to 1961 Lola played the smokey-voiced heroine and was in the popular television series as sultry nightclub singer Edie Hart in Peter Gunn.
Her popularity as sultry, dusky-voiced nightclub singer Edie Hart on the crime drama television series Peter Gunn (1958) inspired two music albums: āLola Wants Youā (1957) and āDreamsvilleā (1959).
Won the āBest Actressā Award (Silver Bear) at the Berlin Film Festival for Lord Love a Duck (1966); there was a controversy because some members of the jury wanted to cite the three female leads of the movie (Albright, Tuesday Weld and Ruth Gordon), but other members felt that to give a ājointā award would diminish the awardās significance. (For example, the Best Actress Award at the Cannes Film Festival went to the female ācastā of Volver (2006), rather than just to PenĆ©lope Cruz).
[on her privacy] āI gave an interview . . . it was the first interview I ever gave, many, many, many years ago. More than I care to think. And I rue the day because it was on the front page, above the fold. I didnāt understand at the time how an interviewer could get at you. She would be so persuasive, and so sweet and so kind and make you say things you never should have said.ā
She appeared as Francie Bennet in the noir gem, The Killer that Stalked New York (1950), as Carol Williams in the Tales of Tomorrow tv series āThe Miraculous Serumā 1952, as Poppie Masters in The Tender Trap (1955), and perhaps one of the most startling and well-acted performance as Lisa in Alfred Hitchcock Presents episode co-starring Charles Bronson in āThe Woman Who Wanted to Liveā 1962, The Alfred Hitchcock Hour (TV Series)
ā Misadventure (1964) ā¦ Eva Martin ā The Black Curtain (1962) ā¦ Ruth Burke and starred as Constance MacKenzie Carson in the television series Peyton Place 1965-1966, as the blackmailer Clare Daley in Columboās āFade in to Murderā co-starring William Shatner, and my favorite role of all, the nuanced Iris Hartford in director Alexander Singerās underrated A Cold Wind in August (1961) co-starring Scott Marlowe.
For our purposes here weāll pay tribute to the beautiful Lola Albright who was the lead role co-starring with Grant Williams (The Incredible Shrinking Man 1957) in one of the most undervalued science fiction films of the decade āhere Lola plays the smart and steadfast Cathy Barrett in The Monolith Monsters 1957
Patricia Neal
āFrequently, my life has been likened to a Greek tragedy, and the actress in me cannot deny that comparison.ā āPatricia Neal
Patricia Neal had a very tumultuous and serious life. the Oscar- and Tony Award-winning actress, was born Patricia Louise Neal in Packard, Kentucky, but grew up in Knoxville Tennessee. Her father managed a coal mine and her mother was the daughter of the town doctor. After studying drama for two years at Northwestern University, she moved to New York City. Neal won the role of the teenage āReginaā in Lillian Hellmanās play, Another Part of the Forest (1948), winning a Tony Award in 1947. Warner Bros. she Patricia Neal to a seven-year contract. In 1949 she starred opposite Gary Cooper in The Fountainhead. This began a three-year-long love affair with the handsome actor. Neal brought her classical good looks and husky voice to Robert Wiseās science fiction masterpiece The Day the Earth Stood Still (1951) co-starring with Michael Rennie, which angered Warner Bros. who released her early from her contract and so she got her signed to Fox. Neal returned to Broadway garnering more kudos than her film career at the time, she appeared in Lillian Hellmanās The Childrenās Hour (1961), where she met writer Roald Dahl and remained married to him for 30 years. Patricia Neal won the Best Actress Oscar for Hud (1963).
In 1947, the first time that Broadwayās Tony Awards were presented, she won the Best Supporting or Featured Actress (Dramatic) Award for āAnother Part of the Forestā. Shared an apartment with Jean Hagen in New York City whilst working on Broadway. The role that made Neal a star, at age 20, was Regina in āAnother Part of the Forestā in 1946 one critic called her āa young Tallulah Bankhead. She was visited backstage by Tallulah Bankhead, who had played the middle-aged Regina in āThe Little Foxesā and said āDahling, you were as good as I was ā and if I said you were half as good, it would have been a hell of a compliment!ā.
From IMDb review by Jon C. Hopwood In 1957, she had one of her finest roles in Elia Kazanās parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of āMaggieā in Tennessee Williamsā Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williamsā Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962).
After appearing in Breakfast at Tiffanyās (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her.
She was filming John Fordās film, 7 Women (1966), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, āMrs. Robinsonā in The Graduate (1967)). Neal was pregnant at the time. She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband.
After he played such a strong and devoted role in her physical and mental recovery from her paralytic illness, Patricia divorced her husband, writer Roald Dahl, after discovering his romantic affair with her close friend, Felicity (āLiccyā) dāAbreu Crossland
Alison Crawford in Alexander Singerās taut psychological drama Psyche 59 (1964) She starred in In Harmās Way (1965), as Maura Prince in the psycho-thriller The Night Digger (1971) Circle of Fear (TV Series) ā Time of Terror (1972) ā¦ Ellen Alexander, as Cara Perry in the creepy Happy Motherās Day, Love George (1973), as Fred Astaireās dutiful wife Stella in the wonderfully macabre Ghost Story (1981),
She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, āThe memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than beforeā.
Was just 12 years older than Billy Gray, who played her son in The Day the Earth Stood Still (1951).
āI think I was born stubborn, thatās all.ā-Patricia Neal
[her immortal, earth-saving line uttered to the alien robot Gort in the classic sci-fi film The Day the Earth Stood Still (1951)] Gort, Klaatu barata nikto.
Robert Wiseās science fiction parable is perhaps one of THE most significant contributions to the 1950s genre. Patricia Neal is memorable as Helen Benson in The Day the Earth Stood Still 1951. She also played Susan North who falls in love with another alien in Imminent Disaster aka Stranger from Venus 1954
Anne Francis
Anne Francis possesses an effervescent beauty that shines through no matter what role sheās in, maybe itās that signature sexy beauty mark that holds all that charisma! Anne Francis got into the show early on as a child. She started out as a John Robert Powers model at age 6 and then got into radio and television work in New York. By age 11, she debuted on Broadway playing the child version of Gertrude Lawrence in 1941ās hitĀ āLady in the Darkā. She also attended New Yorkās Professional Childrenās School at that time. Metro Goldwyn Mayer put her under contract as a Bobbysoxer beauty, but Anne quickly got frustrated with these bit cheesecake parts. Anne head back to New York where she was cast in televisionās āGolden Ageā drama and found some summer stock work in My Sister Eileen. 20th Century Fox, signed by Darryl F. Zanuck who put Anne Francis under contract and cast her as a seductive juvenile delinquent in So Young So Bad (1950). Though she had hoped to land a few potentially high profile roles as the ingĆ©nue, it was MGM who gave her the leading lady roles in memorable films such as Bad Day at Black Rock (1955), The Blackboard Jungle (1955) and eventually landed the role as Altaira in Forbidden Planet (1956) a re-visioning of Shakespeareās The Tempest. Anne Francis would co-star with such leading men as Paul Newman and Glenn Ford, Anne got tired of the glamour roles and wanted to take on more serious work, which led her to television where she made a strong impression and found a perfect niche for her untapped sense of humor and more serious side. She appeared in one of THE most popular and unforgettable episodes as Rod Serlingās The Twilight Zone āThe After Hoursā and then Aaron Spelling cast her in the cult classic series as the versatile and fearless Honey West (1965) Predating Charlieās Angelās, Honey West has an appeal for those who like glamour mixed with a dynamic sense of style, natural at throwing a wise-crack and an ingenuity that can hold up to any male private detectives! Actually took karate lessons while starring in the TV series Honey West (1965). She earned a Golden Globe Award and an Emmy Award nomination. In The Alfred Hitchcock Hourās (1963) episode What Really Happened co-starring Ruth Roman and Gladyās Cooper as the vicious vindictive mother-in-law, Anne turns in an incredible performance as a woman accused of murdering her wealthy husband.
āMost young blondes in those days [1950s] were not taken too seriously. I had wanted to work on a project [directing] all my own from beginning to end for many years. I had managers who said, āLook, youāre an actress. Youāre not supposed to do that other businessā. And now I look at all the women today who are doing it, and no oneās batting an eyelash.āāAnne Francis
Back on the big screen, Anne got a few parts that showed off what she could really do. Donāt get me wrong, Don Knottās is one of my favorites and The Love God (1969) wasnāt too unbearable to watch since Donās a joy to watch, it didnāt do much for Anne Francisā career. in Brainstorm (1965) Anne plays the seductive & duplicitous Lorrie Benson married to Dana Andrews and manipulating Jeffrey Hunter into committing murder! Itās a highly underrated thriller.
IMDb trivia -Turned down the lead role in the film soaper Claudelle Inglish (1961). Diane McBain won the role but the film bombed. She later replaced actress Joan Hackett on the film The Satan Bug (1965).
Interviewed in Tom Weaverās book āThey Fought in the Creature Featuresā (McFarland & Co., 1995).
Received a star on the Hollywood Walk of Fame at 1611 Vine Street in Hollywood, California on February 8, 1960.
Passed away one month (just 35 days) after her Forbidden Planet (1956) co-star Leslie Nielsen.
As Altaira Morbius in Forbidden Planet 1956, Alfred Hitchcock Hour as Eve Raydon in āWhat Really Happenedā Connie Breech in Blood Bargain 1963 and as Peg Beale in āThe Trapā, film noir Rogue Cop 1954, The Blackboard Jungle 1955, The Rack 1956, The Twilight Zone as Marcia White in āThe After Hoursā (1960) and television series Honey West, as Ann Williams in The Satan Bug 1965,as the connivingĀ Lorrie Benson in the psycho-thriller Brainstorm 1965.As Annette Larrier in Haunts of the Very Rich (1972) tv movie, Columbo (TV Series) ā A Stitch in Crime (1973) ā¦ Nurse Sharon Martin- Short Fuse (1972) ā¦ Valerie Bishop
Dana Wynter
The daughter of a noted surgeon, Dana Wynter was born Dagmar Winter in Berlin, Germany, and grew up in England. When she was 16 her father went to Morocco to operate on a woman who wouldnāt allow anyone else to attend her; he visited friends in Southern Rhodesia, fell in love with it and brought his daughter and her stepmother to live with him there. Wynter later enrolled as a pre-med student at Rhodes University (the only girl in a class of 150 boys) and also dabbled in theatrics, playing the blind girl in a school production of āThrough a Glass Darklyā, in which she says she was āterrible.ā After a year-plus of studies, she returned to England and shifted gears, dropping her medical studies and turning to an acting career. She was appearing in a play in Hammersmith when an American agent told her he wanted to represent her. She left for New York on November 5, 1953, āGuy Fawkes Day,ā a holiday commemorating a 1605 attempt to blow up the Parliament building. āThere were all sorts of fireworks going off,ā she later told an interviewer, āand I couldnāt help thinking it was a fitting send-off for my departure to the New World.ā Wynter had more success in New York than in London, acting on TV (Robert Montgomery Presents (1950), Suspense (1949), Studio One in Hollywood (1948), among others) and the stage before āgoing Hollywoodā a short time later. The willowy, dark-eyed actress appeared in over a dozen films, worked in āGolden Ageā television (such as Playhouse 90 (1956)) and even co-starred in her own short-lived TV series, the globe-trotting The Man Who Never Was (1966). Married and divorced from hotshot Hollywood lawyer Greg Bautzer, Dana Wynter, once called Hollywoodās āoasis of elegance,ā now divides her time between homes in California and County Wicklow, Ireland. āBio by Tom Weaver
Started her career working in the English theater. She was discovered there by an American agent who brought her back to the States to work. Dana Wynter was offered contracts by three Hollywood studios and chose a seven-year-deal with 20th Century Fox in 1955.
By the time she was 20 years old, Wynter was cast in bit parts in British films, including White Corridors (1951) with Petula Clark) and The Womanās Angle (1952) with Lois Maxwell and Joan Collins). Leaving London for New York in 1953, Wynter found work in television and on Broadway.
Dana Wynter was offered contracts by three Hollywood studios and chose a seven-year-deal with 20th Century Fox in 1955.
Her first film for the studio was the drama The View from Pompeyās Head (1955) with Richard Egan and Cameron Mitchell, she was loaned out for theĀ film to Allied Artists who were responsible for what he is most remembered by: the science fiction classic Invasion of the Body Snatchers (1956) with Kevin McCarthy and Carolyn Jones.
āThere seems to be a wide-spread concern among women that they dare not have a line or crease in their face. If they do, they run to the plastic surgeon and their faces wind up looking like dinner platesā¦Life is an adventure, and time brings change. But women are terrified of aging for some reason. Everyone clings to blonde hair and white teeth. I think that undermines womanhood.ā-Dana Wynter\
Suspense (TV Series) ā The Pistol Shot (1954)- Operation: Barracuda (1954)Ā as Patricia Richter, as Lady Jocelyn Bruttenholm in The List of Adriann Messenger (1963), The Alfred Hitchcock Hour (TV Series) ā An Unlocked Window (1965) ā¦ Stella in one of THE most frightening well done terrors thatāll send shivers down your spine of the series, The Invaders (TV Series) ā The Captive (1967) as Dr. Katherina Serret, as Julia Klanton in Companions in Nightmare tv movie 1968, as Ellen Whitlock in the controversial exploitation film If He Hollers, Let Him Go (1968) co-starring her pal in pod-ship Kevin McCarthy!,Ā The Questor Tapes (TV Movie) as Lady Helena Trimble.
As Becky Driscoll in Invasion of the Body Snatchers (1956)
Marie Windsor
A product of Marysvale, Utah, Marie Windsor attended Brigham Young University and trained for the stage under Maria Ouspenskaya before she began playing leading roles in B pictures in the late 1940s. Her best work was in the āfilm noirā category, most notably her role as the manipulative, double-crossing wife of Elisha Cook Jr. in The Killing (1956) (which earned her āLookā magazineās Best Supporting Actress award). Her favorites among her own films, in addition to āThe Killingā, are The Narrow Margin (1952) and Hellfire (1949). -mini bio by Tom Weaver
She was one of the 500 stars nominated by the American Film Institute to become one of the 50 greatest American screen legends. The winners were revealed on a June 15, 1999, three-hour TV special on CBS, AFIās 100 Yearsā¦ 100 Stars: Americaās Greatest Screen Legends (1999) .
Often cast as an adulterous wife, slutty girlfriend, female gang leader or gun moll, she proved so convincing in those roles that she often received Bibles in the mail with passages underlined that covered the āsinsā she had committed onscreen, warning her that she would go to hell if she didnāt reform. Several of those types of letters dwelt so much on her āimmoralityā and āevil waysā that, unnerved, she turned them over to the police.
Profiled in āKiller Tomatoes: Fifteen Tough Film Damesā by Ray Hagen and Laura Wagner (McFarland, 2004).
One of the early acting jobs she had was working at Warner Bros. being a stand-in for Bette Davis in the mid-1940s.
ā[Stanley Kubrick] had a part for me in Lolita (1962) as Shelley Wintersā best friend, but there was a problem in England with the EADY plan, and there was no way that they could squeeze me in. I havenāt seen him in a long time, but we exchange Valentineās cards. I feel people have more time to think about it if they get a Valentine. Christmas is too crazy with other things.ā āMarie WindsorāIām 5ā9ā and there were two stars in my life who didnāt mind that I was taller than theyāGeorge Raft and John Garfield. Raft told me how to walk with him in a scene: Weād start off in a long shot normal, and about the time we got together in a close-up, Iād be bending my knees so Iād be shorter. I had to do a tango with Raft and I learned to dance in ballet shoes with my knees bent.ā Marie Windsor
Marie Windsor has graced the screen with her snarky presence in aĀ few of my very favorite film noirs, and assuredly one of yours as well, her role as the greedy and cunning Sherry Peatty married to poor schnook Elisha Cook Jr in Stanley Kubrickās perfect heist noir The Killing (1956), as Mrs. Frankie Neall/ undercover cop in The Narrow Margin (1952), as Jean Darr in The Sniper (1952) as Lydia Biddel in City that Never Sleeps (1953), Julia Parry in The Girl in the Black Stockings (1957), and Gwen in The Unholy Wife (1957).
as Helen Salinger in Cat-Women of the Moon 1953, Science Fiction Theatre 1955 āTime is Just a Placeā. As Madam Rontru in Abbott & Costello Meet the Mummy 1955, as Josie Nardo in Swamp Women 1955, as Clair Fielding in The Day Mars Invaded Earth 1963 and I have to mention the fabulous noir masterpiece directed by Stanley Kubrick co-starring Sterling Hayden- The Killing (1956), as Eva Miller in director Tobe Hooperās tv movie adapted from the Stephen King novel Salemās Lot (1979)
Faith Domergue
Faith Domergue contributed to two of the finest and most memorable staples of the 1950s science fiction genre It Came from Beneath the Sea and This Island Earth both from 1955 and in each Domergue portrays a strong, intelligent scientist, who didnāt wince from giant Krakens or Mutant pants monsters from Metaluna! With This Island Earth, I have to keep telling myself that the cute little orange tabby cat gets away before the house on Earth explodes. Yes, Iām ridiculous about these things but I canāt help it, Iād just like to watch a great flick without worrying if the little dog gets away from The Blob (1958) or maybe that poor cat was just stunned by the electrical short in The Postman Always Rings Twice (1946)
Sultry, brunette Faith Domergue was born in New Orleans, part Creole, but primarily of Irish and English extraction. She was adopted when she was six weeks old. In 1927 her adoptive parents took her to live in California, where she was educated at Catholic schools in Santa Monica. She had her first flirt with the acting profession while still at school, on stage at the Bliss Hayden Theatre. Just after her graduation she suffered a disfiguring injury during a car accident when she was thrown into a windshield, and spent 18 months undergoing intensive plastic surgery. Still in her teens, she was briefly married to Acapulco night club owner and bandleader Teddy Stauffer.
By 1941 she was properly back in circulation. āDiscoveredā by a Warner Brothers talent scout, she was signed to a contract and her name streamlined a la Hollywood to āFaith Dornā. Sometime at the end of May that year young Faith found herself at a studio party (it was not unheard of for underage ingĆ©nues to be thrown together with rich or influential men) given on board the Southern Cross, a yacht owned by billionaire Howard Hughes. Hughes, 21 years her senior, became quickly infatuated with the teenager and bought out her contract from Warner Brothers for $50,000, then signed her to the studio he owned, RKO Pictures. He also mollified her adoptive parents by buying them a house, and he paid for Faith to take lessons to perfect her diction and acting. The romantic affair continued on-and-off until mid-1943, and was eventually scuttled by Hughesā various indiscretions with stars Lana Turner, Ava Gardner and Rita Hayworth.
In 1945 Faith reclaimed her original name, Domergue (insisting it be pronounced āDah-mureā) and, by the following year, made her screen debut in Young Widow (1946), a film starring another Hughes find, Jane Russell. Hughes then spent the extravagantāfor the timeāamount of $3.2 million on Vendetta (1950), the picture that was to catapult Faith to stardom. Three directors went to work on the project, only to be fired in quick succession: Max OphĆ¼ls, Preston Sturges and Stuart Heisler. Faithās lack of theatrical training also proved to be a detriment. The picture was eventually completed by Mel Ferrer, but not released until 1950. When it finally arrived in cinemas, itālike Hughes other fiasco, the Spruce Gooseāfailed to take off. An earlier effort, the film noir Where Danger Lives (1950), was also released at this time. It starred Domergue in the role as a homicidal femme fatale, opposite Robert Mitchum as the lover she manipulates into taking the blame for her murdering millionaire hubby Claude Rains. In spite of another huge publicity campaign, with Faith featured on the cover of āLookā Magazine and articles in numerous other publications, this film also performed indifferently at the box office and caused Hughes to lose interest in his erstwhile protĆ©gĆ©.
During the next few years Faith began to freelance at other studios, appearing in westerns: The Duel at Silver Creek (1952), with Audie Murphy; The Great Sioux Uprising (1953), with Jeff Chandler; and Santa Fe Passage (1955) with John Payne at Republic. In 1955 she starred in the first of a trio of sci-fi/horror outings for which she is chiefly remembered. In This Island Earth (1955), shot in Technicolor at Universal, she played a scientist kidnapped by aliens and, with her colleagues, pressed into service defending their world against interplanetary attack. Helped by a clever script and make-up artist Bud Westmoreās $24,000 creation of a bug-eyed mutant monster, the film was a huge success and has become a cult favorite. Faith essayed yet another scientist engaged in destroying Ray Harryhausenās giant octopus (six-tentacled, because of the minuscule budget) in It Came from Beneath the Sea (1955). In Cult of the Cobra (1955), Faith replaced Mari Blanchard in the role of the high-priestess of a cobra-worshiping cult who assumes the shape of a serpent in order to kill six GIs who have witnessed a secret ceremony.
Following her separation from Argentine writer/director Hugo Fregonese, Faith made three films in England, most notably as queen of the London underworld in Vernon Sewellās Spin a Dark Web (1956) (aka āSpin a Dark Webā). During the 1960s she concentrated on television and appeared in everything from Bonanza (1959) to Combat! (1962), from Perry Mason (1957) to Bronco (1958). After making several films in Italy (and getting married for a third time, to assistant director and theatrical producer Paolo Cossa in 1966)) , she revisited the horror genre in the cheap but cheerful The House of Seven Corpses (1974), as the emotive star of a horror movie who awakens the deceased after reading from the āTibetan Book of the Deadā.
Faith Domergue never quite made it as a major star, unlike Jane Russell. She did, however, acquire something of a cult following because of her involvement in the seminal This Island Earth (1955), as well as her other science-fiction films from this period. Ironically, Faith later confessed that she never much cared for the genre. ābio by I.S. Mowis
IMDb trivia -She was signed to a movie contract by Warner Bros. while still in high school. Howard Hughes met her at a party on board his yacht when she was 15 and bought her contract.
[on making This Island Earth (1955)] āI was black-and-blue, from shoulder to feet, when I was battling [the Metaluna mutant] . . . that man in the monster suit really had me beaten up!ā-Faith Domergue
Robert Mitchum was in real trouble with this femme fatale psychopath in this classic obscure film noirĀ Where Danger Lives 1950, as Prof.Lesley Joyce in It Came from Beneath the Sea 1955, as Dr. Ruth Adams in This Island Earth 1955, as Lisa Moya in Cult of the Cobra 1955, as Jill Rabowski in The Atomic Man 1955, as Dr. Marsha Evans in Voyage to the Prehistoric Planet 1965,as Millie Hartman in So Evil, My Sister or Psycho Sisters 1974 co-starring Susan Strasberg, Blood Legacy 1971, as Gayle Dorian in House of the Seven Corpses 1974.
Gloria Talbott
Gloria Talbott was born in the Los Angeles suburb of Glendale, a city co-founded by her grandfather. Growing up in the shadows of the Hollywood studios, her interests inevitably turned to acting, with the result that she participated in school plays and landed small parts in films such as āMaytimeā (1937), āSweet and Lowdownā (1943) and āA Tree Grows in Brooklynā (1945). After leaving school, she started her own dramatic group and played āarenaā-style shows at various clubs. After a three-year hiatus (marriage, motherhood and divorce), Talbott resumed her career, working extensively in both TV and films. Her sister is actress Lori Talbott.-mini bio by Tom Weaver
Interviewed in Tom Weaverās book āInterviews with B Science Fiction and Horror Movie Makersā (McFarland & Co., 1988).
āMy acting days are behind me now. I saw Audrey Hepburn on TV the other night, and talking about her career she said, āI did my thing. Let the kids do it now.ā And thatās how I fell. Thank God I donāt have that burning desire that some people really have-I think thatād be horrible to live withā¦ My Emmyās and my Oscars are my children, and I like it that way.ā-Gloria Talbott
She loved her role in Daughter of Dr. Jekyll (1957), but John Agar hated his.
Tom Weaver-āI Married a Monster from Outer Space gave you your most dramatic sci-fi role. How did you enjoy the experience?
Gloria Talbott- āI loved working at Paramount, I was very much at home there; the money was terrific, and I did like the role , although in a sense it really was written one-dimensional. I tried my best to put some dimensions into her. I think there could have been more of a character development, and I was anxious to play with it. One scene I liked was when I was trying to seduce Tom Tryon into bed.; I was trying to be flippant and cute, and I was getting nada. So there was a chance in character there. And there were lots of scenes where I was scared-and I can really play scared. Iāve been frightened in my lifeāhorribly frightened! When I was a kid I had an older sister who was gorgeous, and the boys would follow her home and peek in our windows. We had six years of peeping toms scratching at our windows, but we were so poor we didnāt have a phone to call the police. It was like living in a horror movieāscary as hell!ā
Talking about working with Thomas Tryon and his writing, and I completely agree with Gloria Talbott about this- āHe is a writer, of course-he wrote The Other which is still one of the scariest movies Iāve ever seen. That movie haunts me, I though it was wonderful. So he is very introspective, very into himself, but always professional, always gave 100 percent.ā
Tom Weaver on working with the cast of The Leech Woman?
Gloria Talbott-āGrant Williams was a very interesting fellow-another one of those āinside -himselfā people. I would come on the set and he would say, āOh, God-pure woman!āāand then leave it at that! He was always easy to work with. Coleen Gray, was wonderful . I remember that as we were getting ready to shoot the fight scene, she said to me, āIām little, but I am strong!ā Well, about two weeks before Iād had a fight with Steve McQueen in one of his Wanted: Dead or Alive episodes āhe grabbed me, I tried to get away from him and I really gave him a fight. It was fun because I wanted to see if he could hang onto meāit was a twirling fight where I actually picked him up on my back at one point and went around in a circle, which he couldnāt believe. So when Coleen Gray said that , I thought to myself, āWell, if I can almost outdo McQueen, I can sure handle you lady!ā But, by God, this little bitty person wasnāt kidding! She picked me up, threw me in the closetāincredible! But she was very much a lady. I liked her and she was very good to work with.ā
As Susan Winter in The Cyclops 1957, as Sally in The Leech Woman 1960, as Janet Smith in Daughter of Dr. Jekyll 1957, as Marge Bradley Farrell in I Married a Monster from Outer Space 1958
Julie Adams
No matter what you do, you can act your heart out, but people will always say, āOh, Julie Adams ā Creature from the Black Lagoon (1954).ā-Julie Adams
Born in Iowa, Betty May Adams grew up in Arkansas and made her acting debut in a third grade play, āHansel and Gretelā. When she grew up and decided to become an actress, she moved to California, where she worked three days a week as a secretary (to support herself) and spent the remainder of her time taking speech lessons and making the rounds at the various studiosā casting departments. Her first movie role was playing a starlet, appropriately enough, in ParamountāsRed, Hot and Blue (1949), followed by a leading role in the Lippert Western The Dalton Gang (1949). Over a period of five weeks, she appeared in six more quickie Lippert Westerns. Adamsā first big show biz break was at Universal, when she appeared in a screen test opposite All-American footballer Leon Hart, a Detroit Lions end. It was Hart who was being considered by the studio, but the gridiron star flopped while Universal execs flipped over Adams. The studio changed her first name from Betty to Julia (and later to Julie).-mini bio by Tom Weaver
IMDb trivia āUniversal Pictures publicity in the 1950s claimed that her legs won an award as āthe most perfectly symmetrical in the worldā and that they were insured for $125,000.
Interviewed in Tom Weaverās book, āThey Fought in the Creature Featuresā (McFarland & Co., 1995).
Began her career as a contract player for Universal Studios in 1949, where she first met Tony Curtis, Marsha Hunt and Piper Laurie.
Has appeared with Rock Hudson in five films: Bright Victory (1951), Bend of the River (1952), Horizons West (1952), The Lawless Breed (1953) and One Desire (1955).
Was honored with a Film Career Achievement Award at CineCon. [2011]
Had to perform most of her own stunts in Creature from the Black Lagoon (1954).
Julie Adams idol was actress Vivien Leigh.
Not only is she friends with Marsha Hunt they share the same birthday but Marsha Hunt, is nine years her senior, currently in 2018 Marsha Hunt is 101.
[on Creature from the Black Lagoon (1954)] Oh, it was a real shock when we saw the Creature. And you can see from the pictures in the book that I look a little awestruck, kind of taken aback when I saw it at first. I thought it was quite wonderful, extraordinary, and a little scary which of course is exactly what it was supposed to be.-Julie Adams
[on Creature from the Black Lagoon ā(1954)] I think the best thing about the picture is that we do feel for the Creature. We feel for him and his predicament and where he is and so on. I think thatās a very positive thing really. I like that we feel sympathy for the Creature.ā-Julie Adams
Alfred Hitchcock Presents (TV Series) ā Summer Shade (1961) ā¦ Phyllis Kendall ā Dead Weight (1959) ā¦ Peg Valence- Little White Frock (1958) ā¦ Carol Longsworth, Night Gallery (TV Series) Gay Melcor (segment āThe Miracle at Camafeoā), Kolchak: The Night Stalker (TV Series) ā Mr. R.I.N.G. (1975) ā¦ Mrs. Walker, Dr. Laura Scott in Psychic Killer (1975)
And one of the most recognizable poster girls for the fabulous sci-fi genre is Julie Adams as Kay Lawrence as the iconic Juliet to the scaly Romeo in Creature from The Black Lagoon 1954
Yvette Vickers
Yvette Vickers was born on August 26, 1928, as Iola Yvette Vedder. She attended UCLA for three years in their film and theater arts department. In the mid-1950s she was cast in commercials as the face of the White Rain Girl but returned to the West Coast cast in various television series until her first feature film directed by James Cagney as Daisy in Short Cut to Hell (1957). Then she was cast as the promiscuous husband stealing hussy Honey Parker in Attack of the 50 Foot Woman (1958) and then Bruno VeSotaās slovenly wench of a wife in Attack of the Giant Leeches (1959)
Stephen King, in his book āStephen King: On Writingā, cited her as one of his movie matinĆ©e idols.
Interviewed in the book āInvasion of the B-Girlsā by Jewel Shepard.
on another creepy end to a iconic cult actress of the genre Yvette Vickerās dead body was discovered in her home by neighbor Susan Savage in April 2011. Its condition suggested that she had been dead for close to a year.
āI always knew I wanted to try for a career in pictures, so I studied drama and worked in little theaters. But I was impatient for a talent scout to discover me. When I was 16 I bleached my hair as a bid for attention. I didnāt know how to go about this and made many mistakes. Instead of taking weeks, I applied peroxide and ammonia three times in seven days and my hair got just like straw. My scalp had sore places all over. Even the color was horrid ā an artificial orange that was unbecoming. It is interesting to me how much hair influences your personality. Men expect a blonde to be more frivolous and less intelligent.āā Yvette Vickers
As Honey Parker in Attack of the 50 ft Woman (1958), Liz Walker in Attack of the Giant Leeches 1959 as Roxy in Reform School Girl (1957), Yvette appeared in Hud (1963), Curtis Harringtonās Whatās the Matter with Helen? (1971 and Curtis Harringtonās television movie as Miss Adrian in The Dead Donāt Die (1975)
Allison Hayes
Allison Hayes no doubt has earned herself a fierce cult following, not just for her GIANT role as the 50 ft. woman Nancy Fowler Archer, but for her myriad of appearances in classic television, cult B films, horror & Sci-fi guilty pleasures, crime dramas, and westerns. In the 1950s the voluptuous raven-haired beauty became a leading player in B-grade productions, though her enigmatic beauty and adeptness at working that sex appeal helped her transcend all genres to become a goddess. Born Mary Jane Hayes on March 6, 1930, in Charleston, West Virginia, she began her career at Universal. The studio seemed to push her in front of the fast-moving train of B movies. She debuted in Francis Joins the WACS in 1954 co-starring with the talking mule. She appeared in Roger Cormanās The Undead (1957) as the temptress Livia, and in one of my favorite guilty pleasures, she stars with John Carradine in The Unearthly (1957) and in one of my favorite cult horror & noir directors Edward L Cahnās atmospheric cheapie The Zombies of Mora Tau (1957).
Hayes starred in the exploitation cult classic The Hypnotic Eye (1960) with Jacques Bergerac and Merry Anders. Other of her varied roles include a guest appearance on the television series The Untouchables (1959), General Hospital 1963-64, Krafft Mystery Theatre, 77 Sunset Strip, Perry Mason, Michael Shayne, Bat Masterson, Richard Diamond Private Eye, Death Valley Days, and in films like Sign of the Pagan (1954) with Jeff Chandler, Count Three and Pray (1955) with Van Heflin, Chicago Syndicate (1955), obscure film noir The Steel Jungle (1956), Gunslinger (1956), The Disembodied (1957), A Lust to Kill (1958), Hong Kong Confidential (1958), Counterplot (1959), The Crawling Hand (1963).
Allison Hayes died in 1977 after a long bout with leukemia, her health declining throughout the 1960s. According to actor Mel Welles who worked with Allison Hayes on The Undead āāAllison Hayes was a great person to work with because she was very looseāearthy and relaxed. She was a very pretty, attractive lady, I liked working with her because she had no pretenses or ostentation.ā
As Nancy Fowler Archer the abused and spurned wife and 50 ft. woman in Attack of the 50ft Woman 1958, as Livia the Witch in The Undead 1957, as Tonda Metz in The Disembodied 1957, as Mona Harrison in Zombies of Mora Tau 1957, as Grace Thomas in The Unearthly 1957, as Justine in The Hypnotic Eye (1960) as Donna in The Crawling Hand (1963)
Allison Hayes might have been geared toward becoming the raven-haired idol who would appear in some of the more popular exploitation cult, Sci-fi, horror, and television classic series, this enigmatic goddess immortalized the role of Nancy Fowler Archer in director Nathan Juranās (The 7th Voyage of Sinbad 1958, The Brain from Planet Arous 1957, Land of the Giants 1968-1970, Lost in Space 1965-1968, The Time Tunnel 1967, Voyage to the Bottom of the Sea 1965-1966) Jack the Giant Killer 1962, First Men in the Moon 1964) Attack of the 50 Foot Woman (1958). Notably, Juran was the art director for How Green Was My Valley (1941) and Harvey (1950).
Hayes was a very dynamic and versatile actress who gave her all to any role she approached. While the depth of her character Nancy wasnāt fully realized in the script and the film with its ramshackle appearance will always have a beloved following because Hayes literally tore the roof off that role with curvy vivacious verve! Nancy Fowler Archer, heiress to a fortune and married to philandering louse Harry (William Hudson) who has the town floozy Honey Parker (Yvette Vickers who gets all the great lines in the film) stashes away in a āflea bagā hotel, yet shamelessly flaunts his affair at Tonyās Bar for the whole town and Nancy to see. Nancy has already been sent to a private sanitarium after Harry threatened to leave once before. She also has her butler Jess (played by busy character actor Ken Terrell) who is her loyal friend and the only one who shows Nancy any kind of compassion. Harry canāt leave again or get a divorce because as he says-āI couldnāt pry one nickel out of her. Man hasnāt got a chance.ā
Honey starts talking to Harry about plotting to kill his wife Nancy or at least get her permanently committed to the sanitarium. Honey-āUnless the wife diesā¦ what I didnāt say anything.ā Harry-āYeah, but you were thinking it.ā Honey-āItās not the same thing. Did you say she was in a nut house? Sheās on the brink and you know it! Once sheās in the booby hatch, throw away the key!ā
Honey-āYou know what the trouble with us Harry is we both got the same diseaseā¦ money. You just hide out and let her blow up like a balloon.ā
Nancy used to booze it up because of Harryās emotional torment and betrayals, she is unsure of herself and totally dependent on him. But when she storms off after finding Harry in the arms of that tramp Honey, she drives her car into the desert on Route 66 and has her first encounter with a giant bald hairy knuckled alien who lands his āred fire ballā satellite in the middle of the road. He tries to grab Nancyās pendant, the Star of India diamond, but she manages to run away and make it back to town. No one believes her story, they all assume sheās gone off on a bender again. She convinces Sheriff Dubbitt (George Douglas) to come to take her back out into the desert to find the alien. Of course, there is nothing there, but the Sheriff tells his deputy since sheās paying all the taxes for the town he has to go along with her.
āI wonāt stand for your two-timing, back door romances,ā my husbandā, āmy gigoloā Youāre a miserable parasite!ā
Nancy frustrated comes back to the house, finds Harry drunk on the couch throws a bottle of booze through the television set after a newscaster ridicules her on public television, and drags Harry back out to the desert again to find that bald giant. And of course, they do, but when the giant once again goes for Nancyās throat to get the diamond, Harry hops in the car and strands Nancy there. Exposed to the radiation, Nancy is found on top of the pool house in a coma. She is brought up to her bedroom by her psychiatrist and the doctor, who is keeping her dosed on some kind of serum. In a very well-framed scene, after Honey has dared Harry to give Nancy an overdose, he skulks up the stairs like a fiend, evoking that moment in Nosferatu when the vampireās shadows slink up the stairs towards his victim. Before Harry can inject Nancy, the nurse puts the lights on, and in the big reveal, we see a large plaster hand, the nurse screams, āSomethingās happened to Mrs. Archer!ā Doctor Cushing (Roy Gordon) exclaims āAstounding Growthā
in the 1950s, with the preoccupation with gigantism, and a slew of Attack of films, Gila Monsters, Giant Leeches, Crab Monsters. Bert I. Gordonās Colossal Man and Jack Arnoldās Giant Tarantula, the idea of ātransformationā was as rampant as the featureās antagonists and anti-heroes. Another aspect of the appeal these flicks had for the teenage audience is their being able to relate to bodies that are out of control and wreaking havoc with their hormones.
While Colonel Manningās transformation was a bit more reflexive, and as he awoke to find himself growing out of control, he pondered his disorientation and alienation in his new world, Nancy Fowler Archer, merely wakes up and runs amok. Having been chained down with yards of thick chains and meat hooks, it is symbolic once again of women being restrained. Breaking those chains, is Nancyās āGiant Rageā metaphor, running around in her sheet-rigged bra and slip yelling for Haaaarrrry!!!!!!!!
Ronald Steinās music is pure cheesy moody atmospheric B movie magic including the ābleep bleepsā that the satellite orb omits when it appears in the desert. And while shabby and sparse in terms of production values, there are quite a few well-framed and memorable moments in this cult classic. The scene inside the satellite is when Sheriff Dubbitt and Jess explore and find the diamonds suspended in crystal orbs, magnifying their faces.
The scene as Allison Hayes stomps through the town ripping signs off the hotel and scaring the crap out of teenagers necking in a car. (okay perhaps appalling special effects as the gigantism is represented by either a giant plaster hand or superimposed transparency of the alien and Allison) and of course the indestructible finale with Allison smashing up Tonyās bar, killing Honey, and carrying off Harry in her massive clutches.
Attack of the 50-foot Woman depending on whoās looking at it- scholar, historian, or fan fanatic the film works as either a misogynist rant, male sexual paranoia, or as a proto-feminist anthem and revenge fantasy. Emblematic, iconic, and immortalizing Allison Hayes forever as the manifestation of āgiant, female rageā A rage that is unleashed against menās fear of women becoming too big, too powerful, and literally ārising upā against her oppression.
Ultimately Nancy is brought down by a riot run, electrocuted by high-tension wires while clutching Harry in her giant fist, falling to the ground still crushing him in her grip. āWell, she finally got Harry all to herself.ā Itās unfortunate
It is a feminist revenge fantasy, smashing the roof of the patriarchy! As Welch Everman says, āThe movie suggests that, if a woman happens to come by a bit of power she will use it to destroy the local community and crush her lover to bits.ā
Carol Ohmart
She was one of a bevy of sexy blondes shuffled about in 50s films, thrust into the limelight by ambitious movie studios as possible contenders to Marilyn Monroeās uncooperative pedestal. Almost none of these ladies managed to even step up to the plate when it came to the powerful allure of āLa Monroeā and starlet Carol Ohmart managed to be no different.
Armelia Carol Ohmart was born in Salt Lake City, Utah on July 3, 1927, the daughter of a dentist father (Thomas Carlyle Ohmart, a one-time actor) and an abusive Mormon mother (Armelia Merl Ohmart). Raised in Seattle and a baby contest winner as an infant, she was on stage from age 3 in a vaudeville act with her uncle. She then lived all over the place with her mother after her divorce from her father, attending high school at Lewis & Clark High in Spokane. A radio singer back in Salt Lake City, Carol won the āMiss Utahā title (then a brunette) at age 19, coming up fourth runner-up when she segued into the 1946 āMiss Americaā contest (came in 4th). The attention she received led to a modeling, commercial and magazine cover career.
In the early 1950s Carol found TV and commercial work and on stage on Broadway (in the ensemble of āKismetā and also as Joan Dienerās understudy) and summer stock. Paramount took interest after a talent agent caught her in āKismetā and signed her in 1955, billing her, of course, as the ānext Marilyn.ā But Carol came off more hardbitten and unsympathetic than the vulnerable, innocent sex goddess, and when the knockout blondeās first two movies The Scarlet Hour (1956) and The Wild Party (1956) tanked at the box office, she was written off in 1957. Only a few more film offers came her way, including director William Castleās gimmicky House on Haunted Hill (1959) (her best known); the campy horror _Spider Baby, or The Maddest Story Ever Told (1968)_; and her last, The Spectre of Edgar Allan Poe (1974). She had steadier work on TV with guest appearances on āBat Masterson,ā āPerry Mason,ā āGet Smart,ā āMannixā and āBarnaby Jones,ā but by 1974 she was pretty much history.
Carol wed three times. The first, to radio actor Ken Grayson, lasted two years before it was annulled. A second brief two-year marriage in 1956 was with cowboy actor Wayde Preston (ne William Erskine Strange), who starred in the rugged āColt .45ā TV western. In the late 1970s, she married a third time to a non-professional (fireman), which lasted. After a particularly depressing period dealing with medication addiction and disability, a recovered, spiritual-leaning Carol found a helpful avenue outside the Hollywood scene in the 1970s studying metaphysics, delving also in oil painting, gardening, poetry and writing.
ā IMDb Mini Biography By: Gary Brumburgh
According to Laura Wagner, who wrote an article on Carol in āFilms of the Golden Ageā, Issue #81, Summer 2015, Carol befriended Harry Cohn, head of Columbia Pictures, who promised her the prostitute role in From Here to Eternity (1953). However, he eventually gave it to Donna Reed, who went on to win a Supporting Actress Oscar.
āWhen I left Hollywood back in the 1970s, I didnāt want to slam the door and padlock it. I was happy there in the early years. I was a star and flamboyant. I was successful and popular. I left because I was tired and wanted to find me. Iāve spent a decade being a quiet, ordinary person. Iāve found my peace, my secret garden . . . My life is not serene and Iām healthy in body, mind and spirit. And my talents are actively at work in many areas. Iāve never, never reviled Hollywood. I love the people, the talents, the joy of making movies much too much.ā-Carol Ohmart
As Pauline āPaulieā Nevins in The Scarlet Hour (1956), as Liz in Born Reckless (1958) As Annabelle Loren in House on Haunted Hill 1959, Marion Allison in The Scavengers 1959, as Madge in Wild Youth (1960) Emily in Spider Baby 1967, as Lisa Grimaldi inĀ The Spectre of Edgar Allan Poe 1974
Mala Powers
The daughter of a United Press executive, Mala Powers attended theMax Reinhardt Junior Workshop as a kid and fell in love with acting the first time she set foot on a stage. She made her film debut in Universalās 1942 Tough As They Come (1942) before actress Helene Thimig (Max Reinhardtās wife) convinced her to continue studying rather than become a child actress. Powers worked in radio (āCisco Kidā, āRed Ryderā, āThis Is Your F.B.I.ā, āLux Radio Theaterā, āScreen Guild on the Airā) and met actress Ida Lupino while working on the latter show; Lupino auditioned and approved Powers for the top role in Outrage (1950), made by Lupinoās Filmmakers production company. Powersā promising career was derailed by illness in the early ā50s; when she resumed work, it was as the āB queenā of Westerns and sci-fi flicks (and much TV). For many years she has been lecturing on and teaching the Michael Chekhov acting technique throughout the U.S.-bio by Tom Weaver
IMDb trivia- Best remembered film role was playing the lovely Roxanne opposite Oscar winner JosƩ Ferrer in Cyrano de Bergerac (1950). Also known for playing a rape victim in the landmark Ida Lupino film Outrage (1950). A sensitive subject, rape had not yet been given such a frank treatment in films, due to censorship.
Howard Hughes took a strong interest in Powers and put her under contract at RKO in the early 1950s. When her film career declined, she continued on radio, stage and TV.
[from a 1990 interview] āNo, Iām not pleased with my career; yes, I am pleased with my life. I just loved good roles: I would love to have done great big roles in great big āAā pictures, roles that had meat in them. Would any actress not like to play Scarlett OāHara in Gone with the Wind (1939)? From a career standpoint, of course thatās what I would like to have done. It never quite happened for me that way, but I had some wonderfully satisfying experiences, I learned a tremendous lot, I had a marvelous teacher, and who knows whatāll happen at this point? I donāt necessarily know that Iāve finished with acting.ā-Mala Powers
Mala happened to appear in two of my favorite quiet science fiction films, both particularly atmospheric, disturbing on several levels, and just quite interesting creepy storytelling. John Howard and Paul Richards co-star with Powers in The Unknown Terror. Powers plays Gina Matthews a woman who leads an expedition into a remote jungle to find her long-lost brother, but instead finds a mad scientist Dr. Ramsey (Gerald Milton) who has created a fungus monster that feeds on the local inhabitants. In The Colossus of New York, A brilliant surgeon Dr. William Spensser (Otto Kruger) encases his dead sonās brain (Ross Martin) in an imposing humanoid body, with dangerous resultsā¦
As Julie in Edge of Doom (1950) Ann Walton in Ida Lupinoās Outrage (1950) Gina Matthews in The Unknown Terror 1957, Anne Spensser in The Colossus of New York 1957, and Marlan Wood in Man on the Prowl (1957), Thriller (TV Series) ā The Bride Who Died Twice (1962) as Consuelo De La Varra, as Meg Stone in Daddyās Gone A-Hunting (1969)
Hazel Court
Hazel Court the red-headed green-eyed beauty has two nicknamesāthey are The Queen of Scream & The Gothic Fox
Born in Birmingham, England, Hazel Court carried on a love affair with the world of movies and make-believe that made her a leading student at her hometownās School of Drama and later helped her land a contract with the J. Arthur Rank Organisation. Graduating from bits to supporting roles to leads, Court worked in English films from the mid-ā40s until the early 1960s, when she relocated to Hollywood. The flame-haired Court was married to Irish actor Dermot Walsh before she married American actor-director Don Taylor.-bio by Tom Weaver
IMDb trivia-Twice in her career, Hazel Court played women whose bucolic vacations were interrupted by unfriendly space aliens, first in the feature film Devil Girl from Mars (1954) and, a decade later, in The Twilight Zone (1959) episode, The Twilight Zone: The Fear (1964), (released on 05-29-64)).
Her āhorror queenā popularity officially started with her role as Elizabeth in The Curse of Frankenstein (1957). Real-life daughter Sally Walsh played Elizabeth as a child.
While she had a substantial acting career both in England and on American TV, Court was perhaps best known for her work in such films as 1963ās The Raven (1963). She co-starred with Vincent Price, Boris Karloff and Peter Lorre in a Roger Corman take on the classic Edgar Allan Poe poem. Like other āscream queensā of the era, Courtās roles often relied on her cleavage and her ability to shriek in fear and die horrible deaths. Premature Burial (1962), The Masque of the Red Death (1964), The Curse of Frankenstein (1957) and Devil Girl from Mars (1954) helped propel her to cult status and brought her fan mail, even in her later years. Court had finished an autobiography, āHazel Court ā Horror Queenā, which will be published in Britain, said her daughter, Sally Walsh.
According to friend Ingrid Pitt, Court was Hammer Filmsā first major star.
One of Courtās biggest fans was writer Stephen King who mentions her in his various novels.
She and her second husband Don Taylor both appeared in Hammer films made during the 1950s. She appeared in The Curse of Frankenstein (1957) and The Man Who Could Cheat Death (1959) while Taylor appeared in The Men of Sherwood Forest (1954).
āJust in case I should pop off to heaven in the night, I always remember to wash up, punch up the cushions and straighten up after a dinner party. I wouldnāt want everyone to come in and find it a mess. Itās very English of me.ā-Hazel Court
āI always thought [Edgar Allan Poeās] work were wonderful, and I loved Gothic talesāso I guess I was a natural for those films-to-come . . . I used to stand in line with my parents at the local theater.ā-Hazel Court
[on The Man Who Could Cheat Death (1959)] āThe producers just said, We would like you to do this scene, where Anton Diffring is sculpting you, and we would like to make it a nude scene. Would you do it?ā It would only be shown in the European version, not in England. It really was just a lovely scene with him sculpting me, and I had no objection to that. But that nude scene is in the European versionāout there, somewhere!ā-Hazel Court[about her roles in the early 1950s] āItās very funny. In those days we did it all as a job. it was our job to go out and do the very best we could. Weād take each film as it came. Then analyze it, work on it, and do it. Never any tantrums . . . You enjoyed doing it, and you didnāt ever think of yourself as special. We were all just actors, together; we were glad of a job, and we did it.ā-Hazel Court
As Ellen Prestwick in Devil Girl From Mars 1954, Janine Du Bois in The Man Who Could Cheat Death 1959, Elizabeth in The Curse of Frankenstein 1957, Margaret Thornton in Ghost Ship 1952, as Nurse Linda Parker in Dr. Bloods Coffin 1961, Alfred Hitchcock Presents (TV Series) 1958-1961- The Pearl Necklace (1961) ā¦ Charlotte Jameson Rutherfordā Arthur (1959) ā¦ Helen Brathwaiteā The Avon Emeralds (1959) ā¦ Lady Gwendolyn Avonā The Crocodile Case (1958) ā¦ Phyllis Chaundry, Boris Karloffās THRILLER- The Terror in Teakwood as Leoni Vicek, as Emily Gault in Premature Burial 1962, as Lenore Craven in The Raven 1963, The Twilight Zone series 1964 āThe Fearā, as Juliana in The Mask of the Red Death (1964)
Susan Cabot
Susan Cabot was born in Boston and raised in a series of eight foster homes. She attended high school in Manhattan, where she took an interest in dramatics and joined the school dramatic club. Later, while trying to decide between a career in music or art, she illustrated childrenās books during the day and sang at Manhattanās Village Barn at night. It was at this same time that she made her film debut as an extra in Foxās New York-made Kiss of Death (1947) and worked in New York-based television. Maxwell Arnow, a casting director for Columbia Pictures, spotted Cabot at the Village Barn, and a co-starring role in that studioās B-grade South Seas drama On the Isle of Samoa (1950) resulted. While in Hollywood Cabot was also signed for the role of an Indian maiden in Universalās Tomahawk (1951) with Van Heflin. Subsequently signed to an exclusive contract by Universal, Cabot co-starred in a long string of films opposite leading men like John Lund, Tony Curtis and Audie Murphy. Inevitably, she became fed up with the succession of western and Arabian Nights roles, asked for a release from her Universal pact and accepted an offer from Harold Robbins to star in his play āA Stone for Danny Fisherā in New York. Roger Corman lured her back to Hollywood to play the lead in the melodramatic rock-ān-āroller Carnival Rock (1957) and she stayed on to star in five more films for the enterprising young producer-director. After a highly publicized 1959 fling with Jordanās King Hussein, Cabot divided her time between TV work and roles in stage plays and musicals.-mini bio by Tom Weaver
IIMDb trivia In 1957 Susan returned to films after signing an exclusive contract with producer Roger Corman. The two briefly dated as well.
Her personal life included a well publicized relationship with King Hussein of Jordan in 1959, which ended when he found out that she was Jewish.
A biopic on her life titled āBlack Oasisā was announced in 2007, with Stephan Elliott directing and Rose McGowan starring as Cabot. The project never materialized.
In 1968, she married her second husband, actor Michael Roman, but the marriage broke up in the early 1980s, in part due to Cabotās increasing mental fragility and paranoia. Cabot had reportedly been taking a growth hormone prescribed for her son, possibly a factor in heightening her mental illness.
More bizarre than anything Roger Corman could have cast her in, Susan Cabotās death is horrificā¦ I would have loved to see Black Oasis filmed, especially with Rose McGowan in the feature role as Cabot.
In 1964 she gave birth to her son, Timothy, who suffered from dwarfism. He bludgeoned her to death with a weightlifting bar while she slept in the bedroom of her Encino (CA) home. He was charged with involuntary manslaughter but cited years of mental and physical abuse by her as his defense. He received a three-year suspended sentence and was placed on probation for the crime.
ā[about Roger Corman] He gave me a lot of freedom, and also a chance to play a lot of parts that Universal would never have given me. Oddball, wacko parts, like the very disturbed girl in Sorority Girl (1957) and things like that. I had a chance to do moments and scenes that I didnāt get before.ā -Susan Cabot
As Janice Starlin in The Wasp Woman (1959), as Sybil Carrington in War of the Satellites (1958)
Marla English
Marla English was born Marlene Gaile English in San Diego, Califonia, on January 4, 1935. She was the daughter of Bertha Lenore and Arthur H. English, and Marla was the nickname given to her by friends of the family who took care of her when her mother fell ill in 1939. She began modeling at the age of 12, and became a member of San Diegoās Globe Theatre while a sophomore in high school, and played roles in their productions of āMad Woman of Chaillotā and āCricket on the Hearthā while continuing her modeling career. Paramount Pictures signed her to a contract in the fall of 1952, and she had parts in five Paramount films.-Mini Bio by Les Adams
Girl at Songwriterās Party (uncredited) in Alfred Hitchcockās Rear Window (1954), As Patty Winters in noir favorite Shield for Murder with Edmund OāBrien (1954), As Marilyn Blanchard in Voodoo Woman 1957, as Andrea Talbott/ Elizabeth Wetherby in The She-Creature 1956, as Audrey Barton aka Lola Marshall in Runaway Daughters (1956) as Vicki Craig in Three Bad Sister (1956)
Louise Lewis
Louise Lewis was born on October 18, 1914, in Council Bluffs, Iowa, USA. She was an actress, known for I Was a Teenage Werewolf (1957), True Confessions (1981), and Ben Casey (1961). She was married to Jerry Lewis, Robert H. Harris, and Jerry Rosenthal. She died on September 11, 1996, in Los Angeles, California, USA.
As Principal Ferguson in I Was a teenage Werewolf 1957, as Miss Branding in Blood of Dracula 1957, as Mrs Miller in The Vampire 1957. Lewis made many appearances in television shows such as The Adventures of Superman (1955)series, Climax! (1955) series, Public Defender (1955) series, Dragnet (1956) series, Lux Video Theatre, Studio 57, Leave it to Beaver (1957), Mike Hammer (1959) series, M Squad (1959) series, The Eleventh Hour (1963) series, Perry Mason (1963), Ben Casey (1962-64), The Streets of San Francisco (1972), as Nurse Bascomb on Medical Center (1969-1975), The Rockford Files (1975) series, Charlieās Angels (1979), Quincy M.E. (1979-1983) V tv series (1985), Columbo (TV Series) ā Murder in Malibu (1990) ā¦ Mrs. Gompertz (as Louise Fitch)
Gloria Castillo
Gloria Castillo was born on July 2, 1933, in New Mexico, USA. She was an actress, known for The Night of the Hunter (1955), Invasion of the Saucer Men (1957), and Reform School Girl (1957). She was married to Ellis Kadison. She died on October 24, 1978, in Los Angeles, California, USA.
As Joan Hayden in Invasion of the Saucer Men 1958, as Kathy North in Teenage Monster 1958, as Donna Price in Reform School Girl 1957, Ruby in Night of the Hunter (1955), Alfred Hitchcock Presents (TV Series) ā The Return of the Hero (1958) ā¦ Lili
Carolyn Jones
Carolyn Jones was born on April 28, 1930, in Amarillo Texas. Her father took off on her mother and sister Bette. Too sick from Asthma to go to the movies, Carolyn would listen to Danny Kaye and Spike Jones on the radio and read fan movie magazines. She had always wanted to attend the Pasadena Playhouse and she was lucky enough to have her grandfather play for her classes because she had won so many awards at school for her speech, poetry, and dramatics lessons. In 1947, she was accepted as a student at the Pasadena Playhouse. She began working in summer stock theater and graduated in 1950. Carolyn put herself through the rigors even getting plastic surgery on her nose. Ironically, she played a very serious role as Evy Schaller in Dr. Kildareās āThe Mast Makersā about this very subject. Jones deserved an Emmy for her emotional performance of a woman coming to the point of a breakdown when she isnāt quite ready to become the object of menās desires and lose her inner identity in the process.
Discovered by a talent scout at Paramount and given a screen test, which was a success. Her first role was in The Turning Point (1952), and she was given a 6-month contract, but Paramount let it lapse because the film industry was feeling the hit from the advent of television. Carolyn Jones joked āThey let me and 16 secretaries go!ā
Jones started working in television but kept busy on stage also, where she met Aaron Spelling and the two became an item. Her big breakthrough came with the release of House of Wax (1953) starring Vincent Price in 3D. The film got excellent reviews. Spelling and Jones married in April 1953. She made the decision not to have any children, having to make a choice between them and her career.
Columbia Pictures had seen her and wanted her to test for the part of the prostate Alma Burke in From Here to Eternity (1953), but lost out to Donna Reed when she got severely ill with pneumonia. Reed won an Academy Award for the role.
Next, she appeared in the science fiction classic weāre talking about here, Don Siegelās Invasion of the Body Snatchers (1956) perhaps one of the top ten quintessential films of the genre to date, remade with its own pretty creepy vibe in 1978. Body Snatchers was definitely a not so coded allegory about the dangers of McCarthyism and the fear of communism that was rampant in the 1950s. Alfred Hitchcock cast her in The Man Who Knew Too Much (1956) co-starring James Stewart and Doris Day.
Carolyn is the one who pushed Aaron Spelling to become a writer, helping to promote his scripts, and he was eventually hired by Dick Powell. She appeared in The Bachelor Party (1957) āJust say you love me ā you donāt have to mean itā She dyed her hair black and cut it short, giving herself that signature stunning look and she won a Golden Globe Award for her performance. Then she was cast in Marjorie Morningstar (1958) and starred with Elvis in King Creole (1958) and then in a more serious role in Career (1959).
Carolyn and Aaron had an amicable divorce in 1964 as their careers went in separate directions. It was soon after that she would carve out the role, sheāll be remembered for the mostāthe seductive vamp Morticia Addams in The Addams Family (1964) with episodes that were an exposition of the lurid chemistry between Morticia and her husband Gomez played by John Astin. Though the show was a huge success they decided to cancel it after only 2 years. Carolyn Jones had already been typecast, though her fans were many, and Iām certainly one of them!
She auditioned for Threeās Company (1976) but lost the role of Mrs. Helen Roper to Audra Lindley.
In The Addams Family TV show, she also played the female version of Thing Lady Fingers and also played her own twin sister Ophelia Frump.
āIām in love with everything about show business. The only thing that ever came easy to me in life has been acting.ā-Carolyn Jones
āThe best thing about me is that I am generally very honest ā not hurtfully honest, but honest. The worst thing about me is that everybody can make me feel guilty. I feel responsible about things that donāt even concern me.ā-Carolyn Jones
She died on August 3, 1983, from terminal cancer. Carolyn told her sister that she wanted her epitaph to be āShe gave joy to the world.āĀ And that she did, for so many of us who enjoy her bright-eyed brand of individuality.
As Theodora āTeddyā Belicec in Invasion of the Body Snatchers 1956, various film noir, Eaten Alive 1976, Kolchak: The Night Stalker (TV Series) as The Registrar- Demon in Lace (1975)Ā Circle of Fear (TV Series) Martha Alcottā The Summer House (1972) Batman (TV Series) Marsha, Queen of Diamonds 1966-67, The Addams Family (TV Series)
Morticia Addams / Ophelia Frump / Lady Fingers
Ann Doran
Ā
Ann Doran is one of those character actors that is ubiquitous. Youād have to look at her extensive IMDb credits beginning in silent films sheās appeared in hundreds of silent films, motion pictures, and over 1000 television programs āto get the full picture of her contribution to film and television. Sheās appeared in 3 of my favorite science fiction films and so she deserves a place here. A few favorites-Blind Alley (1939), The Man They Could Not Hang (1939) His Gal Friday (1940) Mr. Skeffington (1944), The Strange Love of Martha Ivers (1946), Fear in the Night (1947), The Snake Pit (1948), The Accused (1949), Lonely Heart Bandits (1950) The People Against OāHara (1951), Rebel Without a Cause (1955) and on an onā¦
As an uncredited child psychiatrist in Them! 1954, Mrs.Ford in The Man Who Turned to Stone 1957, as Mary Royce in It, The Terror from Beyond Space 1958
Jean Willes
Jean Willes was born Jean Donahue in Los Angeles on April 15, 1923, and is best known as a B movie actress in the 1950s and 60s, and her foray into television. Sheās voluptuous and seemingly kindhearted, though she often played the tough girl persona. She reminds me a bit of Barbara Nichols who also has a sweetness, though sheād play harder-edged blondes. Both I find so incredibly likable to watch. In 1942 she starred in comedy film shorts for Columbia using her real name Jean Donahue. She often played the sexy compliment to comics like Eddie Foy Jr and The Three Stooges. Willes married a professional wrestler in 1947 and began using her married name co-starring in Revenue Agent (1950) with Douglas Kennedy and in one of Johnny Weissmullerās āJungle Jim features, though she didnāt give up on her comedic shorts.
Being blonde and buxom Willes gained cheesecake status in Hollywood, in film and television. She got cast with Bob Hope in the comedy Son of Paleface (1952) and in the war drama From Here to Eternity (1953).
Then she got to play Nurse Sally Withers in Invasion of the Body Snatchers (1956) who falls pray to the alien pod conspiracy and in another wonderful role, she plays one of the four outstanding actresses competing for Clark Gableās affection in The King and Four Queens (1956)
After getting fewer roles in the 1960s She appeared in the occasional film, a small part in Oceanās 11 (1960), The Cheyenne Social Club (1970), and Bite the Bullet (1975) She retired in 1976. Willes died of liver cancer in 1989, and she never really got the chance to rise to the level of start that she was capable of or deserved.
āI seem to get along with everybody and that helps because in TV itās always a tight schedule. Youāve heard the crack about the TV producer who got impatient because some actress wasnāt satisfied with a scene. āLookā, he shouted, āI donāt want it goodāI want it Thursdayā. Well, thatās the way it is in a lot of these TV series.ā-Jean Willes
The King and Four Queens 1956 with Clark Gable and Eleanor Parker- Above she appears with Barbara Nichols another wonderful underrated blonde beauty and Jo Van Fleet.
As Venusian Captain Olivia in Abbott & Costello Go To Mars 1953, as nurse Sally Withers in Invasion of the Body Snatchers 1956, as tough gal Tracy in The Man Who Turned to Stone 1957, Science Fiction Theatre (TV Series) Virginia Kincaid- The Stones Began to Move (1955) āThe Alfred Hitchcock Hour (TV Series) Eva- Death of a Cop (1963) The Twilight Zone (TV Series) Ethel McConnellā Will the Real Martian Please Stand Up? (1961)
Sally Fraser
Sally Fraser was born in Williston North Dakota on December 12, 1932. She moved to Southern California with her family, the youngest of five. When she was young she wanted to sing and joined her church choir while taking voice lessons. She was spotted after singing on a local TV show, and so she was encouraged to take some drama lessons where she got experience in local and summer stock plays, including William Ingeās Bus Stop with Marie Wilson, and Separate Tables with Don Porter and Signe Hasso.
Sally got a bit role in films with her debut in All I Desire (1953). Then came her female lead opposite Edmund Gwenn in the fantasy Itās a Dogās Life (1955) Then she found herself cast in low-budget science fiction films like Roger Cormanās It Conquered the World (1956) where she plays Peter Gravesās wife who becomes taken over by the aliens invading the Earth. She appeared in War of the Colossal Beast in 1958, and a very small part as a mother protecting her baby from the menacing spider in Earth vs The Spider 1958. Then came Giant from the Unknown 1958, and the exploitation film Roadracers 1959. Sally did appear in Alfred Hitchcockās North by Northwest 1959 and another small role in Elmer Gantry starring Burt Lancaster.
IMDb trivia āWas the original āBetty Andersonā on āFather Knows Bestā in the pilot. They went with Elinor Donahue in the series because they wanted someone younger.
Peggie Castle was originally cast in It Conquered the World (1956) but had to pull out of the movie. Roger Corman asked for Sally but she was already several months pregnant. Corman saw her, thought she would be fine and worked around her scenes with close-ups. The movie took five days to shoot.
āPeople are still interested in many of [my] films. Anyone can watch Giant from the Unknown (1958), for example, and still find it a pleasant and fun way to pass an hour or so, and I am proud of that.āā Sally Fraser
It has to be said that Sally Fraser earned the right to claim cult status, a beautiful blonde menaced by giant spiders and insidious aliens. She left her imprint on the science fiction genre of the 1950s
As Joan Nelson in It Conquered the World 1956, reprises the role as Joyce Manning in War of the Colossal Beast 1958, Earth vs the Spider 1958, Giant from The Unknown 1958,Ā One Step Beyond (TV Series) Ann- To Know the End (1960).
Kim Parker
IMDb- Kim Parker was born on June 3, 1932 in Vienna, Austria as Herta Padawer. She was an actress, known for The Good Companions (1957), Fire Maidens of Outer Space (1956) and The Man Without a Body (1957). She was married to Terry J. Howell and Paul Carpenter. She died on December 23, 2010 in Las Vegas, Nevada, USA.
IMDb trivia āEntered England as a refugee from Austria in 1945, having spent time in a German concentration camp.
Appeared on the cover of Picturegoer magazine in November 1956.Began her career as a freelance illustrator and model before being signed by Rank.
As a Fire Maiden in Fire Maidens of Outer Space 1956, as the maid Suzanne in The Man Without a Body 1957, as Barbara Griselle in Fiend Without a Face 1958.
June Kenney
June Kenney was born on July 6, 1933 in Boston, Massachusetts, USA as June Claire Kenney. She is an actress, known for The Spider (1958), Attack of the Puppet People (1958) and Bloodlust! (1961). She was previously married to Lee A. Sebastian. Once worked as an usherette at Graumanās Chinese Theatre in Hollywood.
As Sally Reynolds in Attack of the Puppet People 1958, Carol Flynn in Earth vs The Spider 1958, as Asmild in The Saga of the Viking Women and their Voyage of the Great Sea Serpent 1957, Bloodlust! 1961, Thriller (TV Series) The artist girl- Waxworks (1962).
Cathy Downs
Cathy Downs was born in Port Jefferson, Long Island New York-not too far from where I was born and raised.
A pleasant, attractive leading lady, Cathy Downs was an āoutdoors typeā who worked as a model before she became a Fox contract player in 1944. In the late 1940s she was being groomed for major success ā e.g., she played the title role in John Fordās My Darling Clementine (1946) ā but most of her subsequent movie roles were in low-budget westerns, action and horror pictures. She was married to Joe Kirkwood Jr., an actor and producer who played Joe Palooka in a series of low-budget 1940-ā50s films. They acted together in a short-lived TV series The Joe Palooka Story (1954).
She is well-regarded in science-fiction fan circles as a memorable heroine of 1950s sci-fi flicks.-mini bio by Jeff Frentzen
As Lois King in The Phantom from 10,000 Leagues (1955) As Dorothy Chappel in The She-Creature 1956, as as Carol Forrest in The Amazing Colossal Man 1957 as June Saxton in Missile to the Moon 1958 and as Mari Cathcart in Henry Hathawayās film noir masterpieceĀ The Dark Corner 1946.
Special Credit too!
Susan Morrow as Lambda in Cat Women on the Moon 1953, as Sylvia Stevenson in Macabre 1958
Margaret Sheridan as Nikki Nicholson in The Thing From Another World 1951
Helena Carterā as Dr. Pat Blake in Invaders From Mars 1953
Joan Weldonā as Dr. Patricia Medford in Them! 1954
Joan Taylorā as Carol Marvin in Earth vs the Flying Saucers 1956, as Marisa Leonardo in 20 Million Miles to Earth 1957,
Ann Robinsonā as Sylvia Van Buren in The War of the Worlds 1953
Donna Martellā as Colonel Briteis in Project Moon Base 1953, Men into Space tv series 1959,
Eva Bartokā Spaceways 1953, as Paula Wendt in The Gamma People 1956, as Contessa Christiana Cuomo in Blood and Black Lace 1964
Kathleen Crowleyā as Nora King in Target Earth 1954, The Rebel Set 1959
Virginia Grey as Vicki Harris in Target Earth 1954, Science Fiction Theatre (TV Series) ā The Water Maker (1955) ā¦ Sheila Dunlap, Black Zoo 1963, as Candy the Madame in The Naked Kiss 1964
Susan Douglas Rubesāas Roseanne in Five (1951), Lights Out tv series āNight Walkā 1952 The Unforeseen tv series 1958-60
Mari Blanchardā As Allura in Abbott and Costello Go to Mars 1953, Twice-Told Tales 1963
Joyce Meadowsā as Sally Fallon in The Brain from Planet Arous 1958, Alfred Hitchcock Presents (TV Series) 1959-61ā The Throwback (1961) ā¦ Enid- A Night with the Boys (1959) ā¦ Frances Randallā The Last Dark Step (1959) ā¦ Janice Wright
Angela Stevensāas Joyce Walker in Creature with the Atomic Brain 1955, noir The Naked Street 1955, The Hoodlum 1951, The Wild One 1953
Adele JergensāĀ as Boots Marsden in Bud Abbott and Lou Costello Meet the Invisible Man 1951, as Ruby in Day the World Ended (1955), Girls in Prison 1956
Lorna Thayerā as Carol Kelley in The Beast with 1,000,000 Eyes (1955)
Paula Raymondā as Lee Hunter in The Beast from 20,000 Fathoms (1953), Hand of Death 1962, Five Bloody Graves 1969, Blood of Draculaās Castle 1969
Nancy Reaganāas Janice Corey inĀ Donovanās Brain 1953
Betsy Jones-Moreland as Jan -Raoulās Assistant (uncredited) in Screaming Mimi 1958, Evelyn Gern in The Last Woman on Earth 1960, Mary-Belle Monahan in Creature from The Haunted Sea 1961, The Outer Limits (TV Series) 1964 āThe Mutantā as Julie Griffith
Anne Gwynne as Ruth Cannon in Teenage Monster (1958)
Patricia Manningā as Ann Russell in The Hideous Sun Demon 1958, Men Into Space tv series 1959, Thriller (TV Series)- The Closed Cabinet (1961) ā¦ Lady Beatrice,Ā The Alfred Hitchcock Hour (TV Series)- The Trap (1965) ā¦ Jenifer Arnold
Phyllis Kirkā as Sue Allen in House of Wax 1953, Tales of Tomorrow (TV Series),ā Age of Peril (1952) ā¦ Irene Chappell, Suspense (TV Series)- The Moonstone (1954), Alfred Hitchcock Presents (TV Series)ā The Cheney Vase (1955) ā¦ Pamela Waring
Joyce Terry ā as Jan Groves in The Neanderthal Man 1953
Doris Merrickā as Sandra in Untamed Women 1952, as Ruth Marshall in The Neanderthal Man 1953
Joanna Moore-Monster on the Campus 1958, Countdown 1967, Alfred Hitchcock Presents (TV Series) 1958-1962ā Most Likely to Succeed (1962) ā¦ Louise Towers- No Pain (1959) ā¦ Cindy Rainey-Invitation to an Accident (1959) ā¦ Virgilia Pondā Post Mortem (1958) ā¦ Judy Archer, 1964-1965 The Alfred Hitchcock Hour (TV Series)- Crimson Witness (1965) ā¦ Madeleineā Who Needs an Enemy? (1964) ā¦ Danielle
Sally Forrestā as Blanche de Mailtroit in The Strange Door 1951 with Charles Laughton!
Rita Cordayā as Countess Elga von Bruno in The Black Castle 1952
Peggy Castleā as Carla Sanford in Invasion U.S.A 1952, as Audrey Aimes in Beginning of the End 1957
Andrea Kingā as Linda Cronyn in Red Planet Mars 1952
Paula Raymondā as Lee Hunter inĀ The Beast from 20,000 Fathoms (1953), as Carol Wilson in Hand of Death 1962, as Kansas Kelly in Five Bloody Graves 1969, as Countess Townsend in Blood of Draculaās Castle 1969
Aneta Corsautā as Jane Martin in The Blob (1958)
Margia Dean āas Mrs Benson in Superman and the Mole Men 1951, 2nd Brunette āWatcher in the Woodsā in Mesa of Lost Women 1953, as Mrs. Judith Carroon in The Quartmass Xperiment (1955)
Lori Nelsonā as Louise Maddison in Day the World Ended 1955, as Jane Lowe in Untamed Youth 1957
Marguerite Chapmanā as Alita in Flight to Mars 1951, as Stella Tracy in Man Bait 1952, Science Fiction Theatre (TV Series) The World Below (1955) ā¦ Jean Forester
Alix Taltonā as Marge Blaine in The Deadly Mantis 1957
Sandra Harrisonā as Nancy Perkins in Blood of Dracula 1957
Toothy Sandra!
Charlotte AustināAs Audrey Baxter in Gorilla at Large 1954, as Carol Adams in The Man Who Turned to Stone 1957,as Laura Carson Fuller in The Bride and the Beast 1958, Frankenstein 1970
Tina Carverā as Dr. Terry Mason inĀ From Hell it Came 1957, as Big Marge Collins in The Man Who Turned to Stone 1957
Linda Watkinsā as Mrs. Mae Kilgore inĀ From Hell it Came 1957, as Mrs.Schumacher in Bad Ronald 1974, Thriller (TV Series) A Wig for Miss Devore (1962) ā¦ Arabella Footeā The Terror in Teakwood (1961) ā¦ Sylvia Slatteryā The Cheaters (1960) ā¦ Maggie Henshaw, The Munsters (TV Series)Ā āAutumn Croakusā (1964) ā¦ Lydia Gardner
Yvonne Limeā as Arlene Logan in I Was a Teenage Werewolf 1957, as Joyce Martin in High School Hellcats 1957
April Kentā as Grace Hoydt stewardess in I Lived Before 1956, as Clarice Bruce in The Incredible Shrinking Man 1957
Pamela Duncanāas Diana Love/Helena in The Undead 1957, as Martha Hunter in Attack of the Crab Monsters 1957, Thriller (TV Series)ā The Twisted Image (1960) ā¦ Sue
Claudia Barrettā Robot Monster 1953 as Alice
Kathleen HughesĀ Ā It Came from Outer Space 1953, Cult of the Cobra 1955, as Valerie Craig in Three Bad Sisters (1956) Alfred Hitchcock Presents (TV Series) Vicious Circle (1957) ā¦ Ann Nashā The Better Bargain (1956) ā¦ Marian Koster
Dolores Fuller Blonde āWatcher in the Woodsā in Mesa of Lost Women (1953), Marilyn Gregor in Jail Bait 1954, Margie in Bride of the Monster 1955
Angela Stevens as Joyce Walker in Creature with the Atom Brain 1955
Gianna Marie Canaleā as Giselle du Grand/ Margherita du Grand in Lust of the Vampire 1957
Nan Petersonā As Trudy Osborne in The Hideous Sun Demon 1958,Ā The Twilight Zone (TV Series)āFrom Agnes ā with Love (1964) ā¦ Secretary (uncredited)ā The Whole Truth (1961) ā¦ Young Womanā The Night of the Meek (1960) ā¦ Blonde in Bar (uncredited)- Walking Distance (1959) ā¦ Woman in Park
Joyce Holdenā as Amy Standish in The Werewolf 1956, Science Fiction Theatre (TV Series)ā Signals from the Heart (1956) ā¦ Alma Stark ā The Brain of John Emerson (1955) ā¦ Joan Emerson
Nancy Gatesā The Atomic City 1952, World Without End 1956, Science Fiction Theatre (TV Series)ā Marked āDangerā (1955) ā¦ Lois Strand, Alfred Hitchcock Presents (TV Series)- Portrait of Jocelyn (1956) ā¦ Debbie Halliday- Salvage (1955) ā¦ Lois Williams
Sheila Noonanā as Gypsy Boulet in Beast from Haunted Cave 1959, as Lauri Talbott in The Incredible Petrified World 1959, as a Yellow Door patron in A Bucket of Blood 1959
Jean Byronā Invisible Invaders 1959, Science Fiction Theatre (TV Series)ā The Miracle Hour (1956) ā¦ Cathy Parker- One Thousand Eyes (1956) ā¦ Ada March- The Long Day (1955) ā¦ Laura Gilmore- The Human Equation (1955) ā¦ Nan Guild and Pat in Columbo episode Ransom for a Dead Man 1971
Arlene Dahlāas Carla Goteborg in Journey to the Center of the Earth 1959, as Connie in The Deadly Dream 1971 tv movie
Ingrid Goudeā as Ann Graigis in The Killer Shrews 1959
Diane Bakerā as Jenny Lindenbrook in Journey to the Center of the Earth 1959, as Carol Cutler in Strait-Jacket 1964, The Invaders (TV Series) ā Beachhead (1967) ā¦ Kathy Adams, as Peggy Pulska in The Man Who Cried Wolf 1970 tv movie, Night Gallery (TV Series)ā Theyāre Tearing Down Tim Rileyās Bar/The Last Laurel (1971) ā¦ Lynn Alcott (segment āTheyāre Tearing Down Tim Rileyās Barā), and of course as Senator Ruth Martin in The Silence of the Lambs 1991
June Cunninghamā as Joan Berkley in Horrors of the Black Museum 1959
Jeanne Carmenā as Lillibet in Untamed Youth 1956,as Lucille Sturgess in The Monster of Piedras Blancas 1959
Yvonne Furneauxā as Isobel Banning in The Mummy 1959, as Gilda Larsen in The Death Ray of Dr. Mabuse 1964, as Helen in Repulsion 1965
Judith Evelynā Mrs. Martha Ryerson Higgins in The Tingler 1959, as Sister Marie Corbin in The 13th Letter 1951, Suspense(TV Series) ā The Sister (1953)- The Lonely Place (1951)- The Far-Off House (1951) ā¦ Mrs. Collins- Escape This Night (1951)- No Friend Like an Old Friend (1951), Alfred Hitchcock Presents(TV Series) ā Martha Mason, Movie Star (1957) ā¦ Mabel McKayā Guilty Witness (1955) ā¦ Amelia Verber,Thriller (TV Series)- What Beckoning Ghost? (1961) ā¦ Mildred Adler Beaumont
Patricia Cuttsāas Isabel Stevens Chapin in The Tingler 1959, Alfred Hitchcock Presents (TV Series)ā Flight to the East (1958) ā¦ Barbara Denim
Inger Stevensā The World, The Flesh and The Devil 1959, Alfred Hitchcock Presents (TV Series)ā My Brother, Richard (1957) ā¦ Laura Ross, The Twilight Zone (TV Series)- The Lateness of the Hour (1960) ā¦ Jana- The Hitch-Hiker (1960) ā¦ Nan Adams, The Alfred Hitchcock Hour (TV Series) ā Forecast: Low Clouds and Coastal Fog (1963) ā¦ Karen Wilson
Susan Shawā As Hestia in Fire Maidens of Outer Space 1956
Sally Todd as Natalie Andries in The Unearthly (1957), as Suzie Lawlor in Frankensteinās Daughter (1958), as Sanda in The Saga of the Viking Women and their Voyage to the Waters of the Great Sea Serpent (1957)
Ā
Ā
Marian Carrā as Eva Martin in Indestructible Man 1956
Cynthia Patrickāas Adad in The Mole People 1956
Leigh Madisonā as Jean Trevethan in The Giant Behemoth 1959
Lee Meriwetherā as Linda Davis in The 4D Man (1959)
Constance Dowlingā as Joanna Merritt in Gog 1954, Lights Out (TV Series)ā Death Is a Small Monkey (1952)- The Angry Birds (1951) ā¦ Adele Bryan
Nora Hayden.The Angry Red Planet 1959 as Iris āIrishā Ryan
Patricia Owensā as a Party Girl in Ghost Ship 1952, as Helene Delambre in The Fly 1958, Alfred Hitchcock Presents (TV Series)ā The Crystal Trench (1959) ā¦ Stella Ballister
Patricia Laffan āDevil girl from Mars 1954
Barbara Payton-Mrs. Dina Van Gelder in Bride of the Gorilla 1951, as Lena & Helen in Four Sided Triangle 1953
Barbara Lawrenceā As Vera Hunter in Kronos 1957
Julia Arnallā as Jean Cramer in The Man Without a Body 1957
Peggy Cumminsā as Kitty in Meet Mr. Lucifer 1953, As Joanna Harrington in Curse of the Demon 1957 as sociopath Annie Laurie Starr in Gun Crazy (1950)
Valerie Frenchā as Eve Wingate in The 27th Day 1957, as Alison Drake inĀ The Four Skulls of Jonathan Drake 1959
Marilyn BuferdĀ Queen of Outer Space 1958 as Odeena, as Dr. Sharon Gilchrist in The Unearthly (1957)
Coleen Grayā as Carol Butler in The Vampire 1957, as Liara in The Phantom Planet 1961
Beverly Tylerā as Sarah Adams in Voodoo Island 1957
Leigh SnowdenĀ The Creature Walks Among Us 1956, as Lois Gordon in Iāve Lived Before 1956, as Terri Warren in Hot Rod Rumble 1957
Andra Martināas Linda Madison inĀ The Thing That Couldnāt Die 1958
Carolyn KearneyĀ Hot Rod Girl 1956 as Judy, The Thing That Couldnāt Die 1958 as Jessica Burns, Alfred Hitchcock Presents (TV Series)- You Canāt Be a Little Girl All Your Life (1961) ā¦ Julie Barton, Thriller (TV Series)ā The Incredible Doktor Markesan (1962) ā¦ Molly Bancroft
Autumn Russellā as Cleo in Untamed Women 1952, as Jan Peters in The Zombies of Mora Tau 1957
Rosita ArenasĀ as Flor Almada/ XochitlĀ inĀ The Aztec Mummy against the Humanoid Robot 1958
Joanna Leeā as Tanna in Plan 9 From Outer Space 1959, as Alice Summers in The Brain Eaters 1958
Betta St. John The Snorkel 1958 as Jean Edwards, Corridors of Blood 1958 as Susan, Horror Hotel aka The City of the Dead 1960 as Patricia Russell
Adrienne Corri in Corridors of Blood 1958, Devil Girl from Mars 1954
Venetia Stevenson as Nan in Horror Hotel
Elaine Edwardsā The Bat 1959 as Dale Bailey
Agnes Moorehead as Cornelia Van Gorder in The Bat 1959
Lenita Lane as Alice Prentiss in The Mad Magician 1954, as Lizzie in The Bat 1959
Mary Murphyā When Worlds Collide 1951, The Atomic City 1952, As Karen Lee in The Mad Magician 1954
Sandra Knightā as Trudy Morton in Frankensteinās Daughter 1958, as Mistress Shore in Tower of London 1962, as Helene / the ghost of Ilsa the Baroness Von Leppe in The Terror 1963, as Donna Allen in Blood Bath 1966
Debra Pagetā as Virginia Nicholl in From the Earth to the Moon 1958, as Helene in āThe Case of M. Valdemarā Tales of Terror 1962, as Ann Ward in The Haunted Palace 1963
Patricia Jessel as Elizabeth Selwyn in Horror Hotel aka City of the Dead
Jean Kentā The Haunted Strangler 1958 as Cora Seth
Peggy Maurer I Bury the Living 1958 as Ann Craig
Patricia Blair The Black Sleep 1956 as Laurie Monroe
Kim Spalding It, The Terror from Beyond Space 1958 as Col. Van Heusen
Irish McCallaĀ She Demons 1958 as Jerrie Turner
Angela Greene Night of the Blood Beast 1958 as Dr. Julie Benson
Ava Gardner On the Beach 1959 as Moira Davidson
Zsa Zsa Gabor- Queen of Outer Space 1958, Picture Mommy Dead 1966, Night Gallery (TV Series)
Mrs. Moore (segment āThe Painted Mirrorā)ā The Messiah on Mott Street/The Painted Mirror (1971) ā¦ Mrs. Moore (segment āThe Painted Mirrorā), Batman (TV Series)-Minerva- Minerva, Mayhem and Millionaires (1968) ā¦ Minerva- The Entrancing Dr. Cassandra (1968) ā¦ Minerva (uncredited)
Norma Eberhardt The Return of Dracula 1958 as Rachel Mayberry
Eunice Gayson The Revenge of Frankenstein 1958 as Margaret
Peggy Webber The Screaming Skull 1958 as Jenni Whitlock
Gaby Andre The Cosmic Monsters 1958 aka The Strange World of Planet X as Michele Dupont
Jan Holden as a Fire Maiden in Fire Maidens of Outer Space 1956, as young girl -uncredited in Enemy from Space 1957 Journey to the Unknown 1968 tv series Girl of My Dreams as Mrs. Wheeler, as Peggy in Horror House 1969, as Ballardās secretary in Dominique 1979
Jane Hylton as Linda Stanford in The Manster 1959, Circus of Horrors 1960 as Angela, One Step Beyond (TV Series) Joan Morrison- The Room Upstairs (1961)
Jan Sterling 1984 (1956) as Julia of the Outer Party
Phyllis Coates as Lois Lane in Superman and the Mole-Men 1951, as Mrs. Mulfory in Invasion U.S.A. (1952), Science Fiction Theatre (TV Series) āBarrier of Silence (1955) Karen Sheldon, Margaret in I Was a Teenage Frankenstein 1957, Dale Marshall in The Incredible Petrified World 1959
Merry Anders ā as Amy Hansen in The Night Runner (1957), Death in Small Doses (1957), as Dodie Wilson in The Hypnotic Eye (1960), Nancy Campbell in House of the Damned (1963),Ā as Lt. Karen Lamont in 1966 Women of the Prehistoric Planet
Sara Leighton The Woman Eater 1958
Lisa Simone as Lisa in The Giant Gila Monster 1959, as a moon girl in Missile to the Moon 1958
Loretta King Bride of the Monster 1955 as Janet Lawton
Didi Sullivan Caltiki, the Immortal Monster (1959) as Ellen Fielding
Jennifer Jayne The Crawling Eye 1958, as Sarah Pilgrim Dr. Terrorās House of Horrors 1965 as Nicolle Carroll in the vampire sequence Hysteria 1965 as Gina McConnellĀ
Janet Munro The Crawling Eye 1958, as Anne Pilgrim The Day the Earth Caught Fire 1961 as Jeannie Craig
Mona McKinnon as Paula Trent in Plan 9 From Outer Space (1959)
Osa MassenĀ as Dr. Lisa Van Horn in Rocketship X-M (1950)
Shirley KilpatrickĀ as The She-Monster in The Astounding She-Monster 1957
Shirley Patterson World Without End 1956, The Land Unknown 1957, as Ann Anderson in It, the Terror from Beyond Space 1958
Momoko KĆ“chi as Emiko Yamane in Godzilla 1954, as Emiko in Godzilla King of the Monsters! 1956, as.Hiroko Iwamoto as Hiroko Iwamoto in The Mysterians 1957, as the girl in Half Human (1958)
Margaret Field The Man from Planet X 1951, as Enid Elliot, Captive Women 1952 as Ruth
Marilyn Nash as Dr. Joan Lindsey in Unknown World 1951
Jan Shepard as Nan Grayson in Attack of the Giant Leeches 1959, Science Fiction Theatre (TV Series)
ā The Strange Lodger (1957) ā¦ Maggie Dawes ā The Throwback (1956) -Marie Adler- The Lost Heartbeat (1955)Ā Joan Crane
Maila Nurmi(Vampira)- as Vampire girl in Plan 9 From Outer Space 1959, as The Poetess in The Beat Generation 1959
Dolores Dorn and Patricia Medina in Phantom of the Rue Morgue 1954